HYPE

karmashizzle said:

finally, a sequel to this amazing anime!
i've forgotten everything in the manga (minus the eh ending) so this'll be a fresh experience
i hope (K)now_name returns. their shit was

arvetan said:
Now I understand why MAPPA AoT felt so soulless to me and it felt like there was no passion in that project. This director really wanted to make a sequel to Dorohedoro, but got stuck with AoT instead. That's why he suddenly switched to Dorohedoro as soon as he finished AoT. What a shame. AoT at Wit Studio was made by a team of passionate people. Giving the most popular anime on MAL to a guy who has no passion for AoT and was just stuck with it led to the disaster that was the MAPPA AoT adaptation. What a shame. It makes me sad and angry.

arvetan said:
@Anime_Skaddiel
Storyboarding most episodes isn't a metric you can use to gauge the passion of a director. Passion in my view is when you enhance the source material, create a billion yen franchise from nothing and ooze your style into it that becomes a signature. Araki and Koizuka's AoT, Park's JJK is what I would call passion projects. Among the staff you listed Jun Shishido is the only one who enhanced the project. Manjiro Oshio who storyboarded the Declaration of War episode is also one I would consider who enhanced the manga chapters of that episode and made the episode into something unique. Hayashi doesn't understand AoT. His vision is so lame for AoT that if he was director from the start AoT would be 90% less popular. You two clowns also don't seem to understand stylistic mismatch of designs. Kishi's designs are unique sure but they are so outright different from Asano's designs and Isayama's designs that it makes every character moment a disconnect to the viewer. The Rumbling OP has character designs similar to Asano which is why people felt wowed at the Eren scream at the end because that Eren looks like an adult version of the Eren from Wit Studio. MAPPA's Eren looks like generic long-haired character. You people ruin Wit Studio's reputation. Because of those videos, people hate on Wit Studio, some people started thinking MAPPA were the "victims" when that simply isn't true. MAPPA chose the project, chose the director, and chose to use CGI. All the bad adaptation stuff is on them. They had the excuse in Part 1 for lack of time but after Part 1 Hayashi got plenty of time. It is a skill issue nothing else. Wit Studio staff was Grade A. If you give a Grade A project to Grade F staff of course it will fall off. But praising Hayashi and then hating on Wit is what I find irritating about you two clown's views. You people hate Wit, I see it. You people disregard the staff that made AoT big, that's what pissess me off. And you animation clowns don't even buy the Blu-ray to support the industry. You just make YouTube videos to get money and repeat the sakugabooru and reddit hivemind parrot nonsense to get the most likes and have the least controversial opinions. Just a sly tactic to gain views and money and you damage studio's reputation like Wit Studio. People even started thinking MAPPA designs look like the manga which isn't true as I showed earlier. People started thinking MAPPA doesn't skip chapters which is also not true, they do the same thing as Wit. Wit animated more episodes in 3 years than MAPPA and those episodes were world class in every respect. MAPPA did such a pathetic adaptation in 4 years plus they spammed CGI and low quality animation and mismatched character designs but they all get praised all due to you people's videos and propaganda which leads to mediocrity thriving. It's double-standards and a hate for the original staff that made the IP big in the first place that pisses me off.