Glass no Hana to Kowasu Sekai

Dual and Dorothy, faithful computer antivirus programs, monitor and constantly scan for corruptions in the simulated worlds of the Box of Wisdom. Whenever a virus is detected, it—and in many cases the entire world as well—is forcibly purged. This routine occurs every day without change, until the deletion of a particularly large virus cluster reveals an unknown program—calling herself Remo—with no memory of her function. She offers a fresh perspective into the monotony of Dual and Dorothy's lives as her influence causes the two programs to realize that there is more to life than just their mission.

No longer spending their time only watching over the worlds, the three girls start truly experiencing them. As they explore digitally recreated cities and landscapes, Dual and Dorothy develop a special appreciation for what they have, all while searching for clues regarding Remo's forgotten purpose.

[Written by MAL Rewrite]

Remo Main

Hanamori, Yumiri Japanese

Dual Main

Taneda, Risa Japanese

Dorothy Main

Sakura, Ayane Japanese

Dawson, Daniel Supporting

Takahashi, Shinya Japanese

Sumire Supporting

Kayano, Ai Japanese

Dawson, Diana Supporting

Nakamura, Aya Japanese

Ishihama, Masashi Director, Storyboard

Motoyama, Satoshi Sound Director

Satou, Akira Episode Director, Key Animation

Soga, Jun Episode Director

Reviews

Jan 19, 2016

BakaKuro

Recommended

Story
Glass no Hana to Kowasu Sekai in my opinion 'Daily Life of an Anti-Virus Software' and takes place in a setting where the human race has become extinct. The story grabs your attention in the first 10 minutes as Dual deletes her best friend Sumire and then the sudden apperence of Remo. The story flows through out the anime making it really easy to understand.
9/10

Art
The art was very good it wasn't very detailed like other A-1 animes but all was written off by the excellent story. The background CG is very vivid in colors which bring out the artist's emotions. (Good Job Naoko Fusako)
8/10

Sound
Glass no ... Hana to Kowasu Sekai had excellent sound quality, each scene had an appropriate OST and that piano OST (Yume no Tsubomi) at the beginning of the movie got stuck in my head and how tried linking the piano OST to the mystrious character of Remo also peaked my intrests
10/10

Character
Character designs for Glass no Hana to Kowasu Sekai were your usual 2D character sprites from normal TV animes but this is what makes this movie a great to watch as it was like watching a really long TV anime. The characters went into depth for Remo on how she has human feelings unlike Dual and Dorothy who were an Anti-Virus software. But there really wasn't any backstory on the other 2 main characters Dual and Dorothy excpet for the fact that they were created by humans
8/10

Enjoyment
I, myself enjoyed this anime more than I should have because i haven't watched a really good psychological anime is a really long time. Glass no Hana to Kowasu Sekai is a very enjoyable anime and I would re-watch it anyday.
10/10

Overall
Glass no Hana to Kowasu Sekai is a great anime movie and is great for killing time as it is shorter that your usual anime movie by atleast 30 minutes the story is great and the character development between the 3 main characters was very well portrayed.
9/10

Reviewer’s Rating: 9

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Jan 17, 2016

TheOnlyKami

Mixed Feelings

I just finished the movie about 20 minutes ago, and I've just spent the last 20 minutes trying to figure out what the hell happened in the movie. To no avail.

Story: 4
Sad to say, I didn't understand what the heck was going on throughout the movie, especially the more hectic part towards the end. The height of my sadness of a cute girl was dying was as great as I was in my 'wtf is going on' mode. It was not coherent at all, and I'm left from start to finish just going 'yep, this just happened, and no one is going to tell ... me why'.

Art:8
The saving grace of this movie. The art was amazing, I'm pretty sure it was the cost of producing this kind of art that caused this movie to be only 1 hr long. There was one scene of various locations around the world, that actually made me go 'wow'.

Sound: 7
The music was good, however, I do question the selection and the creation of these pieces. Some of the piano songs did not reflect the sort of mood that the scene was trying to relay, and I was left quite emotionally confused. The songs on their own are very nice to listen to, and I would even invest in the soundtrack if it were to be released. Just... I don't know, get a better music director.

Character: 6
We see minimal character development in this movie, mostly because of the lack of plot explanation and the contribution of a short screening time. Although they were cute girls with separate personalities, none of them are qualified to be of any recognition in my after-movie life. There's nothing that I can defend any of them with in terms of decisions that they make in the movie if someone came up to me and told me this character was trash.

Enjoyment: 6
From my earlier comments, you can probably tell I'm not very satisfied with this movie at all. I think if there was more time spent on developing characters and making the movie coherent even by a little bit I would've enjoyed this movie a lot more than I did. There was a recent promo in my country before I was released, and that raised my expectations to quite a high level. Only to be disappointed I guess.

Overall: 6
If there was a part 2, I would watch it in my spare time. About this movie, I would suggest that you watch it, ONLY if you're absolutely bored and have nothing to do. I swear if you watch it because of what the ads tell you, you'll be disappointed. Also, you would watch it if you were interested in magical girls, but with a spin, as there are a lot of magically themed 'magic' in this movie. And quite a few 'transformation' scenes.

Reviewer’s Rating: 6

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Jan 16, 2016

Spira

Not Recommended

Asuka, Yukinon, and Menma become cyberpunk mahou shoujos and fight viruses in a speculative fiction setting under the supervision of Shin Sekai Yori's director, Masashi Ishihama, and Nozaki-kun's head writer and script composer, Yoshiko Nakamura. While this sounds like it has all the potential of being fucking great, all it turned into was an emotionally detached snorefest, trying to cram too much into too little and not doing anything with its assets.

Not to say that it isn't without its highlights: it's certainly pretty, with some set pieces being actually gorgeous, making use of its movie sized budget to make sure shots ... flow into one another with animation at a near consistent high note (though there's more than a few wonky edits), and the music isn't too bad (though its reliance on piano pieces as a gateway to melodrama feels forced and almost comical). There are brief moments that made my bottom lip quiver a little, so I guess it must be doing something right there. But even then, the film didn't really earn those on its own merits, it just used a lot of cheap tricks to pull emotion out from the viewer, complete with a "shoot the dog" sequence, ultimately making it feel shallow and working off of the audience's own inherent connection to those images instead of building something on its own. I can see it pulling a few heart strings if you're new to this genre of Dark Mahou Shoujo shows, but for us that are well versed in its various trappings it'll feel like a carbon copy of a certain other Dark Magical Girl show from 2014, down to its major plot points, world, and 'big reveal'. The character development in this is actually not that bad either, in that the ensemble definitely experience worthwhile changes as the film reaches its climax, which is neat, though the way they went about developing them was all wrong (I'll explain this point in a bit). There's also a reasonably fascinating setting here, one that approaches a prototypical speculative fiction backdrop in a somewhat refreshing way, and that's something worth crediting it for. While the notion of a post-apocalyptic world where lives are lived out through data is nothing new in this medium or any other, the manner in which this is presented places it further from the tech singularity of standard genre fare and into something just a teensy bit more unique than a few of its influences and contemporaries. With the correct approach, the universe being established here could be salvaged and make for good franchise fodder, though they'd have to steer clear of the pitfalls in worldbuilding that plagued this particular product.

But that's all I can really say in its favor. While the notorious pair at its head are known for spearheading incredible stories, this film somehow manages to pull off the unthinkable by being a paragon of mediocre storytelling. About a solid fourth of this hour long feature is nothing but infodumping, throwing a lexical onslaught of meaningless technobabble at the audience in the most repetitive forms of exposition available: the dreaded "as you know" and "as we both know" banter. This vice extends to the general dialogue as well, which comes off as inorganic and honestly a tad annoying at times, with characters constantly reaffirming their feelings towards themselves (at eachother) in bloated solipsistic monologues. I understand they're not meant to be human, and a certain form of uncanny valley is to be expected in their mannerisms, but they never felt strange or compelling in their inhuman behavior, they just felt poorly handled. I just couldn't really care what happened to any of these "people", and the fact that they start off as the most derivative forms of their moe archetypes doesn't help that cause either.

Going off on the exposition dump is one of the most ill conceived montage sequences I've ever witnessed. While the match cuts in the film's central Cute Girls Processing All Sorts of Things segment were impressive and the whole idea of it works well on paper, the fact that what should have been the most interesting part of the whole film was condensed into three consecutive music videos makes me incredibly frustrated. This shoehorned appeal to pathos severely disrupted the flow and pacing of the film, and this ties back to my previous statement about the film lacking "true" emotional resonance: in lieu of fleshing these experiences out, all three of the major character arcs are given life in 5 minutes through a combination of "watch these cute girls make food together! so cute!" and "watch these cute girls look sad as they stare at tragedies! so sad!" It's just bad usage of film length overall and boy is it frickin' dull. Considering this makes up about a half of the film's runtime, and the second half owes all of its impact on how well we connect to the first half, the whole experience just sort of falls apart right there before it ever really began.

Overall, this just isn't worth the investment, which is upsetting considering it's founded on some pretty solid ideas and found itself in the hands of some rather talented people. I felt like a big issue with this came from it feeling like an aborted television series, like if it were a recap film to a show never made (think MSG: F91). If this were given even half an hour more to breathe, perhaps we'd have something worth talking about here, but instead it's just a mess.

Reviewer’s Rating: 4

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