Option 3
Now one of the biggest problems with these three short to mid length movies is just that, they're short to mid length movies. Let me explain in some more detail, specifically talking about each segment as it's own thing:
Magnetic Rose is the one with the most potential of the three, it's the only one with actual characters with distinct personalities, the only one that aims for drama and the only one that tries to achieve a meaningful ending for those characters, rather than Stink Bomb who aims for a comedic ending and Cannon Fodder who aims for an ending to that world.
The reason that this movie doesn't work is that it doesn't have enough space for it in this movie, for it having to share space with the other two segments. It can't explore it's characters nor it's back stories to their deepest degrees, and so they become sorta flat, their personalities defined through blink and you miss it lines or scenes.
The story becomes rushed and confusing, and the ending ends up not hiting you personally because you're not invested in the plot enough. Which is quite a shame, for the art is extremely refreshing and original and the music is just amazing, really wish this was a full feature film.
Or maybe I'm wrong, people seen to love it anyway, maybe I'm not posh enough for it.
Stink Bomb is by far the worst offender. In a movie made of three segments, two of each are artistic, original and at times thought provoking, the third one is an absurd, ridiculous and action packed comedic movie, that tries to make you laugh through it's extremely dumb protagonist, so much that he becomes annoying, and through it's insane situations...it succeeds at neither, and it is the sole reason I am giving this movie an Overhyped Rating.
What's even more jarring is that is placed between the two other segments, creating one of the biggest effects of dissonance I have ever seen, and I am not meaning that in a good way. It's also way longer than it needed to be, as the joke runs flat in less than a third of it's actual run.
Cannon Fodder is the shortest segment of them all, and the one that works the most. It was the one that was directed by Katsuhiro Otomo himself, after all. Animated entirely without scene cuts, this short uses it's unique, almost cartoonish art style to show us a world of decay and war, where everything is built around war.
Since it's focus is on the world rather than plot or characters, it can use it's short length to it's fullest advantages, as what it is actually showing is an simple and irrelevant day in the characters, if we can call them that, lifes. But every minute of this does not waste time, and expands this world wherever it cans. It achieves a specifically meaningful and even at times thought provoking experience.
Thought, granted, it's nothing amazing. It isn't a revolutionary piece of cinema like Otomo's own Akira, for example, the themes shown here aren't anything new, just done in an peculiar way, and even being the best directed of all the segments, it's still not all that engaging.
Or maybe it is, and the real problem is that it's the last segment, being show specifically after the execrable Stink Bomb. |