Akuyaku Reijou Level 99: Watashi wa Ura-Boss desu ga Maou dewa Arimasen

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Alternative Titles

Japanese: 悪役令嬢レベル99 ～私は裏ボスですが魔王ではありません～

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Information

Type: TV

Episodes: 12

Status: Finished Airing

Aired: Jan 9, 2024 to Mar 26, 2024

Premiered: Winter 2024

Broadcast: Tuesdays at 23:30 (JST)

Producers: AT-X, Tokyo MX, BS11, Kadokawa

Licensors: None found, add some

Studios: Jumondo

Source: Light novel

Genre: Fantasy

Themes: Isekai, Reincarnation, School

Duration: 23 min. per ep.

Rating: PG-13 - Teens 13 or older

Statistics

Score: 7.14¹ (scored by 60,006 users)

¹ indicates a weighted score.

Ranked: #3678²

² based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.

Popularity: #1774

Members: 124,282

Favorites: 612

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7.14

Ranked #3678Popularity #1774Members 124,282

Episodes: /12

Synopsis

The beginning of Light Magic and the Hero, an otome RPG, unfolds fairly normally: the heroine, Alicia Ehnleit, meets her three love interests one after another and then inevitably comes face-to-face with the villainess. Yumiella Dolkness may be of noble descent, but her dark hair and rare dark-type magic—both associated with the Demon Lord—spark fear in anyone who sees her. When she is five years old, Yumiella regains memories of her previous life in modern Japan, also realizing that her fate is to become the hidden boss that appears after Alicia and her suitors defeat the Demon Lord.

Yumiella refuses to live as the game dictates and, as she prefers the game's fantasy elements over its romance, she decides to cultivate her magical skills and level up in secret. However, everything falls apart on the day of the Royal Academy's entrance ceremony. Yumiella's powers are measured at level 99—something thought impossible even for the royal knights, let alone a 15-year-old girl. With the royal family requesting her help, and everyone else insisting that she prove her strength, Yumiella realizes that her dream of a quiet life is no longer an option.

[Written by MAL Rewrite]

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Adaptation:

Akuyaku Reijou Level 99: Watashi wa Ura-Boss desu ga Maou dewa Arimasen

More characters

Characters & Voice Actors

Dolkness, Yumiella

Main

Fairouz Ai
Japanese

Ashbatten, Patrick

Supporting

Uchida, Yuuma
Japanese

Hillrose, Eleanora

Supporting

Hidaka, Rina
Japanese

Ehnleit, Alicia

Supporting

Waki, Azumi
Japanese

Rita

Supporting

Hasegawa, Ikumi
Japanese

Adolf

Supporting

Kawada, Shinji
Japanese

Maou

Supporting

Ono, Daisuke
Japanese

Ronald

Supporting

Furukawa, Makoto
Japanese

Monford, Jessica

Supporting

Inagaki, Konomi
Japanese

Linus

Supporting

Yamashita, Seiichirou
Japanese

More staff

Staff

Higashi, Mao

Producer

Iizuka, Aya

Producer

Nemoto, Yuuka

Producer

Kamata, Hajime

Producer

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Opening Theme

	1: "Ray of Light" by Hanatan (花たん) (eps 1)
	2: "LOVE or HATE?" by Mayu Maeshima (前島麻由) (eps 2-12)

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Ending Theme

	1: "LOVE or HATE?" by Mayu Maeshima (前島麻由) (eps 1)
	2: "Suki ga Levechi (好きがレベチ)" by Eleanora Hillrose (CV: Rina Hidaka), Yumiella Dolkness (CV: Fairouz Ai) (eps 2-11)
	3: "LOVE or HATE?" by Mayu Maeshima (前島麻由) (eps 12)

Reviews

Mar 26, 2024

KANLen09

Recommended

Villainess Level 99 - The smarts of a villainess, played like an actual Otome Game character who's nonchalant about its routes and goes on her own tune: I don't care (but deeply care), my way IS the correct way. *Pikachu face*

"Reinventing the wheel". This has been a phrase ongoing and about for just about any kind of source work needed to inject a fresh look into genres that with so many potential formulas, has become pretty much copy-and-paste ideas, which give a sour taste at the afterthought. This is pretty much true in all sorts of media, even the AniManga industry, and especially when new ... genres take flight and the potential is there, no matter how good or bad it is. For the Isekai genre, that is the Otome Game/Villainess theme, which has seen its share of highs and lows. This season, the Villainess theme is on a high, thanks to novelists Touko Amekawa's Loop 7-kaime a.k.a 7th Time Loop and this show: Satori Tanabata's only work that is Akuyaku Reijou Level 99: Watashi wa Ura-Boss desu ga Maou dewa Arimasen a.k.a Villainess Level 99: I May Be the Hidden Boss but I'm Not the Demon Lord.

"Acting like an Otome Game, but also breaking its fundamentals". I love how Villainess Level 99 just wants to make its viewers think they're on a traditional route, only to give a middle finger and subvert expectations soon thereafter. This is quite the common theme going into this show, which features its titular MC of Yumiella Dolkness who does the whole boring Isekai reincarnation shtick but remembers her roots of playing an Otome RPG, only that she's not the specified demon lord, but only a hidden boss that still stands in the way of its titular hero and her companions on the tried-and-true "We must defeat the Demon Lord" objective/goal. The thing is, her mindset of being dived into the game and living a peaceful life away from trouble, that is a problem on so many levels: her dark hair and dark magic which are considered vile by the kingdom and its inhabitants, and literally everyone will stand at least 10 feet away from her, even if she doesn't have any evil intentions. So then, she decides to level-grind for her entire childhood, only to realize that she's quite literally maxed out her character status at Level 99 once she reaches into school, breaking the expectations of her entire magic academy (since Level 10 is the highest expected). With the consequences laid out, Yumiella must now find her place within this "new" Otome Game plot, prepare everyone for the forthcoming of the Demon Lord and negate the preconceptions of her dark hair and magic. What a wrench into the "quiet and peaceful" life, for Yumiella has duties to do, all while trying to get along with the people around her.

"The gamer soul is fueled not for the main story, but on side quests". This is pretty much Yumiella's MO workaround when it comes to the traditional Otome Game story of "Light Magic and the Hero", where she has to now satisfy a lot of requirements to get back to her pre-programmed route, while hastening the background routes in the process.

Let's start with the assumed hero and her companions: Alicia Ehnleit is the Hero of the game, and obviously the anti-thesis of Yumiella due to her light magic. However, like the rest of the student body, she is assumed to be a max of Level 10 at best given her rare light magic, something which Yumiella finds concerning because of her fate to face the Demon Lord much later in the game. At first, both the hero and the villainess do not get along (which SHOULD be obvious) due to their disparities of light and darkness, and Alicia is left with the capture targets, the original love interests of the game, which now programmed with the fact that Yumiella has to basically rewind herself back to where she was within the game, it really is a distaste of proportions leaving her even more vulnerable to face the Demon Lord in the future.

Interestingly enough, where the capture targets are supposed to assist in the original game, the new timeline basically took them for scraps and made them very ignorant and selfish, separating both Alicia and Yumiella in their hopeful collaboration and constantly harassing the latter about faking her true level while smoothing relations with the former, which is the total opposite of what the usual Otome Game RPG will be like. Starting with Edwin Valschein, he's the second prince of the kingdom, and a magic swordsman with the affinity of all classical elements: fire, wind, earth and water. His two attendants are the magic prodigy of Oswald Grimsarde, which can handle all elements better than Edwin, as well as William Ares, a master swordsman. It's easy to refer to these 3 young upstanding but self-centered nobles as The Three Stooges, because they do have their reputation behind their names, though this is nothing but one word for Yumiella: catastrophe. Edwin is the least of faults since he only abuses Yumiella verbally, unlike both Oswald and William, where they strike at Yumiella physically, giving her a taste of their superiority complex. Of course, Yumiella doesn't mind, since all she has is her Level 99 skills and dark magic to speak for itself, which as the story progresses, made her more a viable target, but also a valuable comrade who is the only magic user who can face demons her size.

They say, "revenge is sweet", and this is none further placed than through Eleonora Hillrose, the daughter of her father Duke Hillrose, the leader of the noble faction. Everyone in the magic academy has a side they stand on, but this does not apply to Yumiella as the neutral party, and this causes said girl to pick on her to try her best to recruit Yumiella into her faction. Conversely, she is into Prince Edwin by the lovestruck and naivety of feels, but as is with the Three Stooges, she also has her clique to go by. Though this would turn out to be a false facade as they are also jealous of her upbringing and are willing to do anything to lose her standing with Edwin, which Yumiella has to come to her rescue due to the common interest and love for dragons, citing that she is far better than the "clique" she has, thereby earning her as a best friend.

"Dragons chomp people's heads for a greeting, as well as a romance subtext plotline between the unlikeliest of characters." Speaking of dragons and best friend, this subversion might just be the highlight of Villainess Level 99 as a whole. We all know Yumiella as the Hidden Boss but not a Demon Lord, and she has a loyal follower: Patrick Ashbatten. The son of a lord who's good at wind magic, he's the only one who didn't coward himself out of the fear of Yumiella's true Level 99 status. As the story progresses, Patrick trying to understand Yumiella's unusual and peculiar method of doing things that could result in the death of her and/or others, he just couldn't crack her head and thought process of everything she does, even becoming her caretaker in the process. Despite that, where the female Hero typically has her love interests, this time, EVEN the villainess ALSO has her love interest, though an obvious one-sided affair but with potential. The aloof Yumiella, who is intensely dedicated to her leveling-up craft, and yet have the Kuudere trouble of the terms of expression despite meaning well with her kind-heartedness, the one who holds no loyalty to kingdom politics nor family (who basically shunned her), as well as the confident Patrick, they're the rarest of couples, yet their banter makes the relationship work against all odds. Also, Ryu may be a dragon that Alicia is supposed to find during a game event, but Yumiella by hook or by crook, hacked that event and made it hers, nurturing it with dark magic, leading to its dark appearance just like her master. And like Yumiella, it too is regarded as a source of calamity, but it takes after her and is properly tamed and affectionate to everyone. But it's greeting of nonchalantly chomping heads can be seen as one of the many out-of-pocket gag comedy things in the show that is hilarious and trust me, it never gets old.

I've expected of this when it came to the production: studio Jumondou may be a fairly old studio being established right at the tail end of December 2009, and has recently started working primarily as a studio since Spring 2022's Kono Healer, Mendokusai a.k.a Don't Hurt Me, My Healer!. 2 years on, and I've come to accept that like last season's Potion-danomi de Ikinobimasu! a.k.a I Shall Survive Using Potions!, the studio has not one single prowess other than it being just like many B or C-tier studios out there. Regardless of past works, Villainess Level 99 being its 3rd main show, and I can finally say that Jumondou has hit its stride in adaptation quality. Yes, the usage of CGI is still terrible, however, with that said, this is easily the best effort that the studio has put out thus far. So, great job to director Minoru Yamaoka and the staff team for putting their best forth into this adaptation, especially to legendary series composer Fumihiko Shimo.

The one thing lacking about Villainess Level 99 is in the sound department. Granted, there isn't much, but what is here, still is decent to good in acceptability. The former singer of Myth & Roid, Mayu Maeshima, she may have her strengths for Re:Zero theme songs, and this show...is no different at all. Outside of Re:Zero, "Love or Hate?" is easily one of the best OP songs of the season with its dark-sounding blitz and power, and I love it to pieces. Yet another out-of-pocket moment, comes with the ED song with the pairing of Yumiella and Eleonora boasting about the love of their lives, I for sure as hell, did not expect the level of tenacity when it comes to professing romance, even going as far as to make it a song. Simply ingenious (though the song is rather meh).

"Expect the unexpected". That's all I'll say about Villainess Level 99, and it's such a while that I haven't been able to be entertained this much, let alone a sub-genre that in my opinion, has been mindlessly jacked up like its Isekai/fantasy genre counterpart. I'm truly impressed of what this anime brings to the table: unexpected things that work so beautifully with one another, yet is kept consistent, and definitely an Otome Game-based show that's worth endless recommendations.

If you want to be surprised, watch Villainess Level 99, I can guarantee confirm plus chop on it.

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Mar 27, 2024

PanzerIV-J

Mixed Feelings

Informative

"Villainess Level 99" should've been a masterpiece, but it turned out to be good instead.

Honestly, this series was really disappointing, and not in the way that it is overall bad, but it just felt like it had much more potential than what it concluded with...

What I mean is: Characters don't really have very much characterization, and the plot feels a bit skewed.

1. Characters don't really have very much characterization:
The entire plot tries to focus around the next hero's party, which makes sense why they would work towards that because the plot proclaims that the demon king will attack. The problem with this isn't the ...

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Mar 26, 2024

BadGuyBoog

Not Recommended

Funny

This show exemplifies a lot of things that have just been annoying me about anime, especially modern anime. First thing that is pretty inconsequential but actually pisses me off is the long and overly specific titles. It is a title, not a premise. Why couldn’t this just be called Villainess Level 99? That’s all we need. It tells us the main character and the premise of them being OP. If we want to know more we could read the synopsis or, I don’t know, watch the fucking show. This next complaint might just be a cultural difference but it is the utter unoriginality in anime. ... And what I mean by this is that there is an entire genre to “getting trapped in a otome video game as the villainess”. This is such an oddly specific concept and yet for some reason, there are countless anime and manga on it, each with just a tiny little caveat that makes it ‘unique’. That’s the extent of the creativity that goes into these shows. It’s the same thing except ‘she’s op in this one’ or, ‘she’s in love with the hero’. It’s the same damn thing. I have watched the first episode of every anime that came out this season and 90% of them were isekai or some fantasy world setting. I only finished 3 of those shows. Everything is just a tweaked version of the other. But the unoriginality doesn’t stop there. Because every anime is an adaptation of a manga. It’s a teaser saying to read the manga or for people who are just too lazy to read them. It’s a waste of an entire medium. Saying the show is unoriginal is not fair because actually, it’s the manga that’s unoriginal. On top of that, the premise of entering an otome game is unoriginal. It truly is just a self-insert. It’s looking at another person's work and saying “I would have done this if I was the character.” Every person thinks that and if you really want to see shit like that play out for whatever reason, go to Wattpad. Why are these actual studio productions? I feel like most manga now are just fanfictions. That’s why they are all power fantasies. It’s unoriginal and hinges on validating and playing out fantasies instead of actual compelling storytelling. This show is nothing. Every character is bland, it’s inoffensive, it’s predictable (it ended exactly as they said it would 3 episodes prior), it gave you the mindless rush of “yeah, show the people who doubt you!”, the cgi sucks dick and I’ll probably forget it exists by tomorrow. The only reason it’s so high is because it’s just inoffensive. I don’t hate it, I enjoyed parts of it. I don’t need to talk about specifics because of how unoriginal it is.

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Akuyaku Reijou Level 99: Watashi wa Ura-Boss desu ga Maou dewa Arimasen

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Dolkness, Yumiella

Ashbatten, Patrick

Hillrose, Eleanora

Ehnleit, Alicia

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Akuyaku Reijou Level 99: Watashi wa Ura-Boss desu ga Maou dewa Arimasen

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