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Total Recommendations: 240

If you liked
Kenpuu Denki Berserk
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...then you might like
Gungrave
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Note: The first episodes of both include villain 'SPOILERS' required for this recommendation. Read with caution if you know nothing~ ---- Both shows begin in a very similar manner, with teaser first episodes where monsters exist. Then, they jump into lengthy flashback arcs where there aren't monsters and political/gangster intrigue is focused on. Characterisation heavy excellence. The similarities don't end there: the most obvious similarity is the way two best friends' relationship worsens over the course of the story until the best of friends become the worst of enemies. Protagonists become antagonists. While not identical (Berserk is set during medieval times, where as Gungrave is about gangsters), the core themes are definitely similar enough for fans of one to like the other.

If you liked
Kenpuu Denki Berserk
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...then you might like
Devilman: Crybaby
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If the nightmare fuel, eclipse-esque monster designs and gore did not already make it clear that Berserk was inspired HEAVILY by Devilman, the last few episodes most certainly do... for entirely different reasons. Seriously: after finishing Crybaby, there can be little doubt over which work was most directly responsible when Miura came up with his own series. Thanks to Crybaby, I got to understand how Griffith came to be, as well as watching something quite special. Can't ask for much more than that, really: enjoyment and insight.

If you liked
Tiger & Bunny
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...then you might like
Samurai Flamenco
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Realistic superhero series; at least as far as focusing on the 'human' aspect goes. Idealistic heroism is contrasted with everyday life. Or, put another way, it's down-to-earth, as opposed to series like One Punch Man that indulge in their flashy over the topness. Tiger & Bunny is consistent and is what it says on the tin, where as Flamenco starts out purely as a parody before jumping the shark in dramatically low budget fashion. Ye be warned!

If you liked
Prison School
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Kakegurui
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Kakegurui is best described as the 'Gambling School' equivalent to Prison School. Femdom over the top absurdity with similar, liptastic art styles. Entertaining if you can forgive mostly self-aware silliness. Unfortunately tits & arse perversion are largely replaced by orgasmic-ahegho faces in Kakegurui, but heyho: tights do it for me. And that ending animation.

If you liked
Watashi ga Motenai no wa Dou Kangaetemo Omaera ga Warui!
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...then you might like
Himouto! Umaru-chan
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If you found Watamote to be too cringey and just wanted the laughs derived from a good-for-nothing sister pissing off her brother by being a lazy otaku, then look no more: Himouto is the cute-chibi spazzy answer to Watamote's black comedy despair.

If you liked
Ajin
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...then you might like
Inuyashiki
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Planes being used as weapons by unkillable sociopath villains that take bullets from armies of normal humans, then get back up and kill everyone shooting at them, no puks given. The same sort of entertaining craziness, in short.

If you liked
Tsumi to Batsu: A Falsified Romance
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Monte Cristo Hakushaku
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Manga adaptations of literary classics from the 1800's. The Count of Monte Cristo is faithful to the time period of the original, where as Crime & Punishment is a modern re-imagining. The core theme of both is punishment for prior actions, with Monte Cristo being driven by an intricate revenge plot and Crime being driven by a search for redemption after a plan backfires.

If you liked
Shin Angyo Onshi
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Monte Cristo Hakushaku
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An all-consuming need for vengeance after the leads lose their homeland, lover, and everything else due to the betrayal of friend(s); taking place many years later. Good deeds are mixed with seeking revenge. The Count of Monte Cristo is THE ultimate revenge saga, and the manga adaptation is surprisingly excellent given the short length compared to the novel.

If you liked
Higurashi no Naku Koro ni: Onikakushi-hen
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...then you might like
Ousama Game: Kigen
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Ousama Game: Kigen / Origin was clearly heavily inspired by Higurashi, and with thankfully very little to do with its rather comical prequel/original. Definitely read it if you liked anything about Higurashi, as it's by far the most similar series to it. Psychotic waifu included. Kigen is set during 1977. Higurashi, 1983. Both are set in rural, isolated villages where supernatural-esque, gruesome murders start occuring. Very atmospheric and immersive.

If you liked
Mirai Nikki (TV)
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...then you might like
Ousama Game The Animation
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Mobile phones get used as tools of survival game warfare, whilst characters act stupid and die/suicide for 'so bad, it's kinda good?' entertainment purposes. This is why I don't have a phone. Ousama Game has Light Yagami's voice; Mirai Nikki has cute waifu yandere Yuno. Make your choice wisely. Mirai Nikki also has a budget.

If you liked
Fate/Zero
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...then you might like
Juuni Taisen
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If you like the idea of Battle Royale showdowns involving magic and supernatural powers, then GET READY... for 20-minutes of exposition/waffling, followed by maybe 30-seconds of action. Yeeeeee-haw!

If you liked
Hitsuji no Uta
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Happiness
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If characters being vampires / lusting for blood presented as a drama with a subdued sexualised edge is your cup of tea, read Lament of the Lamb whilst waiting for Happiness. LotL has more of an emphasis on family, with a strong incestous edge. The mood, with a dark undercurrent and sexual tension, that both authors are able to create without doing anything outlandish is very similar and perhaps unique to them.

If you liked
Bokurano
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...then you might like
Ikigami
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Whilst Bokurano goes in a sci-fi / mecha direction, where as Ikigami has an alternate universe totalitarian Japan setting, the approach these two take is equally grim and different. Characters are introduced, get their own 3+ chapter mini-arcs and then - after being fully developed - die. There is an overaching narrative in both (more so in Bokurano) that ties everything together but the cycle of characterisation>death remains throughout.

If you liked
Fantastic Children
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Boku no Chikyuu wo Mamotte
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The stories of Fantastic Children and Please Save My Earth involve reincarnations attempting to make amends for their past sins. And love is an important aspect of both. Fantastic Children cannot compare to the depth of Please Save My Earth's characters, but it's still an excellent series, regardless. Just make sure you don't judge it based on its sluggish first half - its story only truly getting going in the absorbing last half of its story.

If you liked
Gankutsuou
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91 Days
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Aside from these series being stories of revenge against three people that ruined the lives of the respective lead characters, there does not initially appear to be too much linking the two: 91 Days involves 1920's American gangsters, where as Gankutsuou is a multi-layered 'dish best served cold' saga involving French noblemen. But, by the end, the 91 Days scheme for vengeance turns out to be more complex than it first appeared... So, read the words of Edmond Dantes and understand: "Bide your time and hold out hope." Also, watch Gankutsuou. Now.

If you liked
Toki wo Kakeru Shoujo
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Kimi no Na wa.
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Instead of being reminded of Shinkai's other FAR more melancholic/sappy offerings, watching Your Name reminded me very much of The Girl Who Leapt Through Time in tone and direction. They begin as something akin to 'supernatural sit-coms' where a supernatural element is inserted into the daily lives of high school kids and fun silliness ensues. They do later switch their emphasis to drama but there's never an overwhelming sense of despair. There's also a spoilerific aspect that links Your Name with TGWLTT... but, yeah: SPOILERS.

If you liked
Kono Subarashii Sekai ni Shukufuku wo!
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Re:Zero kara Hajimeru Isekai Seikatsu
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Re:Zero and KonoSuba take the same 'NEET transported to a medieval-fantasy' premise and go in differing directions... yet still somehow end up with their respective leads in mental anguish of varying extremes due to harem-related woe. Re:Zero has its lead die over and over and over and over and over again trying to save the girls he encounters in his new world. KonoSuba also has its lead die from time to time... due to his moronic (yet lovable) band of misfit female party members that make him want to punch himself/them in the face. One is a drama. The other is a comedy. But both will most likely appeal to one that the likes the other. This is because, via equivalent exchange, they give what the other cannot.

If you liked
Junketsu no Maria
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Shuumatsu no Izetta
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Very similar, VERY underrated series about a sort of fictional culture clash between the existence of witches and warfare. Maria is set during the medieval period and Izetta during World War 2 but, other than that, the almost anti-war theme explored by a scantily clad witch trying to attain peace using her powers links the two series closely. Maria is the darker and more graphic of the two, though. If you can overlook middling budgets and some pandering in terms of boobs/skimpy attire/light yuri then you're in for a treat 'cause there's nothing else quite like these two underappreciated gems.

If you liked
Senjou no Valkyria
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Shuumatsu no Izetta
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To mine eyes, Izetta is a love child of the game Valkyria Chronicles and Virgin Witch Maria. Valk Chron's alternate history World War 2 setting paired with a near extinct supernatural race/power and Maria's attempting to prevent/end a war as a witch with magic. I strongly recommend everyone go play Valk Chron (unless you can handle the cheap art style + love triangle added to the anime!) and more people give Izetta a chance; overlooking the light yuri/boobing in the middle. That is all.

If you liked
Umibe no Onnanoko
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Aku no Hana
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Girl on the Shore is like a FAR more sexualised/smutty companion piece to Aku Hana. The same intoxicating, utterly depressive vibe as kids at school enter into manipulative relationships as a depressing, suicidal tone permeates everything. Kids dealing with sex and fetishes more casually, in contrast with the purepure 'first kissu' approach of practically every other manga/anime.

If you liked
Darker than Black: Kuro no Keiyakusha
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Dimension W
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The author of Dimension W was the character designer for Darker than BLACK, and this little fact seems to explain why there are so many striking similarities between the two series: DW is probably best described as the author's very own edited version of DtB. Firstly, there is DW's dead-eyed, knife-rope badarse lead with an initially mysterious past as a soldier in a fictional war; currently finding himself working as something of a jack of all trades mercenary. Then there is the main plot involving a largely unexplained supernatural phenomenon that allows for all kinds of episodicness, such as even a ghost murder mystery story. So far, I would describe DW as 'Brighter than BLACK' and something of a slightly inferior series to DtB that fans of it will still enjoy regardless.

If you liked
Blue Gender
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...then you might like
Shingeki no Kyojin
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Blue Gender is the largely unknown AND under-appreciated survival gem that came LONG before the fall of Wall Maria. The grim, 'horror' tone so rarely seen in anime as characters are introduced only to be killed off without mercy (initially, in Attack on Titan) is present in both. BG has VERY little pandering, whilst AoT was influenced by shounen tropes. The most obvious similarity is the heroines of the two: Mikasa from AoT and Marlene from BG are both stoical killing machines that are shown to have softer sides via romantic feelings for the respective male leads. The most striking similarity visually is how the bugs squash humans they kill into small, horrifying balls--just like how the undigested corpses in AoT look. Near identical, actually. Gigantic bugs are the threat to humanity in BG. And, king of the obvious: titans in Attack on Titan. AoT has a 'base defense' premise involving defending huge walls in an unclear past/alternate history setting, where as Blue Gender is an 'episodic road-trip' series centered around the lead duo attempting to escape from a modern, post-apocalyptic Earth. So, different types of survival desperation, linked mainly by the whole death-filled despair thing. Not many happy faces to be seen in either.

If you liked
Blue Gender
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...then you might like
Ibara no Ou
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Hypothetically, if I were ever to be cryogenically frozen in the hope of people from the future coming up with a cure for a fictional, incurable disease, I would feel a tad concerned. Why? Because anime has taught me that whenever a character does so, they wake up at some undetermined date with the apocalypse seemingly having occurred whilst sleeping - with the character forgotten - and there being very angry, man-eating creatures prowling around. As well as healthy plant overgrowth. I would opt to go back to sleep until the world unbuggers itself, personally. The above is the premise of both series, by the way: survival horror after awakening from a very long dream, only to find there are few humans left and a whole lotta monsters.

If you liked
Kyoushoku Soukou Guyver (2005)
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...then you might like
Zetman
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Guyver was heavily influential for Zetman. Dark superhero series with similar premises and character dynamics; a fan of one is likely to enjoy the other. The plots of the two revolve around powerful corporations responsible for the creation of monsters with the ability to disguise themselves as humans. Rivals of the leads in both are sons (adopted in Guyver) of the heads of the corporations and share hero/anti-hero relationships. And, of course, in both series full-body combat suits are used against the monsters.

If you liked
Muv-Luv Alternative: Total Eclipse
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Shingeki no Kyojin
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The author of Attack on Titan, Hajime Isayama, said the following in an interview: "My earliest inspiration was the adult game Muv-Luv Alternative, in which aliens invade and humankind is on the brink of annihilation." Total Eclipse is a spin-off of what Isayama is referring to, but the influence was blatantly obvious in episode two: a cast of characters were introduced and then brutally killed off in quick succession; one being eaten in gruesome fashion in front of a despairing friend. HOWEVER, later the series goes 'full harem' and there is very little additional alien bug slaughter. In contrast to Shingeki, it does NOT convince as a survival series, overall. At all. In any event: the settings differ, and the enemy of mankind are creepy-bugs-with-mouths rather than titans, but the execution of the start was still much too similar to overlook. But, unfortunately, that is where the similarities start and end.

If you liked
Blue Gender
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...then you might like
Muv-Luv Alternative: Total Eclipse
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Blue Gender is best described as a MUCH more serious/gritty, FAR less fan service-y equivalent to Muv Luv. Where as Muv Luv's origin lies in visual novels and is full of haremish rom-com pandering NO, Blue Gender is simply an anime original, very grim post-apocalyptic survival series. Just watch Blue Gender unless you like 'bait & switch' harem fluff. Alien bugs have overrun Earth and robots are used to fight them in desperate battles. Expect to see brutal, graphic deaths. The two also share male/female lead duo romance subplots: Blue Gender treats sex casually, whilst Muv Luv focuses on... blushing wuv.

If you liked
Ore no Imouto ga Konnani Kawaii Wake ga Nai
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...then you might like
Gate: Jieitai Kanochi nite, Kaku Tatakaeri
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Kuroneko fans, rejoice: your waifu may be no match for incest but in Gate her more sadistic, raunchy clone returns to anime and is seemingly determined to kill men with a huge axe. Hell hath no fury like a woman scorned?... In all seriousness: I refuse to believe Rory Mercury from Gate is not based on Kuroneko from OreImo. THEY EVEN HAVE THE SAME NAME: Rory / Ruri! To be more precise, Kuroneko from OreImo looks and acts like Rory whenever she is cosplaying as a 'GothLoli'; complete with a haughty / condescending-but-playful persona. All Ruri would have to do is cosplay as her namesake from Gate and, BOOM: samesame.

If you liked
Elf wo Karu Mono-tachi
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...then you might like
Gate: Jieitai Kanochi nite, Kaku Tatakaeri
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Gate is best described as something akin to the spiritual successor of 'Those Who Hunt Elves'. People from modern Japan find themselves in medieval fantasy land... and they come equipped with guns and tanks! TWHE is more small-scale in terms of scope since there are only three characters that travel to a new world; armed with only one tank. And the plot is simply 'strip elves so we can get back to our world!'. Gate, on the other hand, is a modern vs. medieval culture clash series, complete with humvees, tanks, helicopters, mortars, etc being used in battles against a less advanced civilization. Both series are basically comedies, though--it's just Gate has a more serious underbelly than TWHE.

If you liked
Musekinin Kanchou Tylor
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...then you might like
Gate: Jieitai Kanochi nite, Kaku Tatakaeri
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The Irresponsible Captain Tylor's warfare is of the intergalactic variety, where as Gate's is a mixture of modern / medieval fantasy. But what links the two is the manner in which slacker main characters unwittingly find themselves promoted in the military and in charge of others after actions they themselves did not perceive to be that much of a big deal. And how they then proceed to become increasingly famous as heroes... despite having little to no motivation! The tone of the two series is also very similar: comedies with a harem-ish edge. Gate is more otaku pandering in this regard, but Tylor also has females lust after its lovably idiotic titular lead as they join his misfit crew; which is also true of Gate.

If you liked
Akatsuki no Yona
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...then you might like
Akagami no Shirayuki-hime
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Whilst the similarities between the two are largely superficial, the short gap between their airing dates and period piece shoujo anime (complete with princes and sword fights) revolving around red-headed heroines not being terribly common still makes this recommendation obvious. Even without mentioning the cutting of hair. What is most striking about the two is the very similar yet contrasting approaches of their adaptations. Akatsuki has a vibrant Korean period piece design, complete with an 'Ancient Asia' classical-style soundtrack. The world-building is also strong. Akagami has something of a medieval Europe design with a 'fairy-tale' bright colour palette and a 'magical' classical-style soundtrack. Both series absorb the viewer into the atmosphere created by the combination of period piece design and music. The plots do differ considerably, though: Akatsuki is built around a princess being betrayed and is revenge-driven as a man/dragon-harem gathers to protect her. Akagami, meanwhile, is a more relaxing 'red-headed herbalist girl x prince' series, with some action but that not being the main focus.

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