Naples, 2001. Giorno Giovanna is a small-time crook with one big dream—to become a "Gang-Star." No ordinary thief, Giorno has a connection to the remarkable Joestar bloodline, and possesses a Stand named Gold Experience. His dream starts to become reality when he meets Bruno Buccellati, a mobster from the gang Passione and a fellow Stand user himself. Realizing that they share similar ideals, and both disagree with the gang's harmful affairs, Giorno reveals his goal to Bruno: with Bruno's help, he will reform Passione by overthrowing the boss.
As Giorno becomes a member of Passione, and is inducted into Bruno's squad, he discovers that it is no simple gang; its numbers are teeming with Stand users. Now confronted by other squads of differing loyalties and unpredictable caliber, their goal to change the gang from the inside out will be a tough one. Taking on these adversaries, Giorno attempts to rise through the ranks and inch closer to the boss, a man who is shrouded in mystery.
Jojo 1&2: Liquefied nazis
Jojo 3: Bros fight the sun
Jojo 4: Don't trigger my fire truck allergy
Jojo 5: My stando power is being an asshole
Jojo's Bizarre Adventure Super Mario Bros. Edition is the greatest thing that has happened to anime since the 4th part. In this 5th Jojo -- called Vento whatever in Italian or Golden whatever in English -- we see something that is not expected of anime these days: content that doesn't suck ass.
Vento Aureo is told to be the most controversial part of the Jojo franchise thus far. One either loves it or hates it. I am in the lover team because the
story is so simple, yet masterfully crafted. It only focuses around few things, values small details and shows how it is better to be master of one than master of none. Do much with little is a thing I like to repeat and Jojo 5 is a perfect example of how much can be done with the given little.
The cast is perhaps the most colorful seen in Jojo so far. I am personally against all sort of moral compasses and obligatory justice for all bs because the only thing those do is limit the story and characterization, and while Jojo introduces some concepts relevant to these such as the Robin Hood ideology, I am not finding these to be any sort of reflections of moral codes like they so often appear in all sorts of narratives, but simply part of characteristics in this case. Jojo's cast doesn't simply support 'anything' just because "it is the right thing to do", but because prioritizing loyalto to personal philosophies is put above all else. It's damn manly thing to do and that's why I am finding the cast to be so fun to follow. The banter seen in forms of dialog and interactions is also pretty bro, not as bro as in the 3rd part, but it's still damn brotherly.
The art has surprised me once again. It's impressive how different yet familiar David Production manages to make new Jojo series look like. The colors, animation style and unique ideas as well as the character design all are there to make Jojo's 5th season its very own thing and I am finding it very hard to not praise every part of it in today's industry.
The music is outstanding. The opening song is acquired taste, really. At first I was like "it's not exactly Walk Like an Egyptian, is it" but now I am like FIKHTIN GOLDOOO every time I do anything.
When it comes to enjoyment, this is the reason why I still have hope for the animated medium.
Part 5 anime made something impossible. Not only it lived up to the hype, but it came like a rocket and broke a roof called "expectations". As for now, 7 episodes in, i can most definitely say that this is the best anime adaptation i've ever seen.
David Production- they just know what they're doing. Up until this point all they were lacking was the budget. And with money from monhun and tsubasa, they could finally deliver anime that not only does the honor to the manga, but also brings it to the whole new level.
Everything in the anime, as for now, is just perfect.
Sound design, the art (call if blasphemy, but sometimes it looks even better than Araki's work), animation, voice acting, even pacing. You can literally feel the heart and passion(e) that David put in this one- there are dozens of scenes that would be either skipped, or ignored by other studios. Just from the seventh- the legendary and mythical, the dance scene. It was what? 6 panels in the manga? One page. They made a music clip out of it! All the colors, the moves. the song in this scene... just wow. And just couple of minutes later- 2 of Six Bullets are high fiving one another, for 10 seconds. Any other studio would just drop it, or make it 5-6 frames. But not david- because they want to deliver the most enterteining and fun experience you can imagine.
Every now and then David would throw in some "anime original"- extension of the situations we already know from the manga. First 5 minutes of ep1 are the "filler" that introduce you to this world better, show Giorno's personality etc. Then you have Abbachio meeting Bruno- that didn't have to be in there, but David wanted to deepen the characters even more.
Part 5 anime is doing something more than "panel by panel" adaptation. What i love in almost every piece of media- doesn't matter if it's a game, film or anime- is the dedication in the production staff. I can only care as much, as they did.
And David cares. Not only about the money, but also about their fans, and the franchise they are working on. Purely glorious.
The saddest part of this anime is that after each episode, i have to wait another week. I have never been this excited about JoJo, as am i now. And i didn't even like part 5 manga this much! 10/10 boyz.
A masterpiece that can not be put into words
As a long time JJBA fan (read the manga way before season 1 aired), I had my hopes of a faithful adaptation, but I understood it is very hard, considering JJBA is very hard. Nonetheless, DavidPro did an amazing job!
Set in Italy in 2001, we meet Giorno. Your average thug at first sight, he does not mind ripping people off. If its money, it is hardly a problem. He does not associate with gangsters tho, because he does not do contract killings and is especially anti drugs, seeing that Italy and its kids
are ravaged by addiction. So this young man, who just happens to be son of Dio Brando himself, goes on a path leading to the death of the most prolific gang in Italy and its boss. He joins the gang itself in an attempt to overthrow the boss and clear the streets of Italy, with the help of Bruno, Narancia, Mista, Trish, Abbachio and Fugo, his own team, led by Bruno himself. His travels take him all over Italy, showing beautiful scenery, having amazing Stand fights, objectively, the best Stand fights in the entire JJBA franchise. DP added its own touch to the story which makes this a 10/10.
I would say DP doesn't disappoint, but that's taking it easy. The art is absolutely AMAZING! 1:1 adaptation to manga, this is the truest we've ever seen to Araki's art. The animation is fluid and has weight to it. YOU FEEL THOSE PUNCHES. Color changes mid scene, flashes, special effects, it is ART.
DP back at it again with its sound effects, amazing opening sang by Coda (Bloody Storm, JJBA Battle Tendency) and an ending by Jodeci (Freekn' you). The sound effects make Stands stand out more than ever before in the series, I myself was caught off guard by sheer perfection of sound effects they used compared to other parts which were good on their own.
Character 10/10 If DP didn't add subtle touches, I would put it a 9/10, but they made Giorno into an actual character (in the manga he was lacking expression most of the time, being too stoic). Giorno feels very much real and I have no doubt that the rest of the crew is going to shine. This is the only time I can say that anime studio did not make a mistake by changing some things from the manga.
This is JoJo. The title alone says it all. Over the top fights, amazing music, cool characters and designs, it has it all. It is absolutely amazing and eye catching, every frame along the way. I enjoy this part way more than the others, and the others were nothing short of a perfect score.
This is a passion work of DavidPro. Other parts were an adaptation, this is a passion work. Vento Aureo is what happens when perfect music, meets perfect setting, meets perfect characters, meets perfect studio.
17th century fop’s could only dream of achieving the flamboyance of the modern day Jojo character. The ostentatious wardrobes, combined with the innovative powers of the various characters, unequivocally demonstrates that the show is quite bizarre. Ubiquitous action sequences is the name of the game, and to hell with the detractors affirming the plot is razor thin. In fact, Jojo runs the gamut of neglecting pivotal facets of storytelling (i.e. a well-developed plot, meaningful character growth and an overarching message) to present testosterone-filled mayhem and comically inane dialogue. Certainly, if Jojo were compared to say your typical Shonen anime (Dragon ball,
Naruto, or Bleach), then the superiority in quality and amusement would certainly reside in the Jojo camp. Yet, this achievement represents very little, as the bar was never set high by its contemporaries in the first place.
That all being said, this will not be your typical review, as it will only pertain to the two aspects the show focused on to provide an engaging experience.
1) Testosterone-Filled Mayhem
The action sequences feel devoid of necessary tension, that is to say, the tension never feels life-threatening, even though the show pretends otherwise. Literally an entire episode was spent attempting to keep a flame lit to pass a loyalty test. Sure. A Stand maintained a watchful eye to derail any possible deception, which served as the central conflict, but it felt tame, to say the least. The yacht hijacking to gain Intel on the Polpo fortune was much anticipated, as was the downfall of the perpetrators involved. New abilities are being introduced at a break-neck pace, but the mayhem has felt rather mundane, generating a paucity in excitement.
2) Comically Inane Dialogue
Nothing thus far has resonated or produced genuine laughter. The comedic gags feel half-baked, and none of the characters exhibit a personality that would invoke hilarity. While the other seasons had their list of drawbacks, there was always a comedic undertone that shined through, yielding reasonable amounts of joviality. Golden Wind has yet to find its stride, as the jokes thus far (like the bullet Stands eating salami) have felt exceptionally child-like in nature. For a show that exudes manliness, this is a tremendous failing.
Jojo’s 5th iteration fails to meet its own “bizarre” expectations. This, of course, says nothing about the tedious, formulaic plot with recycled themes from other works of the same ilk. The present goal of Giorno to assume the role of the mafia boss is uninspired, with little-to-no novelty. And while the list of Stands continues to grow, their implementation leaves much to be desired. It feels as though the writers are more concerned with character quantity, rather than the quality. It’s excess at its worst, reminding the viewer that too much of a good thing, is a bad thing. The title of show may suggest a “bizarre” adventure, but it feels more humdrum to this point.