Kaze no Tani no Nausicaä (Nausicaä of the Valley of the Wind)

May 27, 2009

59 of 59 chapters read

Overall Rating: 10

MelonSama (All reviews)

167 people found this review helpful

Nausicaä of the Valley of the Wind is not a very popular manga, and it is a shame at that. For those of you who enjoyed the movie (the film only barley skims the surface of the first and second volume), I highly suggest taking the time to finding the series and reading it, 7 volumes in all.

Nausicaä was written and illustrated by who may be one of the best filmakers of all time, Hayao Miyazaki. That alone should be an incentive enough, but the series itself is monumental.

Taking place thousands of years in the future after all industrial life has come read more

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Aug 3, 2013

59 of 59 chapters read

Overall Rating: 9

IronBerserk (All reviews)

46 people found this review helpful

I would like to clarify something before moving on with this review. It is important for my readers to realize that a 9/10 for a manga is not the same as a 9/10 for an anime. Manga’s in my opinion are the superior form of storytelling...I think this opinion of mine needs clarification. Anime as a form of media is saturated with many restrictions. What is allowed to be showed (censorship), how long the animation must be, how many viewers, etc… While manga itself does have some restrictions, they are much more minuscule when compared to anime. This is perhaps the main reason why the manga of Nausicaa of the Valley of the Wind by Hayao Miyazaki is perhaps undoubtedly his greatest work of art. Think of the comparison between novels and movies. Novels will most of the time always be better due to them having more time and less restriction in adding massive detail that expands the story and characters within a specific world. Censorship in manga is practically none existent thus Miyazaki was able to go all out in terms of narrative in order to deliver to us his most poignant and thought provoking story ever penned. With all that said, the reason why I give Nausicaa a 9/10 instead of a 10/10 is because my standards for manga are simply higher than that of anime’s. If this was an anime show, it would have gotten a 10/10 perfect score no doubt about it (a point I should have specified in my earlier reviews such as in Watashitachi no Shiawase na Jikan...woops). With that out of the way, let us delve into the beautiful world that is Hayao Miyazaki’s Nausicaa of the Valley of the Wind.

Going back to my point on how censorship sometimes limits writers, this argument is completely nullified when reading Nausicaa and my god does it show. Miyazaki pushes the envelope of what he usually does by giving us his most violent story ever. The brutalities of war, limbs flying off, women and children burning, fantastical environments fighting back, etc… He really wanted to show and give us an anti-war and environmentalist message that depicted in an accurate way the horror’s that men can do to themselves and their world. Religion and politics is also a very large topic and theme that Miyazaki delves into. Very controversial stuff that makes you wonder just what exactly is Hayao Miyazaki trying to say here? Nausicaa is a very religious and morally incorruptible figurehead who basically saves the world, humans and animals alike. The people and animals in the manga worship her as a savior and the political leaders view her as a threat, but they eventually learn that she is graceful beyond human comprehension. Is Miyazaki trying to tell us that the world needs religion and a messiah in order for it to be saved? Or maybe does it just need a strong leader that can inspire people? Whatever the case may be it would seem that Miyazaki is much in favor of a socialist world where in which the people are in charge of their own lives. Nausicaa and Kushana are both great inspirational leaders, but they refuse to take long lasting charge of their own populace. They consider themselves equal to everyone and they never believe for a second that they are superior. In fact that is how the manga ends, the world at peace and saved but also left without a ruler. Nature versus nurture is also a subject very much discussed within the story. Miyazaki never really takes a stance for one side but rather finds an equal balance between the two which in turn also shows his views on just how precious life in general is. It’s a fascinating story filled with heart, emotion, and intricate themes which are almost all very well thought out.

One also must ask himself whether Miyazaki was partly inspired by Shakespeare caricatures when he wrote Nausicaa of the Valley of the Wind. Many of the characters within the story, especially the King’s, are tragic figures that draw many parallels from Shakespeare’s classic works. I would hate to spoil anything but story elements such as brother killing brother to gain power (hamlet) and mad king paranoid of his own children (King Lear) all make an appearance. The Torumekian King actually has three sons and one daughter which is very similar to the tragedy of King Lear where in which Lear has three daughters and one son. It could just be a coincidence, but it is still hard not to notice these similarities. Actually the Torumekian King by the end of the story gets a sort of redemption just like Lear does and he even walks around with his own personal fool who kind of acts like his crazy adviser…actually forget what I said, this can no longer be a coincidence. This is definitely a parallel and homage to the tragedy of King Lear. Nausicaa and Kushana as described previously are head strong religious and political leaders. Nausicaa can definitely be related to a messiah figures such as Jesus or Buddha but with her own unique personality and moral qualities. She even at one point leads someone into the afterlife, if that doesn’t scream religious leader to you then I have no idea what will? Bravery, unwavering in the face of challenges, loving, caring, motherly, and selflessness are all qualities Nausicaa develops throughout the plot and it is fascinating to read. Kushana on the other hand is noble and honorable when dealing with her own people. She exhibits many signs that make her great political leader of men but she is also vengeful, vengeful towards her father and brothers who constantly fight over power. It is Nausicaa’s influence that cleanses the hate away and turns her into the right leader she was born to be. Her gaining that experience towards the becoming of a better person is the reason why she is the most interesting character in the manga. There are also many other interesting sub characters that help Nausicaa on her journey, the prime example being her mentor called Master Yupa. Many of Nausicaa’s teachings and morals came from him and he has many great moments throughout that story. The roles of the many characters within the story are very well handled and defined.

Remember how back in paragraph two I stated at the end how all the themes are “almost” all very well thought out…well this almost comment needs to be brought up since all stories have flaws. The biggest flaw in this manga is the drop in a specific character trait found in Nausicaa, being her uncontrollable rage and battle prowess shown in the first volume. It is as if Miyazaki completely forgot about it and never spoke of it again. One can argue that the inner rage was controlled once she traveled and developed herself as a morally incorruptible leader, and I would have been willing to buy that excuse if there were at least one or two signs of violence exhibited by Nausicaa later on in the plot…which there isn’t. She always does the right choice and violence is never an option she comes across or even thinks about. She always rejects it completely and chooses the non violent method. No display what so ever of inner turmoil about the use of violence. Why bring up that character trait if it is never going to be seen or read of again? If it had been used then it would have made Nausicaa much more interesting. Even under all her moral perfection, even she is not immune to human violent tendencies and instincts. I could see the potential right now. Kuchana learned from Nausicaa how to overcome the path of vengeance and Kushana in turn could have taught Nausicaa how to control her violent instincts. Makes sense since Kushana is a proper warrior and army general. I would expect her to have control and training over her own combat skills. Kushana herself in the story does not get proper closure. She becomes a much better person thanks to Nausicaa but then the story kind of forgets about her and puts her on the sidelines for the ending climax of the series. It is a shame because the ending climax has to do with her father’s redemption (the Torumekian King). The redemption itself could have had much more impact and emotional investment if it involved Kushana in some way. Kushana helping her father see the error of his ways would have been a very rewarding conclusion to all the experience she amassed throughout the story. Instead she is just tossed to the side after volume 5 and becomes a normal sub character.

The art style Miyazaki employs in Nausicaa of the Valley of the Wind is very well detailed and beautiful to look at. The fantasy world itself, the creatures, and people are rich with emotion and life. My only problem with the art in the manga is the panel sizes. While the art itself is well detailed, it is sometimes hard to depict what is happening due to how small the images are on the page. It’s like Miyazaki crammed all panels into seven volumes just because he wanted seven and nothing more. I would have welcomed an eighth volume in order to see better what was going on. In order to prove my point even further, the last volume is about 230 pages long which is about 70 or 80 more pages than the average earlier volumes. He really did want seven books for some reason? For symbolism maybe, I have no idea but it does hurt the quality a bit...just a bit.

Whether you agree or not with the morality themes found in Nausicaa of the Valley of the Wind, it is impossible to deny the intricacies and fantastic execution of the plot. Many if not all characters are likeable in their own way and almost everything including story and themes blend in together thanks to fantastic writing and art. The characters and story do reference to many other works, but the references in and of themselves are unique in their own way. That word “almost” popped up again didn’t it, and yes I did have complaints about the story but one must not let that get to them. This is a definite must read and remember that my 9/10 is really a 10/10 when being compared with anime. The rating scale says a 9/10 is “great” but that is an underestimate because it is more a masterpiece than anything else. No doubt about it.

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Jun 19, 2013

59 of 59 chapters read

Overall Rating: 9

zybactik (All reviews)

15 people found this review helpful

This series undoubtedly deserves the place among top ten manga titles, which it currently has on MAL.
Though the film is failry good, it does not cover even half of what is depicted in manga. There are a lot of post-apocaliptic series about humankind trying to make ends meet in severe conditions of wreched world. But they are not as deep and moving as this one. Of course, you should keep in mind that bringing up a topic of world's balance, of our race's place in it, is Miyazaki's forte, be it manga or animation.
This series not an easy read, it has a lot of ideological read more

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Dec 12, 2017

59 of 59 chapters read

Overall Rating: 10

Otaku1985 (All reviews)

11 people found this review helpful

Are comics allowed to call themselves literature? That's a question that has been asked for along time. The obvious answer is to mention Watchmen (a good answer) and Maus (a better answer).

But in manga circles, the first thing people would do was mention Osamu Tezuka and his most famous works (Astro Boy, Black Jack, Kimba etc). Sorry, but as revolutionary as they are, they fall short. Sasameki koto may be a life-affirming love story, but it's not true literature either.

But there is one title I can think of which says, quite loudly, YES. This one.

The art is immaculate, the characters are Miyazaki characters (which should read more

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Jun 22, 2020

59 of 59 chapters read

Overall Rating: 10

Krankastel (All reviews)

3 people found this review helpful

There might be no bigger challenge in a review than properly conveying impressions on works I cherish as masterpieces, all while clearly stating elements that might persuade or dissuade other people.

Nonetheless, I finally proceed with Nausicaä. Two points before we get started:

1.) First, it’s neither easily digestible nor your typical manga, for it is highly complex and brimming with ideas, as well as too packed with dialogues.

2.) Second, it’s Hayao Miyazaki on his most unfettered. Not a single sample of his lifework conveys everything he stands for more vividly.

[1. Beginning with the story…]

“The greatest of the mind is determined by the depth of read more

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Sep 18, 2010

59 of 59 chapters read

Overall Rating: 8

JephCassidy (All reviews)

7 people found this review helpful

This review is written assuming that you have seen the movie. If you haven't seen the movie i haven't included any devastating spoilers so read in peace.
The manga version of Nausica was written because couldn't get the funding he needed for am movie that was not based on manga. So in Miyazaki order to make his film he wrote the manga version and after he was able to produce his movie he continued to write the manga for almost a decade after the movie. As such the movie only includes a varied version of the first two volumes.

Ok, so enough background on to the manga. First let me say that i am not a huge fan of the film version of Nausica. I enjoyed it alot but i personally didn't quite connect with it as much as the manga. So if you absolutely loved the movie you will definantly love this or if you are like me i am sure you will still enjoy it.
Story: The story starts off very similar to the movie but then continues to go outside of the valley of the wind and involves other waring countries. That's one of the reasons i liked the manga better is because it explores a lot, lot more of the world that Nausica is based in and gives you much more to connect with. Also i liked the ending of the manga more because there was more of a character antagonist vs a moral antagonist which i felt fit the story better. The ending also had a lot more closure as i thought it wrapped things up nicely and left you satisfied. (Note: dont think that i am just bashing the movie its hard to make a long epic story in just an hour.)
Art: Probably Miyazaki's strongest point is the art. The art was very well done and is pretty much exactly like the movie. Only thing is i wish they did the entire manga in color as the pictures are very detailed and it would help with the descriptions.
Character: Ok, so do you remember the foreign princess Kushana? Well i really hated her in the movie, i really just found her annoying, i know she had a important place in the story but still. The manga really lets her redeem herself which i liked and introduces a lot more characters which were not included in the movie. Also as i said above there is more of a character antagonist which i think helps with the conclusion of the story.
Content: I like to add this part so people know what's going to be in what their reading. The one thing is there is like(ish) three parts that have some nudity and its really short. Also in some parts there is quite a load of blood but nothing over the top. Language i really didn't notice tot much (maybe thats just me). Overall nothing really extreme.
Last thoughts: I personally would have liked to see the story go on in a different direction but thats just me personally and i think Miyazaki did an amazing job of telling the story.
Also I think you should see the movie first before reading the manga because the movie really doesn't extend the story as much as the manga and after reading the manga the movie seems to cut the story short. (As i said before i am not bashing the movie! I just like the manga better!)

So if you haven't seen the movie go watch it even if you are not planning to read this, its a good movie and i think you will enjoy it.

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Jul 20, 2019

59 of 59 chapters read

Overall Rating: 8

Quazar (All reviews)

3 people found this review helpful

It appears no one has criticized this manga on here yet I believe it is my civic duty to do something in the realm of critique although we shall see if this doesn't end up being a positive review in the end. Now I won't sing Nausicaa's praise despite my affection for this manga and as you can tell by my score that I would have a lot to say in that aspect. However, I would like to write this review to clarify an egregious, arguably an unforgivable flaw of Nausicaa that has troubled me for some time now. Nausicaa herself is an absolutely terrible character. There I said it. Truly, Nausicaa is the definition of a mary sue and she is so good at it she may well be the Mariest sue of all. She is perfect in every conceivable way. She is strong intelligent beautiful and just so happens to be the chosen one who can save the world. Despite only being a young woman she is better at everything than every other person on the planet. She is also perfect and flawless morally. She never does anything wrong aside from killing one person in a rage at the beginning. You would think that this would be her fatal flaw that could be developed and made interesting but nope never brought up again. She defies all odds to succeed every time and the entire universe moves in her favor. Wherever she goes rest assured she will do right. By god is it painful as someone who loves this manga to admit but Nausicaa ruins it. The entire supporting cast is fantastic and some of my favorites in any manga. Especially Kurotawa and Charuka they are both great, even princess Kushana is more interesting and human than Nausicaa. It really is disappointing but that's how it is. The wondrous world of Ohmu and the miasma. The rich and allegorical story. The beautiful art and thoughtful presentation. All held back by Miyazaki's love for Nausicaa or his inability to tell a good story without a flawless world savior??. I can't understand it. This manga is great don't get me wrong but it could be so much better if Nausicaa was not such a mary sue. Can she not make one single mistake???? I mean there is so much to work with but nah she never does anything wrong and everyone loves her because of it although does she really do anything nice I can't remember if it is her doing it or just the necessity for her to be good that is doing it. Unless some other reader has met a flawless perfect person that does everything right all the time and when they show up it seems like the world goes their way I refuse to believe Nausicaa is not a mary sue who only serves as Miyazaki's story mover. With such fantastic work done in every other aspect of this manga from minor characters to minor plot points to minor drawings somehow the most important one is floundered. Regardless I still like this manga and I think it is not only an important work in manga history it is also a fun read. But it needs to be called out for its blatant mary sue protagonist. Until this manga is re-written with Nausicaa fixed I will be its harshest supporter critic. This ended up not being that great of a review but I think my point is made so I rest my case.

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Sep 2, 2020

59 of 59 chapters read

Overall Rating: 10

rectified_rascal (All reviews)

1 people found this review helpful

While many anime viewers and especially Studio Ghibli enthusiasts have seen Nausicaä of the Valley of the Wind movie, much fewer have read the original manga that served as the template for the movie. While the anime movie continues to holds up well even after 35 years since its release in 1984, the manga version of Nausicaä – serialized from 1982 to 1994 – is a mammoth work of both art and storytelling in the manga genre that is even more relevant even after all these years since its release.

However, before I start the main review – permit me to take two detours.

Detour 1: The foremost question in most potential readers’ minds would be “Is reading the manga worth it given that I have seen the movie?” I’d say Yes. The manga is much more complex, tackles environmental and philosophical themes in much more depth, has several characters and even countries that are limited to just the manga. In addition, the manga is much more darker than the anime. While the movie version of Nausicaä is also bleak, glimmers of optimism are present meant to leave the movie viewers with some hope. The manga, on the other hand, is devastatingly pessimistic in its outlook. Miyazaki purposefully builds a story that is meant to impart an impending sense of doom and dread in the reader. What makes Nausicaä so compelling is that despite the bleak undertone, we as readers root for our lead characters and hope that they survive.

**

Detour 2: Let’s skip to Spring 2020. The Covid-19 pandemic is raging and several parts of world are in lockdown with many countries trying to “flatten the curve” to reduce the spread of this unknown disease. Soon, videos on the internet emerge from various parts of the world that document how the environment in the absence of regular human activity is becoming “fresher and greener”. The canals of Venice, typically muddy with silt and waste, suddenly start running clear and are populated with swans and ducks. People in Northern India, used to living under a perpetual blanket of thick brown smog, suddenly see the snowcapped peaks of the Himalayas from more than 150 kilometers away for the first time in their lives. People in London start appreciating bird songs, songs that were previously inaudible under the omnipresent traffic noises that snarl the megacity. Then a Tweet goes viral: “Air Pollution is down. Water Pollution is clearing up. Natural wildlife is returning home. Coronavirus is the Earth’s vaccine. We – the humans – are the virus”.

**

Main Review: I brought up Detour 2 because the theme of treating “Mankind as a Virus” (‘Eco-fascism” is the scholarly term for this) is a crucial theme in Nausicaä of the Valley of the Wind. In mid-way through the manga our lead character – Nausicaä – remarks: “I don’t need to be told that we are a cursed people. We’re the ugliest of all creatures. We do nothing but harm to the Earth. Plundering it and polluting it and burning it… Are we worth forgiveness?” Now consider that Nausicaä is a manga that began serializing in 1982! This theme is still as relevant, if not, prescient of the events that we are experiencing now! Simultaneously with such themes of ecocide and eco-fascism, the manga tackles other heavy moral themes that are equally heavy. For instance – what is the role of optimism when people have no control over the events in their lives? Can political power ever be held without leaders becoming swayed by corruption? Can we hold the notion of pacifism during a war? How should one deal with refugees in a conflict between two nations? Such questions, and more, saturate the world of Nausicaä making it one of the most intricate moral works that I have read in the realm of manga.

This is not to say that Nausicaä is a philosophical work (though it certainly is brimming with such themes). It is packed with non-stop action: countries wage wars – both on land and air – against each other, genocidal mass slaughter occurs, wildly imaginative beasts rampage through the earth, biological weapons go awry, a sentient nuclear weapon runs amok – all of these events and more happen at a breakneck pace one after another making this as one of the most exciting and energetic works that you could possibly read in both intensity and scale. In addition, unlike Shonen manga like One Piece or Naruto where the plot nicely breaks into a “story arcs” with reprieves in the middle, the action in Nausicaä does not permit the reader to take a break. In its entire 1100 pages (or so), there are only a handful of moments where action is not present. Be prepared – there are few manga that hold a candle to the Nausicaä when it comes to action in terms of intensity!

However, as much as the action is enjoyable, what pushes Nausicaä into further greatness is the grandeur of the world constructed by Miyazaki. The manga comes with its own map just as how The Lord of the Rings comes with the map of Middle Earth. The movie (which covers roughly 20% of the manga) roughly takes place in a limited area corresponding to an area the size of the Shire in Middle Earth. After the events of the movie, the plot expands and an entire continent the size of East Asia is introduced. New nations, new tribes and even new languages (which are often left untranslated) are introduced. However, we are never truly told a lot about this post-apocalyptic world. It’s like as if Miyazaki – a master storyteller that he is – refuses to completely lift the veil from Nausicaä’s world – preferring to imbue it with an innate sense of mystery and wonder. We as readers know that this world has a long and deep history but as readers we can only guess and remain in awe.

All the while, Nausicaä’s character is like a pawn piece in a three sided game of chess. We follow her (along with a handful of other characters) and see how this 16 year old girl tries to make sense of the chaos around her. Again, her character stands in stark contrast to most protagonists in action manga. While most action manga have protagonists that are overpowered (e.g. Luffy in One Piece), Nausicaä’s role in this manga is as I described it earlier – like a pawn. While she does have agency, she doesn’t have any ability to fundamentally alter the events taking place around her. She has to go with the flow and simply do her best to avoid the bloodshed and carnage taking place around her.

Miyazaki is famous for making strong female characters and I think Nausicaä is the archetype from which all his female characters in his other works such as Sheeta from Laputa, Eboshi and San from Mononoke Hime, Sen from Spirited Away etc. emerge. As a result, she is truly a unique female character and I don’t think I have ever read any piece of fiction that comes close to having a female character this multi-faceted. She is simultaneously strong and fearsome but still fragile and delicate, empathetic with both her friends and enemies, a motherly figure to the less fortunate people around her, deeply moral and intensely resolute in her ethics, saintly and yet – dare I say it? – sexy and sensual. Despite all this, inwardly she is just as person would be in a war – given to tears, searching for help and support, trying to be kind in a world that is cruel. It is interesting that while contemporary Western media looks to female action heroines like Wonder Woman or Captain Marvel for inspiring millennial girls, they choose to overlook Nausicaä. This is a character who is almost messianic and yet so deeply human that in the end, one is just left with one word to feel from her – awe. I am not a girl, but if I were – I think Nausicaä is what I would aspire to be.

Finally, what makes Nausicaä as a standout manga is its art. Miyazaki is renowned for his artistry and nowhere is his talent on as much display as is here. Each panel is meticulously drawn, with shading and penciling that leaves regular manga artists in the dust. There are panels here so breathtakingly gorgeous with such intricate artistry that the reader is just supposed to stare at the page and revel in the art for a minute before moving on to the next page. And then there are scenes that if enlarged could easily become posters that could adorn a teenager’s bedroom wall. It is almost as if Miyazaki has thrown the gauntlet, daring other manga artists to come close to level of detail that he puts in into his panels.

If there is one thing that could be faulted in this work, it is that it doesn’t end on as strong as note as one would expect. While we do get an ending which is satisfactory, it is an ending that leaves too many threads open. Like his subsequent work – Mononoke Hime – we leave the work satisfied but we know that an entire other story that chronicles the events after the end of Nausicaä could also be told. This shouldn’t be surprising given that the world of Nausicaä has so many nations, so many tribes and so much history. Like Tolkien’s Lengendarium, it could spawn an entire franchise but Miyazaki simply concludes the story which, to some readers, could feel more like an ellipsis rather than a full stop. In addition, Miyazaki tends to focus a little too much on Nausicaä, giving short shrift to certain characters such as Asbel, Kushana and the Worm Handlers. Miyazaki himself remarked in a later interview that he would have liked to expand on these characters but felt that it would lengthen the manga even more than what it is presently.

I remember reading Nausicaä the first time almost 15 years ago. At the time, it felt like a superb action manga with a kick-ass heroine as its lead character. That wouldn’t be an incorrect characterization but it would certainly be an incomplete characterization of this work. Nausicaä is an artistic achievement that is rarely seen in manga containing themes that remain as relevant as they were 35 years ago. Time is a fickle monster that often leaves works of art, wildly popular at the time of production, irrelevant after a few years. For instance, consider the show Baywatch. It was one of the hottest shows when it aired back in the 90s. Now, no one, apart from diehard Pamela Anderson fans, watch it. It is a show with themes that, in 2020, feel quaint. The same can’t be said for Nausicaä. It is as great a work as it was when it began serializing in 1982. Truly great art can withstand the test of time. And because Nausicaä of the Valley of the Wind can do so, it deserves a 10/10.

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Nov 24, 2020

59 of 59 chapters read

Overall Rating: 10

YourLocalRoadie (All reviews)

0 people found this review helpful

‘Prepare yourselves, this is going to be a long one...’- Mito

VOLUME 1 REVIEW

SPOILERS AHEAD!

PLOT

Hundreds of years in the future, mankind is threatened by the spawn of its mistakes. Huge insects roam the decaying, vast cluster of fungi, called the Sea of Corruption. Many believe it was created as a punishment by God for the destruction mankind had caused to the earth in the ancient past. The Sea of Corruption spreads with each passing year, and some believe it will eventually engulf the entire continent.

However, a small kingdom, consisting of little over 500, is protected from the harmful spores of the Sea by the winds that pass through the Valley that come from the ocean. Even there, though, the population is decreasing at an steadily.

The Kingdom is celebrating the return of the fabled swordsman, Master Yupa, who is visiting to tell the king of the wars in the South. On his way there, he mistakes a squirrel-fox for a human baby, and in turn enrages an Ohmu; one of the ancient insects from the Sea of Corruption. He is saved by the daughter of the king, Nausicaä, who seems to be able to talk to the Great Insects of the Sea.

Yupa brings news that one of royal blood must go to war to fight for the Torumeikan Empire; the King is deathly ill, therefore Nausicaä must head off to war in his place. Despite the Empire being against female leaders, Nausicaä is an excellent pilot and her people will follow her to the death.

Not long after Yupa’s arrival, Nausicaä spots a massive, enflamed refugee ship, consisting of elders, women and children, coming from far south while she is riding on her Nave (a kind of mechanical, lightweight paraglider). The ship is covered in Great Worms, gnawing away at the wings. She quickly returns home, and with her Uncle Mito, pursues the ship in the Kingdom’s only gunship. She manages to shoot off most of the Worms with pinpoint accuracy, but just as she thinks they are safe, a wing collapses and the ship spirals down in a ball of fire. While searching the wreckage for any survivors, she finds the princess of Pejitei clutching a strange mechanism in her hands, and in her dying breath tells Nausicaä to hand it to her twin brother. A day later, the Torumeikan Empire come to take Nausicaä and her soldiers to war.

Nausicaä is dispatched to the Torumeikan Warfront, near the great acid lakes, by the fourth daughter of the Vai Emperor, who attempts to rule the Dorok Tribes before her brothers so she can earn right to the Throne of Torumeika. When there she sees what war is really like, as she fights to contain the hatred that she feels.

This manga is highly original and breaks away from the general idea of what the future might hold. It whisks you away in a world so strange and bizarre, so unforgiving yet so beautiful, yet fits so well together.

ART 10/10

The art is simply amazing, to say the least: it's true to what legendary film director Hayao Miyazaki is all about; brilliant, creative stories created in lavished detail. The art is perfect, and stays true to the style used across his other masterpieces.

CHARACTERS 8/10

Nausicaä is a strong feminist role (along with other, later-appearing characters) in a world of corruption, manipulation, sexism and racism. The characters as a whole are loveable and interact well in such a bizarre environment. Kushana was especially good, and developed phenomenally which completely changed my negative views of her from the film. My main complaint is that it could have developed more solid character personalities nearer to the start, it took a while to be able to distinguish personalities at the beginning as they all seem to follow generic character personalities, but this is shown to be not the case as the story progresses.

OVERALL: 10/10. It truly is a masterpiece, crafted so well it almost feels real.

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Kaze no Tani no Nausicaä
Nausicaä of the Valley of the Wind
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