The first three volumes may discourage some of the readers because it's starts off kind of slow and the initial artwork is not quite up to today's standards. However, after the reader begins the Golden Age arc it is nearly impossible to not be pulled in and become addicted to the series. It is chock-full of action, drama, character development, twists and turns, and just a dash of romance. It defies generalization and is just damn good storytelling.
After the Gold Age arc wraps up the story come back full circle to where it left us at the end of volume 3. But by
then the rhythm of the manga has changed completely. The reader has established a deep connection with Guts, Casca, and Griffith and that only grows more as the story continues. You'll be confronted with conflicting emotions and think things like "I really want to see Guts put Griffith in the ground" and at the same time "Griffith is just so damn cool". These conflicting thoughts and emotions just go to show how invested the reader becomes with the characters.
Another good thing about the Berserk story is that the protagonist (Guts) is not always the focal character in every chapter. In fact, nearly all of the major supporting cast members receive a considerable amount of page space for their own stories to be fleshed out. Each of these side-stories is not only unique and extremely well developed, but also very deep and revealing as it shows the reader why these character are the way they are. One of the side stories that I found most intriguing was Farnese and Serpico's as it was so beautifully orchestrated as part of the manga as a whole.
The only problem with the story, in my humble opinion, is the introduction of magic in the manga. I feel that the magic the group "acquires" in volume 24 is somewhat exaggerated and does not suit the dark atmosphere of the story. In fact, at times it can even make some of the chapters feel a bit shounen-esk. But even still, it's pretty much impossible not to enjoy the ongoing story that is Berserk.
Art - 9.6
The artwork in the first few volumes of Berserk won't do much to impress many of today's manga readers, but at the time when the series was first serialized (1992) it was certainly well above average. Those initial volumes feature many very unique character designs (especially the apostles) and also sport a relatively high focus on detail. However, where Miura really shows off his latent artistic talents early on is through his ability to create crisp, clear, and highly fluid fight scenes.
One of the few negative aspects of the early volumes can be identified as the simple shading techniques that Miura used. Also, sometimes the character faces will look just a bit "off" and it can be a little distracting. However, these minor quality issues were most likely due to the time constraints that were in place at the time and not entirely the fault of the artist.
Then as the series progresses the reader gets to watch the artwork literally evolve. As we learn more and more about the characters and the world in which they live, the characters themselves and their environments become more and more visually detailed. The simple shading from the early volumes is eventually replaced by a hand shading technique which gives the series a more gritty and surreal overall feeling. The character designs become more crisp and facial expressions sometimes are so vivid that one look at a character's face is often enough to tell the reader exactly what the character is thinking. By the time the reader makes it into volumes 20 and beyond Miura has made it very clear that he means for Berserk to be truly regarded as a work of art just as much as it is a masterfully epic piece of storytelling.
In my own experience I have seen very, very few other manga series that can even approach Berserk's later volumes on an artistic level and, unfortunately, I highly doubt that I will ever be able to find its peer.
Characters - 9.5
The very first character you will meet in Berserk is Guts, the "Black Swordsman" with a dark past and a score to settle with his demonic enemies. Certainly not a very revolutionary character at first glance, but even though he may start off as such, his character quickly expands, and ends up as one of the most believable and human characters I have ever witnessed.
As the story unwinds, you follow Guts through his past, allowing you to experience his personality change during his constant battle against fate. You follow Guts through waves of despair and hardships offset only by the flickering fires of friendship and trust. Eventually, Guts becomes like a maelstrom of opposing emotions, and the question arises, will he continue on his path of all-consuming revenge even if it means losing everything he has come to care for?
The other characters that appear throughout the course of the story come in all different shapes and sizes and all play their roles perfectly, just as support characters should. The more important support characters, protagonists and antagonists alike, are all draped in many layers of depth, making their characters both solid pillars and interesting ingredients within the plot as a whole. From Griffith's burning ambition to the skulduggery of the God Hand, from Puck and Isidro's antics to Farnese's troubled past and uncertain future, the characters all appear vivid and alive (Although alive might not fit The Skull Knight...) and all have their own emotions, personalities and ambitions. The supportive cast show their brilliance in how they appear to the reader as actual players in Berserk's grand game, and not just as passive plot devices.
With such a cast of strong personalities and vibrant, living characters, Berserk easily cuts it's way (no pun intended) to the top score in this category.
Enjoyment - 10
The fact that I sat and read through all 295 chapters of this exquisite manga in one sitting should justify the perfect score for enjoyment! The manga has great characters - heroes you root for and empathize with, villains you can't help but admire for their ruthlessness and charisma. The artwork is dark, brooding, and gruesome and complements the story well. And what a riveting story it is... It hooks you from the first chapter and sets the stage for the most intriguing revenge themed manga on the market. Its success is testament to its quality. My only complaint is the excruciating waits between chapters.
Also, I must throw in a cautionary note: this manga is quite definitely not for the faint hearted. There is a considerable amount nudity, sex, gore, violence, and, for the lack of a better word, bad-assery!
OVERALL - 9.69
This review is the final result of a review team composed of members from the "Critics and Connoisseurs" club. The team members were:
8GaugeBrett - Who wrote the Art section and combined the individual review parts together into a whole.
Amaity - Who wrote the Enjoyment section.
Baman - Who wrote the Character section.
Ianmessku - Who wrote the Story section.
Here are their individual scorings for the Manga:
Category - 8GaugeBrett, Amaity, Baman, Ianmessku
This series already gets plenty of praise, so I will mostly focus on criticism for this review, despite the fact that I do have plenty of positive things to say about Berserk. I want to make a review that will be legitimately helpful to people, rather than simply echoing the beliefs of every other reviewer on here. Look at the myriad "10" reviews for raving about how amazing it is, there is plenty of that already. This series does not get nearly enough proper criticism. Please read the whole thing before marking the review "helpful" or "not helpful." Because if you don't
finish it then you don't really know, do you?
The first flaw that is quickly apparent is in the first three volumes, or is simply the first three volumes in their entirety. They are a tad cliché and they follow our beloved lone wolf anti-hero and his elf buddy (comic relief sidekick who also heals out of convenience to the plot) on a couple adventures. The villains are cliché, everything is kind of cliché, the art is nothing special (yet), and it seems sort of generic. Not the best exposition to any series. This would have been best moved into chronological order.
The true glaring issue here is that, after this, there is a lengthy flashback/reverse-time-skip that lasts around 11 volumes and is called the "Golden Age" arc. This arc will now be called the "GA" arc because typing on my iPhone is inconvenient. It is easily and widely acknowledged as the best part of the series, to the point where people dub berserk the greatest manga of all time simply because of this one arc, but it is still seriously held back by the first three volumes.
The conclusion of the astounding GA arc is one of the most intense and emotionally impactful scenes in manga and it would have been, additionally, one of the most unexpected, but we already knew it would happen, due to the first three volumes, which greatly lessened the impact. It was a great scene, but it could have been even better and had an even greater effect on me as a reader. I would not have seen it coming if not for the first three volumes, despite some masterful foreshadowing within the GA arc itself. There was a marked lack of foresight shown in the first three volumes. It seems like Miura was trying to show how everything built up to the situation in the first three volumes, but by the time I finished the GA arc, I really didn't care about the first three volumes anymore. I could nitpick some elements of the GA arc, but it's so superior to the rest of the series that I won't even bother.
The art slowly became some of the best and most detailed art in manga, but it was also often used as a crutch after the GA arc. The misty valley arc is the earliest example of this. The image of the “elves” slaughtering each other and “playing human” was one of the most brutal in the series, and it may fit in thematically, but the arc lacks overall significance and character development, especially considering its length. It would have established Guts's personality after the GA arc and how he had changed, but we already knew from the first three volumes. It was also the perfect opportunity to turn Puck into something more than a pointless comic relief character that we've seen a million times before, but that potential was quickly squandered as well, and Puck's character never really develops beyond a comic relieving plot device.
Guts's showdown with the evil apostle fairy chick foreshadowed a descent into fights that are shounenesque in both verbosity and length, a serious depart from the gritty fantasy realism that the series is so often praised for. The realism further deteriorated as it went on, proportionally to the increase of clear shounen elements. Guts gathered a crew à la one piece, an inexplicable depart from his character, including an uninteresting masochist, a loli witch, and a motherfucking veritable shounen protagonist. The loli witch was one of the worst things to happen to the series. The thief kid/shounen protagonist was another one of the worst. I have no idea what Miura was thinking there.
The masochist chick was actually quite an interesting character before she fell in love with Guts and started rolling with his crew. She was a powerful reflection of the pervading theme of masochism that usually manifests itself in the oft depicted self-destructive nature of humanity. Now she's the epitome of cliché. She shows some promise of recovery, but at the pace the plot is moving that will likely be in the distant future. The women are all in love with Guts by the way. No shounen is complete without a harem of women who exist to make the protagonist look cooler.
The Skull Knight was another promising character, but it's been a while since we've seen him, he appears infrequently anyway, and having next to nothing known about him, after all this time, is simply bad writing. There has been some fairly obvious clues regarding his identity and origin, but there has been no true follow up on that, and we still know very little about him as a character. He's only existed to make a couple of convenient actions and philosophize about Guts's fate. Therefore, he too, has been reduced to more of a plot device than an actual character. There is also a possible major contradiction in his backstory, but I can't get into it without spoilers and I suppose it could still be explained somewhere down the road.
Magic was introduced along with the witch and the crew gained shounenesque (I'm using this word a lot) power ups and thus realism went entirely out the window. Guts got a power-up that was reminiscent of Sasuke's curse mark early in the Naruto series. The theme of camaraderie is more omnipresent and becomes more about the “power of friendship,” harem elements develop, the ruthlessness is reduced, there is a moe loli witch, there is now campy abilities and gimmicks, there is shitty power-ups, there is in-battle commentary by secondary characters, battles are often increasingly drawn out, yesterday's enemies are today's friends, characters announce special moves when they are preformed, the general purpose becomes a noble fight against the very idea of evil, there is a general saturation of overused clichés and tropes, and there was even a slapstick comedy fanservice shower scene. Yup, berserk is undeniably in an increasingly noticeable downward spiral into battle shounen territory. Many fans deny this, but they are, well, in denial. This is sort of funny seeing as so many Berserk fans are pseudo-elitists who hate on popular battle shounens. It may be more explicit than a typical shounen series, but that superficial aspect of it does not grant it any sort of inherent maturity.
Now, the mangaka clearly has no idea of what to do with the story. It's been ongoing for over twenty years and the story isn't close to being done; it is moving at a snail's pace, both on the rate at which it's released and the actual speed of plot development. It has been a half a year since the last chapter came out. Recently there was an arc where the motley crew nobly fights off a sea god/kraken thingy and mermaids are somehow involved. And they actually teamed up with comic relief pirates. My one piece comparisons are getting more accurate. Now, exactly what was the point of this arc? No one knows, but it sure as fuck isn't the fucking elf island that they've been trying to get to for over 10 fucking volumes. Fuck... He's clearly stalling because he's out of ideas. The dude does have serious myopia and a strange method of storytelling. He once decided that a published chapter of Berserk didn’t count because it gave too much information and insisted that it never be printed again. Seriously. If you’re putting that little thought into what you publish and how it will affect future chapters, that’s a problem. These 18 pages introduced a huge concept (although they didn’t go into great depth about it) that has yet to be seen again, even over 200 chapters later. Ummm, maybe you should have just kept the chapter after all?
Despite my criticisms, the GA arc is a tragedy of epic proportions and it is a must read for any manga fan. There is a reason that this is the highest ranked manga on MAL. It has extraordinarily wide appeal and some very good qualities, despite it often falling into the "sex and violence=depth" trap.
Make no mistake, I may compare it to shounens, but it is still far superior to shit like Naruto; you won't hear the word nakama being tossed around, although similar themes of companionship are increasingly echoed in a more subtle manner, and, unlike the worthlessly lazy Tite Kubo, Kentaro Miura puts an incredible amount of effort in his artwork. Although he made many mistakes in the plot, his artwork is indisputably among the best in later volumes. I've seen maybe one or two mangaka that come close or are on the same level.
Guts is a powerful and tragic character and Griffith and Casca are compelling, until something happens to Casca, which kills her value as a character, and reduces her to a plot device for the majority of the series. One of the early themes of Berserk was how every man had his own dreams and motivations and, at least during the GA arc, it showed. All of the characters were detailed and had their own emotions. You could make an argument that, at that point, not a single character was a one dimensional plot device.
Later on we get Guts's aforementioned posse, plus at least three or four comic relief characters with no depth to speak of, or higher purpose to serve in the storyline. I'd say that Guts and Femto are the only true quality characters, as it stands right now.. The fact that I still have sympathy for Femto after all that he did, really drives in what a great and multi-faceted character he is, his character is full of symbolism, and his rivalry with Guts is incredible.
The antagonists have become less convincing over time. Despite interesting theories about and the philosophical nature of Void, and despite the fact that they all have awesome character designs, only one of the God Hand members is truly developed and compelling. One of them has only really existed for fanservice. Did I mention that berserk is actually pretty big on fanservice? Shit, Conrad isn't even good for fanservice, the Majin Buddha lookin fat fuck. Conrad's "personality" section in the Berserk Wikia is blank for a reason. He just kinda floats there while everybody else does all the hard work.
And don't even get me started on Ubik. There's a reason his Berserk Wikia page doesn't even have a personality section. And at least Conrad made that big rock hand thing during the eclipse, this tentacle-ass motherfucker does absolutely nothing at all. What does Ubik even bring to the table? They oughta fire him or something..... Femto is an incredible and complex character that is the perfect foil to Guts while paralleling him in many ways. I don't expect all of the God Hand to be that, but at least give us something.
I rate highly on conclusions as well as expositions, and from the looks of it, this series will have a very bad conclusion, or not have one at all. The climaxes of the series were often vastly epic, although the arguable biggest climax was pretty early on and the story never reached that height again in terms of intensity or quality, but the exposition was sub-par to say the least, and we'll have to see about the conclusion, but I'm not too hopeful. The GA arc is kind of rendered pointless if the overall series fails to deliver on its promise and delivers a lackluster conclusion. That's just speculation though. He may pull it off yet. But, at the pace he’s going, I seriously doubt it.
Art: 9.5/10 (it wasn't as incredible in early volumes and there were some minor mistakes and inconsistencies throughout, so minus .5)
Characters: GA arc 10/10, post GA 5.5/10
Story: GA 10/10, otherwise 6/10
Enjoyment: 9/10 Easily, it's only recently that my enjoyment of it has significantly waned, but enjoyment is the least important category by far and I don't usually count it, except when I'm deciding whether to round up or down.
Actually a very good rating, considering this was a mostly critical review. I just felt like the series wasn't getting properly called out on its flaws, although I like it. The fact is that it's far from perfect and I believe my "7" rating is a somewhat generous one, inflated due to nostalgia and other similar biases.
In addition, the GA arc is simply too amazing for me to give the series anything below "good." That arc will stay with me forever and I've read it around 7 times. Too bad the mindless fanboys will not consider any of this and will simply click "not helpful" without reading the review, despite the fact that "7" is a positive score. On the other hand, haters may deem "7" to be too high a score and they will be butthurt as well. Well, I said what I had to say and I stand by it.
"Have you ever hated someone so much, that this feeling alone would drive you to do horrific and impossible to grasp things?
Have you ever hated someone so much, that your whole life was focused on finding that person and ripping him apart?
Have you ever hated someone so much, that you would forget about your humanity, purge it all just to find enough power, for one, single fraction of a moment, one chance to get your revenge...
What would your eyes look like in that very moment...? Insane? Terrified? Passionate? Happy? Or maybe... satisfied...
Look into his eyes, and find nothing there..."
When I first learned that there is
something like Berserk manga, I was a bit surprised. That was some 7 years ago and little did I know about relations between anime and manga. Either way, I took my chances and downloaded several first volumes.
You can imagine my surprise when I noticed that the manga is a far cry from the anime which really made my day some time ago. Having struggled through the first chapters I moved on to the next volumes. You know, the anime itself is, in all its ingenuity, only a small fraction of the whole manga... As small as several volumes with some deleted scenes and a bit redone ending at that. However, by the moment I reached 'the anime plotline' in manga (which is volume 3) I got already interested in the manga itself.
I think that there's no point in summarising the plot. You can read it above, and for the sake of not spoiling anything, I think you should. You have to, however know this: Berserk manga, in terms of plotline and characters development - is by far the best manga I have ever read, the most complete one, the most multi-dimensional one, the most memorable one... Nowhere else will you be told the stories of sub characters so bluntly and yet discreet that you won't even notice. Nowhere else will you receive such a huge dose of information, and yet still be able to comprehend it effortlessly. This is something uncanny, and frankly, I doubt that anyone ever will be able to reach the level.
The characters are just great. On one hand we have Gutts and Griffith, shades of black and white, fire and water. Being so different, neither can live without the other one. They're like Yin and Yang, two halves of the same coin - even in his darkest moments Griffith still finds himself as Gutts' friend, although few minutes later this friendship changes into hatred and horrific envy. Their whole story is like that, they start off as great friends who would die for each other with smiling face, but only one of them is really committed here.
Characters shine even more when we consider other protagonists and antagonists. No person is left shallow and without a story to tell. Miura-sempai explains everything in a given time and briefly enough to keep you interested. Unlike in other titles where antagonists exist only to serve as a powerup training bag for the protagonist, here all demons have their motives. Even the smallest monster is explained, by which you get attached, even to such scumbags.
The story itself is brutal, broody and hectic sometimes. But you never really lose the track if it. You can have two mini-arcs in one mayor arc, but you'll always remember what the team's real destination is. In this way, Miura-sempai makes it clear to you, that Gutts, although a little less passionately, follows his path and even if he was to be destroyed, he would neither falter nor go back. And the same goes for Griffith, who despite his appearance (nowhere else will you notice that appearance is deceitful so much as in Berserk) is a very strong-willed and straight-forward character. And in all this, having seen all the atrocities that happen in Midland, you never ever think of Griffith as the wrong one. He's not wrong, he's just following his dream, a dream that was clouded with Gutts appearance in his life.
The art itself, is a state of art to watch and read. Detailed panels, hundreds of characters on one page during a hectic battle, highly textured monsters and what I love the most - fluid, realistic and clear fighting scenes. You don't need Kubo trolling with ink to see that Gutts has his speed even despite the weight of his sword. You don't need hundreds of straight lines to increase the dynamics of the scene - Miura-sensei manages it all without a loss in quality.
Facial expressions are something completely else. Even if you cannot follow the plot for some weird reason you can always judge whether the character is good or bad by just looking at his or her face. Those are very detailed and so rich in expressions that you never get bored. You can feel the difference between smooth and angelic appearance of Griffith and a brute, yet kind rectangular face of Gutts.
The mangaka puts a lot of effort into shade and light in Berserk. By that we get a very distinctive nights, sunshines and sunsets as well as dynamic shadows (however awkward it sounds) that no anime director can mime. It's simply sensational to look at all that and even be able to read the story of it... It is clear to me, that Miura-sensei is trying to end up with a sort of masterpiece in terms of manga. And you know what? He's pretty close to achieving this.
There are, however, some bad points too. The manga is not for everyone. I would strictly add parental advisory and 18+ to it. Nowhere else will you see so much nudity, sex and violence as in this manga. It's not a hentai-like nudity and sex though. Berserk shows a violent world with all its aspects, hence these parts were as relevant as any other to make the story as believable as possible.
I'm glad I was able to read the manga. It's one of the best titles ever, if not the best so far. I sincerely hope though, that Miura-sensei lives up to the expectations and finishes this story in a fitting way. Judging by his up-to-date work, it's more than possible.
Berserk: best manga of all the time or GREATEST manga ever? This isn't up for debate, its written in stone.
The story is incredible in every way imaginable. It starts out with a few small arcs featuring the Black Swordsman named Guts who hunts down demons known as Apostles. We aren't really sure why he does this at the beginning but the mangaka, Miura indicates that there is a lot of history between Guts and these Apostles. The setting is realistic fantasy at first with dashes of supernatural and high-fantasy elements sprinkled here and there. Guts doesn't appear as a very likable protagonist at first.
He's rude, cynical, wooden and somewhat insane. The only definite characters are him and his elf sidekick, Puck. There is definitely a strong sense of mystery at first with Guts' motives being hinted at very subtlety as he makes his way through these self-contained arcs. There are no real characters that one can attach themselves to and the tone is extremely bleak. Themes such as existentialism are brought up quite often as the audience wonders why Guts continues at what seems to be a hopeless goal. Its eventually revealed that he has a personal vendetta against one of the God-Hands named Femto, one of the 5 deities of the Berserk universe.
As soon as this is revealed, the manga goes into a very long flashback of Guts' entire life up to the present. It explains how he joined a mercenary group called The Band of the Hawk and became friends with the leader, Griffith. We see that Guts' enjoyed his life with the Band, and was friends with many of the mercenaries. Themes such as comradeship, identity and love are brought up which is stark contrast with the themes in the present. While reading all this, there is a nagging sensation that the audience hears at the back of their heads: this can't last. Miura skillfully throws in elements into the story and brings them up again much later. Its all masterfully weaved together, and as the past starts to catch up with the present, you can't help but dread the outcome of it all. And finally when the Eclipse rolls around, all sorts of emotions surge up such as sorrow and anger. It all comes full circle when the audience realizes that it was foreshadowed since day 1. Ladies and gentlemen, this is what we call masterful storytelling, and the best part is that its only one-third of the story. Truth be told, the manga could have ended after volume 13 and it would still be spectacular but Miura goes the extra several miles and turns Berserk in the stuff of legends.
The characters in Berserk are phenomenal and are expertly written. Many characters undergo vast changes, and it all feels natural and not forced at all. Despite how they all appear at first, you can't help but come to like them all, shortcomings and flaws be damned. Guts becomes one of the best protagonists after a while, a true tragic hero in every meaning of the phrase. It really is a pleasure just to see all the characters interact and to see all their quirks. A chapter can be filled with nothing but dialogue and exposition, and it will be every bit as interesting and compelling as the action-packed chapters. The characters and story go hand in hand, they are all products of their environment and fit so well with the setting. All the fantastical elements fit just as well if not better. Berserk doesn't really require that much suspense of disbelief at first but once you get into it, it doesn't really matter what it pulls, it all seems possible and the sky is limit.
The art is easily some of the best I've ever seen in a manga. The level of detail in the drawings is absolutely insane, everything looks so good. Characters all look great and have their own style and flavor. Faces are never recycled and even background characters all have a distinct look from each other. One of my favorite parts of the drawings are the eyes, their not overtly huge like in most anime and manga, but have a unique design that fits the characters well. Its not ultra realistic like Vagabond or Blade of the Immortal, yet the artstyle it sports is just as good if not better.
Overall, Berserk is easily the best manga I have ever read. From its well developed and written characters to its deep and intricate plot. There's loads of action, blood, gore, nudity, violence, horrific monster designs and I love every bit of it. Truth is all the extreme elements of this manga simply play second fiddle to the characters and story. There is no manga out there that has captivated me like Berserk, it has no equal. I don't even need to read every manga in existence to tell you that. You could take it as fanboy rambling, but I'm not kidding you when I say Berserk is a masterpiece in every sense of the word. If you have the time to read this review, than you sure as hell have enough time to open a new tab and read the first few chapters of Berserk. You won't regret it!
A 10. One of the several few mangas that deserve two numbers. Berserk tells the tale of a swordsman haunted by woe and bad luck."Out of the frying pan into the fire" seems to be the only way to describe this manga, for the protagonist, Gutts, always seems to find himself in worse situations than those of his preceding situations.
The storyline line is superb - one of money, love, betrayal, and death. Each of these themes seem to be ubiquitous yet vacant throughout the story. Albeit a bit slow in the beginning, the plot rockets off, forming a most complex and elaborate tale that
is sure to suck you in like a vacuum.
The art is amazing as well, though a tad bit confusing at times (as is the case for most action manga). The decapitation and maiming seem to look somewhat authentic relative to the weapon swings and cleaves - a huge plus in my book.
The characters are all fascinating in their own respect. Some big, some young, yet all adventurous and brave enough to fit in such an epic story. Each character is introduced and then reintroduced at a later time with even more background information on them.
Lastly, the mangaka seems to do things differently in this manga then in others. This thing seems to be the "pragmatist POV," the POV any sensible person would take. This made me elated. If you don't know what I'm talking about, read and find out.
If you like Berserk then you may find this review offensive. Read at your own risk.
Berserk starts off very poorly. A man with a ten foot sword and a robot arm kills a bunch of people and some gross looking monsters. Now I like gore just as much as the next guy, but there needs to be SOME sort of story or reasoning behind it. It seemed like the main character, Guts, just walked around and killed ugly things for the first few volumes just because he liked being covered in blood.
But then the golden age arc started...This my friends, is one of the
greatest arcs in manga history. It almost feels like the mangaka walked away from his desk and let God himself write this part of the story. The characters become deep, the disgusting fights gain meaning, and basically everything is executed to perfection. Then, after about a hundred chapters, it ends. God gives the pen back to the original mangaka and he proceeds to make Guts kill billions of ugly snake penis monsters for the next few hundred chapters. 25% of this manga is pure gold. The other 75% is utter shit.
Berserk's strongest point, aside from the golden age arc, has to be its art work. I believe I mentioned disgusting monsters a few times in the first paragraph and trust me - they are DISGUSTING. They've got rows of razor sharp teeth, they're covered in dirty fur, they're oozing with slime, they're drooling, and they all have snakes for penises. The amount of detail put into these beasts can make you hurl...but in a good way. This manga provides a few debatable subjects, but its artwork isn't one of them. It is nothing less than perfect.
The rivalry between Guts and Griffith is legendary. During the golden age arc both characters are given ample development time in order for the reader to truly feel for these guys. In fact, most of the characters from the golden age arc are given enough face time for people to get attached to them. Unfortunately, all the non-golden age arc parts of the manga have minimal development for the male characters aside from Guts, and most of the female characters are rape-bait. The golden age arc was so good though, that I'm going to give characters a higher score than it truly deserves. Seriously, most of this manga is bad.
Just so we're clear, golden age arc enjoyment = 10. The rest of Berserk is literally the same thing over and over again just with different ugly monsters. Here is a brief rundown of every chapter of Berserk:
Guts walks into a city.
Mutant panda bears are raping 900 women with their snake penises.
Guts kills the panda bears with his man-sized sword.
Everything is depressing.
Drop it after the golden age arc. It doesn't just go downhill after that. It falls off a cliff and lands in a pile of dog shit barf...with snake penises.
Mod Note: This review was initially posted for the one-shot, Berserk Prototype, and was subsequently merged into Berserk.I've only recently started reading Berserk, so I've decided to check out the Prototype. I think that anyone who enjoys reading Berserk will find this interesting and worth reading. In itself it does not stand out particularly, and it really looks like another chapter of Berserk with some differences concerning the details of the story. (There are slight defferences in the treminology, and Guts is somewhat differently drawn.)
I found it worth while because it actually shows you that a rough idea needs to be refined and thought through
to bring about something as good as Berserk is. I've read some mangas that were potentially great, but seemed to lack that period that the author of Berserk took to think things through between the idea and its actual realization.
So if you like Berserk, and if you're interested in the origins of the manga, you should definitely read the Prototype.
One line: "Highly detailed scenes. Very impressive and complex plot. Lively and varied characters. Berserk rules!"
- [ Story - 10 ] -
Berserk is about Guts, an exceptionally skilled swordsman and his adventures with The Band of the Hawk, along with its leader, Griffith, and other characters like Caska. After a betrayal, Guts is branded as a sacrifice by the God Hand and loses all his friends and his love, set to be killed during The Eclipse. He fights like an insane, becoming an Eclipse survivor. Following this, he is cursed and always attracts evil spirits and violence around him. He now
devotes himself to fighting God Hand, his betrayer and all evil accumulating around him, even at the cost of whatever he came to cherish in life, accumulating scars after scars, and risking the lost of everything, including his life. All for revenge.
Berserk is a dark, violent series, definitely targetted to an adult audience. It also contains significant amount of nudity and sex, even rape. Ok. now you are warned.
The plotline is extremely detailed and complex, going from the present, to Guts' background story extensively, before returning to the present and moving on. This is makes very good chracter development and background story elaboration. You are told about most of the characters, how they are related, and why they behave as they do in the present. I felt that no detail lacked. Very very well made!
The story is very captivating too. There is no humor, since it's almost a tragic story, about real suffering at the lost of loved ones and dear friends, because of the betrayal of somebody held in high-esteem. A superb plotline, which views the classic "man fights demons" from a very different angle, as if you were inside the story. The problem is that there is no "good side" to balance the evil powers, so Guts is all alone in his fight for revenge, with no help at all. Berserk takes another look at religion and its concepts, at god and the foundation of faith, at friendship, love and betrayal. Overall, Berserk packs an incredibly complex plot, which is definitely worth discovering.
- [ Art - 10 ] -
The first volumes have quite poor art, with simplistic toning as shading. Even the characters are sometimes weirdly drawn, with wrongly positioned facial features and some other things.
The artist, Kentaro Miura, shows his true skills as the story goes. As the volumes go on, the level of detail, the quality of the drawings and shading increases exponentially, making Berserk a true piece of art. It's definitely one of the best illustrated manga I've seen till now. The characters and specially environments are magnificently detailed. You will see pages dedicated to picturing the environment, on which you will maintain your stare!
Just give a glance to the armor of Griffith or even Guts. It's extremely detailed, down to the nearest mail. Plain impressive. The art is sometimes "heavy" with shading, but this weakness is compensated with detail and intricate shading.
Miura excells in depicting complex fight scenes, with Guts surrounded by enemies, and in great, gory details. Those spread pages are a real pleasure for the eyes. Specially when you get to see the environment too. Miura is definitely the details-man!
- [ Characters - 9 ] -
This manga takes character development to a whole new level. You are given every small detail about all the major characters, and how they are related to all the other characters. The development is made at a great pace, not too fast, not too slow. You will be given details just when they are required. You won't be complaining about lack of details about characters in Berserk.
There is nothing very extraordinary about the characters. In fact, they all seem normal! Guts looks kind of evil and loveless at first glance, and Griffith, seems to be kind-hearted. That's just at first glance though, because the characters have incredible depth. So much that the reader can almost feel the emotions of the characters. You will even pity Guts at time, telling yourself "poor guy...".
The characters are driven by their emotions and ambitions. Guts wants revenge, and channels all his anger and frustration in his fights, even hurting those he cares about in the process, literally becoming berserk. Griffith has ambition and will stop at nothing to reach his goals. The God Hand is pure evil, despite the word god often associated with good in their name. Such a lively and varied cast of characters makes Berserk great.
Interesting enough, Berserk is one of the few series where the main character is not always present and hogging all the action. Sometimes, Guts is not even doing anything great, save for some talking. This gives other characters some role, which makes Berserk even more interesting, since you get to discover side characters. An example would be the Farnese/Serpico arc.
Then why 9 and not 10? Because in my opinion, Griffith gets too much attention. It's just my opinion though! :P
- [ Enjoyment - 9 ] -
Berserk is not something you are going to enjoy, considering the violence and dark theme. You are going to appreciate it, if I may say. That, I did!
The detailed art, the non-lacking story line, the varied cast of characters and the plot twists make Berserk totally great, unsurpassed in its genre in my opinion. You will get to admire, hate or even support the characters as Berserk progresses. As I said earlier, you will become part of Berserk.
Why 9 for enjoyment? Because I didn't like Guts getting trashed incessantly for nearly 25 volumes by overwhelming force and not getting any powerups! It was plain unfair, specially considering all odds are against the guy.
- [ Overall - 9 ] -
If you can handle the violence, gore, fighting and sex, you will want to see Berserk, simply because there is nothing better than Berserk when it comes to those themes! :D
I am not convinced about the re-read value yet. I find it difficult to go over all those dark plots again. It's going to be a once-off-love-it series I guess. For me at least.
"To me, a friend is something else. Someone who would never depend upon another's dream. Someone who wouldn't be compelled by anyone, but who would determine and pursue his own reason to live and should anyone trample that dream, he would oppose him body and soul...even if that threat were me myself. What I think a friend is, is one who is my equal." – Griffith
Words of wisdom and complete despair. Griffith’s speech at the top of the ballroom stairs is truly sublime and grotesque in nature. Many would agree with what is being said but only few expected the horrors this speech would imply.
Welcome everyone to my review of Kentaro Miura’s masterpiece, 'Berserk'.
Spoiler-Free Review (In the sense that I don’t discuss major details on plot or characters):
Every person and their mom know how much I love 'Berserk', to the point of obsession. It is the perfect blend of many genres and styles of literature. It borrows many concepts including: tragedies (ie: Shakespearean tragedies, Death of a Salesman, etc…); literature classics that involve themes such as life experience (ie: Siddhartha, The Catcher in the Rye, etc…); the bible, organized religion and philosophy (ie: Plato and the realm of ideas); fantasy adventure classics (ie: Lord of the Rings, Wheel of Time, etc…); and many western movie epics (ie: Star Wars, Conan the Barbarian, etc…). The scope of this story is incredible but the main problem some might point out is: do all these big themes and concepts mesh well together while at the same time keeping a cohesive pacing and plot? Yes it does because all these big themes are separated by story arcs and sections where they each get their moment to shine while at the same time creating a perfect transition for the next part of the story. These shifts in themes also keep the story from not ever becoming stale and/or boring. All the while, the word “berserk” is the over arching theme of the entire manga. The uniqueness of the story in 'Berserk' is also unrivaled. While it does take many aspects of traditional and modern literature such as the tragic hero (Golden Age Arc) and individual societal drama (Conviction Arc), Miura added his own twist to everything like his opinion on the moral values of the themes he presents (which are all great might I add) and his own unique fantastical elements (Behelit, demon’s, God-Hand, etc…). Childhood rape is another topic that Miura delves into and it is safe to say that he handles it with complete respect and understanding. It is not a topic he simply glosses over in order to shock the reader, but is a full on subject and consequence within the story. The subject is handled with great care, subtlety, and realism. Miura makes sure that every moment, theme, and action taken within the story is a build up for the final act within the certain arc. 'Berserk' is not simply a bunch of ideas blended together but a mix of different puzzle pieces that are carefully fit in place in order to create a truly monumental achievement in story telling.
All these different themes seem very good but is the story any fun to read or is it all just standing around and talking? Well do not fear because there is action a plenty in this manga which is all very well detailed. The action in and of itself is brilliant, and character movements are all drawn and dictated with precise panel accuracy to the point of obsession. To add to how incredible the action is, 'Berserk' itself is probably the most beautifully drawn manga (this includes comics and graphic novels) of all time. This statement of it being the best could probably be debunked, but I have not yet come across a better art-work. The character proportions and details, the world and backgrounds, the fantasy creatures, etc… are all marvelous to look at. Do not be surprised if you start staring at the art for hours on end, it is that good. Kentaro Miura in an interview said that it took him about 24 hours to finish drawing just one panel and be satisfied with it. Goes to show how much he cares about detail.
The main character Guts is the very definition of a tragic hero. His character arc is beyond that of any other protagonist and his emotional torments are unrivaled. To truly understand this man’s point of view is to go through hell itself and beyond. Every arc adds to his growth, redemption, and eventual becoming of a hero and mentor. It is truly beautiful and poetic in nature. His character complexity just continues to grow (the manga is still publishing) and eventually he will become the definition of enlightened, or so we hope he will be? One of the many ways for a great protagonist to shine is through a great villain. Thankfully, Griffith is the very definition of a perfect villain. Taking on the classic tragic literature elements of the villain once being best friends with the protagonist, Griffith takes this idea and magnifies his betrayal to the point of complete horror. Imagine taking a man, forcing him to watch everything horrible in life and everything personally horrible to him. Griffith does exactly that and the magnitude of his crime is unbelievable. This crime is all done in the name of his own goals and dreams. The starting top quote of the review spoken by Griffith is taken all the way to the extreme. Griffith was once a man who was in love, happy, childish, angry, intimidating, fearful, compassionate, heroic, etc... But he replaced all that in order to simply follow his dream. He became the very embodiment of the anti-Christ, a man who cares only about his own selfish ends, who looks majestic in nature but is a complete and utter villain, who schemes and fools the world into believing that he is the savior of mankind. As for Guts, he learnt from this betrayal and became the very man Griffith should have been. He became the hero that everyone now looks up to. The last and only step he must now face is to defeat his inner rage, which has been building up since the beginning of the series. He must rid himself of this berserk instinct and darkness inside him. In doing so he will turn into the true hero he is meant to become and defeat the anti-Christ known as Griffith once and for all.
The secondary characters are all incredible in their own right. Guts’ friends are divided into two groups. The first group of friends are the ones that gave him a family for the first time while at the same time each giving their own advice on how he should go on in life. They all have an interesting back story and are quite well developed, some more than others. These friends feel like people and each one of them is smart in their own way. However things change with the second group of friends. Guts’ is introduced to a new family but this time it is him that gives them advice and guidance thanks in part to the experience and knowledge he’s gained through out his journey. This second group of friends are much more interesting than the first because since they all have issues they need to overcome, each and every one of them have an incredibly well handled character arc. Guts through experience, learns to rely on his companions and they all connect with each other in different ways. The fantastic thing about each and every character in 'Berserk' is just how natural and subtle their development is. Nothing ever feels forced or thrown in your face. It is all very well paced and sometimes poetic in nature which are either done through great dialogue or subtle character actions that are well detailed. Paying attention to the drawings and art is crucial not only in terms of beauty, but character development as well. Character expressions are all taken into account and are very crucial to the story. Every interaction between the main and secondary characters has a purpose and that includes the comic relief characters/moments. The amount of attention to detail is simply astounding.
The final subject that must be touched upon is the tone and violence of this manga. Many have complained that this series contains too much gore and nudity. If one is too delicate to look at grotesque and violent actions, then this manga can easily turn some people off. However, I assure the readers that the nudity and extreme violence all have a purpose. What does it mean to be human? Love, hatred, pain, pleasure, life, and death (readers of 'Berserk' know what moment I am referencing) are all taken to the complete extremes in order to find out that answer. Like I stated in the beginning of my review, 'Berserk' is the definition of sublime and grotesque. It is beautiful in both aspects of the extreme. This is the tone that is kept through out each and every arc. That is why the story has that “epic” feel which no other manga has ever been able to replicate.
To call 'Berserk' perfect after all the praise I’ve given would still be a lie because the series is not over yet and nothing is ever truly “perfect”. There are many ways in which Kentaro Miura can make a mistake in the later upcoming chapters. There is also one more minor companion among Guts’ group that has not had much back story or development, something I’m hoping Miura will fix in the later chapters. Some people have criticized some certain parts of the manga like the first intro Black Swordsman Arc or the beginning of the newly started Fantasia Arc, but the nit-picking can easily be rebutted. The Black Swordsman Arc was meant to introduce the world of 'Berserk' which includes: the main protagonist and antagonist, the fantastical and medieval world they live in, the tone and intense action, and the over arching theme of the whole series which is Guts’ inner “berserk”. It is a fantastic set up and gets the reader aware of what type of journey they are about to embark on. As for the beginning of Fantasia Arc, the same introduction argument can be used because the world and rules have changed drastically since the last arc. This is all really pointless to debate because this story arc has only just begun.
'Berserk' is by far the smartest, most diverse and well developed story I’ve ever seen and/or read. This includes comics, movies, novels, TV series, anime, etc… It is perhaps the greatest piece of literature of our generation and Kentaro Miura deserves ever single praise he gets. It is in my opinion the closest story to have reached perfection and I feel truly privileged to be reading such a masterpiece. Thank you very much Mr. Miura.
I don't consider myself to be much of a contrarian, so it is with little pleasure that I add this score to one of the highest rated series on this website.
I think Berserk is GROTESQUELY overrated, pointless misery porn with some very nice illustrations. The violence is hideously over the top, the worst of which is reserved specifically for its female characters, the sheer darkness of the setting mutes any of the story's supposed triumphs, and as far as I'm concerned you lose any potential allegorical worth to the brutality of the real world when you have demon rapist horses and giant rape machines
to breed demon armies. I cannot see this work appealing to anyone other than voyeurs who delightf in gratuitous, inhuman suffering. Perhaps it takes a turn for the less depraved further on, but at this point I've lost interest, and at the rate Miura puts out chapters, frankly, it's not worth sticking around for.
Fair warning: if you can't deal with a constructive critique of a work of fiction, this review will not be helpful to you.
This is my personal opinion and it reflects an attempt at challenging readers to engage in expanding their comprehensive and analytical perception.
My first exposure to Kentaro Miura's Berserk was that of the Anime Film Trilogy adaptation of the Golden Age Arc. I'll start by saying this: the Anime series and the subsequent Golden Age Arc films are an absolute insult to the breathtaking Manga Saga in terms of storytelling. They are oblivious to basic narrative components such as pacing, character development and structure.
being said, this is not much different from the first 3 volumes of the Manga which in retrospect is possibly the greatest waste of potential in all of literature/art.
Here is why Berserk is a flat-out weak series:
It seems like Miura was trying to present an enigmatic unravelling to the key event in the first three volumes simply for the sake of grabbing the reader's attention immediately. This is not only a glaring signifier to lack of foresight on the writer's part, but also his utter laziness to exhibit his trump card from the start. Good storytelling has to follow an appropriate structure in order to engage the reader through a flowing arc. Berserk immediately throws the very fundamentals of narrative writing out the window in a pretentious attempt at being different.
This aura of pretentiousness follows throughout the entirety of the series; especially in the Golden Age Arc. Themes of existentialism and nihilism are explored but never fleshed out because the characters are not written well enough to carry such heavy material. On the other hand, Miura has shown himself to be a masterful writer of subtlety in juxtaposition to visual luridness. Examples include the more ambient sequences of Guts gaging at the stars in isolation after being victorious in a long battle (which intricately exemplifies a symbolic and metaphorical representation of the main protagonist's inner turmoil of existential crisis) or alternatively, one of my favourite scenes in Manga history; Griffith's reunion with Guts after enduring a year of torture indirectly at the hands of his 'friend'. There is an incredibly poignant and subtle gesture before they hug where Griffith attempts to choke Guts at first glance; a small action that chillingly and profoundly accentuates their relationship in exquisitely reoccurring parallelism. This is also where the obtrusively ostentatious aspects of Miura's writing appears. Berserk glorifies itself with over-the-top violence and intense imagery to muster up threads of drama that are lazily linked together. I understand that this is meant to be a tragedy, reminiscent of many Shakespearean works but unlike Shakespeare, Miura doesn't understand what makes a tragic narrative work; there is no sense of logic or cognition intrinsically correlated to any circumstantial event. For example, it was implied that Griffith gave Guts purpose and was the reason why he ultimately decided to leave the Band of Hawks (which consequently was the catalyst to every catastrophe that occurred) but we never got an understanding of why Griffith was specifically crucial to Guts' ideology. Was it because of Griffith's redefinition of friendship out of mutual respect? Was it because Guts idolises Griffith? Couldn't be the former because that contradicts everything Guts aspired to be (independent, honourable, tenacious etc) and it couldn't be the latter because Guts wanted to be on equal terms with Griffith. It's just moronically written nonsense. Also, why couldn't we explore any dynamic character interactions between Guts and the Hawks besides his forced romance with Caska if the climax of Guts' character arc was his betrayal of the Hawks in order to "find his own path"? There's also the suggestion that Griffith had sexual desires for Guts with no explanation during his sex scene with Charlotte. Once again, an example of pretentiously implemented adult subtext. Griffith himself is a walking contradiction; he believes friendship can only exist if both members are on equal terms even if the other person is in direct opposition to his dream, but then considers Guts an enemy after his formal decision to leave the Hawks. Therefore his transition to a full-blown deity, albeit visually stunning and powerful, doesn't make any internal sense because his "sacrificial" plot-device is completely unwarranted. This not only lessens the impact of the climax of the Golden Age Arc but it's also an indication to why the writer relied over-excessively on adult subjects such as torture, rape etc to carry the dramatical impulse of the finale. An ironically childish method of storytelling if you ask me.
There is a disjointed sense of tone after the Golden Age Arc where the themes of comradeship, idealogical clashes, art of war, existentialism etc abruptly transition to demonic cleansing, survival of the fittest and satanic redemption. This blatantly fogs the sense of direction for the narrative as there is no longer a set goal or overall objective for the main characters besides the terribly cliche revenge motive for the protagonist. Finally, Berserk features the most atrociously abysmal attempt at foreshadowing/world-building I've ever seen in any story (then again, I may have just been spoiled by One Piece...) At a point where a grim reaper appears out of nowhere to provide LITERAL foreshadowing through expository dialogue with the main protagonist to introduce the reader to a more expansive world, you know that's just poor storytelling.
I despise divulging in 'What If' scenarios but Berserk really could've been one of the greatest fictional pieces of our time if the writer was a bit more talented and put much more effort in executing his brilliant ideas. This laziness is especially apparent in Berserk's coincidental form of storytelling; I.e Behelit's convenient reappearance in the river, Guts' luck during battle (miraculously convenient weapon placements in obscure locations), blatant plot armour etc.
I'll end the review with the most positive thing I can talk about: the art. It's simply the most artistically integral and engaging Manga to date (besides Vagabond). Miura is a genius when it comes to expressing mood and atmosphere through exquisitely dark fantasy imagery, intricately perpetrated angles and transcendentally symbolic leitmotif.
In the end, however astounding the aesthetics are, Berserk is a story that succumbed to typical and atypical writer's blocks; problems that are minor in less ambitious narratives but intrusively prevalent in what Kentaro Miura tried to accomplish. If you're interested in these kinds of stories that deal with dark themes in a much more mature and sophisticated way, I'd highly recommend you read Macbeth instead or for a visual medium: Monster by Naoki Ursawa. Both works are eons ahead of Berserk in terms of writing, narrative and characterisation.
I can't praise this series enough. It will spoil you for anything else you'll read in the future because nothing will be able to compare to it. The plot couldn't be more epic, the emotions couldn't run stronger, the art couldn't be more awe-inspiring (particularly in later volumes), and I guarantee that Berserk will traumatize you for life - in a good way! There are no flat characters here, and you can look at the story from any one of their perspectives to learn something new and valuable about the Berserk world. There's rape and violence galore, but this manga isn't just about Guts kicking
ass, it actually has deep philosophical themes woven throughout which I take great pleasure in exploring.
One thing I do want to add is that the manga does not start at the chronological beginning. I strongly recommend that if you want to avoid major spoilers and get the most emotional impact from the story, you start reading at VOLUME 3 PAGE 169 ("Golden Age, Chapter 1"). This is the chronological beginning of Berserk. It is an ~11-volume flashback that frames the rest of the story. In the middle of volume 14 there is a "2 years later..." time skip. When you reach the "2 years later.." mark, this is when you go back and read volumes 1 through 3 completely, then continue with 14.
As you can tell, I was pretty disappointed with the then current state of the manga when I wrote this review. Now that the party has gotten off the boat and production has sped up, I am cautiously optimistic. Also having re-read the manga recently, I find myself liking the post Eclipse manga more than I did on the first read through. I like the struggle that Guts must go through on whether to pursue revenge or choose protecting those he loves. This inner struggle and psychological drama is quite interesting. I also find myself liking the gradual redemption of the initially vile
and brutal character Farnese. Of course I'm also getting worried after the introduction of Isma. My generation has spent 20 years trying to defend Miura's bullshit plot devices and various perversions and saying that Berserk belong's in High School curricula along with Alan Moore's comics. Don't you DARE turn Berserk into a harem series and fuck us over Miura! Also no more Schierke fanservice! Stop it Miura!
The late 1980s and 1990s were known as the "Dark Age" of American comics. However, on the other side of the Pacific there was a comic that was FAR darker than any American comic of this period. Berserk is the comic that for me best defines the 1990s decade. This was a time of excess, morally ambiguous heroes, and pointless gore and nudity. Berserk took that formula, skull fucked the American comics, and shit down their necks. This is the comic where there is a pointless rape every 5 God Damn pages! This is the comic that comic stores in the US refused to carry and bookstores kept in the back under heavy plastic wrap along with the seedy pornos.
Despite the late 80s/90s excesses of Berserk, it actually does something besides just bathe us with blood and make us blush with countless, brutal rapes. Berserk actually offers a gritty but effective parable on the corrupting effects of power and of ambition without regard to others. Berserk has a special effect on me as an American. At the same time that the Dark Age of comics was going on, corporate CEOs decimated American manufacturing by sending all the jobs that created the American middle class overseas. Wages were slashed in order to allow for MASSIVE bonuses for the guys at the very top. It was during this time that the prosperous age of the American Middle Class started to die because greedy, disgusting sons of bitches like Jack Welch sacrificed his loyal employees in order to award himself with more money and power. Griffith is a great villain because he absolutely embodies the Corporate American culture of the 80s and 90s. He is a slimy, son of bitch that has great charisma, but doesn't give a fuck about anyone but himself and is willing to sacrifice anyone and everyone to further his own power. That is one thing that gave this comic such poignancy.
Then the 2000s happened and Berserk kept going on...and on...and on. Rather than ending with Eclipse Arc like the critically lauded anime version, the manga just keeps trucking without really knowing where it is going. In other words, Kentaro Miura seems to have lost his original purpose and is now just meandering around. Berserk is becoming more of a generic shonen manga every year instead of the brilliant and daring seinen that won our hearts in the 90s. That is one reason that Berserk doesn't have too many new fans. I don't think anyone aged 15 would pick up the most recent volume of Berserk in 2015 and say, "Holy shit this is AWESOME!" Berserk continues thanks to a loyal albeit zealous fandom of "oldtaku". What I am saying is what we all know already in our hearts. The ending is going to suck, and that is if the manga even ends before Kentaro Miura dies. It is interesting that the story of Berserk is often like a Greek tragedy, and sadly the history of the manga itself is starting to look like a tragedy. The tale of a once daring, poignant, and "Gutsy" comic that didn't know when to wrap up and eventually became a convoluted mess of mediocrity and deus ex Machina bullshit! Why else does the Skull Knight exist?! This is a manga with an entire character that has the sole purpose of getting Miura out of jail when he has written himself into a corner.
Although I am not a big fan of the more recent Berserk manga, this is a series with some classic moments that defined a decade and should be remembered as a real "game changer" in seinen manga and for comics in general. As frustrated as I get with Miura, I have to remind myself that Berserk was once great and that is the way that we should all remember it!
If not for the over hype and characters (Guts, specifically) i would have enjoyed this more.
People over hyping and praising this manga as if it was written by God himself, is honestly so disgusting and delusional.
Guts is the biggest Mary Sue i ever had to bear reading. Although i noticed people called him 'badass'. Understandable. But that was what it cut it for me. I don't like 'badass' characters in the first place, because you know why?
Together with 'badassary' comes big, inflated, tumorous egos, and cringeworthy one liners.
There were absolutely no stakes when characters were getting raped/attacked by big ugly evil monsters, because Guts
would ALWAYS come and save them from baddies. No matter how hurt, or crushed he would be.
Sure he lost an arm and an eye, but did it cripple him? No. He got a cool mechanic arm he could fire arrows and god knows what else, out of. The eye? No biggie. Still can see with the other. It happened only because the author wanted to further showcase just how badass and cool Guts was.
Onto the next point:
As many people said, the females in this manga only existed to be rape-bait. Nothing more, nothing else.
The author excessively forced nudity into this story when it was unnecessary.
You would see many fat ugly men, without penises and only beautiful women with their perky tits, but i guess that's every seinen manga.
At least Griffith was pleasant to look at.
Scull Knight (?) would always deus ex machina his way into the plot, so that readers wouldn't start complaining about Guts always saving the day.
When looking at the 5 sub-categories above, I noticed myself giving every one a 10 (expect for enjoyment, which I gave a 9. I'll get to why I gave it that in a second). While I'm not particularly the strictest reviewer ever, I generally don't go throwing 10's all over the place. So, needless to say, Berserk is something unique.
If one were to simply look at the series briefly, the average person would probably only see it as just another over-the-top action manga with a lot of nudity and sex. But that's where they would be mistaken; while violence in Berserk tends to be
very extreme and sex IS prevalent, it is done like that on purpose.
Berserk, at its core, is a horror manga for mature audiences...and I'm not talking a generic spooky, ghost-filled haunted mansion story. I'm talking nightmare-like horror. Monsters exist less for the purpose of being something for Guts (the main protagonist) to kill, but are there to represent opposition for him and his "group". Sex almost always involves rape of a horrific nature (except for one instance, which is there to give character development).
Characters are generally very believable and are not perfect Mary Sue's; every single character has at least one major flaw, which can often times play against them heavily. Guts has been a mercenary since a kid and knows very little outside of battle, making it hard for him to get along with others often and coming off as psychopathic at times. Griffith (the main antagonist) tries to do everything perfectly, which leads to him, more or less, going insane at one point in the series when he "messes up". Casca (Gut's romantic interest) is a female solider who tries to throw away her femininity in order to become an excellent solider. These are just three examples of why characters in Berserk are interesting: they have flaws that make them more believable and (sometimes) relateable.
The art style is great, using heavy amounts of black to express the bleak tone of the series. If there was ever one manga that has a haunting-like nature to it's world, it would be Berserk (post Golden Age, one of the plot arcs of the series).
The plot is almost always excellent. If there was one manga that could be compared to epics such as The Epic of Gilgamesh or The Odyssey, it would probably be Berserk. The only two complaint I have with the story (and the reason why I gave enjoyment a 9) are due to pacing problems (in my opinion). There are two instances where I feel the pace of the story feels off.
The first is the very first 2 and a half volumes, which are very hit or miss in my opinion. When I went back and re-read these chapters, I found myself thinking 'you know, they probably could have cut that part out' or 'that chapter could have had these parts trimmed down'. While the Golden Age arc gives great insight to what the heck is happening and is great payoff for sticking with it, it may put off some readers who may find the beginning too confusing.
The other part is probably the part that I feel is the bigger of the two problems. After the Golden Age arc, we head into the Retribution arc. This arc starts off with a huge nosedive in quality from the previous arc. While this arc eventually becomes good, the very first sub-plot of this arc is almost completely irrelevant and comes off as very dull and bland when compared to the exciting and well-written nature of the entirety of the Golden Age arc.
However, these two issues are not even close to enough to bring down this great series in my eyes. Berserk truly does deserve to be the highest rated manga on MAL.
Bottom line: if you want a manga with memorable characters, interesting themes, great art, and a captivating plot and are not afraid of graphic violence and sex, definitely check out Berserk.
The first, the "Golden Age" arc, is where its acclaim rightly comes from- it easily stands alone as the single best Manga arc I've ever read. Deserves 10s across the board. Reading Berserk is *absolutely* worthwhile for that experience alone- superb, mature characters, fiendishly inventive plot twists, and some beautiful worldbuilding. The way it ends is absolutely heartbreaking.
Then, after the first ~110 chapters? There's, ah, the rest.
The post-Golden Age arc's still enjoyable- and the magnificent art style, if anything, has got even better. The problem's with the setting and pacing- it scarcely feels like the storyline has
any idea where it wants to go anymore. The serious, heartfelt tone of the Golden Age arc's faded away, and been replaced with something much closer to a standard shōnen plotline. Guts and Griffith are still about, and the relationship between the two is still fantastic- but just about everything that made the Golden Age arc so distinctive's vastly reduced. The worldbuilding's still spectacularly creative, the sparse moments of actual plot development are interesting, and the characters from the original arc are still around, and develop in unexpected ways- but the feeling of close camraderie that made the Band of the Hawk's stories so wonderful to read about is just gone. What's in its place is a pretty, formulaic string of sequences- roughly summed up as "Guts et al wander into new setting, mysterious phenomenon transforms into eldritch abomination, the party thwack it with magical weapons for a few chapters, then Guts screams and gravely injures himself destroying the monster of the week". That's it- the overarching, beautifully written story of the Golden Age arc's been replaced by something that feels distinctly less... human? Berserk's become a story dominated by the spectacle, rather than the characters- which, unfortunately, has entailed jettisoning a huge part of what made it so wonderful in the first place.
The plot's meandered along at a glacial pace for almost two hundred chapters now. Given the slow rate of chapter releases (three hundred chapters over twenty years?), it's hard to imagine the plot getting anywhere soon.
Scored a "7" with a heavy heart. The Golden Age arc on its own deserves "10"s across the board- but the latter two thirds of the story drag the score down. The soul just isn't there anymore.
Read it, absolutely. Just expect to find the magic trailing off after a certain point.
The only reason I regret reading Berserk is because now no manga or anime even comes close to how good it is. It might act as a turn off to some younger viewers because of the violence, complex story line, sex (probably not), and tragedy.
Everything in this anime is perfect and might take a little difficulty to be appreciated because of its age.
The artwork is amazing
The story line is tragic and superb
It's the coolest and saddest thing you will ever read
look i tried very hard and forced my to like it. but boy oh boy, it does loves to prove me wrong.
i'm not gonna talk about the characters or art. because those are something you should experience while reading. but i'll say this , the art looks fantastic.
it's not a bad manga by any means, i have seen worse than this.
the first arc (golden age arc) was really good and has enormous potential to hook the readers. it's also the reason the series right now feels like shit. the first arc was soo powerful that even the mangaka doesn't know to maintain the
it really became a major problem during its other arcs. Now the series not more than a stupid gory mess which needs a lot of effort from the mangaka to put it back on track.
new comers don't be fooled by Mal's rating and
PLEASE , STOP THE SUPPORTING CHARACTERS FROM PRAISING GUTS ALL THE TIME , IT SERIOUSLY STUPID
Being a medieval-style lover, I started looking for a manga with this type of setting ever since I was introduced to manga and anime. Many people suggested Berserk and praised it as a masterpiece. It wasn't long before I saw why.
First of all, it's one of the few manga, if not the only one, where the secondary characters' past, relationships and stories are introduced to you in a way that the plot won't get sidetracked and the focus of the story will still be on the main characters. This adds to the drama and makes the cast more interesting and realistic. And we are talking
about a ton of information, but it won't tire you one bit. To be honest, I have never before seen an anime or manga achieving such detail with so little effort and protects the readers from boredom.
The main characters are Guts and Griffith. One is the direct opposite of the other, both in philosophy and style. They start of as good friends that trust each other and develop a strong bond. But in the end, one will betray and another will be betrayed. Besides the "good guys", the villains are not your typical run-of-the-mill bad guy that wants to destroy the world etc etc. Each and any one of them has his own motive and his own story to tell. They are something more than just figures that serve to stop the protagonists' way and eventually, get destroyed by them.
The story walks the border between complicated but easy to understand and chaotic. However, it never slips to either side. The characters might sidetrack from their original goal a couple of times in every arc, but you will never forget what they wanted to do. Berserk's magic will definitely capture you, as you will find yourself enraged and angry in several parts of the story. Also, you will have the impression that Guts and Griffith are locked in a struggle between morality, following your dreams and duty many times as the story progresses.
When it comes to the art, one word would not be enough to describe it. The battle scenes are fluent, realistic, full of energy and it's easy to understand what is happening during a duel. Castle sieges, battlefields they are all depicted with hundreds of soldiers in few frames, but they never become too chaotic for you to understand. A notable element is the expressions in the characters' faces. You will always know a character's emotions by looking at him and even if you have doubts about someone's motives, a look on his face will confirm or not your suspicions.
Keep in mind though, that Berserk is not your average warrior-style manga. Gore is in very high levels while violence is something common. Add sex, rape, and nudity and you got a mature manga. However, isn't that how medieval times where in the first place? There's no need to glorify these things, but there's also no need to create illusions that knights in shining armor were kind, good and rescued damsels in distress out of duty. And Berserk definitely achieves that.
To date, Berserk remains my favorite medieval manga. And I am certain that no other manga any time soon will manage to surpass it. I strongly reccomend it and be certain that you will enjoy it thoroughly.
Berserk is a series that has grown in popularity to be one of the most hailed works within the medium of manga, and for good reason. It's medieval setting, complex character writing, ties to several philosophical schools of thought such as the idea of Nietzsche's Ubermensch and it's top tier art are all factors in why many cite it as the greatest manga of all time.
However, that is a very questionable statement when it comes to analysing the series. Indeed, the quality of the Golden Age Arc, featuring some of the best character chemistry and complexity in the medium through it's main trio of Guts,
Griffith and Casca that leads to a story that had many twists and turns as we see knights presented as nowhere near virtuous much like in the hit series Game of Thrones or see characters make complex moral decisions. However, even this isn't a perfect arc, since the existence of the Black Swordsman Arc beforehand spoils what the overall outcome for Guts and Griffith would be, not to mention that even with the level of torment Guts went through, the cruel and almost edgy nature of his character in the Black Swordsman Arc is a notable step down in quality.
Unfortunately, the quality of the writing after the Golden Age is a slow decline. The Lost Children and Tower Arcs were still good in helping develop Guts' character and Serpico makes for an excellent character during his introduction due to his parallels to Griffith. However, the returning cast become far less interesting and the new additions to Guts' group are nowhere near as interesting as the original Band of the Hawk. Casca becomes more potato than character for many, many years of publication and Griffith loses all layers and elegance to his actions to become an irredeemable villain. As for the new cast, Farnese is a typical tsundere, Isidro is a typical child prodigy, Schierke is a loli plot device and Puck, whilst starting out as a decent support character, quickly becomes a bland comic relief.
Speaking of comic relief, the overabundance of this in later arcs lead to some areas of tonal whiplash. A series in which the world is a dark, depressing place filled with murderers, rapists and demons isn't one for chibi deformation gags. If you're one of the people who found FMA:B's comedic scenes a bit too inconsistent, then you'll hate the comedic tone within Berserk's later arcs. On the subject of tone, it also doesn't help that a lot of the action and plot choices that happen feel less like the mature arcs that preceded it and more akin to a typical Shonen. This is present primarily in the Berserker armour being a typical double edged sword transformation that never has major repercussions on the friends of it's user and the "Berserker" factor of it is completely removed in the Sea God Arc.
It doesn't help that in the current events of the series, the pace completely slows down in the current arc even when not taking into account publication schedules, with many chapters feeling unessential and several plot points being dragged out to an unsatisfactory conclusion.
Still, the series manages to hold a lot of incredible merits. The characters of Guts and Griffith are some of the most interesting, well developed characters in the medium that make a very effective duo. The dark fantasy elements remain incredibly cool throughout and the explicit content is enough to draw in those who enjoy gore whilst also having enough substance that it isn't edgy. Moreover, the art is some of the most unique and detailed work within any manga as with the exception of the chibi scenes, each panel is filled to the brim with detail and amazing style.
So, saying all that, is Berserk as good as most say it is? Most likely not, since the quality of the series goes on the decline after reaching it's peak. Despite that, it's not in any manner a bad series, as what it accomplished well it did fantastically and even with it's flaws it's still by far the best fantasy manga out there. It isn't the best manga out there since it's a series that has long since passed it's peak and lost the consistency of it's quality, but it's highlights are great enough to make it a decent contender for that position and still a worthy addition to anyone's top 10.