Another great 9/10 story from Yoru Sumino who wrote Kimi no Suizou wo Tabetai which I loved.
Eager to read the One-Shot sequel of that, and Kakushigoto once the manga adaption finishes.
The art from Idumi Kirihara is vividly beautiful.
The simple aspects of this manga that I enjoyed the most were Nanoka's hilarious and reinvigorating "Life is like-" analogies (inspired from the Peanuts comics) and Skank-san's bursts of joyful laughter which genuinely made me smile in an instant.
I was very perplexed from the ending and how Nanoka's reality connects to her dream which I felt was a flaw to the story- until I figured it out.
At least to what I believe is the rational explanation to what it is after reviewing the ending several times based on what Nanoka says in the finale.
Skank-san, Minami and Obaachan are clearly future versions of Nanoka from being a grade schooler around the time of her parent's death from a plane crash.
From how Nanoka speaks of them as if they are real and having consciously learned from them through her various times of having that same dream makes me believe that Skank, Minami and Obaachan are not only future versions of herself, but from other timelines, who somehow could communicate to her through her dreams and have helped her since she was a child to not end up like them.
The branch of how Nanoka's growth interconnected with the aid of those three and her past assignment to the question "What is Happiness?" to ultimately how it saved her from a life of suffering compared to Skank, Minami and Obaachan was powerful.
... As a clever, curious and eager to learn about life grade schooler, she's easily charming and a solid round character as we experience her flaws and experiences, with her journey to figuring out what happiness is and what it is to be a better person as best she can which in the end leads to helping Kiryu, to then getting proposed to through his painting. Beautiful.
It's worth a fast reread to better comprehend all of her character through her alternate world timeline versions of Skank, Minami and Obaachan.
... After doing so, I can clearly see the subtle hints and better understand what each character means whenever they mention something vague, even if it's still slightly unclear and open to interpretation, but...
This is what I think;
I believe Obaachan knows that Nanoka is herself from the past from the start of the story since she tells Nanoka that "You have the power to see into the future[...]".
Although, even though the phenomenon of how the power works for each of them is unclear me, it's clear that they all have that power since Nanoka tells us that they saved her, as she did.
When Skank is implied of having that same power, Obaachan wonders as if Skank is unaware of it from being mentally stuck in the past-
As for Minami, at some point she wakes from her sleep, saying "I had that same dream again."- ... I'm not sure if it's a legitimate dream or another "alternate time travel dream" from the one she's in now with Nanoka. ...even though having another "power dream" inside a power dream seems ludicrous.
Moving on. I believe Minami never went to high school after her parent's death, thus wore a used school uniform with the name tag still present. I also think she realized who Nanoka was after she heard her analogy of how life is like a fridge. I think before that she was uncertain, but was certain after.
If she had doubts, maybe that dream she had and when Nanoka spoke of her parents is when Minami was fully aware, but I think she was after that analogy since she frequently speaks to Nanoka as if comprehending the truth in her conversations from knowing it by experience of who she was as a grade schooler- from the way she criticizes Nanoka of her character from the start.
In the end, I believe Minami is truthful to Nanoka's promise to "rewrite" her own life in her own timeline.
I think she travelled back to her world somehow since she did her role- Although who knows exactly how any of that magic works or what and where it's from, but Nanoka thinks they came to save her, conscious of it or not. Except for Obaachan who I think is the one who created this dream world to save herself.
I can't figure out what Minami's handkerchief and Nanoka's memories of her story vanishing means though, except for simply waking up to her world, away from the intertwined dream world they're all in. 'Curious how even Nanoka's cat is in her (the) dream world as a younger version.
Kiryu's personal struggle of insecurity from judgement and Nanoka's development to understand that, with the help of the others and her teacher is nice.
Skank-san without a doubt is the easiest representation of showing her comparison to Nanoka, to the point of Skank laughing "we're so alike". It's also clear from the others of how they all sit and ponder the same, or how Skank and Obaachan say "If that's what you think, then that's what you should do." but the comparisons are more frequent with Skank-san since they're the closest and talk together the most;
Including the moment where Nanoka defends Kiryu by mocking his bullies, to which Skank relates to the feeling of interfering to things she dislikes. I love that.
As the darkest version of Nanoka, Skank-san's past is the most intriguing.
Starting from never having fallen in love by giving up on Kiryu by thinking him as just a coward. Hating everyone who disliked her for being arrogant of her intelligence that she attained from hard work of studying for self-worth. Without parents, who died on an airplane crash. Loss of passion of being a novelist. Depressed. Self-sabotaging herself with abuse of several drugs, and selling herself for money.
Leading to the thought of suicide, but... what saved her was Nanoka in this dream world in which they're held in until they save themselves.
... The moment Nanoka mentions Kiryu's name, and Skank-san realizes who she is as she cries and hugs little Nanoka is amazing. Powerful scene.
After that, Nanoka's growth of overall empathy (thanks to everyone) and comforting of Kiryu to go back to school together is beautiful. Including how he uses her breathing technique to calm down and state his happiness of being next to her to the class.
... In the end. I believe that cat may be God who's been guiding the young Nanoka, who granted to wish of Obaachan, who she tells Nanoka "God let me meet you, Naachan." ... even though Obaachan somehow met back with Kiryuu, fell in love and is genuinely happy with her life, she wanted to save her Minami and Skank from their pain, and ultimately the young Nanoka from all of the suffering they went through. What's odd though is how they all have "that same dream", even after our Nanoka succeeding in having the best life for herself, she still has that dream. After that, the message is that we can have hope and make our own futures.
(I might organize this better later, since I was doing it in realtime) |