It is 2977 AD and mankind has become stagnant. Robots do all the work, the masses are kept tranquil by subliminal messages, and government officials are lazy, caring only about recreational activities like golf and horse racing. Captain Harlock has defied this insipid mentality, leading a group of like-minded rebels to a more adventurous life aboard the spaceship Arcadia.
A mysterious force known as the Mazone has invaded the Earth, taking the form of mysterious cloaked women that kill anyone who suspect their nefarious doings, such as Tadashi Daiba who is now on their hit-list. After his scientist father is ignored by the government and killed by the Mazone, he joins Captain Harlock and his ragtag group of pirates to assist them as they try to save humanity from the impending alien threat.
There is a reason this is considered to be one of the greatest anime series ever made. Take a healthy dose of outlaw vigilantism from the wild west, combine it with all your favorite pirate fantasy escapades, put it on a vaguely WWII-era stylized battleship, and set it in space. If you replace the six-shooter revolvers with plasma lasers that can double as rapiers, replace the battleship guns with ultra-powerful “pulsar cannons”, and replace the high seas and prevailing winds with gravitational anomalies and solar radiation, what will remain is about what you’ve got with Space Pirate Captain Harlock. Add one of the most endearing and enduring characters anime ever produced, and this is the series you’ll end up with. It even comes complete with a seemingly-unstoppable alien invasion, a lush back story to fill out the appropriate pacing measures, and a gunfight/dogfight/fistfight in nearly every episode!
The animation is surprisingly good for its time. You can certainly expect reuse of footage, along with sometimes-choppy transitions or movements, but it holds up fine today provided you’ve got an appreciation for older animation. There are some slight errors in how the cells are layered (one of which includes lights illogically going through Harlock’s slightly-transparent chest, for instance), but all of them are minor, brief, and they don’t interrupt the flow/continuity at all.
The story is classic. Perhaps typical of Leiji Matsumoto, the story is a hardcore adventure tale, taking all the aesthetics & themes of the wild west, high seas, and last frontier and blending them together into a wonderful story of loss, vengeance, desperation, and hope.
The directing is well-done for its time as well, though in some ways this shouldn’t be TOO much of a surprise (considering it was directed by none other than Rin Taro, who also directed another one of Matsumoto’s big-titles, the Galaxy Express 999 movie, among others). Framing techniques, contrast, use of forced perspective, and generally well-placed shots are used to wonderful affect; add to the table his proficient editing and it isn’t hard to see why he receives praise.
The soundtrack is easily one of the most memorable to date, bringing the atmosphere, writing, and directing into a cohesive whole with its western-style instrumentation and tone. It uses music to blend together the themes of hopelessness and despair with the constant heroism, lonesomeness, and melancholy that exemplify the tone of the series, as well as the crew of the Arcadia and the oppressors they fight against.
So… why a 9 instead of a 10? To be honest, it was a tough call to make. In fairness, I believe that it deserves the 10 for its time, however, even by today’s somewhat retro-standards, I think there were a few things that it “could have done better”. The characters, while perfectly suited to their setting, atmosphere, and interactions, will fail to live up to many audiences’ ‘modern’ standards of development. The story may come off as contrived to some, possibly two-dimensional with only a few remarkable plot twists to others. The way the narrative takes its time fleshing out its history may cause some to complain about its pace. And of course there are the rather dated issues of character models, backgrounds, and general animation quality. I personally believe that these things are not “faults” or “failings” of the show at all; rather, I think they simply serve to highlight how well the show sculpted an epic narrative out of the varying resources, tools, and ideals it had at its disposal.
The 10 it deserves implies that nearly everyone will enjoy this title, which sadly isn’t true. It’s dated qualities will no doubt turn many away, and it’s superficially two-dimensional story may ward off those unwilling to see some of the more subtle things going on under the surface. It has aged surprisingly well in spite of this, however, or perhaps because of it—Captain Harlock’s determined, stoic, resourceful, courageous, and only slightly brooding character has been impersonated, regurgitated, and repeated many times at this point, but even when this archetype is reiterated well, it always fails to live up to the original. Harlock is one of a kind, and Space Pirate Captain Harlock is similarly one of a kind.read more
"UNDER THIS FLAG WE SHALL LIVE IN ULTIMATE FREEDOM!"
"Only real men can understand stuff like this."
Ah yes, the reason why I tend to watch ANYTHING with the name Leiji Matsumoto attached. Let me first say that my five star rating is biased as I have happy childhood memories attached to this property and it was great to finish it after 30 years. What more could we want than the stoic badass known as Captain Harlock sailing the sea of stars fight evil and injustice with only his guts, moxie, and wits. For 36 years the space pirate has inspired hope and instilled fear in a universe corrupt with hedonism and sloth. And here is where you get to see the birth of it all, this is what inspired sequel and spinoff after sequel and spin off and rightly so! How could this series end, and not leave you wanting more? Has any show been more inspirational to anime than Harlock? When I watch this show, I'm five years old again watching my dream unfold. So much so I can barely write a coherent review. I want to put, "WATCH IT IT'S GREAT!!! WATCH IT IT'S GREAT!!!" a thousand times and call it a review. but for the benefit of those who've never encountered Harlock I'll try harder.
It's about fighting with honor and conviction, for what you believe in; about taking up the reins of destiny yourself, answering to no one. Yes, I love it so much because I dream of being Captain Harlock. I wish for such as his. Now excuse me while I sip some (beer) and stare longingly at the sea of stars. "The sea of stars shall be our home, our only home!"read more
To me, 1978 is a special year in anime. We got so many good anime; I just have to watch them all. Of course, when someone says there is an anime about space pirates and by Leiji Matsumoto (Yamato series), shut up and take my money. It was also directed by Rin Taro, whom has directed many shows from Astro Boy Brave in Space to the 1999 X Movie. Basically, his stuff is a coin flip. Luckily this anime did not disappoint.
Set in 2977, this is a world where technology does most of the work like in The Jetsons, and humans have become so lazy and relaxed like in Disney’s Wall-E. However, when a foreign “blue” alien invading race is bent on conquering Earth for their own reasons (sounds familiar), there stands only one man and his crew... Captain Harlock with his “strange” crew on the massive battleship Arcadia.
Much like in Yamato, the alien invader is incredibly interesting. However, unlike in Yamato, the characters are also fairly interesting with some development and decent enough back stories. However, when it came to deep explanations, deep back stories, deep anything, this is where the anime lacked the most. The viewer always felt like some episodes that became “destroy the alien ship of week” could have easily been replaced with more explanations towards almost anything or just left out completely. This was a real shame, but still manages to not take too much away from the action and story progression. One example of this is Harlock’s closest companion, the alien Miime. We are shown in one episode of Miime’s total backstory that tries to explain everything. It feels rushed and you want more. This is how the anime works. You will get answers, but they are extremely simplistic and are never touched on again.
The artwork, writing, story, and more are very similar to Yamato with some improvement, but there is no problem there and to be expected in Matsumoto’s work. Be prepared. This show has multiple side stories, a sequel that came out 20 years later, and a 2013 movie. This is a slower paced 42 episode anime. There are the occasional deep-gripping moments which were a real surprise, and had me fall in love with the show more. All-in-all, give the Space Pirate a try and if the first six or so episodes don’t convince you, then maybe it just isn’t for you. read more
I went into Space Captain Harlock thinking I'd be able to give it all the allowances I could for the time it was made in and and all that comes with. I really did try. I've heard nothing but good things about this show, and I was really looking forward to my first foray into the Leijiverse. For what its worth I did watch every episode, but I just can't recommend it. I just can't. I'm mostly going to focus on the story and characters here. This review is meant to warn people about this show, and in no way am I trying to bash it. I understand that most people will have a vastly different opinion of this show. This is meant to give people a different viewpoint, and that's all. The only thing I can say is I probably would have had a vastly different opinion of this show if I had seen it in the 80's rather than 2012
Story (Heavy Spoilers)
Most of my complaints can be lodged in this department. First on the hit list is The earth government. The earth government basically consists of the Prime Minister and a bunch of place holders that want nothing more to do than bet on races and nothing else. I understand he's supposed to be allegorical and all but I can't appreciate any point Leiji is trying to make with him with my seething rage every blinding every second he's on screen There's also the Mazone. They're the main antagonists in the show and it regularly shifts between them being only women, asexual, plant people, snow people, humans and god knows what else. Setting the confusion at their nature, is their motivation. They are supposed to be plant people now, and they want to take over Earth. Earth is a desolate wasteland almost, and at one point the story focuses on this planet they've taken over that is nothing but plants. All plants all the time and it's little more than completely ignored. I don't care if Earth used to be their homeworld. That is just terrible plot. The rest of the plot goes from focusing on characters that no one in their right mind would consider caring about and Harlock being a completely negligent Guardian to his dead friend's daughter. Leiji has absolutely no concept of how space works, at all. There's a lot I could say about how cavalier he is with physics, science, and common sense and general, but the main thing is space travel. There is no attempt whatsoever to explain how the Arcadia gets around. Sometimes it takes a day for the ship to get from Earth to some nebula somewhere, and then when they leave it takes them a week to get back. I guess it's fine not to sweat the details, but I for one expect better structuring out of a Space Opera.
Characters (some spoilers)
Almost no character growth can be seen in this show, and that's bad since most of the characters start off bland. Harlock in particular is a terrible person. The biggest flaw is this subplot with his dead friend's daughter, Mayu. Her dad wanted her to grow up on Earth where it was safe, rather than on the nigh invincible Arcadia where she would be loved by all. She is set up in an orphanage where she is constantly abused and taken advantage of because of her connection to Harlock. Harlock is aware of this, and despite all her desperate pleas he constantly leaves her in the care of her tormentors.
It's pretty good for its time but there is an abnormal amount of cels that are layered incorrectly making quite a few scenes incomprehensible. Leiji has a tendency to draw all women the same, but considering everything else that was disappointing with this show I can let it go.
There is a tremendous amount of completely random noises being flung around in almost every episode. There are also times when say a door opens in one scene there is a specific noise, and in the next scene the same door will open and it will be another noise. You better get used to women screaming and laughing because whenever a Mazone is onscreen regardless if their mouths are open or not that's what they're doing. I used to love Ocarina music until this show, but after Mayu droning the same song over and over on her ocarina I never want to hear a wind instrument again. The voice acting is about the best the sound department gets in this show.