That was a somewhat interesting and ultimately decent introductory episode, but it was also surprisingly flawed and a bit monotonous, as this episode largely served to establish the setting and introduce the nuances within the economics, which was quite enjoyable, if not a bit mundane.
The economic principles and the history of their world have been fairly straightforward, but also relatively complex. As such, the heightened examination of the complexities surrounding economics was highly intriguing, but, so far, those informative conversations partially lack the compelling and enjoyable interactions that heavily contributed to the considerable effectiveness of those found in Spice and Wolf. Though the economics were consistently intriguing, the dialogue that accompanied them wasn’t particularly subtle, which would have complemented the material in a more effective manner. However, assuming the character dynamics continue to develop in a satisfying manner, this aspect of the show definitely has the potential to improve.
The characters, though quite engaging, have yet to evolve towards a possession of any singularly substantial characterization; certainly none that would constitute considerable interest in their development, as they simply lack a depth that is typically necessary for stories of this nature. Of course, I do expect this slight flaw to be remedied as the narrative continues to develop. The touches of comedy throughout provided some of the best moments within the episode, since, for the most part, it illustrated a considerably balanced approach to storytelling, as humorous antics typically followed sequences of dramatic intent in a surprisingly effective and satisfying manner, rarely leaning too heavily in one particular direction. The scene with Hero’s body pillow was easily one of the best moments in the episode.
Hero and Demon Queen’s interactions are rather enjoyable so far, since they have pretty good chemistry, but those moments, and, in turn, their relationship will likely improve immensely as the story progresses, since their somewhat engaging dynamic will be partially elevated by a filtering of further complexities into both of their characterizations, particularly Hero, which I assume is inevitable. As such, I would have likely preferred a more methodical approach towards establishing Demon Queen’s feelings for Hero, as they lacked a certain development necessary in order to effectively portray the initial flourishes of their seemingly imminent romance.
The direction was quite good, yet occasionally inconsistent, especially noticeable during the several highly ineffective sequences that involved an unnecessarily heavy usage of disconcerting camera rotations. The animation was pretty good, but quite unremarkable. The visuals were inconsistent in quality, but the background art, in particular, was quite impressive, often displaying a rather appealing aesthetic. The CGI, for the most part, was poorly implemented and needlessly distracting. Musically, this episode was surprisingly great, particularly the selection that was used throughout the opening sequence. Also, the musical selection that was filtered into Hero and Demon Queen’s contractual agreement was fantastic. Even though it possessed rather simplistic visuals, the OP was quite good, especially due the accompanying musical selection. On the other hand, the ED, though not visually spectacular, was musically terrific.
All in all, Maoyuu Maou Yuusha is a moderately enjoyable and surprisingly interesting show, but the artificially constructed nature of the character dynamics, so far, have been detrimental to the relatively compelling narrative. However, I do expect this aspect of the show to greatly improve as the story progresses, since, thankfully, the show possesses considerable potential. The brief appearance of the Female Knight was quite intriguing, and I’m looking forward to a further insight into the group of characters that Hero separated from long ago. |