I've always had a soft spot for life redo stories, even though they usually flop at some point. It's a pretty relatable desire. Where to even begin...
I guess we'll start with Kyoya. Kyoya is supposed to be the hardworking everyman that had a creative spirit but not much actual creative talent. He tries to feed this desire by working on the periphery. He's organized, he's a problem solver, he's hyper-responsible, and so he's used to being left holding the bag. While he's good at trying to fend off problems, there's only so much he can do, and so he resorts to quick fixes to fill in the gaps. This is ultimately unsatisfying and reminds him that he can't actually build something inspiring organically by himself. But his strength is also a general life skill that helps him manage others, even as he really doesn't want to. I can relate to Kyoya a lot in some ways, so I feel like the hate surrounding him is a little overblown.
Kyoya's original timeline is essentially a dead end. He can no longer rebuild his career. Kawasegawa will move on to manage other companies, and he'll be switching between jobs and apartments as a middle-aged bachelor. Something I can also relate to. People are saying they wanted him to use his skills to fix the original timeline, but I don't think they really understand what the problem was. Anyone who's become the problem solver or workhorse in a department knows that after a certain point you are doomed. Eventually too much will be put on your shoulders, no one else will be willing to help, and the job will fall apart inevitably. This takes a toll on your life as well. Repeat this cycle a few times. Eventually it doesn't matter if someone's even willing to help because there's not much they could do to truly help you in the first place. Random people aren't just going to go above and beyond to help you out, even if you do that for others. So I don't think his future in the first time was ultimately salvageable in a way he would find satisfying. I could be reading way too much into it and inserting my life experiences too much, but given his attitude, behaviors, past, and outlook; I doubt I'm very far off the mark.
Kyoya goes back into the past and does what he always does for his new friends. However this prevents them from failing, which prevents them from growing. It also robs their youthful inspiration from producing the best work they can. Even though it would tank their projects, they would be truly proud of finishing a late one up to their standard.
In a sense Kyoya is cheating, but in another sense he's leveling the playing field. The students around him had genuine talent and pursued art seriously for their whole lives. He doesn't and didn't. Anyone who's used software will also know how drastically things change between programs and versions, even if the basic ideas remain the same. You essentially have to relearn how to use the tools each major update or switch. He really just has 10 years of experience fixing common problems with quick fixes. Without that experience, he actually wouldn't be able to do anything in class. If he had originally chosen to go to art school, he would have ended up dropping out anyway.
So where does this even leave our story and themes? In a giant convoluted mess. It makes sense that he would get better with direct experience, but he stops becoming relatable. He's not turning in a sub-par result that's barely passing. That feeling after working yourself to death to create the miracle of shipping out all the orders on time and forcing a hard deadline for production. He should be getting burnt out and noting how each of his compromises ultimately hurt the work as a whole. He should eventually crash and burn. But he doesn't.
Seeing the third timeline was interesting. He learned the second theme in a roundabout way by doing the exact same thing he always did and having someone shout it in his face. But again, that's not relatable. He literally magics a solution for everything and everyone and shows up the company president. You might be great in one department, but you probably won't be great in another. When people tell you that you have a great skill, most people are just trying to keep you doing their work for them. Whether their comments are true or not.
So despite having a history of workaholism and watching companies suffer after I finally left, by the end I couldn't relate to Kyoya anymore. He, himself, isn't reaping any of the consequences for his actions. It should be negatively affecting him the most. And I think that's because he morphed into the wish-fulfillment version of that personality type. You want to be the pillar that can weather any storm, he can. You want to be the person who can make miracles happen, he can. And he can continue to do so endlessly. But because there is no price for making a miracle happen in this way, it starts to ring hollow.
More than anything else, I think that screed is the core problem of this show. It would have been much better to stay in the past and watch their next project collapse as each member lost motivation, slacked off, and dumped their responsibilities on Kyoya's shoulders. Their next game should have been a huge failure with tons of refunds. In a second cour, the characters can address this problem together. The show can wrap up with an uncompromising smash hit game.
Moving beyond that. I cannot believe that Kyoya said he didn't see Nana or ShinoAki as potential romantic partners. Kawasegawa was always the third wheel in my eyes. He fell in love with Akishima's art, and now here she is in romcom situations with him. Nana was the sexy rival. I like all three girls, but that seemed like the show's setup to me. So why he's continuing to drag his feet for both of them, when he's already kissed ShinoAki, is quite honestly baffling. There is also no escaping leaving a bad taste when choosing to revoke her as your wife as well. At the very least, if he had already dedicated his love, Kyoya could go back to make her even happier. Instead, goodbye kiddo. The original Kyoya from that timeline would still be around, but it doesn't change the fact that protagonist Kyoya is leaving.
These kinds of stories always end up faltering. Erased, Re:Life, etc. A big reason why is that they always feel the need to return to the present to solve a problem in the past. This can be very effective, but it can also take a lot of time and tension away from the main story. And if done carelessly, you question why they're leaving what they have.
Suppose this: We still leap to the third timeline. Kyoya and Aki still have a daughter, but Aki is always depressed. She barely does housework and stays in bed all day. At times she screams at Maki when she's reminded of losing her art career. Aki is clearly miserable and settling for a life with Kyoya. Because Kyoya always has to work, Maki runs away and is hit by a car. Much easier to justify Kyoya going back in time at that point. You don't even need to be that dramatic. Lots of shows manage to present the choice of false paradise and reality.
8/10. Enjoyable to watch. I think people are too hard on it for certain reasons. It definitely needed more episodes and retooling. Power-creep in a very much fantastical but still somewhat grounded story transformed a relatable protagonist into a dream eater. |