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Oct 21, 2025
I will start this review by saying that I love trashy isekai. Power fantasies where the protagonist is overpowered and a dozen girls instantly fall in love with him for no apparent reason are totally my jam. This anime very much one of those anime. The protagonist, Yuuya, starts off as a fat guy bullied by everyone including his family, but after finding a door to a fantasy world he levels up super quickly and becomes a hot overpowered guy. The gimmick that makes this anime somewhat unique compared to the other trashy isekai is that Yuuya can freely go back and forth between the
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fantasy world and his original world, thus allowing him to use his buffed up stats and magic within the context of normal high school life.
This anime does have some good moments that use that gimmick effectively. However, overall the anime didn’t click with me. The biggest problem is that the writing is garbage. Now, I know what I’m getting into with anime like this and I certainly wasn’t expecting much. I frankly have pretty low standards and I’m okay with that. But this failed to meet even those. There isn’t really any sort of overarching plot in either world; Yuuya basically just deals with whatever comes his way. But all of this is dumb and absurdly cliche. That’s not a problem when the focus is on comedy and just showing Yuuya being overpowered. But a lot of the time the narrative was clearly taking itself seriously and trying to give characters depth. Unfortunately, the writing isn’t able to do that effectively for a myriad of reasons, and it all just falls flat and makes the associated parts a bore. If the pacing was better I may have been able to overlook that, but it’s an uneven mess with some parts too fast and others too slow, which makes the anime a drag to watch at times. The ending to the season is also very abrupt and unsatisfying.
Beyond that there were a lot of small things that wouldn’t be that big of an issue in a vacuum, but in combination it just made the anime overall feel off. How the anime portrays Yuuya being overpowered isn’t all that satisfying. There is an emphasis on how his stat boosts change his physical abilities and luck. Intelligence is also a stat that goes up by many magnitudes, but his actual intelligence he doesn’t change at all as a result of that which is an issue because, to put it frankly, he’s pretty dumb. Mentally he doesn’t grow at all compared to before he was overpowered despite his inner conflicts being a core part of the narrative, so it’s hard to really get invested in him and really enjoy his triumphs. The writing also tries so hard to hype up Yuuya that it feels straight up off-putting at times. For example, there is an enormous focus on how hot Yuuya becomes, to the point this results in many bizarre scenes where Yuuya walking around in public causes everyone to stop what they’re doing to stare at him and talk about how hot he is.
Yuuya also performs feats in his original world that are completely absurd for a human to have performed and he does them publicly without making any effort at hiding his capabilities. Despite that no one really seems to care all that much or find him particularly strange. What makes it even stranger is that the theme of power leading to isolation comes up a couple times, but in the context of no one caring about Yuuya’s immense power it just seems out of place. Similarly, at one point it’s mentioned that Yuuya is being selected for something because he’s hardworking and being hardworking is more important than having natural talent. But considering that Yuuya essentially just lucked into all his abilities without having to work for them, that’s downright laughable.
Honestly, I usually would overlook all these issues and still enjoy the anime and consider it at least somewhat good. But the last straw for me was how the production values of the anime are incredibly low. I actually love the art style and though the character designs were a mixed bag, overall I would consider them good. However, the art quality and animation were downright terrible. The issue isn’t even low quality CG as is often the case. Rather, here they apparently didn’t have the budget to do even CG most of the time. Far too much of the anime is just panning over static images and such. The OP and ED are also weak visually, though the songs are pretty good.
tl;dr: An isekai with a somewhat interesting gimmick but really bad writing.
Reviewer’s Rating: 6
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Aug 31, 2025
This anime is a series of half length episodes about a guy who gets turned into a dog named Pochita and then adopted by a girl named Inukai. There is a plot centered around him trying to figure out how he became a dog and how to change back into a human. However, it isn’t all that good and moves very slowly. I suppose there’s also some attempt at fleshing out the character of Inukai and a couple other girls, but they were still all incredibly underdeveloped.
The focus more so is random ecchi hijinks. To be honest, these aren’t all that great either. The way
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this anime is talked about I expected this anime to be much more degenerate than it actually is. I’d say about 90% of it is generic ecchi that you’ll find in any ecchi show. The only way him being a dog plays into things is that the girls let down their guard around him, but in the grand scheme of things that doesn’t really change much. For example, Inukai bathes with him and none of the girls mind that Pochita can see their underwear, but in execution that isn’t any different from other anime that that show heroines bathing alone or panchira without using a dogs POV. It’s the standard stuff, and the production values are pretty low so the end result is pretty dull.
The remaining 10% that actually uses the fact that he’s a dog does get pretty wild and is thus at least interesting. But it’s such a small part of the show that I don’t think it’s enough to hold it up for anyone. It does feel like the story will be trending further in that regard in the future so the manga might end up more interesting. But as is, this season is really weak.
tl;dr: A low budget ecchi with very little of interest.
Reviewer’s Rating: 5
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Aug 5, 2025
The second season of Mashle picks up right where the first season left off, Mash being exposed as lacking magic. The powers that be give him a respite due to the fact that he can serve as bait to Innocent Zero. However that respite is predicated on him still being in the running for Divine Visionary. And that leads to Mash participating in The Divine Visionary Candidate Exam, which is the focus of this season as you would expect from the title. Though its called an exam, it’s a competition with the worst performers each round being eliminated from the running. And as you would
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expect from such an anime, the competitions are heavily combat focused.
Mash is still overpowered and that plays into a lot of fun moments. However, there are less moments as compared to last season. Instead, this season tries to have more substance beyond that. Overall, I found this far less interesting. There are some good moments sure, such as with Finn showing his strength of will. But most of the anime just didn’t do much for me. The antagonists are incredibly generic and lack depth. The additional world building didn’t really add much of value. And the plot barely moves. But the biggest problem for me was that the fights when taken completely seriously are just dull. There were a few non-Mash fights in the first season, but they went by pretty fast. This season they seem much more in the focus but they just aren’t good enough to warrant that. They aren’t paced fast enough, the abilities aren’t cool enough, and the writing surrounding them is mostly just boring. As such, while the high points focused on Mash are still enough to make this season good, I consider it a step back compared to the first season.
The art and animation are still great. The character designs are still pretty boring. The OP and ED I found weaker both in terms of the songs and visuals compared to the first season. The soundtrack was still great though.
tl;dr: A sequel season that is less comedic, to its detriment.
Reviewer’s Rating: 7
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Aug 4, 2025
This is the manga adaptation of the famous original anime by Trigger. The anime is very different. For one, the manga is considerably rushed compared to the anime to the point that it skips as much as it adapts. It’s missing so much, that in and of itself it’s just not a very good manga. The character arcs are completely underdeveloped, the plot is overly simplistic but still full of holes, and the core themes are completely superficial. I’d have to say the manga on its own just straight up isn’t really worth reading. Thus, for those that haven’t seen the anime, I recommend watching
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that first or if that’s not an option just skipping this manga.
As for those that have seen the anime I think this manga still isn’t all that great but it is worth reading. The manga cuts out a lot, but what’s interesting is how it does so. It essentially cuts out everything controversial or messy in the anime. This of course includes completely changing the infamous ending and all the world building associated with it. But there’s lots of smaller stuff too, such as taking out all the complexities of the Kokoro/Mitsuru/Futoshi love triangle. What you end up with is essentially a take on what if Darling in the FranXX was not made by Trigger with all the craziness and creativity that entails, but instead was a much more straightforward and by the books mecha story. I definitely prefer the anime, but reading the manga in the context of the anime was really interesting because it makes it a lot easier to understand and appreciate some of the wilder aspects of the anime.
Furthermore, even if things are rushed and lacking, it’s pretty satisfying seeing the cast of Darling in the FranXX again. The manga overall being happier than the manga plays into that feeling well and is enough to make the manga enjoyable. And the art is also fantastic, as one would expect of Yabuki Kentaro, with lots of great color insert illustrations. All in all, that made this a worthwhile read.
tl;dr: A lackluster adaptation with very interesting differences to the original work.
Reviewer’s Rating: 7
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Jul 31, 2025
Blood on the Tracks is very different from what I expected it to be. Based on the description, I thought it would be about a psychopathic mother that goes to extreme lengths in order to control her son. The core of the manga is definitely the toxic relationship between the protagonist, Seiichi, and his mother, Seiko. However, the mother is not some master manipulator obsessed with her son. Rather, she’s a weak-willed woman with impulsive self-destructive urges to destroy her current life. Due to being weak willed she clings to him as her emotional support, but her feeling towards him aren’t that strong.
The only reason
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that Seiichi goes along with her insanity is due to the strong feeling that a child develops for their parent. That’s what I felt the main theme of the manga was. The effect that a parent can have on their child regardless of how awful the parent is and how much the child wants to break free from them. Seiichi tries again and again to stop caring so much about his mother. But ultimately, this is not something that he’s able to accomplish through his own growth. As he gets older he does superficially mature, but that doesn’t have any effect on his deep-seated traumas. The manga is the story of Seiichi trying to overcome these traumas in many different ways in many different contexts, but continually failing to do so.
The fact that Seiichi fails to ever make any progress is grating. But at the same time, each failure has enough depth to it and the manga is fast paced enough that it keeps things interesting. The writing does a really good job at diving deep into Seiichi’s mentality. For a lack of a better way to say it, the manga is incredibly good at being from his perspective. Ultimately what is shown is not what is really happening or how things really look, but rather how Seiichi views them. This manifests in a lot of ways but the most prominent would be the art style and character designs. The art style shifts considerably depending on how Seiichi feels. The art is almost always pretty rough, but that works really well, especially when the art gets especially chaotic. The character designs in terms of characters being visually exaggerated in regards to the traits that Seiichi focuses on, with characters sometimes even looking completely different from how they really are with brief peeks into what they really look like. Or at least what seems more likely as to what they look like considering those peeks are also from Seiichi’s perspective.
The fact that this manga is so heavily from Seiichi’s perspective is a double-edged sword, because it isn’t really possible to convey anything other than how Seiichi sees things. Regardless of how it may seem to be something more than that, it’s still all just Seiichi. The biggest example of that is the delusional conversations he has in his own mind. In them, he hears other people’s thoughts and sometimes even looks at things directly from their perspective and sees things in a new light. But this is still all in his head. It’s still all entirely his thoughts. They’re not really any more valuable than his previous perspectives on things. As such, there’s a lot that the reader will simply never truly understand. For example, in the end his mother is still pretty much completely impossible to comprehend. This combined with Seiichi’s lack of proper character development results in the ending feeling somewhat hollow and unsatisfying. But looking back over it, I would still have to consider it a well written and worthwhile read.
tl;dr: A messy and painful but well written manga about a toxic relationship between a son and mother.
Reviewer’s Rating: 7
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Jul 30, 2025
Mashle is basically a Harry Potter parody. It doesn’t entirely start out as one, but it feels like whenever the mangaka was out of ideas he lifted something from HP and thus as the season progresses it veers further and further in that direction. More specifically, this anime is basically set in the future of a world where the death eaters won and wizards took over the world and began oppressing those without magic.
The protagonist, Mash, is born without magic and abandoned as a baby, but is picked up by a nice man who raises him secretly in the woods. Things go well until a
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police offer from the Bureau of Magic named Brad discovers Mash and tries to arrest him. However, Mash is able to complete crush him with just the powers of muscles. At this point, the officer from the Bureau offers him a choice. Either he can stay on the run from the Bureau forever, or he can be a part of Brad’s long term plans which require Mash to attend the renowned Easton magic school with the goal of becoming the top student known as the Divine Visionary. And thus, Mash begins attending a magic school despite not having any magical powers.
Easton is a lot like Hogwarts. Students begin their school life by having a sentient magical being sort everyone into one of three houses based on their personalities. Mash and his friends are all from the Gryffindor equivalent, Adler. The antagonists this season are mainly from the Slytherin equivalent, Lang. There’s also a Ravenclaw equivalent, Orca, though it seems that common sense prevailed and there’s no Hufflepuff equivalent. Similarly, they also have a Quidditch equivalent with the biggest difference being that there’s no snitch or bludgers, which makes a lot of sense. And there is also an equivalent of Hogwart’s point system in the form of coins, though it involves coins being given to individual students who can then trade or bet them in duels.
Most of the season is Mash doing his best to make it through school without anyone finding out that he can’t use magic despite people constantly picking fights with him. What makes this especially interesting is that Mash isn’t all that smart. He isn’t able to come up with any fancy tricks or whatnot to try to throw people off. Rather, just because of how strong he is physically, everyone just assumes that he must be using strengthening magic or something, because what he pulls off seems completely impossible otherwise. And to be honest, that’s kind of fair. He does all sorts of crazy stuff, such as running on water or flying through essentially double jumping indefinitely. He’s overpowered compared to most mages through just his muscles, which is hilarious.
At first the narrative is incredibly simplistic and focused on just comedy, but as things progress the writing tries to have more depth, though the comedy definitely still remains a core part. There is a larger emphasis on who Mash fights against, with them getting fleshed out backgrounds and motivations. Many of them then become Mash’s allies as he taken on further foes. No one seems to be all that complex of a character, but most of them have enough to their personalities and and backgrounds to prevent them from feeling completely flat. Overall I can’t say that I’m super invested in anyone from the cast yet, however I do find a couple of them pretty likable and I’d like to see where their stories go in the future.
The fights also start having more complexity to them. While Mash just powers through based on strength alone, his allies have to strategize on how to use their magic effectively in order to win. However, overall I felt this aspect was still weak because for the most part it felt too simplistic. Each mage has their own personal magic that they’re especially good at. It’s not like personal magic is the only magic that mages are capable of. Rather, they’re shown using all sorts of spells. However, personal magic is the only magic that is ever used during fights. No explanation is provided for why. That’s just what happens. It made the fights that we’re actually supposed to take seriously somewhat dull.
The art and animation are pretty good both in terms of the fights and the comedy. I found the character designs somewhat boring though, mainly due to how everyone is just wearing pretty simple uniforms. The OP and ED are both pretty good in terms of the song and visuals. The soundtrack was also pretty great and works really well for building up atmosphere for moments when Mash is showing how overpowered he is.
tl;dr: A hilarious parody about a muscle head at magic school.
Reviewer’s Rating: 8
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Jul 29, 2025
*This is a review of both Dead or Bullet and Nightmare or Queen.*
Date A Bullet is a spin off of Date A Live. It’s very loosely based on a light novel series with the same name, but it’s loose enough that I would consider it as something original. It’s listed as two films, but each film is the size of a standard anime episode so it’s basically just two episodes. It is very clearly targeted at Kurumi fans. It is technically a sequel to the Date A Live OVA Kurumi Star Festival, but it also has spoilers for Kurumi’s past that were only revealed in
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season 4. Thus, I would recommend watching this only after watching Date a Live IV.
The basic premise is that after the Kurumi from Kurumi Star Festival was killed, she appears in another world called the Neighboring World. There she is forced to participate in an all girl battle royale, with the winner being granted a wish. Most of the anime is just Kurumi fighting random other combatants. They’re pretty varied in terms of abilities and personality so I suppose this is somewhat interesting. They aren’t fleshed out at all though, and are thus completely forgettable.
The final boss so to speak is someone that has a strong connection to Kurumi’s past. This battle is much more interesting in that we as viewers actually know who she is and understand how her history with Kurumi factors into what’s going on. However, in the end it felt like things just kind of fizzled out. It felt very half-baked for what should have been something much more impactful. The plot also didn’t really go anywhere.
But I suppose that fits what they were going for in that these ‘films’ are clearly style over substance. The art and animation is great and thus the action comes across really well. The soundtrack is great too. Thus, if you enjoy just watching Kurumi doing whatever, then you’ll probably like these films. But don’t expect anything beyond that.
tl;dr: A short, sweet, and very simple Kurumi showcase.
Reviewer’s Rating: 7
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Jul 28, 2025
IO is a manga that starts off with a high school boy returning to Okinawa and reuniting with three sisters that he hadn’t met since his parents died and he had to go live with his new guardians in Tokyo. The sisters own a failing inn that also takes people scuba diving. Thus, the manga at this point seems like it’s going to be about Taiyo helping the girls revive the inn while also giving the reader a look at the world of scuba diving. However, it quickly becomes apparent that this is just background noise, and instead the plot is centered around a global
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ancient civilization that worshipped whales and a conflict between the US Navy and an ecoterrorist group over control of a white whale with supernatural powers.
To be clear the manga does go into some detail about how scuba diving works and various elements of it, especially towards the beginning of the manga. However, it doesn’t go into much depth and is far worse at it than other manga that handle the subject, such as Wa ga Na wa Umishi. The manga also does deal with the main cast reviving the inn and some difficulties related to that, but it’s pretty much entirely glossed over and not focused on at all. Thus, I would not read the manga for either of those aspects.
As for the supernatural ruins related plot line, that isn’t very good either. There are certainly some interesting elements early on, but as the manga progresses it devolves into complete nonsense. It lifts some light elements from the mythology of Japan and the Inca, but most of it is made up. Despite that, it doesn’t really provide much detail on anything and there’s essentially no world building. The plot with the different factions and it being unclear who was in the right is also terribly written, flows terribly, and doesn’t make all that much sense. In the end, the manga doesn’t doesn’t have proper explanation for most things, such as why the various factions wanted the white whale in the first place. The ending is completely unsatisfying in terms of the plot, and only somewhat redeemed in terms of doing okay by the main cast.
The main cast is pretty bad though. The protagonist, Taiyo, is mainly just a generic kind and somewhat heroic guy that are a dime a dozen in manga. The only somewhat unique aspect about him is that he’s really perverted, to the point that he straight up cheats on his girlfriend. Though to be honest, I didn’t really care all that much because his girlfriend, Shibuki, is pretty terrible. Her base character is the generic tsundere that is constantly hitting the MC, which many seem to hate but I don’t have much of a problem with. My problems is that she has a lot of really low points that make her really unlikable, such as when she throws a jealousy induced tantrum over Taiyo prioritizing taking her little sister to the hospital over spending time with her.
That little sister, Mio, is in elementary school, but there’s this weird love triangle with Taiyo and Shibuki. The fact that she’s like 12 isn’t even the weirdest part, though what is would probably be considered spoilers. The last of the three sisters, Nagisa, is mostly just a useless drunk. There were moments where the manga tried to make her seem more useful, but they mostly fell flat. If that cast of characters wasn’t a big enough of a mess, there are flashbacks into what happened with their parents that have some major twists near the end, and they were an even bigger garbage fire. To be honest, I enjoy social trainwrecks so if the manga was just focused on that I think I might have enjoyed it more. However, intermixed with the more serious plot line the issues were just really annoying.
The art starts off as not good but evolves to okay by the end. It’s decent with the scenery and such, but terrible with characters. The style just looks kind of off and unappealing. Showcasing girls in bikinis is really common throughout the manga, but due to the art I don’t think it works all that well most of the time. It’s only ever good when its color, though to be fair there’s a good amount of that. Also, a lot of characters are drawn very similarly. Shibuki and another girl named Riho look pretty much the same other than that Riho wears glasses. But this is a manga about diving so due to what’s going on and the camera angles it can be somewhat confusing at times.
tl;dr: A manga with some mildly entertaining aspects but that is overall a mess.
Reviewer’s Rating: 6
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Jul 24, 2025
The fifth season of Date A Live finally hits the endgame on a lot of the overarching plot threads and provides the answers to most of the mysteries that had been accumulating over the course of the series. This is the season where the conflict between Rototoskr and DEM reaches its climax. It’s also the season where the truth behind the Spirit of Origin is revealed and ultimately dealt with. As such, it’s a very different experience from past seasons. There’s very little in terms of romantic fluff or slice of life. It’s heavily plot oriented and overall pretty serious all the way through, for
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better or worse.
It’s difficult to describe without going into spoiler territory, but I view this season as having two phases. The jump from the first to the second will be incredibly obvious once you reach it. The first phase overall has a very epic feel to it. There’s a lot of great large-scale action. I especially liked some of the gimmicks. There are some really strong emotional gut punches in this phase. It becomes clear pretty quickly what’s going to happen, but it still flows well enough to hit pretty hard due to the investment built up in the main cast.
Shidou’s growth as a character came through very well in this phase. The rest of the main cast didn’t get as much time to shine but I think everyone got at least one good moment. Mio makes a fantastic and unique villain due to how she genuinely loves and respects all the spirits, but still doesn’t feel any hesitation in massacring them. Other similar betrayals have the villain get tripped up when confronted on whether their relationship and all the fun they had was fake, but Mio fully embraces it as true and thanks them for being such good friends. She’s completely insane to the point she makes Kurumi look normal.
The second phase I wasn’t much of a fan of. The focus here is the relationship between Shidou and Mio. The problem is that it’s overtly messy. I feel that there were two ways the story could have gone in this regard and I would have been fine with either, but the writing was constantly flip flopping between the two. I suppose that adds more suspense to things as things are more uncertain, but this isn’t really the type of plot thread where predictability is a problem. The inconsistent flow results in things being thematically inconsistent and both Shidou and Mio end up getting muddled as characters which significantly diminishes both of their character arcs.
With that said, there were still some great moments in the second phase as well. The climax was exciting and ultimately it did resolve most everything it needed to other than Mio in a pretty satisfying manner. The epilogue was pretty rushed, but a nice touch to end on. Thus, I still enjoyed this phase and overall am happy with this season. And of course, I would definitely watch more seasons if they were ever made.
The art and animation this season unfortunately took a noticeable dive. There’s just way too much bad 3DCG. In season four it was isolated to only the especially active action sequences, but here it was pretty much everywhere. It really dragged things down and made some key moments nowhere near as impressive as they should have been. Though the change in art style that was introduced in the previous season works really well for the tone of this one. The OP and ED are both decent enough, though they also have a pretty different style from previous seasons to reflect the difference in tone. The soundtrack was surprisingly great this season. The use of instrumental versions of the first season’s OP was fantastic.
tl;dr: A season with some major issues regarding a core plot thread, but that still manages to hit some really amazing highs.
Reviewer’s Rating: 8
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Jul 23, 2025
The fourth season of Date A Live continues with the same general concept as previous seasons. Shidou needs to get Spirits to fall in love with him. This season, the new spirits are a somewhat pervy mangaka named Nia and an emotionless and eventual yandere girl hanging out in space named Mukuro. Both of them are likable and have decently fleshed out backgrounds and relationship development with Shidou with lots of romantic fluff.
But to be honest, this is getting somewhat repetitive. There’s a good variety to the heroine’s and their stories, but even with that we are still at the 9th go around, not counting
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the VNs. And Nia and Mukuro’s arcs were both on the simpler side, compared to say Miku’s or Origami’s. It’s also getting pretty crowded with very few of the previous heroines getting all that much presence in the new heroine’s arcs. This season was definitely trying to give all the key characters at least some time in the spotlight, but it was clearly struggling. Mana at least shows up somewhat this season for what its worth.
Thankfully, it looks like we’re slowly transitioning into the end game and thus the overarching story is coming much more into the forefront. The conflict between Ratatoskr and DEM is a core part of both Nia and Mukuro’s arcs, and both factions get fleshed out considerably more as a result. The final arc this season once again focuses on Kurumi, but this time it goes much more in depth by delving into her past and her goal. Kurumi is a fantastic character so fleshing her out better and giving her more romantic moments with Shidou was greatly appreciated. But just as important was that in doing so there are some major breakthroughs on the truth behind spirits and Phantom. Though I should note that this season ends in somewhat of a cliffhanger in relation to that.
This season was taken up by a new studio, Geek Toys, though they are the ones that did Date A Bullet. There’s definitely a major shift in art style that I have mixed feelings on. It’s equidistant from the LN art, though different from it in different way from the previous seasons. I think I prefer the old art style, though with the way the story is going I suppose the new style fits better. In terms of quality for the most part its pretty good, though there’s some really bad 3DCG during certain battle sequences. Also, they’re cowards for no longer having dress breaks when spirits get sealed. The OP and ED are both solid enough in terms of the song and visuals. The soundtrack was also pretty good and fit well but without any tracks that were particularly memorable.
tl;dr: A sequel season that moves things forward while also staying true to the core concepts.
Reviewer’s Rating: 8
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