Kara no Kyoukai Movie 4: Garan no Dou

Kara no Kyoukai review Part 4

One of the hallmarks of a good story is the ease with which it can suspend the disbelief of the reader or viewer, and in that respect the Kara no Kyoukai franchise has been good, but not truly great. That said, the fourth installment, Garan no Dou (The Hollow Shrine), is a tad more introspective than previous outings, and it may signify a shift into a higher gear for the series.

The story begins directly after the end of the second movie, with the unconscious Ryougi Shiki being transported to hospital in an ambulance accompanied by Kokutou Mikiya. When she finally ... awakens from her coma, Shiki discovers that she has somehow gained the ability to “see” strangely distorted patterns on everything and everyone, and also that she has been asleep for two years. During that time Kokutou has graduated from highschool and is now working for Aozaki Touko.

Unlike the first three movies Garan no Dou is surprisingly straightforward in that the focus is solely on Shiki, and while there are some plot twists, these are pretty easy to follow. The story flows at a pace that allows the viewer to absorb the relevant information with a degree of ease, and this makes a nice change of pace from previous episodes. Unfortunately, the simplistic nature of the plot means that the show is a tad predictable, and viewers may find themselves wishing for a little of the slightly demented nature of previous outings.

That said, the main goal of Garan no Dou is to offer viewers an insight into one of the franchise’s most enigmatic characters, and in that respect one might fairly say that this movie is a job well done. The simpler approach to storytelling offers the ability to develop specific characters or scenarios in a way that more complex plots simply aren’t capable of as they lack the “free time” that is required. The movie does dip into some complex themes though, but rather than use them as a means to drive the story forward these dalliances with conceptualisation serve to offer insight into the mind and heart of Shiki, something which has been missing for quite a while.

Ufotable have once again done an excellent job with the artwork and animation, however there are some small areas where the quality drops a little. The hospital environs have an appropriately clinical feel to them which are surprisingly adaptive as when the story takes a darker turn, these surroundings and backdrops adopt a far more ominous feel. Then again, they’re really nothing more than spartan rooms and corridors (which in anime terms is just above a blank canvas), so one has to wonder how much effort went into the environmental design.

The characters are depicted at quite a unique stage given that Garan no Dou covers the two year period between the second and third movies, and the audience is given the rather rare and welcome opportunity of seeing them physically age over the course of one episode (admittedly there is an accelerated sense of time but that’s by-the-by). The slight changes in the design of Kokutou and Shiki (especially facially), are subtle, but they are noticeable (something which Ufotable should be applauded for).

As for the animation, the action sequences are well executed and Garan no Dou features some very fluid natural and unnatural motions (you’ll understand what I mean when you watch the movie). In addition to this the visual effects are suitably ephemeral when necessary, and the incorporated CG fits in to the whole rather nicely. That said, some viewers may find the more physical aspects of the various supernatural phenomenon to be a tad mundane, but it should be pointed out that the main reason for this is simply because of the limitations imposed by “reality”.

To put it simply, there’s only so much that can be done with the “real” world and human beings in a movie like this as taking the more fantastic elements too far would only destroy the storyline.

In addition to some excellent visuals, Garan no Dou also features some highly atmospheric background music, with the tracks on offer ranging from hauntingly melancholy to chorally dramatic. The audio effects are sharp and clean, and it’s nice to see that efforts have been made to rectify the the overwhelming nature of the various sounds that sometimes marred the previous episodes.

One of the strengths of the franchise since the very first movie has been the quality of the acting, and in that respect this film has several things to offer. After much waiting and several fairly mundane appearances in the series so far, Honda Takako is finally able to add some character to the role of Aozaki Touko, and she does it very well. Additionally, viewers are able to see a new and different side to Shiki, and Sakamoto Maaya really manages to capture the feelings of fear and confusion in an otherwise stoic (and psychotic), lead character.

Now many people believe that the second movie, Satsujin Kousatsu Part 1, features the best development thus far in the series, and while the characters do receive a good degree of definition in that episode, Garan no Dou is at least equal, but from a completely different angle. This installment offers viewers the chance to see a far more complex side of Shiki than any of the previous outings, and allows some of her true potential as a character to shine through. That said, Kokutou is relegated to bit parts, but this is counterbalanced by the fact that much needed characterisation is given to Touko.

Which brings up an interesting thought. There’s an argument that the Kara no Kyoukai franchise would have been better off being released as a standard anime series of 26 episodes as this would allow all of the important characters the chance to get some much needed airtime. The current format seems limited in that respect as each episode can only focus on specific characters, with the rest appearing in minor supporting roles no matter how important they are in the overall storyline.

On the other hand, there is something to be said for the current approach as it has the benefit of really focusing attention on the important characters and events in that episode, and the fact that the series jumps around in time means that there is less for viewers to make educated guesses about, and this helps to keep future episodes fresh.

Whatever one thinks of the Kara no Kyoukai franchise, one of the nice things about the series is that it takes the the main theme of Lunar Legend Tsukihime, tears it apart, and rebuilds it as something new, and Garan no Dou signifies the difference between the two shows far more than any other episode thus far. Granted there are overarching plot points that still need explanation, themes that could have been explored in a bit more detail (the whole concept of The Void is just one example of this), and a degree of predictability to the story, but these can be forgiven in the face of some solid character definition and development. One should also remember that this is simply the midway point in the series, so questions will undoubtedly remain about certain aspects of the story, and it remains to be seen if they will be answered in future installments.

The fifth episode awaits….

I really like many of the TYPE MOON series and one of them is Kara no Kyoukai. And this chapter is very interesting and fascinating.

First at all, I was delighted with the graphics. They are very cool, and well done. The animation is very clear, many scenes were dark but this just add more mystery and thrill, just what this anime is. There are many abstrac obscure scenes and in this time, you're not going to see many bloody scenes, however, routine scenes are intriguing, too. I like the character design but I think is kind of little cliche, both of the main characters ... remind of the main characters of Tsukihime, although the personality of the main female characters are really different.

Another thing I liked was the soundtracks. They are really nice and they complement the scenes and mix with them very well. They just give you more occult and mystery senses and a little bit of sadness and doubt of many things. Well, I really like Yuki Kajiura songs and this anime is perfect for her songs.

About the story, this chapter explain a lot than the others chapters. As I said, there aren't many bloody scenes or too much action as the third one, but this complement the other three previous chapters and you are going to understand a lot of things, but obviously, not everything (If you understand everything, then this anime would have never been classify as mystery). I like this anime doesn't follow the traditional linear chronological order, maybe it is a little confusing, but this chapter is going to clear up many concepts and ideas.

To conclude, if you like mystery, thriller, psichological plots and obscure gore things, also you like supernatural things like ghost and souls and you had seen the other chapter and you don't understand it very much, I really recommend you to watch this anime.

This movie comes 2nd chronologically in the series. But of course, you've been gaslit into watching it 4th for pointless overcomplication so you've already been spoiled on what happens afterwards and this movie is more or less pointlessly redundant, overexplaining what you already know about Shiki by moving her setpiece into where it will've needed to be for the later chronologies.

Since this is a redundant transitional movie, it stretches very little story of moving 1 setpiece into place into a great big nothingburger of 45 mins crammed full of overindulgent directorial vomit and masturbatory filler. At the very least we can congratulate it on finally ... managing a little bit of character work even if it is accomplished largely through boring narrated/exposition-dumped brain-damaging dialogue.
Finally, they stick the landing with a big dumb action climax for all those shonentypes to clap at. Genius. Get ready to wait several movies before you actually find out the laughably dumb and pointless excuse for plot that was deliberately skipped over before the start of this movie. Now that's just good wrighting.

The 1st 4 movies were pointlessly rearranged out of chronological order in the same way as the source material (thereafter is chronological). You'll find online (much like with any series) fanboys blindly recommend watching it in the order it was released. They will give no actual valid justification for this achronology however. So allow me: The author published each individual chapter online coming up with it as they went and ended up writing prequel chapters and sequel chapters and such off the cuff merely because that's the order they came up with it. Achronology adds absolutely nothing to these movies beyond the pointless achronology itself: pointless convolution of simple linear storytelling, not even adding timeline mystery as it literally tells you the dates for each movie and it's readily apparent which comes before which. What it does do is detract from the story: It shows the chronological last of the 4 1st, thus spoiling your experience of the 3 movies thereafter because all of them are murder-oriented, removing all suspense of whether or not many of the exact same characters will die when we now already know that they won't, they have plot armor to live because they need to be there for the later chronology. They made a lame story slightly worse by recommending the release order. If you want to watch this in the release order, go ahead and watch the HP movies in a random order for the exact same result because achronology is just inherently better and aren't you special? (god I'm getting Vietnam flashbacks of Peach Boy Riverside)

Each movie in this series follows the main cast involved in another supernatural murder mystery scenario of the week for them to investigate/resolve via exposition dump nonmystery rather than piecing together evidence alongside the audience and often just completely removing all suspense by showing us the murderer and their circumstances from the start.
Both each movie internally and all the movies taken as a whole can be described as a dumb series of random asspulls strung together. Every aspect of it is making itself up as it goes. You can pretty much watch the author coming up with the characters in real-time from blank edgy cardboard nothings to suddenly dumping exposition backstories and that's about as far as they ever get.

Despite being ostensibly 'dark fantasy', while it deals with dark/mature themes this isn't horror, just 20% violence/gore between 80% filler. Rather than horror it's mature action, and whatever attempts it makes to be dark come across as laughably edgy and usually conveyed through idiotic shonen villain monologuing (think Angels of Death taking itself completely seriously).

The dialogue is nearly 100% filler/exposition in addition to frequent poor translation/nonsense dialogue.

Barely any actual cinematography or even interesting shots. The best it manages is a bunch of superficial nothings like dead body with blood, oOoOo blood, spoOoOoky and 1 Elfen Lied gore ripoff character who the series just never has show up again? But I guess this shallow filler counts as deep to some people.

The MC is a noncharacter simp with almost no backstory and hardly any relevance to the series. most everyone else actually goes out and does stuff while he kinda just shows up to talk and occasionally participate by simping for girls almost certainly because he's been written as a generic MC self-insert for a VN nonromance harem builder with all the hentai scenes left out. He's a pencil-pushing desk warmer the girls immediately fall for who has been written out of the story with dumb excuses like being comatose and going off for weeks to learn to drive and the story taking place elsewhere only to briefly call him up on the phone to say hello. Let alone making a different character MC, you know your story is bad when your MC of all people would've been better off cut from the entire series.

They frequently skip entire scenes that are actually part of the plot and just sort of act like they haven't, as if they were supposed to be there but were simply cut for pointless ambiguity because it apparently just isn't interested in telling the story, as if it is rushing through the plot in order to cram in as much cost-saving filler as it can. This series is a low effort unrevised draft.

1/10 (where 5/10 is average)