Senki Zesshou Symphogear GX

Symphogear GX

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Alternative Titles

Japanese: 戦姫絶唱シンフォギアGX
English: Symphogear GX
German: Symphogear GX
Spanish: Symphogear GX
French: Symphogear GX
More titles


Type: TV
Episodes: 13
Status: Finished Airing
Aired: Jul 4, 2015 to Sep 26, 2015
Premiered: Summer 2015
Broadcast: Saturdays at 03:10 (JST)
Licensors: Discotek Media
Studios: Satelight
Source: Original
Genres: ActionAction, Sci-FiSci-Fi
Themes: Idols (Female)Idols (Female), MusicMusic
Duration: 23 min. per ep.
Rating: PG-13 - Teens 13 or older


Score: 7.451 (scored by 2247622,476 users)
1 indicates a weighted score.
Ranked: #20352
2 based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.
Popularity: #3207
Members: 48,088
Favorites: 392

Available At


Streaming Platforms

Ranked #2035Popularity #3207Members 48,088
Add to My List
Episodes: /13


Following the events of Senki Zesshou Symphogear G, Hibiki Tachibana, Tsubasa Kazanari, and Chris Yukine continue to operate under the command of Genjuurou Kazanari. Meanwhile, Maria Cadenzavna Eve, Kirika Akatsuki, and Shirabe Tsukuyomi are taken into protective custody. With peace restored, everyone returns to their daily lives; however, the appearance of the alchemist Carol Malus Dienheim and her subordinates—the "Autoscorers"—threatens to draw everyone back into a conflict.

Armed with a strange and magical power, Carol wishes to initiate the apocalypse and bring destruction to the world... and she is willing to sacrifice everything to do so. Against this mysterious new foe, the six Symphogear wielders must rise to the challenge in order to protect what they hold dear. However, will Carol and her Autoscorers prove to be too much to handle in this fight to protect the fate of the world?

[Written by MAL Rewrite]

Characters & Voice Actors


Ono, Katsumi
Motoyama, Satoshi
Sound Director


Opening Theme

Apple Music
Amazon Music
Youtube Music
1: "Exterminate" by Nana Mizuki (eps 2-11)
2: "Rebirth-Day" by Ayahi Takagaki (eps 12)

Ending Theme

1: "Glorious Break" by Nana Mizuki (eps 1, 12)
2: "Rebirth-Day" by Ayahi Takagaki (eps 2-4, 6-11)
3: "BAYONET CHARGE" by Nana Mizuki, Ayahi Takagaki (eps 5)
4: "Nijiiro no Flügel (虹色のフリューゲル)" by Aoi Yuuki, Nana Mizuki, Ayahi Takagaki, Yoko Hikasa, Ai Kayano, Yoshino Nanjo, Minami Takayama (eps 13)

Episode Videos


Sep 26, 2015
Ah, Symphogear GX, a show that people may have forgotten by now. It’s one of the more underrated series this year and honestly not surprising. GX is the third season of the series’ trilogy that began from the original series. And by story standards, a lot has evolved since then. I’ll state the obvious for now. Watching the previous season is absolutely necessary as you will be completely lost if you come into GX fresh.

Hibiki and her friends are now much more experienced in using their technology while gaining respect for one another with as new friends. If you remember the events of the second ...
Jan 7, 2016
Mixed Feelings
I awaited this season eagerly, and was awarded with a pile of puss filled garbage compared to the rest of the series. I have enjoyed this show so much, with Symphogear G being one of the best action shows I have watched, but GX is so atrocious in comparison, I really wish I had not remembered it as of recent. It was a foot-dragging drudgery to go through this season, one that I could not recommend to even the most horrible of people.

This season has very little going for it, as few characters are introduced, and those that they re-use have already been developed quite ...
Jun 26, 2017
This season is a joke compared to the last two, hopefully the next season is better. No good fight scenes, bad characterization, wasted plotlines. Hibiki gets turned into a crybaby for no real reason. The villains are uninteresting this time around and for the first time in Symphogear, the final battle is crap. It has none of the tension the original or G had. Every plot twist is a massive asspull and comes out of nowhere. While thats normal for a show as campy as this one, GX takes it way too far. The subplot with Hibiki's father is overly forced and loses any of ...

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