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May 26, 2017
Koe no Katachi is dangerous because it is exploitative. I'm not going to pretend to know anything about deaf people. I don't. This movie certainly does not allow any greater understanding into the mind of deaf people is the point I want to iterate. It uses a serious problem as a plot device constantly and reduces Nishiyama to one-dimension. She is the textbook definition of a mary-sue as well as a damsel in distress. This is clearly troublesome when trying to explain deafness to an able-bodied audience.

Nishiyama's entire character is her illness. She is paper thin with her sole character trait being she likes read more
May 12, 2017
Ten years ago "moe anthropomorphism" was a bit of a new thing. The shock that you could turn WWII fighter jets into small Japanese and British girls and pit them against literal space-nazis in a weird U.N. coalition alternate timeline that also featured superpowers granted only to the aforementioned pubescent girls was new. The final item in the mix? None of them are ever wearing pants. It was an ecchi-military-action-moe-comedy that catered to such an incredibly niche audience you couldn't help but be endeared. The question of who would watch this was overshadowed by how was this made. Of course, Strike Witches became a cult read more
Jun 29, 2015
I have lusted after a good ecchi for years. My friends at MAPPA and Uchikoshi, the author of the Zero Escape video games series collaborated together to bring us just that. Like it's spiritual predecessor Kill la Kill, which virtually allowed the market for shows like this to be created once again, it is ecchi parody. The whole concept of the show is ecchi, the gag of reflexively destroying the world when chancing on panties immediately feels too obtuse. Why the hell would anyone ever watch something so blatantly dumb? Probably because if the narrative wasn't daringly original it would have been definitively the worst read more
Jun 28, 2015
"Is It Wrong to Pick Up Girls in a Dungeon" is a goddamn abomination. JC Staff capitalizing on the video game anime craze was already a flag, but to go this far... is pathetic. This is every anime you have ever seen. This is everything wrong with anime. This anime is the exact reason why anime is ostracized at face value. This is what anime viewers should be trying to stop.

There is a story. It is hyper-simplistic. So stupid that anyone could understand it. Yet the plot points make little to no sense. The main character Bell Cranel starts his adventures with his well-endowed companion, read more
Jun 10, 2015
With Studio Ghibli it's hard to separate the monoliths previous works from it's new ones. Even just last year Isao Takahata released his swan song "Kaguya Hime no Monogatari" which broke ground on an animation level, added narrative depth to a tenth century folk tale, and was certainly Ghibli's most ravishing work since Sen to Chihiro. Yet despite the narrative currently surrounding Studio Ghibli (a subsidiary of Disney no less) going under, Kageyabashi manages to weave an extremely simplistic and rather flat tale similar in pace to his previous effort Arietty.

Although based off of a novel, the story manages to be paced rather poorly and read more
May 23, 2015
Akame ga Kill is not the worst anime ever made, but it sure is one of the least genuine. The writing pieces together mismatched elements of shonen adventure and gives them a screwball seriousness about death until the word ‘death’ has lost all meaning. The script is oversaturated with character introductions and sensationalized death scenes that feel simply slimy. The grubbiness that Akame ga Kill exhibits come right from the very bottom of the medium complete with unexplained power ups, an impossibly simplistic corrupt fantasy setting, and hundreds upon hundreds of flat characters.

The amount of fried chicken consumed in this anime is painful. The Prime read more
Nov 1, 2014
Some may consider this review to contain spoilers, but please read on.

Our Happy Time is not just a mediocre manga, it's plenty pretentious too. This pure cheese story starts off with some grim subject matter and continues to vomit more grim subject matter at you until you are beaten and bored. It's a cliche narrative about an inmate on death row who finds a reason to live again through love. With no exceptional visuals and no original characters, this manga reads like the pulpiest young adult fiction imaginable. There's no nuance, there's no subtlety, and the self-righteousness of the main character is suffocating.

If this read more
Oct 5, 2014
Wow, I am so sick of all these fanboys writing about F/sn - prologue and not touching on it's most important aspect - epicness. So this is the prologue of the visual novel condensed into 45 minutes. Seeing as it's a ufotbale Fate adaptation I took it upon myself to write a short review for this anime because it is as I would like to say "pretty epic."

F/SN - Prologue is epic. There are epic characters and epic fights and epic final smashs (known as Noble Phantasms). Luckily, instead of Studio DEEN (epic fail) we have ufotable (epic win). For characters, Rin is especially epic read more
Aug 20, 2014
"Elfen Lied comparison complaint, grumble grumble, fanservice, grumble grumble, I'd pardon this if it was cool like Shingeki no Kyojin but it's not, grumble, I'm so much smarter than the Sci-Fi genre."

Gokukoku no Brynhildr is exactly what you expected it was; An action-based thriller prematurely adapted from a manga by the same person who wrote Elfen Lied. So why are you so upset? The characters are static and flat, plot threads that should have been wrapped up quickly continue onto the last few episodes, and the art seems almost barbaric when comparing it to more visually stunning shows that aired simultaneously. It has the trope read more
Mar 31, 2014
Deconstruction is a word that has become as frequent as genre tags since Madoka finished airing. And with it has come miscommunication and ultimately disassociation. Deconstruction is to recreate cliches in meaningful and innovative ways, as opposed to be aware of one's own genre. The latter is usually what people mistake deconstruction for nowadays, and with Samurai Flamenco this couldn't be proven more rightly so.

Samurai Flamenco is a failure on all fronts. It is not a parody but is aware of it's own genre. With it comes this misunderstanding by it's audience. Simply because a work is self-aware does not mean it is a read more