Asura

Asura kicks off with a pregnant woman giving a quite graphic birth to a boy, before she beats a wild dog to death with a nearby axe. As we can see, things are looking pretty grim in this world. Everyone is dying and the only way to survive sometimes is to resort to cannibalism. This baby eventually leaves his mother (after she throws him onto a fire with the intent of eating him) and becomes a wild child who runs across the countryside, eating other dying people.

To be fair to the producers of Asura, there probably was a time in history when the outlook for ... society really was this grim. There probably was a time when a child would stumble while pushing a log and a guard would order his father to throw his feeble son into the ravine. There indeed probably was a time when haggard housewives would stumble along a road, gossiping about how their next door neighbour ate her baby. Maybe it’s just my fault that I can’t take such a bleak world at face value. But it would really help if the show didn’t keep undermining itself.

For one, there’s no context given for how the world ended up in this state. People are poor and there’s no food, that’s just how life is. It never gives any idea that an alternative would ever exist. It’s just grim decay from start to finish, and it really likes to beat us over the head with this, to the point that it flips around and becomes unintentional comedy. The spurts of blood that would shoot out of someone the cannibal kid attacked looked completely ridiculous. It also has real issues with continuity sometimes. The cannibal kid suddenly jumped from having a vocabulary of about 10 words to being able to philosophise the pain of existence.

Then there was the CG, which had the usual problems CG has. Characters do that thing where they sway in motion for a few seconds before coming to a standstill, like a video game character returning to their neutral stance. Hair seems to be made out of flat pieces of paper glued onto the top of their head like a wig. I know the movie is supposed to look ugly, but I don’t think these were the kinds of ugly it was going for. Sometimes I wonder whether my dislike of fully CG anime comes from me being used to 2D animation and having a gut dislike of anime designs in 3D, but then I see a shot where someone’s standing still but their feet are mysteriously hovering a few centimetres above the ground and dismiss that thought.

It’s has some incredibly dumb scenes too. I’m going to spoil a big plot twist here, but you shouldn’t watch the movie anyway so who cares. The kid occasionally meets this monk who tries to teach him not to become a killer. During one of his attempts to teach the kid, the monk pulls out a sword and then swings at his own arm. I thought this about making the kid realise he cared for someone and would stop the monk from swinging the sword. But I was under the mistaken assumption that the movie was leading to some sort of hopeful narrative conclusion. Instead the monk chops his arm clean off and tells the kid to eat it. The kid runs away, so the monk just stands there are cries for a bit, probably at the realisation of how bloody thick he was for chopping off his own arm. I suppose it seemed like a good idea at the time.

And you know what this was all leading up to (spoiler warning for the end, but again who cares because it’s a rubbish film)? The kid has an entire village chase after him to kill him, only to fall into a ravine. The kid doesn’t die, which might at least give some narrative finality to his actions where we learn the damning life of being a monster that is beyond saving. Instead he becomes a monk with his life lesson being that people die because I don’t know, life sucks I guess. It’s such a frustratingly pointless end to a movie that would have been unpleasant even if it wasn’t so badly made. With that end though, it makes me wonder what the point of the whole thing was. Even if you like unrelenting grimness, which makes for a bad story anyway the same way unrelenting calm and peacefulness would, there’s anime far better made than this crap.

What makes a monster? Are some men born monstrous or are they simply a product of their time? This film forces the viewer to struggle with these kinds of questions. What would we be willing to do in order to survive? Can we even fathom what people had to do so long ago and how can we possibly judge them? Asura has shocked and touched me in a way an anime film has not since Grave of the Fireflies. The title character is designed to look very much like an oni of folklore, but the viewer is reminded very quickly first and foremost he is ... just a child. This makes witnessing his gruesome and primal attempts at survival all the more disturbing.

Perhaps what struck me most about this film was a clever sequence in which Asura struggles to crawl out from a pit of corpses. His clawed gnarled hands reach up to the light in the cracks of the rock and the animation breaks to see Wakasa in the river shortly before she discovers the wounded Asura. This scene clearly paralleled a certain journey for Asura. He crawled from the depths of Hell to catch a glimpse of Heaven and that's when he truly learns about human kindness from Wakasa. This scene was so poetic that it made the rest of the film all the more tragic.

This film was beautifully done. At times it is difficult to watch, but that is the point. I will not soon forget this film and I do not think anyone else who sees it will either.

can you find the light in such a darkened dying world?
can you keep that light shining?
i never thought that 'asura' would bring me down to my knees.. in a brief winking moment my eyes witnessed all the blood and gore, the crescent carnage and madness surrounding. but in a subtle and suspended animation you can feel the beauty embracing you. a big round of applause for this timeless masterpiece..
and in the end if you can't feel any kind of compassion towards asura, i say you're the beast!