The story revolves around the protagonist "I" and the murders and mysteries he encounters. He tries in vain to stay out of the story, but instead he always gets dragged into the center of everything. Even though it seems that he contributes a lot, he always finds out that whatever he did was meaningless in the end.
Zaregoto is a Nisioisin show. Who ever told you it was a mystery probably told you PMMM is a kids show, and Shokugeki No Soma is a cooking manga. Bottom line, if you like that Nisioisin flavor you're gonna like this OVA, if you don't, well, at least ep. 7 has a beautifully animated scene directed by Akiyuki Shinbo that's worth the 8 ep. price of admission.
Without reading any of the other reviews I can tell you what they're gonna say. Zaregoto is a slow build. The main character is an edgelord. It's a little bit too much of a stale whodunnit?
without a sense that something tangible is at stake. Yeah, forget that noise. Like Monogatari, the big flashy genre set-pieces are sideshows, the character drama is the main event. All the mansions and murders and mauve color palettes only really matter to the extent that they give us greater insight into the characters themselves, the demons they're wrestling with, and whether or not they can actually overcome them. Deep breath. So yeah, the story starts with a lot of talking heads and not a lot of lopping heads. That's the point. When the characters and the hidden forces that drive them are the meat of the story its natural to spend 2-3 episodes listening to them subtly unveil the workings of their inner psyche. Of course, this is what makes Boku (MC-kun) seem like a member of the edge nobility. You already know him, he's the world-weary hoodie-donning teenager who abuses his privilege as narrator to preach his profound-as-a-puddle philosophy of not caring. Thankfully the show knows better. Half the fun of Zaregoto is watching the people around him pick away at his shell. He's a moaner, but he's not trash. You genuinely hope he'll evolve into a better person by the end of the series.
What are you waiting for? I gave you the bottom line in the first paragraph. Stop reading reviews and just go watch the thing!
Until the final moments of the second episode, it is extremely unclear what Zaregoto is supposed to be about, or even what it wants to be about.
Little of significance happens during this time: character introductions interspersed with surreal 'SHAFT-ness' (this should be coined as a word if it hasn't already) and philosophical discussions about the meaning of life and why the protagonist is apparently such a big fat loser. Cool, so everyone is a weirdo, and the setting makes no sense, but why are we supposed to care, again? I expect most people who are not already fans of Nisio Isin or SHAFT anime
will lose interest somewhere during this time and potentially drop the series altogether.
Which would be a mistake, because the third to eighth episodes are an absolute joy to watch, and constitute some of the best content SHAFT has produced in years.
Zaregoto (Kubikiri Cycle) is, rather, a murder-mystery anime, which those familiar with the Danganronpa series will find quite similar. The unnamed protagonist, trapped on a solitary island with a dozen others, must wrack his brain to solve a bizarre string of seemingly impossible murders. The natural response would be to call the authorities and let the professionals do their job, but circumstances prevent the police from being called to the island. And so begins a traditional battle of logic: the construction of alibis, theories to be argued out, and proof to be sought— and sought desperately.
Those well-versed in the mystery genre will find it relatively easy to work out the culprit's identity via the clues left behind, but the actual process through which the murders are committed, and especially the culprit's motives, are a bit harder to predict, if largely because they contain elements that would be implausible in an actual real-life incident. So, if being surprised by absurd events is more entertaining to you than an ordinary, realistic murder case, you will be in for a fun little ride. And conversely, those seeking something plausible will be a bit more exasperated. But I am not sure you would be coming to a SHAFT anime in the first place if you were expecting realism. I mean, hell, in the final episode, with 200 cars exploding into an atomic-bomb sized ball of fire, directly behind the characters during their peaceful car drive, with them not so much as even acknowledging it (what?), it became clear to me that this show ain't based in our universe. The SHAFT universe is indeed a strange one.
If surreal artwork and mystery was all Zaregoto had going on, perhaps it would merely be an average, albeit fun series. The debates between the characters at the round-table aren't particularly compelling, with the protagonist and his opponents simply going through the motions of a mystery story: a theory and an inevitable rebuttal. Compared to the Danganronpa games, which made things much more complex and interesting by means of characters speaking in red herrings and complete untruths (even when they are innocent and have nothing to be gained from lying), in Zaregoto's case, there just isn't a whole lot to applaud.
So it's a good thing there is more to Zaregoto than mystery. The frequent philosophical discussions between the protagonist and his opponents, characteristic of Nisio Isin's catalogue, make even the moments where the story is at a standstill a pleasure to watch and listen to. There are a couple scenes that veer towards preachy or even arrogant territory ("this is my, Nisio Isin's, way of thinking, and other perspectives on life do not and cannot exist"), and a scene involving one of the maids uttering the most disparaging comments that could possibly be uttered to another human being (ending in them, literally, no joke, telling the protagonist he should kill himself), when said maid has only known the protagonist for a grand total of three effin' days, was quite... nay, extremely uncomfortable to watch. But by and large, the philosophical discussions in Zaregoto add an extra bit of flair, a more cerebral quality that many anime lack, even if the themes of these discussions aren't necessarily new or profound.
With a dozen characters and only eight episodes (and constituting only the beginning of a much larger light novel series), naturally, the characters are developed to wildly varying extents, with some being relegated to the sidelines and existing as little more than one or two-note tropes. The cook, Yayoi, is particularly guilty of this, being some incredible genius in the kitchen and capable of differentiating hundreds of thousands of tastes (how the heck do you even count that in the first place?), yet we see nothing of her cooking or her character besides her blowing her gasket at one point before withdrawing to the shadows again. Maki, defined largely by her love for wine and her verbal abusing the protagonist, is perhaps the most mature and intriguing member of the cast, which makes it a shame how little was seen of her. Instead, we get to see Tomo a million times... cute she is— especially in her twintail incarnation— but 'cute shut-in savant girl' is a trope I've seen seen more times in anime than I want to. The unnamed protagonist— or Ii-chan, I guess we could call him as Tomo does— is unsurprisingly the one with the most depth, a sort of darkness, a depressive nature hidden inside him that is teased but little revealed throughout the series. Mature and logical, he stands his ground in arguments, keeping his emotions tucked away inside himself. Though I wouldn't go as far as to claim him 'fun' or 'likeable', he's completely inoffensive and is one of the more compelling protagonists anime's mystery genre has birthed.
Yes, Zaregoto looks, sounds, and feels like a typical SHAFT anime, a visual cross between Madoka and the Monogatari series. Surreal artwork, embracing style over realism, is ever-present, particularly in the final episode which is SHAFT cranked up to eleven and completely and entirely visually incomprehensible. The surreal artwork coheres with the story, considering the ridiculous supernatural skills most of the characters possess, but at times the artistic and sound design becomes overbearing. No, the characters do not need to do the trademark SHAFT head-tilt, and no, we don't need the protagonist's inner monologues sounding like he is talking in the bathroom of some abandoned house. It's as if SHAFT is incapable of letting go, of letting the story take the lead and the artwork being complimentary, as it should in Zaregoto's case. There's an almost arrogant nature here, and, honestly, after over a decade of the same thing, it's about time the studio experiments with a new artistic style. But, yes, look and sound pretty Zaregoto does, especially with its background music and tight transitioning between opening sequence and story.
Zaregoto is a thoroughly enjoyable, if unfortunately brief experience. It is also obscure: obscure in the sense that mainstream audiences— those who are not active fans of Nisio Isin or SHAFT— will not be aware of its existence. It is, after all, an OVA series. It didn't air on TV. It is an adaptation of a series already fifteen years old. It went straight to disc, the only choice being to buy it or not. In Japan, where streaming services and illegal downloading aren't half as much a thing as they are in the west, this has made Zaregoto completely and utterly impenetrable to newcomers.
And that's unfortunate, because Zaregoto deserves to be watched.
Zaregoto, much like most other Shaft and/or Nisioisin productions requires a certain mindset as well as expectations to enjoy.
While I don't like how pretentious saying this sounds, I still have to say it:
This isn't some 'Whodunnit'-rhomp you can watch after work or school while being half asleep. To truly get most out of it, I recommend really focusing on it as much as possible.
That, or get drunk and enjoy the pretty pictures and lovely sound.
I've been guilty of that too occassionally.
Now on to what you can actually expect.
Zaregoto is a character study donning the guise of a murder mystery, with some good indulgent waifu material,
as is Nisioisin's law.
Now, one could say that this sounds a lot like the Monogatari series, which is also a character study pretending to be a 'Girl-of-the-week' harem, but there's differences beyond the genre.
While The Kubikiri Cycle certainly has a good cast of characters, the main developmental focus is actually cast on our protagonist, Boku (or refferred to as Ii-Chan, by his friend Tomo), which alludes to the entire story being told in his perspective, as it was in the novel. Not once does anyone actually say his name.
Throughout the story, the anime touches on themes such as one's place in the world as well as society, the blessings and curses that come with being a genius/savant, one's calling in life, the dependancy upon other people and lots of other tough to swallow subjects you'd probably rather hear about in school than anime.
I'd say, though, that it's precisely what's so interesting about this OVA. You can easily read into it as much as you want, you can just enjoy this as a surface level murder-mistery (even if it falls a bit flat on that level) or you could even get an epiphany and become the next Buddha.
We're not quite sure yet if Nisioisin is that smart or if he's just good at pretending to be smart.
Anyway, if that managed to catch your interest, I'll now cut to the dry part of my review and talk about the subcategories specifically. Ready? Cause I aint.
As alluded to before, the actualy murder mystery is quite solid. Nothing amazingly new, but it utilizes the classic 'Locked Room' mystery quite well.
It also doesn't fall into the more modern trap of not actually giving the audience the hints they need to figure stuff out themselves.
You'll know as much as the protagonist, guaranteed.
One thing to be critiqued especially, is that the entire cast sometimes just doesn't think about something every person who's familiar with mysteries would think about. People lying about alibis? The murderer didn't act alone? The persone we think is suspicious doesn't actually have a decent motive?
Yeah, it'll take a while, if at all, for the cast to even consider these questions at times.
Still, solid like I said, and it's more of a vehicle to make our characters encounter new experiences and question themselves, so it's not key to the enjoyment.
This is highly subjective, but I'm a sucker for Shaft's Monogatari-style directing, which they heavily used for this title. Head-tilts, eye close-ups, supremely intricate and beautiful backgrounds, colour-shifts, it's all here.
Even without the directing though, I think it's needless to say that the art is just extremely nice.
I've heard people say that the characters look a bit too 'plastic-y' at times thanks to the lighting, which I think is a fair point, but I can't say that I dislike it.
The sounds was for me, especially in the first few episodes, phenomenal in complimenting the atmosphere. It constantly creates an atmosphere of unease even before the murder(s) and keeps you on your toes.
As the episodes went on, however, I noticed the soundtrack less and less. Not that it ever got bad, just not as obviously good as before.
I'll have to note though, that this might be because I binged the series, so maybe I just lost focus as time went on.
Shoutout to both OP and ED, as they're really good songs.
Usually, on any other Nisioisin production, this is where I'd praise him for cleverly subverting character stereotypes, but with Zaregoto I really need to commend him on writing characters that complement his main goal, which is to explore Boku (and to a lesser extent Tomo) as characters.
Every character pretty much stays true to what you'd think they'd be like. But only in this circle of very defined and rigid characters can an undefined character like our protagonist truly shine.
In that sense, I can see how giving this section a 10 could be controversial, as I'm praising the choice and usage of characters, and not the characters themselves.
If it's any comfort, can I say that I really liked all of the characters, both personality and design? Especially my girl; sleazy, drunkard fortune teller, Maki Himena.
I really shouldn't have written all the stuff before my ratings, as it'd fit better in here, now that I think about.
Trying to find any closing words, I'd have to go with the following:
If you enjoy the idea of analyzing something again and again, and want to see just how far anime as a medium can be pushed, then you'll really like the Monogatari Series.
And if that's too much time investment or a bit too big of a plunge (or I guess you already consumed everything Monogatari, but want more), then watch this OVA, cause it's a great start to Nisio's writing and Shaft's directing while not outstaying its welcome.
Not many are going to see this review, but that’s cool in and of itself; since I just wanted to write down my disappointment of the anime adaption of the LN (light novel), somewhere visible to the eyes of maybe to some people. That being said, i’m someone that would gladly bestows the monogatari series, having the same author (Nishio Isin) as zaregoto, 10/10 even if it would only come close to 8/10 or a 9/10. And to be frank, I wouldn’t be that generous at all with this LN adaptation. This is why I had diabolically rated this series a 4/10 despite all the
hard work that the team had put their efforts into the creation process, which in turn resulting in the production of this anime. And the reason being for this rating?
To tersely summarize it, it’s due to the awkward cinematography/camera focuses/the spinning (-2 points in art), Nishio’s incompatible style of character creations since they’re virtually emotionless and monotonous in tone of speech (-2 points to character, since emotionlessness defeats the purpose of these kind of genre), somewhat of a simple mystery detective-like plot (-2 to story), and cutting out 90% of the dialogues from the LN's volume 1 and 2 before the first murder and the one after (-3 to character, -5 to story, and -6 to enjoyment.). I only talk about the negatives here, but the art alone boosted the anime to 8/10 .
The voices of Akane (one of the 7 fools), main heroine (genius engineer), and the genius artist are just perfect. But for some, they're a little bit iffy from the personality that I've got their impression from the LN, like Iria (the owner of the mansion) for instance. Though, the voice would be 3+ and the BG music would boosted it to 7/10, by the addition of 4 more points. That being said, overall, my thoughts of the anime is a 4/10, since I prioritized enjoyment over anything else.
That being said, I would surely rate the LN between 8.5 to 9 out of 10 as an overall score. This LN adaption is just a disappointment since the author or the director, did took out almost all of Nishio’s strength in the LN, and decided to put his avant garde detective writing storyline to be animated only - basically experimental in a style of writing for Nishio Isin, since he didn’t spent much time on detective-like scenario on monogatari that much. However, he did created good detective-like story (in owarimonogatari) there because he had known the character for a long period of time, and he is pretty good with all of that supernatural-like theme genre. And the characters weren’t as pretentious as the ones introduced in this story.
%hat being said, if the anime did royally adapted and didn’t discarded more than 10% of the imperative dialogues in the LN; It would prolly be at least 10-13 episodes long for the totally of volume 1 (out of 14+) to be animated, but it would be super worth it for the monogatari fans or to those that like deep and thought provoking dialogues. Since most of the fan fanatics of Nishio Isin usually come for his characters and abit of the story, but especially, and mainly, the dialogues. Incidentally, dialogues in the monogatari series is like 50% of the reason that made the monogatari series so good. And pretty much, dialogues from geniuses, who wouldn’t want to see that from the perspective of Nishio Isin pretending to be them? Though like I said, they fucking discarded 90% of the dialogues because they cant turn it into a long running series like monogatari for some reason. And that greatly defeats Nishio's purpose of writing the story to begin with, and im refering to his inclination to bring in thought provoking discussion between characters, that actually did happen alot before shit went to shit with one of the cast getting head chopped.
And that’s y LN of zaregoto is 100% times better than the anime version.
Let's delves to the essay like paragraphs now, Nishio Isin is writing a story that do not tally with his purview of his prowess; that’s writing a story that has something to actually do with venturing through the lives of people with certain level of wisdom superiority than the MC (and the MC got involved), to which the MC grows, learns from the interactions and developed to a much stronger character at the very end of the story. This is one of his strength in the monogatari series.
They certainly did that in the LN, alot actually, but anime shown barely none. Basically, a story that has a very similar story structure, and is not so patently pretentious like the things you’d see (if you’ve watched it), or would’ve seen in Zaregoto. To make the anime less pretentious, it needs more of the Nishio’s strength in the writing, to complement the anime but it is already too late given that they had cleared vol 1 and 2 of the LN.
But the problem is really not just that, it’s the chosen genre that he chose to write, and that’s the crime and all of those detective like thingie. If you had seen Zaregoto, you would have looked at the given scenario with certain incredulous looks, like, “is this really a revelation?”, or, “Why did they ignore the obvious fact, I mean a person got locked in a room but is not proven to be the murder, wouldn’t the person be a victim to the actual murder?”, and “ if they’re a bunch of geniuses, especially the scholarly one, y did she not just solve the mystery when she’s like the 0.001% or something of the smartest person publically known on earth?”. That being said, his prowess of writing a story would be the enlightenment of philosophical dialogues, that make us thinks about things that you wouldn’t normally be thinking, even if it’s not applicable to most real life situation; coz neither would be discussed with other people, nor be use in anyway helpful; albeit held a lot of truths and most of it are crucial to bettering your logic and sophistication as a human being, such thing like: making out ambiguities and subtleties in speech or character, or fallacies, making it become a lot more apparent to which could make you wiser, as a person. Though, instead, he decided to bring in logical fallacies and big words to solving a mystery, at times grandiose, while others was shown to excused for a bad mysterious killing that turned out to be plain simple.
Digression aside, having 90% of the long but extremely critical dialogues from the LN excluded in the anime, the thing that actually made the story a lot more interesting, and complemented to the depth and profundity of each characters, actually destroyed the purpose of having 7 geniuses presented on the Island. Though, in this case, it would prolly be the 5 geniuses, since most important segment from the LN, dedicated to bettering the understanding of each geniuses had been put aside. I mean, what would you feel about a character that only had 3-5 minutes of time scenes, being heard talking for only about 3 minutes at most? I certainly would feel nothing if they, for inexplicable reason, promptly die even if they were part of the 7 geniuses on that remote island.
All of that being said, this type of genre is not compatible with the overall style of writing of Nishio’s, especially the monotonous tone and the bland displays of reactions when seeing a crime scene, or a dead corpse, for the first time in their life; especially with them being in between the age of 20 to 21+ mostly (definitely no senile character lul, geniuses are mostly young in anime), but seemly young for some, superficially at least. All of this doesn’t go especially well together with a detective-like, horror, mystery, and a story that having its main core attraction centered around being near dead bodies in a close proximity of a mansion.
Here is the differences between the LN vs the anime if you’ve got time to read it. Since it would actually be an essay if I I highly recommend this since this do show the level of profundity, and the 90% of the very interesting and important dialogues that got cut off in the anime. I only got like 5 volume (180+ pages per volume), all english translated, but it literally took me 2 months just to get to 60% of the LN. Not because there were alot of words, if you combine all the word from volume 1 it would prolly be around 90184 words and 498903 characters.
Albeit this is because most parts of the dialogues held so much profundity and many thought provoking words, for some that I disagreed or felt like a sophistry, to some that I agree and find it to be enlightening to read; the sophistry part would be something like seeing a genius, deemed and accredited to be the exceptionally more genius than the majority of scholars from the same organization who the world label them as geniuses as well (basically a genius amongst the geniuses) should not forget to include the factors to the statement or an analogy that they make, before making it out to be an apodictic truth. For instance, people will find love if you placed 100 people together. That alone could be too broad or unspecific to even make out of it to be 100% all the time. That alone neglected to factored culture, antithesis beliefs and personalities, the # of % of gender amongst the group, their sexual preferences, the specific time that they’re going to be together, how far apart their community is, whether there’s an activity where all 100 people would all be taking part with etc. If 100% of people are males who are all straight, you could inferred that those 100 people would not develop any sign of love.
BUT EITHER WAY, I FOKING DIGRESS. Check out 5 of the volumes of the light novels if you really do have an interest in these kind of philosophical, lengthy dialogic novels.
Light Novel adaptations have had something of a poor reputation over the past couple of years in anime. For every actually good one, there are 5-6 terrible highschool harems led by Yuji Everylead the Bland. But this upcoming Fall 2016 anime season looks like it might be the exception....maybe?