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Sep 6, 2020 3:53 PM
#1
Émilia Hoarfrost

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Dec 2015
4322
Any academic articles on anime?

Or books, that'd be fine.

Online and in English, if possible.



Sep 6, 2020 4:02 PM
#2

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Dec 2018
402
Apparently they do exist; there's a book called "Anime from Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation", and it seems to go into a deep dive into anime and relating it to psychological themes among others. There's a chapter called Princess Mononoke: Fantasy, Feminine, and the Myth of "Progress", and another called "Waiting for the End of the World: Apocalyptic Identity". Seems pretty deep.
"I saw the Emperor - this soul of the world - go out from the city to survey his reign; it is a truly wonderful sensation to see such an individual, who, concentrating on one point while seated on a horse, stretches over the world and dominates it."
Sep 6, 2020 8:30 PM
#3
lagom
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Jan 2009
107500
i just googled "anime science doi" and got a bunch of them like this one
https://www.tandfonline.com/doi/abs/10.1080/10548408.2018.1527274
Sep 6, 2020 8:32 PM
#4

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Nov 2018
6132
Here's an article on "Analysis and Qualitative Effects of Large Breasts on Aerodynamic Performance and Wake of a “Miss Kobayashi’s Dragon Maid” Character":

https://archive.org/details/AreAnimeTittiesAerodynamic/mode/2up
MAL EMOJIS - Get your specially formatted emojis for MAL forums.

Sep 6, 2020 8:53 PM
#5

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Jun 2017
3114
You can search http://gen.lib.rus.ec/ or any of its mirrors for "anime", "japanese animation" etc., there are a bunch of titles of every kind. These are just a few:

  • Jeff Lenburg: "Hayao Miyazaki: Japan's Premier Anime Storyteller"
  • Susan J. Napier: "Anime from Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation"
  • Susan J. Napier: "Anime from Akira to Howl's Moving Castle, Updated Edition: Experiencing Contemporary Japanese Animation [Revised and Updated]"
  • Jonathan Clements, Helen McCarthy: "The Anime Encyclopedia: A Guide to Japanese Animation Since 1917, Revised and Expanded Edition"
  • Davis, Julie; Camp, Brian: "Anime classics zettai! : 100 must-see Japanese animation masterpieces"
  • Alistair D. Swale: "Anime Aesthetics: Japanese Animation and the “Post-Cinematic” Imagination"
  • Steven T. Brown: "Cinema Anime: Critical Engagements with Japanese Animation"
  • Novielli, Maria Roberta: "Floating worlds: a short history of Japanese animation"
  • Masao Yokota, Tze-yue G. Hu: "Japanese Animation: East Asian Perspectives"
  • Patrick Drazen: "Anime Explosion!: The What? Why? and Wow! of Japanese Animation, Revised and Updated Edition"
  • Dani Cavallaro: "Anime and the Art of Adaptation: Eight Famous Works from Page to Screen"
  • Steven T. Brown: "Cinema Anime"
  • Christopher Bolton, Istvan Csicsery-Ronay Jr., Takayuki Tatsumi: "Robot Ghosts and Wired Dreams: Japanese Science Fiction from Origins to Anime"
  • Mark W. Macwilliams, Mark W. Macwilliams: "Japanese Visual Culture: Explorations in the World of Manga and Anime"
  • Thomas Lamarre: "The Anime Machine: A Media Theory of Animation"
  • Brian Ruh: "Stray Dog of Anime: The Films of Mamoru Oshii"
  • Dani Cavallaro: "Anime Intersections: Tradition and Innovation in Theme and Technique"

If you do read any of these it would be great if you could post a comment/recommendation here.

Edit: If you're in academia.edu there are many papers on anime here:
https://www.academia.edu/Documents/in/Anime_Studies
TirinchasSep 6, 2020 9:03 PM

Sep 6, 2020 9:04 PM
#6
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Jul 2018
561867
_cjessop19_ said:
Here's an article on "Analysis and Qualitative Effects of Large Breasts on Aerodynamic Performance and Wake of a “Miss Kobayashi’s Dragon Maid” Character":

https://archive.org/details/AreAnimeTittiesAerodynamic/mode/2up

"Computational fluid dynamics, ANSYS, drag coefficient, human aerodynamics, SST k-ω model, anime, Quetzalcoatl, titties, thicc"
Sep 7, 2020 3:47 AM
#7
Émilia Hoarfrost

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Dec 2015
4322
SuicideMaster_ said:
_cjessop19_ said:
Here's an article on "Analysis and Qualitative Effects of Large Breasts on Aerodynamic Performance and Wake of a “Miss Kobayashi’s Dragon Maid” Character":

https://archive.org/details/AreAnimeTittiesAerodynamic/mode/2up

"Computational fluid dynamics, ANSYS, drag coefficient, human aerodynamics, SST k-ω model, anime, Quetzalcoatl, titties, thicc"

I knew this one already
Aerodynamism truly is a passionating topic



Sep 7, 2020 3:57 AM
#8

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Feb 2010
34616
Hiroki Azuma's "Database Animals" is, as far as I know, the standard literature recommendation for an academic analysis of the anime fandom in the larger context of postmodern Japan.
https://www.amazon.de/Otaku-Database-Animals-Hiroki-Azuma/dp/0816653526/ref=sr_1_1?__mk_de_DE=%C3%85M%C3%85%C5%BD%C3%95%C3%91&dchild=1&keywords=otaku+database&qid=1599476023&s=books&sr=1-1

Tirinchas said:
You can search http://gen.lib.rus.ec/ or any of its mirrors for "anime", "japanese animation" etc., there are a bunch of titles of every kind.


Shame my provider blacklisted that site :/.
I probably regret this post by now.
Sep 7, 2020 8:41 AM
#9
Émilia Hoarfrost

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Dec 2015
4322
@Pullman
Any way you can get those you want?
Since they're sometimes .pdf, perhaps you can have them shared through Google Drive?



Sep 7, 2020 9:20 AM

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Feb 2010
34616
Lolsebca said:
@Pullman
Any way you can get those you want?
Since they're sometimes .pdf, perhaps you can have them shared through Google Drive?


I can probably just use a VPN but there wasn't anything particular I wanted to read, just kinda browse the site and see what catches my eye.
I probably regret this post by now.
Sep 7, 2020 10:28 AM

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3183
Sep 7, 2020 11:33 AM

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May 2016
967
Susan Napier sucks and her books suck. I think reading them in current year shows their age as both lacking in actual content and having various myopic and uninteresting interpretations of the anime discussed. I think some people like them as undergraduate teaching material, but I never liked it.

As for Database Animals, some of the issues in reading something like Hiroki Azuma's Otaku is that it presumes some working knowledge of theory. In the very beginning of Azuma's book, he notes:

Otaku/DatabaseAnimals said:
The term “postmodern” will be used repeatedly throughout this work. However, due to limitations of space I have refrained from conducting a lengthy explanation of the term. I leave the definition of postmodernity to the numerous introductory books on the subject and hope, moreover, that those interested may refer to a theoretical piece about postmodernity on which I am currently working.15 Of course, I will incorporate an explanation of the concepts to the extent necessary for the following discussion to flow without referring back to such texts. Here I ask merely that you briefly note that when I refer to postmodernity, I am speaking of the period since the 1960s or 1970s, or in terms of Japanese history, the period marked by the era following the Osaka International Expo in 1970—in other words, “the cultural world since the 1970s.”
Now I think it's entirely possible to read Database Animals without really understanding what postmodern, postmodernity, and postmodernism are (and before you ask, yes those are different things), but there are situations that clearly reference the works of postmodernists. See:

Otaku/DatabaseAnimals said:
Instead, the core of a work lies in the database of settings. Therefore, in the mind of the otaku, even if derivative works violate original works (at the level of the simulacra), the originality of the original works as information (at the level of the database) is protected and respected. Rather it is thought that, from the standpoint of authors of the derivative works, the increase of simulacra should raise the value of the originals. Of course, in reality the existence of the copyright should preclude such sensibility. However, more than a quarter century after the birth of the Comic Market, it is important to know the background of such psychology
One can read the term "simulacra" as just the dictionary definition of something imitating something else, but the usage here is very specific; Hiroki is specifically referencing the work and philosophical theories of French critic Jean Baudrillard, known for his famous work Simulacra and Simulation. "At the level of the simulacra" refers to a specific level of unreality stipulated by Baudrillard, and while it's not necessary to reading the book, I think you're missing a significant amount of the social and cultural information if you haven't engaged with the works that Hiroki is talking about, Baudrillard included.

The same goes for some of the other major works in "Anime theory," like The Anime Machine by Thomas LaMarre or his later book The Anime Ecology. Many of these works are situated towards academics and, unsurprisingly, their works are pretty tedious in academic jargon and terminology, and they require some working knowledge of a larger philosophical and critical tradition. And even if you got through them, I don't know if you'd really come out of it being any more of an anime connoisseur than you were before. If anything, you might just come out of them thinking that people get paid a salary to interpret anime with the dry and mundane social theories of Bruno Latour.

If you want to get your feet wet, then I'd recommend looking up Mechademia, which was a magazine dedicated to publishing writers related to Japanese pop culture at the University of Minnesota, and Beautiful Fighting Girl by Tamaki Saito. I have issues with Saito, especially with some of the bullshit he spouts elsewhere, but I think BFG itself is fine.
Sep 7, 2020 12:31 PM

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Feb 2016
15003
Yudina said:
If you want to get your feet wet, then I'd recommend looking up Mechademia, which was a magazine dedicated to publishing writers related to Japanese pop culture at the University of Minnesota, and Beautiful Fighting Girl by Tamaki Saito. I have issues with Saito, especially with some of the bullshit he spouts elsewhere, but I think BFG itself is fine.

Thank you! I wanted to recommend Mechademia, but I couldn’t remember the title. I also recommend the works of Frederik Schodt.
その目だれの目?
Sep 7, 2020 12:37 PM

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Oct 2012
16077
Pullman said:
Hiroki Azuma's "Database Animals" is, as far as I know, the standard literature recommendation for an academic analysis of the anime fandom in the larger context of postmodern Japan.
This is my recommendation as well. I bought the softcover. I also have a copy of Beautiful Fighting Girl, but I couldn't get into it.

Simulacra is just the idea that something is a copy of an original that transcends being a copy of the original, into its own proper thing. Baudrillard uses a rather strange example of a 1:1 map of a nation that persists long after the destruction of the nation itself. In the context of anime, it's not that complicated. The idea is that media draw inspiration from other media and create copies that become more popular than the original, and this is especially true in anime where copies are given new life through fanfics, etc.
katsucatsSep 7, 2020 12:42 PM
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THE CHAT CLUB.
Sep 7, 2020 12:59 PM

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May 2016
967
katsucats said:
Simulacra is just the idea that something is a copy of an original that transcends being a copy of the original, into its own proper thing. Baudrillard uses a rather strange example of a 1:1 map of a nation that persists long after the destruction of the nation itself. In the context of anime, it's not that complicated. The idea is that media draw inspiration from other media and create copies that become more popular than the original, and this is especially true in anime where copies are given new life through fanfics, etc.
That's Jorge Luis Borges in his short story "On Exactitude in Science," which is coincidentally referenced at the beginning of Baudrillard's Precession to a Simulacra, and I think it's precisely that kind of analogy that Azuma is interested in with respect to anime; I would imagine Azuma would perfectly point to "On Exactitude in Science" as a prime example of the database that he's attempting to describe to us.

Azuma specifically explains that the "simulacra" that he refers to in anime are neither originals or copies, and that these simulacra do not become more popular than their "originals," but are consumed with "equal vigor," deriving their expressions, information, and cultural cues from a "database" that otaku tap into. It'd be more accurate to describe the simulacra that Azuki is talking about as transformations or "derivative works," but definitely not "copies." See:

Otaku said:
This prominence of derivative works is considered a postmodern characteristic because the high value otaku place on such products is extremely close to the future of the culture industry as envisioned by French sociologist Jean Baudrillard. Baudrillard predicts that in postmodern society the distinction between original products and commodities and their copies weakens, while an interim form called the simulacrum, which is neither original nor copy, becomes dominant. The discernment of value by otaku, who consume the original and the parody with equal vigor, certainly seems to move at the level of simulacra where there are no originals and no copies.
Sep 7, 2020 11:58 PM
Émilia Hoarfrost

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Dec 2015
4322
Yudina said:

Otaku said:
This prominence of derivative works is considered a postmodern characteristic because the high value otaku place on such products is extremely close to the future of the culture industry as envisioned by French sociologist Jean Baudrillard. Baudrillard predicts that in postmodern society the distinction between original products and commodities and their copies weakens, while an interim form called the simulacrum, which is neither original nor copy, becomes dominant. The discernment of value by otaku, who consume the original and the parody with equal vigor, certainly seems to move at the level of simulacra where there are no originals and no copies.

As a French student majoring in theater, I confirm what Baudrillard seems to have foreseen about the future of France's cultural industry, at least in theater.
For example, when you go see a play, a common form is the adaptation of past authors, like Shakespeare for example. While there is a form of theater called "théâtre d'auteurs", more focused on present days authorship, this common form I previously mentioned may be called "théâtre de patrimoine". Fidelity is a loose quality of such a theater, and each spectacle seems to boast an equal status. It reminds of the cultural revolution led by students around 1968, since in this wake cultural goods have seen the traditional hierarchy of quality reversed or even nullified.



Aug 18, 2022 3:11 AM
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Jul 2018
561867
I'd also add the old dubs in this as they are their own unique version different from the original too.

Though time has not been kind to their preservation
Aug 18, 2022 3:26 AM

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May 2014
255
I haven't read all of it, but this book provides a pretty comprehensive introduction to anime while analyzing the essence of the medium:

https://books.google.es/books?hl=en&lr=&id=IKOfCgAAQBAJ&oi=fnd&pg=PP1&dq=anime&ots=Yvc3VyBDch&sig=wmRIdzV19ln6wbdgnIMN-maTydU&redir_esc=y#v=onepage&q=anime&f=false

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