Youkoso Jitsuryoku Shijou Shugi no Kyoushitsu e 3rd Season

Classroom of the Elite, Round 3 - We have now arrived at the end point of this excruciatingly fascinating psychological battle. But this is only just a year in relation to 2 more years in school, and the battle of the greatest minds...has only just begun.

An arduous 6.5 years and 38 heavily compressed episodes later, the adaptation of novelist Shougo Kinugasa's Youkoso Jitsuryoku Shijou Shugi no Kyoushitsu e a.k.a Classroom of the Elite, has finally reached its ending consensus. Not gonna lie, it's sad to see a high-profile and prized series like this come to an end, but Year 2 of the LN has already ... begun even before the much-anticipated Seasons 2 and 3 came out to complete the entire 1st Year arc. And even then, while this journey has been met with many setbacks and criticism over the years, the reality is this: people are mortal to rush for the good and work for the bad, causing the adaptation to go on a speedrun from resources run dry, and its titular MC Kiyotaka Ayanokouji, is still one of the GOATs of all of AniManga characters to ever exist.

With Season 3 finishing the remainder of the 1st Year arc from Volumes 8 to 11.75 of the LN, I would say that apart from the closeness in terms of tension, Season 3 is not just the final season, but the pinnacle of peak intellectual psychology thrillers in all of anime that I've ever experienced since unironically starting Season 1 all the way back in Summer 2017. The premiere season still remains as one of the best shows that I've watched thus far, with its adaptation's reputation in tatters from that point onward. Since then, the AniManga community has warmed to the idea of the LN being adapted in a lightning blitz as quick as possible, and yet, still can deliver some of the best scenes of the LN as a whole, which IS still the most important thing when it comes to the anime, also as a whole.

Let's deal with the issues methodically:
The Mixed Training Camp where the entire school is targeted from its mix-up from all 1st to 3rd Year students, and this throws Suzune Horikita's older brother, Manabu, into the spotlight as the reigning Student Council President against the one who will succeed him: Class A's Miyabi Nagumo. Clearly, both Manabu and Miyabi lead by different mindsets and ideals, and non-mistakably, Ayanokouji has to be thrown in the wrench to help Manabu through his usual psychological games and come out surviving against a madman who wants to topple the entire school upside down.

Of course, this puts one of the students at a very high risk: Class B's Honami Ichinose, the kind, helpful and selfless class rep who does not want to put her class at risk of the dangers from the school's unforgiving test requirements. Her status as one of the top students of her class, alongside her benevolent nature, makes her very much admired and respected. Her involvement with Ayanokouji comes not just at a much-needed time of between the Mixed Training Camp and the one forced event that is the ultimate plan to scout said intelligent boy out of the school by nefarious means. Throughout the venture, where her being part of the Student Council allows her to interrogate Ayanokouji a lot more, as well as trying to get to know his philosophy when it comes to the never-ending psychological battles between fellow classes and frenemies alike in between the school's notorious exams, and along the way, develops a liking for him since they get along and work so well together.

But in the chad Ayanokouji's mind, he already has his perfect tool for the perfect job (you know who), and this infuriates none other than one of the most prominent characters of Class D: Yousuke Hirata. Being known as the top student of Ayanokouji's class, things take a downturn for him in Season 2 when it was found that his "relationship" with Kei Karuizawa was nothing more than just brute protection for being her shield so that she does not get bullied in school. If that wasn't enough, the In-Class Voting forced exam is the one that puts all of his skills to the test, to which he was blindsided time and time again, not just from said manipulator himself, but also the 3 Idiots "Stooges" of the class: Ken Sudo, Kanji Ike, and Haruki Yamauchi (which LN readers will inevitably know the term "Yamagod", not gonna say much), one which broke his sanity and afterthought about his own class in general.

But none of the above compares to the very enemy of whom Ayanokouji feels that this person's his biggest target yet: Class A's Arisu Sakayanagi. The clear runaway leader of Class A, who appears to be disabled and walking with a cane, she's the progenitor of the rivalry that Ayanokouji has been dutifully waiting for to duke their intelligence at each other, given the backstory that both her and Ayanokouji were in fact from the same White Room in the unknown facility that forces children to participate in an immense battery of tests designed to raise and train them into teens with almost superhuman-like capabilities. The only two people who share a bond for the extremists of human intelligence, their final battle of the alternate inter-class tests proves critical and shows the very reason of their fierce rivalry to begin with within the midst of the entire Season 3, even if they end on an amicable note of each other acknowledging their prowesses.

Even after all this time, I don't really need to re-emphasize the production of the series as a whole. Under the directorial leadership of duo chief directors Seiji Kishi and Horiyuki Hashimoto, with Yoshihito Nishouji coming onboard for the rushed Season 2 and 3, it's safe to say that there's a clear disparity of the sheer downward force when it comes to the animation department, because studio Lerche clearly doesn't care anymore, opting to just adapt the scenarios that truly matter and give the peak moments more grace and finesse to show that their "dedication" still sticks around after the long-run. Be it with the many changes in staff when it comes to producing and scriptwriting the anime, it's a terrible nightmare just to see a different team of staff coming back to helm the series throughout its entire run, which definitely affected both the later Seasons 2 and 3 to a degree where a complete adaptation is the only onset goal/objective of mind. And let's face it, getting a good (or even BETTER) adaptation is rare in this day and age.

The music too, also suffers from much ambience this time, though I do have to set the precedence that Season 2 suffered the same fate as well, with a rather pressing deadline to be completed in 2 years. And within those same 2 years, we've got theme songs, which by your own definition, can be great or bad. At least for ZAQ, she maintained her stance as the series' defining OP artist, with Season 3's "Minor Piece" still being a banger of a song, but not as good as Season 2's "Dance in the Game" nor greater than my absolute favourite OP song of the series, which was Season 1's "Caste Room". The ED songs however were a rather mixed bag, with Yui Ninomiya vouching in for Season 3's ED, which felt like a trippy song at best, though much better than Mai Fuchigami's Season 2 ED song, but none as great and mesmerizing as Minami Kuribayashi's Season 1 ED song "Beautiful Soldier", which is still the melancholic song I still love to this day.

Still though, for a series like Youkoso Jitsuryoku Shijou Shugi no Kyoushitsu e a.k.a Classroom of the Elite to finally meet its end on not just the LN back in Septmber 2019, but also now close the chapter on the anime as well, we've come a long way to appreciate the return of one of the most anticipated AniManga series, even if that return necessitated many sacrifices along the way. I have deep respect for novelist Shougo Kinugasa for his commitment of 4 years and 4 months from May 2015 to September 2019 concocting one of the most thought-provoking works in all of AniManga, which even if the anime was explicity bad, it would still be regarded as one of the best series of all time.

So, studio Lerche and directors Seiji Kishi and Horiyuki Hashimoto, better buck up if you're ready to adapt Year 2 of Classroom of the Elite, because the psychological battle will be EVEN more intense, for Kiyotaka Ayanokouji to flex his one-of-a-kind intellect onto more people, from the Board of Chairmans down to both new Year 1 Kouhais and Year 3 Senpais.

That said, please continue the adaptation into Year 2, anime-onlies have only seen the surface of the iceberg yet deep into the lore that is the Classroom of the Elite.

By this point you know what you’re going to get with these You Zitsu seasons. Good to great experience for anime onlies and an awful experience for fans of the source material. YZ season 3 is more of the same. If you’ve enjoyed the series to this point and are presumably anime only, you’ll love season 3. It covers the climax and conclusion of the first school year and has some of the hypest moments in the story. If you’re like me, a LN reader you’ll find this to be another abomination from Lerche and at this point are probably just watching to see ... how bad it gets.

As an anime only viewer this season will probably come off as really thrilling and engaging. There’s a lot of twists and turns and the exam stakes are upped tremendously. In particular, Suzune’s development as a leader and the external forces getting involved at the school are the big highlights. The students are placed in one perilous situation after another and as usual Ayanokouji pulls strings behind the scenes to get the result he wants.

But sadly, as a massive fan of YZ, I just can’t believe how awful a season this was. There were massive cuts to key story moments, emotional climaxes that didn’t hit because they weren’t properly built up to, exams being basically power point slides, rushing through entire volumes in an episode.. it was bad. And it’s hard to separate the anime only experience from the source reader/viewer experience because of how invested I am into this story. I really do love the characters and the exams and all the behind the scenes tactics Kiyo pulls, but the anime just doesn’t capture that. It makes Ayanokouji out to be so one dimensional and edgy. It makes the exams look like side points when they are the whole focus of entire volumes. There’s so much planning the students put into these to succeed and it just gets cut out. I do fully understand that in a dialogue heavy story you’re going to have omissions, but there’s still series like Oregairu(even though I hate it for other reasons) that do this very well. This just feels like a soulless cash grab that’s only YZ in name, but retains none of the heart and spirit that’s in the source material.

And we haven’t even touched on the production values. I think the only thing Lerche care about in this show is making sure the thighs look good, which is a plus, and making sure Suzune shots look beautiful. Other than that, the animation is pretty bad, character models can be quite off and the production in general is decent to subpar. One thing I will definitely compliment them on is the use of shadows and lighting in certain scenes. For some reason, Lerche like to change the background of certain LN scenes, maybe because it’s easier to animate, or less stress on the staff, but some of them are nice. Others not so much. The OST they use during hype moments is as usual on point. I will definitely compliment Lerche on their use of music throughout the YZ adaptation.

So, what’s the verdict on YZ season 3? Is it worth watching? Well, simple. If you’ve liked it up until this point you’ll love this. It’s the best arc so far, biggest stakes and the most interesting exams, not to mention the world opening up and exterior forces coming to challenge Ayanokouji. Up until now, he hasn’t had much competition, but that looks like it’s about to change. If you’re a LN reader, it’s probably worth just watching in the background while doing something else to just to laugh at how some of our favourite moments have been butchered. It’s definitely not going to make any new fans of the series. I’d encourage anyone at least remotely interested in this franchise to get the books.

YZ season 3, gets 6 out of 10

Hello my dear readers! The following review contains jokes that may be offensive, so if you are a fan of "Rebite Cleberson" you can skip the entire review and give me a confused face, it even helps me to give it relevance.

Starting off, when it comes to ANIME, Rebite Cleberson can certainly be one of the worst in history, it's not an exaggeration to say that you have to work hard to produce such a bad anime. Bad is not enough, to be bad you have to improve a lot. So as not to say that I'm just spreading hate about the anime, I'll start ... by mentioning the MAIN DEFECTS:

The plot proposal:
When you think of an anime where psychology is a theme covered and manipulation, difficult decisions between things like that, you expect the script to be at least consistent, unfortunately Rebite Cleberson doesn't bring an intelligent script, far from it. The script is extremely superficial, predictable and inconsistent, unless you think it's normal for school principals to kick disabled people... Anyone with the slightest sense knows that the organization and pacing of the anime was a complete disaster. It is unable to take this plot proposal and deliver content that can encourage the viewer to continue watching. Examples of anime that do this very well are Monster, Psycho-pass and Death Note. These examples have what Rebite Cleberson doesn't have, which is a thought-provoking story that makes you curious about what happens behind the scenes. Rebite Cleberson just throws it in anyway and executes it in a very poor manner. At certain times it becomes revolting for the viewer to follow the plot as it is so uninteresting and inconsistent, any plot construction can be at any time simply destroyed by chance or by a character who appeared out of nowhere, without any cohesion or justification.

Production:
The anime is extremely boring and boring, the direction is so generic that it seems like just another anime from any other season, moments that were supposed to make an impact or bring emotion to the viewer fail due to poor execution, the guys can't play a game of chess be minimally coherent with what real chess is, and, if they had the slightest care for the work, they would have dedicated themselves. In fact, this season is launching much better animes with much lower visibility, so I'm going to take advantage of the review to recommend Mr.Villain's Day Off, which gives a CLASS on how to produce an anime even without an incredible script, if you're going to watch these two animes and compare one with the other, you will notice the difference that direction and production makes in an anime. It honestly saddens me to see Rebite Cleberson with such a high rating because it shows that cheap Marketing managed to sell well while several much better animes don't have the same visibility, I believe this is a reflection of our society as a whole. Do people really enjoy doing what they do or do they do it just to do it? I watched this anime not just to show gratuitous hatred but to point out in a review all the problems this anime has, and the extremely wasted potential, I'm sure the producers of the Light Novel are happy with the result this anime gave, the popularity It's huge and must have made good money for the producer (and some crumbs for the animators), but deep down they must be sad to see their work having such miserable quality. Seiji Kishi, the director of this anime, only managed to direct a decent Lerche anime and that was Assassination Classroom, and the anime is completely plot-driven, as the direction is nothing special. Besides him, the rest of the staff is made up of complete random and inexperienced people.

Character building:
The characters are all uninteresting, it's even difficult to remember their names because they are so irrelevant, and many of these irrelevant characters play crucial roles in the progress of the story, which makes the plot meaningless, uninteresting in general, the development of character in this anime is worked in such a way that you don't feel anything for the character, terribly constructed. It's impossible to build a script without characters that add something to the story, you can take all of MAL's best-rated anime and see that they all have good characters.

To conclude, I would like to touch on a detail that left me thinking for a long time, but in the end it makes sense, think with me.
(How does such a bad anime have such a high rating?)
Unlike The Promised Neverland, Rebite Cleberson's sequel remained on the site with a high rating even after a terrible sequel. What makes this score so high?

Let's use an example of a bookstore, two different authors publish their first books, book A and book B
Both have positive reactions and make a sequel, assuming that the chance of a person who liked the first book buying the second is 80%, so if 100 people bought both books, in the second part 80 people would evaluate the book, however book A It had a disastrous continuation, which made this book's grade drop extremely.
The same 80 people bought book B, and the chance of you continuing to buy the book after the second one rises to 95% since you liked the first and second volumes. The second book B was mediocre, those who didn't like it don't buy the third but those who liked it buy it, and that's where the catch lies, the rating is based only on those people who read book 3, therefore the people who didn't like books 2 and 1 They won't rate it because they wouldn't buy the book. Which leads to a statistical error, as you would have far fewer than the initial 80 people evaluating. Rebite Cleberson's rating of 8.09 (March 2024) does not mean that the anime is an 8.09, but rather that it is an 8.09 for the people who watched it. Honestly, I'm only giving this anime a 1 because there's no way I can give it a 0. Watching this anime is like watching an F1 race led by Max Verstappen, it's boring and boring but you won't lose the habit of watching it.
Run away, run away from this anime as quickly as possible.