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Dec 17, 2025
The second SAO Progressive film picks up with Kirito and Asuna making their way to the fifth floor, which isn’t in the main series at all. This film is a more straightforward adaptation of the fourth volume of Progressive compared to the previous film’s adaptation of the first volume. There is still some film original content, primarily centered around Mito, but for the most part the differences with the light novel comes down to things being cut from the film. That may seem like a problem, but the Progressive films already skipped half of volume 1 and the entirety of volume 2-3, so it’s kind
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of a lost cause at this point.
This film seems to have been designed such that it can be watched after the first Progressive film without having read the novels that cover the period in between. It succeeds in that for the most part, however it definitely has to rush through explanations of certain aspects and characters. As such, while I definitely don’t think its necessary to read the novels in order to watch this film, I would say that previous knowledge of the series and especially the guilds involved would make this film a lot easier to follow as compared to those that have only seen the first Progressive film.
The film follows Kirito and Asuna having to lead a mini-party to defeat the floor boss, because if either of the two main clearing guilds get the last hit drop from the floor boss it could lead to a civil war between them. It’s a solid enough story and the action is fantastic. The floor boss is one of the best battles in all of SAO. However, it very much didn’t feel like a film type of story. It’s just a small part of a much larger story. It doesn’t really have the oomph that anime films tend to. I suppose that comes down to how this film stuck pretty closely to just adapting the original source material while most anime films are pretty much entirely original and thus have room to tell a more self contained story. Overall, I am satisfied with this film, but I feel like it would have been better as part of a proper multi-cour anime than it is as a film, even if it wouldn’t have the same production values.
On that note, the art and animation in the film are just as excellent as the previous film and really shine during the floor boss. The soundtrack is great too. The ED is also pretty solid in terms of the song and visuals. Kudos to them for actually having visuals instead of just the standard white text on black that films tend to have.
tl;dr: An incredibly well made film that adapts pretty standard and not very filmic content.
Reviewer’s Rating: 8
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Dec 16, 2025
This film is an alternate retelling of the first two episodes of the main Sword Art Online anime. As such, this is fine as an entry point for the series. However, this review is primarily for those that are already familiar with the main series. This film is based on the light novel series Sword Art Online Progressive, which is a more in depth retelling of the series by the original author, Kawahara Reki, himself. However, it is a very loose adaptation of the first Progressive novel with the majority of content being original or heavily modified. These anime original differences do produce some pretty
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major inconsistencies with the main series. Despite that, it seems that these films are at least somewhat canon to the main series, as the most recent novel directly includes a character original to this film.
The differences are rooted in one core difference, that instead of being about Kirito, this is instead Asuna’s story. It follows her from before she logged into SAO to the end of the first floor. She is accompanied by film original character Mito, who was Asuna’s friend in real life and the one that invited her to play Sword Art Online. This change in perspective changes things tremendously. At this point in the story, Kirito already had a lot of experience with SAO and was highly skilled so he was able to adapt pretty quickly. Asuna on the other hand is a complete newbie who doesn’t understand the first things about MMOs. Mito was a beta tester like Kirito and so she’s somewhat experienced and skilled, but she’s nowhere near a gary stu like Kirito is. Thus, this follows the experience of a more normal player unexpectedly thrown into a death game.
This perspective is certainly interesting. Through showing how panicked and lost Asuna is when thrown into circumstances she can’t even begin to understand the viewer has a better understand of where she’s starting from. Thus showing how she picks herself up and becomes more accustomed to the game is made more satisfying. Her original meeting with Kirito is also better fleshed out with better romantic vibes. Seeing Kirito from an outsider’s perspective is also pretty cool, especially in regards to how he played the villain after the first floor boss. The biggest issue however is Mito. Putting aside that she leads to a host of minor plot holes as that isn’t something I care all that much about, she also diminishes some of the strongest aspects of Asuna’s character.
In the original series and in the Progressive light novels, Asuna seemed like she was someone that knew nothing about VR or MMOs and managed to figure things out on her own, and that’s what led to her mindset when she first met Kirito. At the point this film takes place, she was somewhat of a foil to Kirito in that while they were both solo players they had completely different perspectives on why and how. Having Mito there to teach Asuna everything and help her until she can stand on her own throws significant parts of her original characterization away. What we get in exchange, the friendship between Asuna and Mito, is pretty good. But to be honest it’s mostly just retreading ground that Mother’s Rosario already went through, so it doesn’t really contribute all that much to Asuna’s character. Thus, all in all while I am satisfied with the film, I have mixed feelings on how it compares to the original work.
The art and animation are fantastic, as you would expect from an SAO film. The action especially is amazing and the battle against the floor boss is significantly better than it was in the main anime. The soundtrack is also great, with Swordland of course being the most prominent track. There is no OP, but the ED is pretty good in terms of the song and visuals.
tl;dr: An very well made SAO film with very messy changes to it’s source material.
Reviewer’s Rating: 8
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Dec 15, 2025
Darwin’s Game is one of those manga that involves people suddenly being given supernatural powers and then forced to duke it out. Darwin’s Game is a mysterious smartphone app that gives its users a supernatural ability known as a Sigil. They then fight each other for points that can be exchanged for cash and prizes. Battles can be initiated through simply running into another D-Game player and triggering a battle through the app, but there are also major events where players are mass teleported to a location and then given some sort of objective. The game is not purely a death game as it is
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possible to lose without dying. However, the game does involve fighting with supernatural powers so deaths are pretty common.
The protagonist, Kaname, has a Sigil that gives him the ability to summon anything that he’s familiar with. That may not seem all that impressive considering that others Sigil wielders have powers like controlling water or teleportation. However, Kaname is adepts at tactics and mind games which allows him to use his Sigil very effectively. As a result, he ends up somewhat overpowered, but almost entirely through skill rather than through pure power, which makes his fights really interesting and satisfying. He also has a good character arc in the first third or so of the manga, though he doesn’t seem to grow much after that. Still, at that point he is a likable character with a good amount of depth, so he’s a pretty solid protagonist throughout the manga.
The clan that Kaname establishes, Sunset Ravens, makes up the majority of the supporting cast. They have a pretty good variety of powers and work well together so that keeps the larger scale conflicts interesting. None of them are fleshed out all that well or have much character development. However, they have a good group dynamic, so holistically they’re still interesting as characters. There’s also a romance between Kaname and a girl in the clan that isn’t all that deep or anything, but is still pretty cute and satisfying to watch progress. In terms of antagonists, the manga strikes a good balance between ones that are cartoonish villains that are just awful people, and more complex characters with complicated circumstances behind their actions.
The plot overall flows well. The focus is initially is on Kaname fighting in single matches, but quickly shifts to larger scale events and battles. These were well designed and had a good number of twists and turns. Something I think the mangaka is really good at is knowing when to call it quits. A lot of arcs felt like they ended abruptly, but most of the time this was quite welcome because the arcs were dragging on and getting kind of dull. Thus, the pacing is generally pretty good. As is the case with most all death game manga, the plot jumps the shark and becomes incredibly grand scale eventually, at which point the plot becomes somewhat convoluted and somewhat hard to follow. Still, it’s easy to understand the broad strokes even if the finer details are perplexing, so the plot is still exciting and the manga overall is smooth to read.
The ending unfortunately is really rushed and drops most all of the minor plot threads and glosses through key aspects of the major plot threads. It is believed that this is because the mangaka was having health problems, which is certainly understandable. Furthermore, while the execution of the ending is certainly heavily flawed, the ending itself is great. Thus, while certainly not perfect I was pretty satisfied with it.
The mangaka’s is a great artist in terms of style and quality. The character designs are only decent, but the art uses them very effectively. Unfortunately, the artist’s health seems to have had an impact on the art as well. It peaks at around 2/3 into the manga. After that the quality goes up and down, and though there is certainly still some great art, overall the quality is noticeably lower. The fan translation for most of the manga is pretty good, though the translation of the last couple volumes has major issues.
tl;dr: A battle manga with a great protagonist and great pacing, though a pretty rough final stretch.
Reviewer’s Rating: 8
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Oct 21, 2025
I will start this review by saying that I love trashy isekai. Power fantasies where the protagonist is overpowered and a dozen girls instantly fall in love with him for no apparent reason are totally my jam. This anime very much one of those anime. The protagonist, Yuuya, starts off as a fat guy bullied by everyone including his family, but after finding a door to a fantasy world he levels up super quickly and becomes a hot overpowered guy. The gimmick that makes this anime somewhat unique compared to the other trashy isekai is that Yuuya can freely go back and forth between the
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fantasy world and his original world, thus allowing him to use his buffed up stats and magic within the context of normal high school life.
This anime does have some good moments that use that gimmick effectively. However, overall the anime didn’t click with me. The biggest problem is that the writing is garbage. Now, I know what I’m getting into with anime like this and I certainly wasn’t expecting much. I frankly have pretty low standards and I’m okay with that. But this failed to meet even those. There isn’t really any sort of overarching plot in either world; Yuuya basically just deals with whatever comes his way. But all of this is dumb and absurdly cliche. That’s not a problem when the focus is on comedy and just showing Yuuya being overpowered. But a lot of the time the narrative was clearly taking itself seriously and trying to give characters depth. Unfortunately, the writing isn’t able to do that effectively for a myriad of reasons, and it all just falls flat and makes the associated parts a bore. If the pacing was better I may have been able to overlook that, but it’s an uneven mess with some parts too fast and others too slow, which makes the anime a drag to watch at times. The ending to the season is also very abrupt and unsatisfying.
Beyond that there were a lot of small things that wouldn’t be that big of an issue in a vacuum, but in combination it just made the anime overall feel off. How the anime portrays Yuuya being overpowered isn’t all that satisfying. There is an emphasis on how his stat boosts change his physical abilities and luck. Intelligence is also a stat that goes up by many magnitudes, but his actual intelligence he doesn’t change at all as a result of that which is an issue because, to put it frankly, he’s pretty dumb. Mentally he doesn’t grow at all compared to before he was overpowered despite his inner conflicts being a core part of the narrative, so it’s hard to really get invested in him and really enjoy his triumphs. The writing also tries so hard to hype up Yuuya that it feels straight up off-putting at times. For example, there is an enormous focus on how hot Yuuya becomes, to the point this results in many bizarre scenes where Yuuya walking around in public causes everyone to stop what they’re doing to stare at him and talk about how hot he is.
Yuuya also performs feats in his original world that are completely absurd for a human to have performed and he does them publicly without making any effort at hiding his capabilities. Despite that no one really seems to care all that much or find him particularly strange. What makes it even stranger is that the theme of power leading to isolation comes up a couple times, but in the context of no one caring about Yuuya’s immense power it just seems out of place. Similarly, at one point it’s mentioned that Yuuya is being selected for something because he’s hardworking and being hardworking is more important than having natural talent. But considering that Yuuya essentially just lucked into all his abilities without having to work for them, that’s downright laughable.
Honestly, I usually would overlook all these issues and still enjoy the anime and consider it at least somewhat good. But the last straw for me was how the production values of the anime are incredibly low. I actually love the art style and though the character designs were a mixed bag, overall I would consider them good. However, the art quality and animation were downright terrible. The issue isn’t even low quality CG as is often the case. Rather, here they apparently didn’t have the budget to do even CG most of the time. Far too much of the anime is just panning over static images and such. The OP and ED are also weak visually, though the songs are pretty good.
tl;dr: An isekai with a somewhat interesting gimmick but really bad writing.
Reviewer’s Rating: 6
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Aug 31, 2025
This anime is a series of half length episodes about a guy who gets turned into a dog named Pochita and then adopted by a girl named Inukai. There is a plot centered around him trying to figure out how he became a dog and how to change back into a human. However, it isn’t all that good and moves very slowly. I suppose there’s also some attempt at fleshing out the character of Inukai and a couple other girls, but they were still all incredibly underdeveloped.
The focus more so is random ecchi hijinks. To be honest, these aren’t all that great either. The way
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this anime is talked about I expected this anime to be much more degenerate than it actually is. I’d say about 90% of it is generic ecchi that you’ll find in any ecchi show. The only way him being a dog plays into things is that the girls let down their guard around him, but in the grand scheme of things that doesn’t really change much. For example, Inukai bathes with him and none of the girls mind that Pochita can see their underwear, but in execution that isn’t any different from other anime that that show heroines bathing alone or panchira without using a dogs POV. It’s the standard stuff, and the production values are pretty low so the end result is pretty dull.
The remaining 10% that actually uses the fact that he’s a dog does get pretty wild and is thus at least interesting. But it’s such a small part of the show that I don’t think it’s enough to hold it up for anyone. It does feel like the story will be trending further in that regard in the future so the manga might end up more interesting. But as is, this season is really weak.
tl;dr: A low budget ecchi with very little of interest.
Reviewer’s Rating: 5
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Aug 5, 2025
The second season of Mashle picks up right where the first season left off, Mash being exposed as lacking magic. The powers that be give him a respite due to the fact that he can serve as bait to Innocent Zero. However that respite is predicated on him still being in the running for Divine Visionary. And that leads to Mash participating in The Divine Visionary Candidate Exam, which is the focus of this season as you would expect from the title. Though its called an exam, it’s a competition with the worst performers each round being eliminated from the running. And as you would
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expect from such an anime, the competitions are heavily combat focused.
Mash is still overpowered and that plays into a lot of fun moments. However, there are less moments as compared to last season. Instead, this season tries to have more substance beyond that. Overall, I found this far less interesting. There are some good moments sure, such as with Finn showing his strength of will. But most of the anime just didn’t do much for me. The antagonists are incredibly generic and lack depth. The additional world building didn’t really add much of value. And the plot barely moves. But the biggest problem for me was that the fights when taken completely seriously are just dull. There were a few non-Mash fights in the first season, but they went by pretty fast. This season they seem much more in the focus but they just aren’t good enough to warrant that. They aren’t paced fast enough, the abilities aren’t cool enough, and the writing surrounding them is mostly just boring. As such, while the high points focused on Mash are still enough to make this season good, I consider it a step back compared to the first season.
The art and animation are still great. The character designs are still pretty boring. The OP and ED I found weaker both in terms of the songs and visuals compared to the first season. The soundtrack was still great though.
tl;dr: A sequel season that is less comedic, to its detriment.
Reviewer’s Rating: 7
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Aug 4, 2025
This is the manga adaptation of the famous original anime by Trigger. The anime is very different. For one, the manga is considerably rushed compared to the anime to the point that it skips as much as it adapts. It’s missing so much, that in and of itself it’s just not a very good manga. The character arcs are completely underdeveloped, the plot is overly simplistic but still full of holes, and the core themes are completely superficial. I’d have to say the manga on its own just straight up isn’t really worth reading. Thus, for those that haven’t seen the anime, I recommend watching
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that first or if that’s not an option just skipping this manga.
As for those that have seen the anime I think this manga still isn’t all that great but it is worth reading. The manga cuts out a lot, but what’s interesting is how it does so. It essentially cuts out everything controversial or messy in the anime. This of course includes completely changing the infamous ending and all the world building associated with it. But there’s lots of smaller stuff too, such as taking out all the complexities of the Kokoro/Mitsuru/Futoshi love triangle. What you end up with is essentially a take on what if Darling in the FranXX was not made by Trigger with all the craziness and creativity that entails, but instead was a much more straightforward and by the books mecha story. I definitely prefer the anime, but reading the manga in the context of the anime was really interesting because it makes it a lot easier to understand and appreciate some of the wilder aspects of the anime.
Furthermore, even if things are rushed and lacking, it’s pretty satisfying seeing the cast of Darling in the FranXX again. The manga overall being happier than the manga plays into that feeling well and is enough to make the manga enjoyable. And the art is also fantastic, as one would expect of Yabuki Kentaro, with lots of great color insert illustrations. All in all, that made this a worthwhile read.
tl;dr: A lackluster adaptation with very interesting differences to the original work.
Reviewer’s Rating: 7
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Jul 31, 2025
Blood on the Tracks is very different from what I expected it to be. Based on the description, I thought it would be about a psychopathic mother that goes to extreme lengths in order to control her son. The core of the manga is definitely the toxic relationship between the protagonist, Seiichi, and his mother, Seiko. However, the mother is not some master manipulator obsessed with her son. Rather, she’s a weak-willed woman with impulsive self-destructive urges to destroy her current life. Due to being weak willed she clings to him as her emotional support, but her feeling towards him aren’t that strong.
The only reason
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that Seiichi goes along with her insanity is due to the strong feeling that a child develops for their parent. That’s what I felt the main theme of the manga was. The effect that a parent can have on their child regardless of how awful the parent is and how much the child wants to break free from them. Seiichi tries again and again to stop caring so much about his mother. But ultimately, this is not something that he’s able to accomplish through his own growth. As he gets older he does superficially mature, but that doesn’t have any effect on his deep-seated traumas. The manga is the story of Seiichi trying to overcome these traumas in many different ways in many different contexts, but continually failing to do so.
The fact that Seiichi fails to ever make any progress is grating. But at the same time, each failure has enough depth to it and the manga is fast paced enough that it keeps things interesting. The writing does a really good job at diving deep into Seiichi’s mentality. For a lack of a better way to say it, the manga is incredibly good at being from his perspective. Ultimately what is shown is not what is really happening or how things really look, but rather how Seiichi views them. This manifests in a lot of ways but the most prominent would be the art style and character designs. The art style shifts considerably depending on how Seiichi feels. The art is almost always pretty rough, but that works really well, especially when the art gets especially chaotic. The character designs in terms of characters being visually exaggerated in regards to the traits that Seiichi focuses on, with characters sometimes even looking completely different from how they really are with brief peeks into what they really look like. Or at least what seems more likely as to what they look like considering those peeks are also from Seiichi’s perspective.
The fact that this manga is so heavily from Seiichi’s perspective is a double-edged sword, because it isn’t really possible to convey anything other than how Seiichi sees things. Regardless of how it may seem to be something more than that, it’s still all just Seiichi. The biggest example of that is the delusional conversations he has in his own mind. In them, he hears other people’s thoughts and sometimes even looks at things directly from their perspective and sees things in a new light. But this is still all in his head. It’s still all entirely his thoughts. They’re not really any more valuable than his previous perspectives on things. As such, there’s a lot that the reader will simply never truly understand. For example, in the end his mother is still pretty much completely impossible to comprehend. This combined with Seiichi’s lack of proper character development results in the ending feeling somewhat hollow and unsatisfying. But looking back over it, I would still have to consider it a well written and worthwhile read.
tl;dr: A messy and painful but well written manga about a toxic relationship between a son and mother.
Reviewer’s Rating: 7
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Jul 30, 2025
Mashle is basically a Harry Potter parody. It doesn’t entirely start out as one, but it feels like whenever the mangaka was out of ideas he lifted something from HP and thus as the season progresses it veers further and further in that direction. More specifically, this anime is basically set in the future of a world where the death eaters won and wizards took over the world and began oppressing those without magic.
The protagonist, Mash, is born without magic and abandoned as a baby, but is picked up by a nice man who raises him secretly in the woods. Things go well until a
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police offer from the Bureau of Magic named Brad discovers Mash and tries to arrest him. However, Mash is able to complete crush him with just the powers of muscles. At this point, the officer from the Bureau offers him a choice. Either he can stay on the run from the Bureau forever, or he can be a part of Brad’s long term plans which require Mash to attend the renowned Easton magic school with the goal of becoming the top student known as the Divine Visionary. And thus, Mash begins attending a magic school despite not having any magical powers.
Easton is a lot like Hogwarts. Students begin their school life by having a sentient magical being sort everyone into one of three houses based on their personalities. Mash and his friends are all from the Gryffindor equivalent, Adler. The antagonists this season are mainly from the Slytherin equivalent, Lang. There’s also a Ravenclaw equivalent, Orca, though it seems that common sense prevailed and there’s no Hufflepuff equivalent. Similarly, they also have a Quidditch equivalent with the biggest difference being that there’s no snitch or bludgers, which makes a lot of sense. And there is also an equivalent of Hogwart’s point system in the form of coins, though it involves coins being given to individual students who can then trade or bet them in duels.
Most of the season is Mash doing his best to make it through school without anyone finding out that he can’t use magic despite people constantly picking fights with him. What makes this especially interesting is that Mash isn’t all that smart. He isn’t able to come up with any fancy tricks or whatnot to try to throw people off. Rather, just because of how strong he is physically, everyone just assumes that he must be using strengthening magic or something, because what he pulls off seems completely impossible otherwise. And to be honest, that’s kind of fair. He does all sorts of crazy stuff, such as running on water or flying through essentially double jumping indefinitely. He’s overpowered compared to most mages through just his muscles, which is hilarious.
At first the narrative is incredibly simplistic and focused on just comedy, but as things progress the writing tries to have more depth, though the comedy definitely still remains a core part. There is a larger emphasis on who Mash fights against, with them getting fleshed out backgrounds and motivations. Many of them then become Mash’s allies as he taken on further foes. No one seems to be all that complex of a character, but most of them have enough to their personalities and and backgrounds to prevent them from feeling completely flat. Overall I can’t say that I’m super invested in anyone from the cast yet, however I do find a couple of them pretty likable and I’d like to see where their stories go in the future.
The fights also start having more complexity to them. While Mash just powers through based on strength alone, his allies have to strategize on how to use their magic effectively in order to win. However, overall I felt this aspect was still weak because for the most part it felt too simplistic. Each mage has their own personal magic that they’re especially good at. It’s not like personal magic is the only magic that mages are capable of. Rather, they’re shown using all sorts of spells. However, personal magic is the only magic that is ever used during fights. No explanation is provided for why. That’s just what happens. It made the fights that we’re actually supposed to take seriously somewhat dull.
The art and animation are pretty good both in terms of the fights and the comedy. I found the character designs somewhat boring though, mainly due to how everyone is just wearing pretty simple uniforms. The OP and ED are both pretty good in terms of the song and visuals. The soundtrack was also pretty great and works really well for building up atmosphere for moments when Mash is showing how overpowered he is.
tl;dr: A hilarious parody about a muscle head at magic school.
Reviewer’s Rating: 8
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Jul 29, 2025
*This is a review of both Dead or Bullet and Nightmare or Queen.*
Date A Bullet is a spin off of Date A Live. It’s very loosely based on a light novel series with the same name, but it’s loose enough that I would consider it as something original. It’s listed as two films, but each film is the size of a standard anime episode so it’s basically just two episodes. It is very clearly targeted at Kurumi fans. It is technically a sequel to the Date A Live OVA Kurumi Star Festival, but it also has spoilers for Kurumi’s past that were only revealed in
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season 4. Thus, I would recommend watching this only after watching Date a Live IV.
The basic premise is that after the Kurumi from Kurumi Star Festival was killed, she appears in another world called the Neighboring World. There she is forced to participate in an all girl battle royale, with the winner being granted a wish. Most of the anime is just Kurumi fighting random other combatants. They’re pretty varied in terms of abilities and personality so I suppose this is somewhat interesting. They aren’t fleshed out at all though, and are thus completely forgettable.
The final boss so to speak is someone that has a strong connection to Kurumi’s past. This battle is much more interesting in that we as viewers actually know who she is and understand how her history with Kurumi factors into what’s going on. However, in the end it felt like things just kind of fizzled out. It felt very half-baked for what should have been something much more impactful. The plot also didn’t really go anywhere.
But I suppose that fits what they were going for in that these ‘films’ are clearly style over substance. The art and animation is great and thus the action comes across really well. The soundtrack is great too. Thus, if you enjoy just watching Kurumi doing whatever, then you’ll probably like these films. But don’t expect anything beyond that.
tl;dr: A short, sweet, and very simple Kurumi showcase.
Reviewer’s Rating: 7
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