In the 1950s, an old woman was brutally murdered on the face of a clock tower by her adopted daughter. Two years later, the clock tower is known as the 'ghost tower' and it is supposedly haunted. Through an unusual series of events, a young NEET man named Amano Taichi is attacked by someone or something in the same clock tower, and finds himself bound to the clock face to be killed in the same way as the old woman. Luckily for Amano, he doesn't meet the same fate. He's rescued by a mysterious person who claims his name is Tetsuo.
The story itself was fun to read along. The pacing is great, and the mysterious are enjoyable.
I love the art style, it's unique! Not only with character art, but the art of buildings and whatnot is very well done.
A cast FULL of LGBT characters, that are well written, enjoyable, and interesting. Transgender characters represented well (despite a few overly-sexual-nude images but that didn't bother me much, and I'm transgender).
If you're looking for a manga with great LGBT representation, then this is the one you'd like to read. Not only does it represent the characters well, but makes it CLEAR that LGBT individuals are just like
The villain is absolutely disgusting, but absolutely encapsulating. The main cast has a wonderful dynamic with eachother and other characters.
Even though I enjoyed the beginning of the series quite a lot, I'd have to say that the end was very disappointing. Yuureitou starts as a good drama, with lots of mistery. It is written so well that at some point in the chapter you jump of your seat. However, there are little hints of what the story becomes: a fairy tale for trans with MANY MANY abuses of hentai. I'll be blunt: if someone wants to jack off during an exciting reading, I doubt they want to suddenly jump off because there was some freaking scary part in the manga. I didn't like the
way the author combined certain topics. It would have been reading Tetsuo's development without seeing her in such sexy poses. I even think that it's offensive for women who want to become guys. But I'll just say there's a great drama in the story.
Yuureitou is a manga that’s hard to find fault with.
The moment you start reading, you’d notice the art is off the charts. Unbelievably good looking. Furthermore, the author uses it very well to create atmospheric scenes.
Secondly, the writing is excellent. The premise is interesting and the plot around the premise works well. There are many interesting characters that are likely to invoke a strong emotional response on your part and they do grow causing you to change your opinions. Almost all of them have personalities and personality quirks which are almost impossible to find in mainstream manga like this and I was very impressed to
find them here.
So we have a manga with strong art, story, and characters…isn’t that basically everything that makes a manga? Well, there are much more nuances than that, but it doesn’t make a difference because Yuureitou often gets those too.
Long manga (of which Yuureitou can be counted among) often have a problem of ‘wandering plots’ in which the main plot lose focus in favor of numerous subplots that merely moves the story along in no particular direct. Yuureitou suffers from this slightly, but manages to overcome it for the most part by keeping a fluidly changing story. That is instead of keep a single goal/point that remains the same the entirety of the story, the author changes the goal/point repeatedly.
That’s uncommon, but a big positive. Manga has a habit of keep a single narrow focus through the entire story, but by sidestepping this, Yuureitou adds realism and works to keep the story interesting without making it seem like it’s losing focus.
Even when the manga goes far out of its comfort zone, it does so extraordinarily well. Yuureitou is a very drama heavy manga veering into horror at times. At one point, the manga tries its hand at comedy for several chapters and you’d think it would be bad at it considering everything else…except it was hilarious. I found myself laughing repeatedly. That blew me away.
If there is any negative in this manga, it’s that the author sometimes likes to jump ahead in story a bit too much without smoothly transitioning making things seem a bit abrupt. One quickly catches on or is able to form an educated guess, but that shouldn’t be necessary.
Still, in the face of such overwhelming positives, a small thing like that can easily be ignored. Yuureitou is, for the most part, one of the most perfect manga I can think of. Complex story, excellent art, amazing characters, and everything is tied together well.
Overall, I highly recommend this manga and it would be an enormous shame for anyone to miss it.
"This tower is full of criminals, murderers, and sexual deviants. As an ordinary person, you're the weirdest among us all."
I’ve just finished re-reading Yuureitou, and its entertainment value for me still remains at a 10. Everything, from the art and insane characters to the way the story is told amazes me. Yuureitou is not just a mystery revolving a clock tower; it’s also a story on gender identity and how sexual deviants (transgender, homo) belonged in ‘50s Japan.
There’s the main overarching story: the clocktower mystery. Then, there are multiple arcs that consist of intriguing adventures
the main characters go through. These mini adventures are quite unique in the sense that they’re not something you’d expect from a manga. They fit so well with the setting that you can tell the author has done his research thoroughly. There’s always an awareness of time and history with each adventure.
While Yuureitou showcases many dark issues that characterize this society, it strays away from the typical overuse of violence. We get to see the mindset of the criminals, and their background + motives don't fail to entertain.
After the main mystery is resolved, the rest of the manga dedicates itself to flesh out its main characters and resolve their loose ends. It’s a sharp 90 degree turn in the mood, as the topic of sexual deviation overtakes the story. It gets a little whacky and wild, but these last chapters don’t disappoint, since they accomplish the job of closing in what has been built up throughout the manga.
Before I re-read Yuureitou (after one year), I was able to vividly remember two characters because of their uniqueness: Tetsuo and Marube. Here’s what I think of them + others:
-Our MC, Tetsuo, is the star of the show. He’s the guy that’s interesting right from the get go. Tetsuo’s cunning, intelligent, and charming. Just like the overarching plot, many mysteries surround him. He appears flawless at first glance, but as the story transpires, you see his weaknesses and insecurities clearly.
-Marube is one of the baddie characters. He’s perverted and downright mad, but the way the author presents him and his story makes it hard to hate him. While difficult to empathize with the crazy side of him, Dokurou is still an intelligent character whose reasonings behind his actions make sense.
-The other MC Amano is the typical wussy that ultimately changes for the good. The readers see how he, a “normal” person, perceives social deviants and his acceptance of them. Most of the story is seen through Amano.
-Mystery killer ‘Shibanmushi’ is the main antagonist of the clocktower mystery. Nothing about him intrigued me much, but we do get to see his character developed with his frequent encounters with Tetsuo. Even though Shibanmushi is the antagonist of the overarching story, imo Marube’s perverse character overwhelms his presence.
The art: There’s no cringey over exaggeration of facial expressions that plague a lot of anime and manga, so that’s an A+ from me. Putting that aside, the first thing you’ll notice when you begin Yuureitou is that the backgrounds and semi-realistic art style are fantastic. The author really knows his anatomy; this fact is particularly important as the story often showcases some grotesque display of corpses, humans in the wake of death, and after failed plastic surgery
I suggest you to give this a try if you’re looking for a more serious mystery to dwell upon, or if you’re curious to see how a manga approaches the transgender topic.