In the year 2199, Earth faces its greatest crisis. Due to unrelenting bombings by the alien race known as "Gamilas," the planet can no longer sustain its inhabitants. In exactly one year, humanity is set to become extinct.
In desperation, the people of Earth establish the Earth Defense Force, their last defense against the power-hungry Gamilas Empire. However, humanity finds a glimmer of hope after receiving a message from the mysterious planet Iscandar, which offers them a device that would restore Earth to its former glory. With salvation in sight, the Earth Defense Force calls on the prolific Space Battleship Yamato and swiftly assembles a crew to make the 148,000 light-year trek to Iscandar and receive their aid.
Among the crew are young officers Susumu Kodai and Daisuke Shima, along with several other newly promoted leaders, all under the command of the distinguished Captain Juuzou Okita. Forced to learn how to handle the ship's innovative technology while dealing with the onslaught of Gamilas fleets, the inexperienced cast of Uchuu Senkan Yamato 2199 must summon every inch of their resolve to survive the many hardships aboard the Yamato and complete their mission: to save humanity before it's too late.
The series will be sold in the same theaters that show the Yamato movies on the same days, i.e. a simultaneous release.
The first two episodes of the TV series (which is the same as the OVA series) were pre-aired on the Family Gekijou able and satellite channel on 6th and 7th of April, 2012. The rest of the episodes will be aired on MBS & TBS beginning April 7, 2013.
#1: "Hoshi ga Eien wo Terashiteru (星が永遠を照らしてる)" by Aira Yuuki (eps 1-2) #2: "Utsukushii Chikyuu wo Shiru Mono yo (美しい地球を知る者よ)" by Aki Misato (eps 3-6) #3: "Makka na Scarf (真赤なスカーフ)" by Isao Sasaki (eps 7-10) #4: "Kioku no Hikari (記憶の光)" by KOKIA (eps 11-14) #5: "Yosoro ~Hoshi no Umi wo Koete~ (ヨーソロー ～星の海を越えて～)" by Hironobu Kageyama (eps 15-18) #6: "R.I.P~Tomo yo Shizuka ni Nemure~ (R.I.P～友よ静かに眠れ～)" by JAM Project (eps 19-22) #7: "Ai no Hoshi (愛の星)" by Nana Mizuki #R1: "Ai Kotoba (愛詞)" by Mika Nakashima (TV) #R2: "Best of my Love" by Rei Yasuda (安田レイ) (TV) #R3: "Distance" by JUJU (TV)
Most of you may know that Space Battleship Yamato 2199 is a remake of the 1970's space opera by the same name (bar the 2199). If one were to make a comparison of its significance to its importance of the genre, it is basically the Star Wars of Japan - the series that one would point to as a culturally significant moment in entertainment and the rise of the genre itself.
In recent times, one becomes wary when they hear the word 'remake' or 'reboot'. Audiences have reluctantly witnessed so many beloved series, stories and characters get butchered in misguided and unnecessary attempts to be recreated.
Thankfully, I am happy to say that Yamato's 21st century rebirth is done faithfully, respectfully, and masterfully.
First, there is the story (9/10). Yamato's story is timeless - the people of Earth are fighting back against an alien threat to bring their planet to slavery or extinction. Humanity's last hope lies in the battleship Yamato, its crew, and a mysterious technology brought to mankind from a distant alien race of people called Iscandarians. Their destination - lightyears away, on the planet of Iscandar. In their path lie many obstacles, and every one a piece of the story and the puzzle. In this respect, Yamato's story is not difficult to understand, and is something you can appreciate at any age in any time. There are many developments and nuances that shape the story beyond its simple premise as the show develops, however. For the most part, it faithfully follows the original plot, and while I can't comment on specifics, I know enough to say that with confidence. It is not overly complicated or complex - there are also many things that are left to the imagination for the sake of not boring the audience. If you accept them for what they are and don't complicate them, it is, for the most part, flawless. This is, after all, a fictional universe.
Now for the art (10/10). There has been some fuss over the stylistic changes from the original Leiji style of Yamato to the remake. However, I find them to be a perfect blend of the retro style and modern style - which still brings an incredibly refreshing artistic flair to Yamato that isn't seen anywhere today. Even if one were to miss the original style, I think it would be impossible to truly recreate it exactly unless you had all the original animation staff, and that is too much to ask for a 40-year old series. Nobuteru did an excellent job of revisiting the style of Leiji and bringing it to a modern audience.
The animation is absolutely stunning. It's quite obvious there was a high budget for the series, and they use it in all the right places. Let's be honest - in the 70's, many of the technical challenges that came with animating epic, large-scale space battles were difficult to tackle with the technology of the time. While many are impressive, it's easy to see where they struggled to achieve their true vision. In 2199, the ships are 3D models, and CGI comes heavily into play during battle scenes. There was a time that this spelled bad news for mixing with 2D animation, when CGI suffered from a "video game cutscene" syndrome. But with today's technology, 2199's CGI is absolutely stunning, and blends beautifully with the show and the backgrounds. Every ship is masterfully crafted and detailed, and every nuance of the ships and the weaponry is nothing short of perfection. The excitement of every battle scene leaves you speechless. Fans of spaceships, fighter jets and miscellaneous mechanical things will be filled with nothing but glee.
The character and 2D animation is equally as important, and is treated that way. There's a lot of expressiveness in every character, and it shows. There's a bit of fanservice and moe here and there, but nothing overdone. Yamato takes itself seriously when it has to, but it also has a bit of fun when it's appropriate.
The music and sfx (10/10) adds another layer of immersion to the world of Yamato. The soundtrack is a lot of re-recordings of original Yamato tracks, with that 1970's sci-fi trumpets and backing vocals that many may remember fondly. If not, it's something that you hear very rarely these days, and is absolutely perfect for this series. It's enough that the opening is one of those songs you just can't skip - the rest of the soundtrack is equally inspiring.
The sound effects, voices and ambiance is also well done. My favorite bits are definitely the sounds of the ships and the weapons during battle. There's nothing quite like hearing a flurry of lasers, rockets and explosions - and of course, the awe-inspiring Wave Motion Gun.
The characters (9/10) of Yamato are stunning examples of common archetypes. There are brave heroes, loyal comrades, tragic villains, and everything in between. There is a very large cast of Yamato, so I won't dive into every character, but while many characters may seem stereotypical at first glance, Yamato never attempts to clearly define the difference between good and evil - at times, you will sympathize with the enemy, and you will question the motives of the heroes. It's one of those important aspects that helps separate the wheat from the chaff in this aspect. Still, there is a very classical story at hand, and with it come classic characters. But they are not as hollow and predictable as one more cynical may come to believe.
Overall, there is not much more to say. I gave enjoyment a 10/10 because I always found myself looking forward to the next episode of Yamato - and when they came (the waits were quite long for those following the series release), they were over so soon because I enjoyed every moment.
It is quite clear that the creators of Yamato 2199 had great respect for the source material and made every effort to craft a remake worthy of the name Uchuu Senkan Yamato. And in every aspect I would say they succeeded, and brought a story that deserves to be retold to a new era, taking advantage of the tools they have today that its original creators did not to remake Yamato in its full glory. And although the eye-candy visuals of space warfare are a spectacle in their own right, Yamato 2199 never loses sight of the story it is trying to tell and the cast that we want to root for, which is where many remakes of this era falter.
This is a very rare and important piece of animation history - one that I believe deserves to be viewed and appreciated by everyone. I would recommend this series to absolutely anyone, even if they are not fans of sci-fi. If you want an example of a remake done right - this is it.read more
Note: This is a remake of the classic Battle Ship Yamato by Leiji Matsumoto which is one of the most revolutionary anime.
Space Operas are very rare now a days in the anime industry. Just as the quality of mecha anime and it's audience has been downgrading and declining in favor of slice-of-life, ecchi and harem genres, space operas were always being overlooked at. After almost at least 40 years, one of the space opera classic during the 70's was given a chance to have a remake in order to introduce the series and gain a wider audience in today's anime community. But does the show itself succeed? Let's check it out:
Just as the title implies, the show is set during year 2199 and the once blue, green and thriving with life planet earth has been reduced to a radioactive wasteland because of the Garmillas aliens which forced the remaining population to hide underground. However, a friendly alien race from the planet Iscandar contacts the human race and gives them blue prints to build a powerful space battleship capable of retrieving a device to clean planet earth before humanity disappears. As they resurrect the long sunken ship yamato, they then applies the alien technology that they got from a messenger that came from Iscandar, transforming it into one of the most epic and greatest ship that will venture through the sea of stars to save their home planet. Enter Space Battle Ship Yamato.
Now i know most of you will think that the premise is pretty similar to Macross but the latter was aired during the 80's specifically after the success of an another behemoth called Gundam while the original Yamato was aired during the 70's. So therefore Yamato was the one who influence Macross. As i already said from the synopsis, this is a light years journey to Iscandar from planet earth and it will take a year in order to get through Iscandar and they also must retrieve the device in immediately before planet earth is forever doomed. As such we will encounter many kinds of phenomenon and typical issues from this long journeys such as trust issues, food shortage and of course battling their enemies, the Garmillans as they opposed the ship to reach Iscandar. Tactics to fend off enemies were heavily used and while the tactics many not be that good as LoGH, it still managed to give the feeling of unpredictability of the battles, plausibility of the tactics that were used and you will always be in the edge of your seat with the epic space batles that were occurring in your screen and backing it by great animation and intense old school soundtrack. The series also dealt with mature themes such as racism, genocide and politics. There is also fanservice in this series. Oh, i didn't mention that? But don't worry the fanservice in this series is not like in your ecchi show where it's distracting. The fanservice actually have some subtility. For the most part.
The characters were no slouch either. They were interesting and likable for the most part and the character interactions were well-written and probably the main forte of the characterization of the show. The way the Yamato crew interact is just fun to watch. Oh sure there are some characters like our main protagonist, Susumu Kodai who sometimes acts like an angsty teen and some characters do too but they don't exaggerate to the point that it become annoying. They still act accordingly to the situation and maturely to many situations. Many of the stuff that happens throughout their journey have challenged the Yamato's crew beliefs about the war and this anime is also not entirely black and white where humans are automatically good, and the garmillians are automatically bad. There are both good and bad people from each side and some good and bad decisions and deeds that both the Humans and Garmillians have made. Okay, maybe i'm saying the obvious but it's still worth pointing that out. The female cast are also strong individuals for the most part so don't worry about some very useless ass female characters that you mostly see.
Overall, the story is great and the characters were interesting, likable and fun to watch to. If there are criticisms that i would give is that there are some more potential that the series overlooked. With a good world building that the show created, that show could have last in more than just 26 episodes and that is why some scenes in the series felt rushed, some characters are really lacking for being fleshed out and development, and there are some very questionable decisions during the end BUT it didn't really detract for my own personal enjoyment. The original Yamato is also only 26 episodes and most people would rage quit to a series which is over 30+ episodes anyway so 26 episodes is still fine as it's still be able to tell a great story in a series which the scale and world building is pretty big.
The studios that brought to us the animation are studio Xebec and AIC. The animation, the crisp of the characters and design, heck even the CGI are just fucking stunning and beautiful. Although some might say differ about the CGI but i didn't really find any problem with it as it really works perfectly to the scenery of the series and the CGI only made the battles more epic and engaging. The director is Yutaka Izubuchi who is known for directing and creating RahXephon. He was also responsible for the character designs of Gundam Wing. Hideaki Anno worked on the story board. If you didn't know who he is then you're probably living in a cave. Akihiro Enomoto whom have worked as the key animator in Char's counterattack also worked on this anime. Anybody here whom have watched Char's counterattack knows that the battles there were simply one of the best mecha battle and the animation was just absolutely gorgeous. Akihiro also brought his forte into this series as the key animator in most episodes so therefore the battle scenes, as i mentioned before, were engaging, terrific and epic like Char's counterattack. It feels like real space ships are really battling it out. As most of the budget were used in the CGI and the battles, the character movements felt really poor in many episodes but you know what? Most of the episodes they spend were sitting in the ship anyway. Just trying to point that out.
Catchy and old school. Seriously, the opening song and the first ending song were retro songs during anime of 70's but it really fits perfectly well during the series(There are several different versions of the opening. The first opening is the classic version while the other version is still the same only much more modernized). I really appreciate how they decided to bring a retro song as an opening to a modern remake now it's stuck to my head and i can't stop humming it whenever i'm taking a shit or taking a shower. The OSTs that was used were also very catchy and old school but still felt intense during the battle scenes. The voice acting is also very well done. Ono Daisuke as the voice of Susumu Kodai who also voiced Sebastian from Black Butler, Kuwashima Houko as the main heroine, Mori Yuki who also voiced Tomoyo Sakagami(Clannad) and Clare(Claymore), Yamadera Kouchi as the main antagonist, Lord Desler who also voiced Spike Spiegel from Cowboy bebop, Otsuka Houchuu as Shiro Sanda who also voiced Jiraiya from Naruto and other famous VA's. Aside from the the opening songs, the OST's while catchy doesn't really warrant to be listen on it's own which kinda of a shame.
After watching LoGH and this, i am now craving for more space operas. This anime has many things that i could hope for. Engaging story, fun and interesting characters, beautiful ladies, epic and compelling space battles with great animation and a satisfying ending. It's really a shame that despite being a remake of a classic with great animation, anime like these is still being overlooked at the anime community today. Hopefully in the future, more anime fans would be able to watch this series and this is one of the primary reasons why i'm doing this review right now. Whether you think this anime is great or not is still up to you of course but if you find this review helpful(which i doubt) and decided to watch the anime and think the anime is good, then please do recommend this to your friends. Then maybe there is hope for more space operas in the anime industry and for this sub-genre to completely not die in the anime realm. Well, it really won't because of LoGH(Although there is also only a handful of people who have watched this) but you get my point anyway.
Story: 9/10 - Epic and engaging journey to save planet earth.
Characters: 8/10 - A great cast and fun characters to watch to. Character development is there but lacking a bit due to the length of the show but characterization is solid.
Animation: 9/10 - It's Fluid in the battles and the CGI is good.
Sound: 8/10 - Nostalgic old school music and soundtrack.
Enjoyment: 10/10 - Never failed to entertain me and didn't make me bored while marathoning the whole thing.
Final Verdict: 9/10 - Amazing anime and a great space opera.read more
To be called “The Star Wars of Japan” you must be doing something oh so right. “Space Battleship Yamato (1974- 1975) was labeled as such. It’s a show so imbedded in popular culture that I had even heard of it. This was long before even watching my very first anime (To me known as “Star Blazers” for US). It was truly the show of an age. Now fast forward to April, 7th, 2012, an OVA remake of the beloved classic begins its air time. The final question of fans was. Will it live up to the original? Or disappoint us as much as the 2010 live action movie? Fans were treading carefully, hoping with all their hearts for a good adaptation (unlike many other shows of late). They looked for a great modern re- vamp; both in the visual and sound departments….. and that my friends is just what we got.
The premise of “Space Battleship Yamato 2199” is a simple one.” An interstellar war against a mysterious Alien race known as “Gamilians” (who btw toooottaaallly aren’t alluding to Romans) has Humanity near extinction and the earth nearly uninhabitable in the course of 8 years. Humanity has given a valiant effort, but is not on par with their enemy. Who by the way has shielding technology and interstellar flight. But, there is hope, another alien race known as Iscanderians (the totally not alluding to Greeks people) give them the power to arm one ship with their ultra advanced technology. They must now seek out Iscander and gain a device know as the cosmos reverse system to save the Earth. This mission is then dubbed “The Yamato Project” and our noble crew heads out. The Majority of the show is the crew of the aforementioned super ship “Yamato” heading out to Iscander, while encountering harsh resistance by their Gamilian foes. The show does develop as it goes on. There are a few twists and we get to learn all the races motives and reasons. Still it’s not a very complicated show; which in a way is where its charm lies. It’s very much akin to well “Star Wars”. It’s an enjoyable show with very stereotypical, but well developed characters. Its key level of enjoyment comes from the premise. The one ship vs the galaxy, and wits win the battles. It feels during these times much like an episode of “Star Trek”. There are great moments of tactical fun in almost every battle. They usually survive by using some tactical hat trick. It’s the quick thinking, and patch work of the crew that make this show truly a gem. Its great scale, its fun battles, its tense moments make for an overall fun and well written plot that eventually ends in satisfaction; it’s just a treat to enjoy. (9/10)
The animation was handled by “Xebec” studios, which is a sub division of production I.G. I really cannot say anything bad about the animation. It just seems neigh perfect. Great effort was put into recreating the feel of the show. It did not use the original style, but went for a modern approach. It used CGI for ship battles, and normal safe, but detailed animation for everything else. All is just great. The CGI is some of the best I’ve seen in anime (though not U.S Tier CGI, cus America loves the stuff). It provides some AMMMMAZZZZZINNNG space battles. The animation is well done and details from the original show are kept correct. Not really many flaws in sight (that is unless you don’t like CGI) (9/10)
Music was Handled by Miyagawa, Akira, who’s probably most well know work is… Kirby Right Back at Ya. What I will say he brought in the right people for the job (as the compositions were handled by various artists). The openings were both well done. The first is a rescored/ revamped version of the original. The 2nd a modern original Op made by “UVER world” dubbed, “Fight for Liberty”. Both the ending themes were also done well, and both present a classic and gentle tune to the show. The Osts though truly shine. Every Ost fits the moment, from sad, to happy and just plain epic. One of my personal favorites of the Ost’s in the show is the main theme. The main theme is a sea shanty rehash of the 1st opening that sets the tone for most of the battles. It’s simply called “Space Battleship Yamato 2199” (srlsy I want to take on the Garmilian armada right now…. Come at me bro). The other end we have the “Garmilian National anthem” it perfectly fits the nation and its proud people. It’s epic and proud; it creates some of the greatest moments in the show. Such as when you seen their fleet rise up and this anthem plays …. simply wonderful. What the show does lack in sound is the variance. The Osts pretty much are the same group played over and over again. They are no doubt excellent, but after 26 episodes it can try one’s patience. The Osts in Space Battle ship Yamato are simply great when they need to be. Yet, they are used over and over. All in all it does install a feeling of “retroness” that few can match with its sound track. Thus sound gets a (8/10).
With a great ship, you need a great crew. That is what the crew of the Yamato delivers in full. They are really are just archetypes, the main character with loss, his best friends, the staunch captain, and the super logical science officer. Yet, somehow these characters remain somewhat interesting; this is due to the excellent development. Each is stereotypical, but each learns, gains, and looses throughout the show. It’s the crew with there well written interactions goes about the marry task of 1 VS all. With great heroes you got to have some great villain’s, right? Yes, and in many ways the villains outshine the heroes in both motivation, and in charisma. They are in my opinion much akin to Kligons (though much better dressed). The Garmilians also get their development; they are humanized, but not enough that you root for them instead. They have families, and reasons to try to keep the peace within their empire. It adds some very interesting clashes in ideals between the apposing races. The characters in Yamato each get their time and development. The reasons for their actions are clear to the viewer; though their characters are extremely stereotypical. This in its own way adds to the retro vibe that Yamato installs, but also somewhat hurts it (but hey they are the originals)….. (8/10)
“Space battleship Yamato 2199” is truly a treat. Its simply fun, and installs a sense of “retro” upon you. It uses well developed archetypes, fun and interesting plot twists, and great art /sound, to create an excellent remake of a timely classic. Very few shows recently have matched Yamato in overall enjoyment and quality. Yamato, is no perfect show, but is damn well better than most things right now. It is an anime not to be missed for both its fun and charm.
Raptor-(9/10) read more
::Note:: This is a co-written review with myself, Scamp, and fellow blogger and MAL user Shinmaru
Scamp: Space Battleship Yamato is a TV series from 1974 by Leiji Matsumoto (well, mostly by Leiji Matsumoto, although it’s complicated) about a spaceship travelling across the universe captained by a man with a very impressive beard. It’s one of the most influential anime ever made, considered the point from which anime started to turn towards more serious and complex stories. I shall now ask you to completely forget all of that because instead we’re going to talk about Yamato 2199.
Yamato 2199 had a bit of a strange airing run. Each batch of episodes were first released in theatres as single movies, starting in April 2012, and later released in batches of 4 on home video. It wasn’t until April 2013 that its air run on TV even started. We’re 22 episodes in now, with the final 4 episodes to be released in October. Barely anyone in English speaking fandom is watching it, probably due to its weird release schedule and lack of availability. Which is a shame because it’s a complete remake that requires no knowledge of the original. It’s also a shame because it’s a damn fine anime.
Shinmaru: What really gets to me most about Yamato 2199 is how important everything feels. Not important in the sense of grandness of scope (though there is plenty of that in the series), but important in the sense that everything matters, no matter how small the role a person has in the show. Everyone has a story to tell, thoughts running through their mind, and a heart beating strongly in their chest. The damn doctor barely does anything but get drunk as hell and make sure the captain doesn’t keel over before the Yamato accomplishes its mission, and he’s one of the best characters in the show. Yamato 2199 gives folks like the doc time to breathe and kick it with the captain to philosophize over a few drinks even though every episode counts down the time until the Earth is totally screwed. It’s a classy show like that, you see.
It’s always a challenge to juggle a cast like this so expertly, but Yamato 2199 makes it look easy. Everyone gets the proper time they need to make the intended impression. Every interaction has the potential to be incredibly interesting, so when a character shows up who hasn’t been around for an episode or two, it’s like seeing a good friend who swings by every so often to tell a fun story. That warmth and familiarity is what really stands out to me when I think about the Yamato 2199 cast. Amazingly, the series has established that camaraderie on both sides of the conflict — battles are more agonizing than ever now, because I don’t want to see anyone die. They’re all so wonderful! Except for that fuckhat security officer, that is.
Scamp: The appeal is very similar to that of Star Trek or Mass Effect in the way the character interactions play out. During the down moments you get to learn more about the characters as they sit around and chat. The discussion can be everything from big philosophical discussions about where they are going and racism against aliens to little things like relationships and the weather. These play into the usual climactic battle scene in each episode and arc, so you actually care about what’s going on both on a personal character level and broader plot-level. It’s really well paced, hitting your with the big dramatic moments at exactly the right moments so you understand just what it means to everyone involved when it happens.
As Shinmaru said, they even manage to do this with the aliens. They’re a racist, fascist militaristic regime, but they somehow still feel human…err, I mean Garmillian. They have dreams and beliefs and friends and fears. Even the big boss, who originally appeared comically evil, has wormed his way into my heart through his loyalty and trust in certain commanders. You can start to see why these people admire and look up to him so much. There’s a touch of the Reinhard from Galactic Heroes about him, and that’s not just because of the blonde hair and fabulous cape. But seriously, fuck that security chief.
Shinmaru: That Mass Effect comparison definitely works, particularly if you’re talking the first game, which feels a bit more old-school science-fiction than the other two in the series to me. It hearkens back to when science-fiction was often about pure exploration — worlds, people, concepts. It’s a journey to find and pick at the hard truths of the world. The Yamato has no choice, but to barrel toward its goal, but along the way, the crew cannot help but think about that journey. Are they doing the right thing? Are they doing this for the right reasons? The answers to those questions and others — if, indeed, answers even exist — are rarely easy or pleasant.
You’ve probably gathered by now that this is not an entirely black-and-white affair. There are of course good and bad people on both sides of the battle, and good and bad deeds alike have been wrought by the Garmillians and humans. The hands of neither side are truly clean, but there is great dignity to the way people examine themselves and their beliefs. In the vastness of the universe, there is no absolute right or wrong; the Yamato crew comes to discover this time and again, and yet they press forward, unremittingly, if only because they must.
Scamp: The giant pitched space battles can look a little odd. I attribute this to the CG animated ships looking eerily similar to the ships in Futurama, so at the start I couldn’t take any of the battles seriously. Thankfully as the story progressed, I grew to care about the characters and by extension the battles. Now they could make the battles just be cardboard cutouts of identical ships going pew pew pew with no attention paid to who hits whom with their laser beams (otherwise known as the Legend of the Galactic Heroes approach to space battles) and it would still be riveting viewing.
If there was one criticism I could level at the show, it’s that it’s a little strong on the male gaze. The original Yamato had only one female on the entire ship while Yamato 2199 has several, so congratulations for progressing beyond the standards set in the early 1970’s I guess. The women do all have the exact same body type, packed into a skintight catsuit while the men all wear more sensible uniform. The camera really does like to focus on their shapely backsides. I don’t mind this as much as I’m letting on. It is a really great arse. I just wish the arses varied from girl to girl.
Shinmaru: Yeah, I didn’t think the battles looked amazing at first, either, though they definitely looked a cut above most everything else that employs CG. But I’ve grown fond of the battles, even when they’ve done ridiculous stuff like have a ship that acts like a submarine in space through means I won’t mention here. Or maybe that’s why I enjoy the battles so much. But, yes, the battles grow in intensity and spectacle throughout the series, and once Yamato 2199 puts the screws into folks on both sides, then they’re that much more harrowing.
I’m incredibly excited to see where the series wraps up with four episodes to go. There have been some great reveals regarding the nature of the Garmilas culture and how that relates to their intentions in the war that leaves me with little idea how everything will turn out in the face of the Yamato’s mission. There are so many possibilities; the only thing I am sure of is that the ending will be quite bittersweet, and it’s a feeling that Yamato 2199 has long since earned. The depth of character, story and craft give it a punch that is rare in many mediums, much less anime. I’m clamoring to see the conclusion, but I know I’ll be sad for many reasons when it’s finished.read more
It is easy to say that the most beautiful anime are those produced by Studio Ghibli. For sure, Ghibli’s films set the bar for what is anime art. However, although five of their films populate this list of the 20 most beautiful anime, other examples from the past four decades are just as impressive.
We've celebrated the great stories, wonderful characters, inspiring soundtracks and gripping plot twists in anime. Now it's time to celebrate something a little different: Anime butts, and who has the greatest appreciation for ass in this medium. Yes really, we're going there