Boys on the Run

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Alternative Titles

Japanese: ボーイズ・オン・ザ・ラン

Information

Type: Manga

Volumes: 10

Chapters: 116

Status: Finished

Published: 2005 to Jun 2008

Genres: Comedy, Drama, Romance, Sports

Theme: Combat Sports

Demographic: Seinen

Serialization: Big Comic Spirits

Authors: Hanazawa, Kengo (Story & Art)

Statistics

Score: 7.37¹ (scored by 2,345 users)

¹ indicates a weighted score.

Ranked: #3888²

² based on the top manga page. Please note that 'R18+' titles are excluded.

Popularity: #2240

Members: 7,979

Favorites: 161

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7.37

Ranked #3888Popularity #2240Members 7,979

MangaBig Comic SpiritsHanazawa, Kengo (Story & Art)

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Volumes: /10

Chapters: /116

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Synopsis

The story is about how and why a guy goes from a worker at a dead-end job to becoming a boxer.

(Source: MU)

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Background

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Characters

Tanishi, Toshiyuki

Main

Ooiwa, Hana

Main

Uemura, Chiharu

Main

Shiho

Supporting

Ooiwa, Gen

Supporting

Mayumi

Supporting

Yochihisa

Supporting

Hasegawa

Supporting

Aoyama, Takahiro

Supporting

“I’m truly very sorry. Seems I ruined your humble little life.”

Welcome to Boys on the Run, a manga serialized from 2005 to 2008 in Big Comic Spirits that tells a story about the life of our twenty-six year old protagonist, Tanishi. A self-aware, self-deprecating employee at a toy company whose main responsibilities in life up to this point have been to make sure that the vending machines across various businesses are stocked. As you might have been able to tell from that description, the job is not an exciting one, Tanishi’s life up to when we are introduced to him, is not an exciting one, ... and so what is he going to do about that? Nothing, not one thing is he going to do in order to change the situation that he’s in because to him, well, that’s quite alright. See our meek little protagonist is very aware of the crushing reality that surrounds his existence. He’s a twenty-six, going on twenty-seven year old man who works at a small-time toy company, lives with his parents at home, and whose only strong connection with people of the opposite sex is through various teleclubs (places where you pay to receive calls from women who would be willing to go on a date with you) and the one female coworker at his job who he happens to have a crush on but at the same time interacts with her about as a well as you think someone with a life like his would. This all changes one day as he’s going about restocking the vending machines around Akihabara and he runs into an employee from a rival toy company, when their friendship is struck, so is the match that ignites the spark of this marvelous story.

The first thing I’d like to comment on is the characters of the story, there are many that we meet and are introduced to throughout the one-hundred and sixteen chapters that take up this manga and they all have their own role to play in the story. There is not one character that the author, Kengo Hanazawa, brings into the story that doesn’t influence the story in some way. Whether it be the man from the yakuza who’s in a dom & sub relationship with a teleclub member, or the deaf female trainer who works at the boxing gym, and even the constantly drunk older coworker at Tanishi’s job. All of these characters I’ve just listed, even though they’re not all major characters in the story, have a role to play in not just Tanishi’s life, but in their own life as well. That’s the thing about this story, the main goal as you might have guessed, is about Tanishi improving his life in some major way, however as the story goes on we are presented with many smaller goals that pop up along the way of our protagonists journey, and where other stories might have the protagonist helping out or playing some role in each and every one of these smaller goals, in Boys on the Run these other characters couldn’t care less about Tanishi, they all have their own fleshed out personalities and backstories that fill up the world that this story takes place in.

With Tanishi we have our protagonist and main character, and then there’s pretty much everyone else. That’s not to say everyone else is a “minor character” per say, it’s just that for about ninety-seven percent of the story we are only seeing things through his eyes, and following what he does, and because of this, and because of his general mindset on the various aspects of his life, we don’t always get to see what’s going on, things that have to do with other characters are implied instead of being shown, brought up in passing instead of focused on, and all the times this happens it helps to add a layer of realism to an already grounded story. The important thing to come away from this with is that there’s a colorful cast in “Boys on the Run” and one that doesn’t feel under-utilized in any way. Every one of the characters that comes into Tanishi’s life has their own life to live, and while watching him develop, you will also see them developing in their own ways at the same time. In a way it’s like an equivalent exchange between Tanishi, and the people who he’s crossed paths with, while they might not always be interacting with each other, the “rubbing of shoulders” that comes from their sometimes brief interactions does result in a lingering effect that shapes their development in ways that you won’t always see right away, in ways that once revealed or shown, will make you want to smack your forehead from how natural and genius it was pulled off, and that’s the real genius in this story’s characters, and their development.

But that’s only one part, another aspect of this manga is its art. The characters themselves all have a general shared style that is having a rounded and plain look to themselves, you won’t really see any characters pop up in this story with super chiseled features or a really defined body and that seems to be somewhat of a trait shared across the author’s works, at least with the faces. In a way it is a detractor because with some characters, mainly the females, it can be hard at first to tell them apart, however this isn’t a persistent issue and with the general variety in body shapes seen it quickly is forgotten. Otherwise the fight choreography is well-done, fights that happen in this story are all easy to follow and this can be pointed to as a side effect from the general simplicity of the character designs, or that the author just has a good grasp on how to properly map out a fight. Another small aspect that deserves some attention brought to it is the backgrounds, most of the time the backgrounds are left to be about as a plain, if not more so than the character designs themselves, as to not pull attention away from what the characters are saying and doing in each panel, however there are some moments where the backgrounds really stand out and this ties into what I really would like to touch upon, the paneling. Not the format of the paneling itself but the actual usage of the panels, there are a few moments scattered throughout the manga where we are presented with a textless panel that focus in on a specific detail in order to highlight its importance to the reader. It’s these textless scenes where emotion is forthright and the strength in Hanazawa’s skill as a writer, and as an artist, are shown to full effect. However these textless panels aren’t the only moments where emotion is captured well, this is a manga all about experiencing the different aspects of life, and no matter if it’s a dramatic or comedic moment, the emotions displayed on our characters during them hold a weight to them that is not soon forgotten. There are moments and scenes during the story that will have you remembering them long past the chapters end, and it’s that sticking power which elevates the manga as a whole to that of a masterpiece.

Speaking of the story, Boys on the Run executes its story perfectly, this is not your story of: boy has goal, boy works toward goal while overcoming the bumps along the way, boy finally reaches goal. instead we get the complex story of a man who so badly wishes to break free from the shackles of his current life, yet is unable to do so at any opportunity presented. This causes a lot of frustration, and I’m not just speaking from a reader’s standpoint, Tanishi constantly has the window of opportunity open before him but before he’s able to actually step through the mental block comes and it shuts off any opportunity for progress, and this happens constantly, as the reader you sit there screaming for him to just take that extra step, to finally flip the switch, but he won’t. As the reader this is very aggravating and where some commonly seen frustrations of the manga stem from, the fact that Tanishi is a weak-willed wimp of an mc is often times seen as the largest negative to this work because the way he is portrayed is done so perfectly. The author knows full well what he’s doing, every contradiction that comes from his mouth, every action, it all stems from the idea that he is just not worth it. See while there are a large amount of people who dislike Tanishi, none of them compare to the hate and disgust felt by the man himself. He is painfully aware of his shortcomings and missteps but he is unable to do anything about it, at least by himself.

The main plot device of the manga, or rather “devices” that move the plot forward are the women who Tanishi interacts with. Without them Tanishi wouldn’t get anywhere in this story, he bases everything in his life around them, should he clean up in order to look better for one? Should he start working out in order to impress them with looks? Or just be there for them any moment they need? He plays the role of a very subservient man, his existence up to that point has been devoid of an actual relationship with a female so when he starts to catch feelings for one, it not only pushes the story in a certain direction, but it pushes him to also better himself. This is also reflected in the differences between how the men and women are handled as characters. For a lot of the men we meet they generally have a specific role they play and it doesn’t really change from that, overall they have a smaller impact and role to play in the grand scheme of things, whereas with the female characters we see them looked at with a focus that is lacking in their male counterparts. But this isn’t a bad thing or a result of poor storytelling, in fact it is a nearly direct representation of how Tanishi views the two through his own eyes.

It’s through all of these different aspects that we see how tightly woven together this manga really is. So if you’re able to sympathize, understand, or even just try to grasp the mindset of Tanishi then you’re in for a treat. He’s not an easy character to like, almost none of the characters are, and some are made specifically with that in mind but you have to understand it isn’t just Tanishi’s life you’re reading about when you see him take the actions that he does, it’s about every single of those who pop up along the way as he’s figuring his life out. Without a doubt if you want to see a story whose characters hit too close to home, whose actions can take you on a trip down memory lane, and whose effects linger long beyond the last page, then I recommend you give Boys on the Run a read.

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Jun 4, 2020

acloudwithfeet

Recommended

Ah I sure do love "Struggle Tweets (before struggletweets existed): the manga." Because no matter how often I took a gut punch in the feels department, no matter how angry I got over character actions, no matter how frustrating it might be to essentially watch a man be beaten down over and over again without learning a single fucking thing, I can't say that it was because this manga was poorly written. Like it or not, Kengo Hanazawa sure knows how to wright real characters with a hyperbolic spin: losers, assholes, and good people alike. And he sure knows how to draw too, every background ...

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Jul 29, 2022

kuramadoe

Recommended

i really cant wrap my head around this series if im being honest, on one hand i absolutely loved it all the way through, but on another hand the entire thing just pissed me off, and i think that was the point?? reading something that actually gives you a genuinely wide range of emotions CAN be a really great feeling, at other points it made me question the point of even reading it

story, 6: it was hard picking a score for the story, i felt like it was just gut punch after gut punch after gut punch, seriously, our poor tanishi never gets a break, ... but at the same time, its 80% of the time his fault, but more on that when i get to characters. the story has a very good pacing, reading it felt like i was being dragged by a wave, even the parts that made me want to close my eyes and skip 3 chapters (if youve read it you know the ones lol). reading this is like walking over firey coals to reach some snow and just repeating it over and over. like seriously, by the end i was left saying, "that's it? THAT'S how it ends? there's no more chapters??" the whole series felt like i was walking down a slightly sloped downwards line, with points of up, then back down again, expecting major growth followed by a huge line going upwards, but it never happens, it just ends.

art, 9: im a giant fan of kengo hanazawa and 'i am a hero' is in my top 5 favorite manga, i love his composition. a stand out mention is that the characters faces are all really pleasant to look at, i love their wide mouths, and i love a certain SOMEONE's teeth. its simple, but really detailed and effective at telling the story, no complaints.

characters, 8: thiiiis is a rough one, every single noteworthy character in this series only goes through either a very sliver amount of growth, stagnates, or plummets really really hard. all that i can recite tanishi growing in is bravery, he doesnt really grow as a person at all, the same mistakes he makes on the first few chapters by the end of the series, i cant even call him a good person, what he does to a certain character's life was really really heartbreaking, especially when i was under the belief that they would be the happy ones in the end. everyone he knows around him is moving up in their life, thinking of the big picture, but whenever he gets started on moving his life forward, its like he trips and falls back down to stage one again, he just keeps fumbling the bag over and over and over and over and OVER again, i cant tell you how many times i genuinely facepalmed over something he said or did. but even despite ALL of that, i cant say i hate him, he tries his hardest, and he never runs away, and i think that is his flaw AND his strength.

enjoyment, 9: this series will leave you feeling every single emotion in the books, it's what kept me going. moments worth smiling a huge grin over, moments where youre holding back tears, moments where you want to drop kick your monitor, all of it, it's a genuine rollercoaster.

overall, 9: i really dont think this manga will be for most people, but for those who are interested, i HIGHLY recommend it

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Poll: Boys on the Run Chapter 116 Discussion live2win - Jul 26, 2012	21 replies	by KaiserWilhelm_II »» Apr 10, 2022 2:33 PM
Poll: Boys on the Run Chapter 86 Discussion Ale1212 - Jun 24, 2013	3 replies	by Desu_Ga »» Feb 20, 2022 9:47 PM
Poll: Boys on the Run Chapter 87 Discussion MagEarwhig - May 28, 2013	4 replies	by EGOIST »» Aug 13, 2020 10:55 AM
Poll: Boys on the Run Chapter 91 Discussion petbastard - Nov 18, 2013	5 replies	by MichaelJackson »» Jun 3, 2020 4:48 AM
Poll: Boys on the Run Chapter 49 Discussion MagEarwhig - Sep 18, 2012	3 replies	by MichaelJackson »» Jun 1, 2020 3:07 AM

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