Kingdom

China’s Warring States period, a raging dragon that would raze the land for 500 years, saw many kingdoms rise and fall, making way for the next generation of kings and generals to fight for supremacy. Eventually, seven powerful states emerged from the endless cycle of warfare.

In the kingdom of Qin, Xin, a war-orphaned slave, trains vigorously with fellow slave and best friend, Piao, who shares his proud dream of one day becoming a Great General of the Heavens. However, the two are suddenly forced to part ways when Piao is recruited to work in the royal palace by a retainer of the King.

After a fierce coup d'état unfolds, Piao returns to Xin, half dead, with a mission that will lead him to a meeting with China's young King, Ying Zheng, who bears a striking resemblance to Piao. Kingdom follows Xin as he takes his first steps into the great blood-soaked pages of China's history. He must carve his own path to glory on his long quest to become a Great General of the historic Seven Warring States.

[Written by MAL Rewrite]

Xin Main

Morita, Masakazu Japanese

Lei, Qiang Main

Hikasa, Youko Japanese

Ying, Zheng Main

Fukuyama, Jun Japanese

He Liao, Diao Main

Kugimiya, Rie Japanese

Wang, Qi Supporting

Koyama, Rikiya Japanese

Gong, Biao Supporting

Saitou, Shirou Japanese

Li, Mu Supporting

Morikawa, Toshiyuki Japanese

Yang, Duanhe Supporting

Sonozaki, Mie Japanese

Teng Supporting

Katou, Akio Japanese

Changping Jun Supporting

Suwabe, Junichi Japanese

Kamiya, Jun Director

Takakuwa, Hajime Sound Director

Noshitani, Mitsutaka Episode Director

Kawai, Shigeki Episode Director

Reviews

Feb 25, 2013

Zee530

Recommended

"War educates the senses, calls into action the will, perfects the physical constitution, brings men into such swift and close collision in critical moments that man measures man." – Ralph Waldo Emerson, 1882.

Yasuhisa Hara’s Manga takes place in the warring state period of China, as the country is divided into seven smaller nations, each trying to conquer the other. It follows a young war orphan named Xin from the Country Qin, who one day on his way returning to his village with his best friend witnesses a battle between two armies, inspired by the spectacle before him, he vows to one day become one of ... the greatest Generals alive. The first arc of the show serves as an introduction to the warring times, demonstrating the harshness of living in such times and the brutal power struggles. At this time Xin meets the young king Ying Zheng and after offering his assistance and proving himself, gets drafted into the army and given a chance to turn his ambitions into reality.

Kingdom showcases some extremely large scale military battles and for the most part does an outstanding job in capturing the atmosphere on a battlefield. Kingdom doesn’t always revolve around the fighting, but on the different strategies the Generals implement to try to gain the upper hand over an opponent. The strategies remain diverse and differ depending on the general and may change at a moment’s notice depending on the situation on ground, showing that adaptation is an important factor. While it does contain an abundance of strategies, it does well in the fact of not overwhelming us with too much of it, the ‘brain vs. brawn’ argument is also laid bare and the series hints at reading the flow of battle, anticipating what your opponent will do and knowing the right strategy to apply always wins the day.

Kingdom also demonstrates that a battle is never a one man mission, it requires co-operation between several squads and sub-squadrons given different tasks to carry out that ensure victory. Our protagonist, Xin, is indeed powerful when compared to a normal soldier, but the series carefully makes sure not to depict him as over-powerful, and it never tries to make the mistake of making him take center stage in a battle, as of course an overpowered MC from the get-go would indeed be boring. At every battle Xin’s squad is given a particular task to perform on the battlefield, this task may mildly or adversely affect the whole state of the battle and after which he withdraws to a supporting role as other squads and different part of the army take the center stage. In the rare cases Kingdom does shy away from the battlefield it deals with simple character interactions or matters of Diplomacy and state.

The emotions the show throws at you are also immense, battles get so tense it may literally have some people at the edge of their seats and just writhing in agony at the prospects of what may happen next, more so when characters find themselves in a seemingly hopeless situation. Survival is of course the main objective but the soldiers also display a sense of chivalry about them, in the sense of even when greatly outnumbering an opponent, once their commander is killed, they usually withdraw. The pacing remains almost flawless all through, never dragging on but also not moving too fast for audiences to lose sight of it. The script is also very well written, while not too simplistic or psychological, characters engage in smart dialogue that doesn’t seem redundant and is always straight to the point never beating around the bush. Even those pre-battle speeches a commander gives, serves as more than just a morale booster.

3DCGI has always looked wonderful in games and full CG animations, why? Because these forms of animations have always been aimed at making the art of the show look as close to real life as possible. However, when incorporated in anime, which takes its pride in being different from real life, it’s a completely different story. Its plastic appearance and mechanical motion has made a great number of anime that incorporate heavy use of CG to be assessed as mediocre.

Kingdom makes extensive use of CG animation, first of all the CG actually has varying qualities, there are times when it looks as terrible as it’s known but other times it’s truly a spectacle to behold. I find myself most frustrated with the quality of the CG at the start of the show, the quality of the first couple of episodes was quite poor and did nothing but chase away any potential viewers who might have wanted to stick with it to the end.

Once you get past the bad quality of the initial episodes, the animators reward us with some high quality CG that certainly impresses with some great choreographed action sequences. The studio also didn’t fail to take full advantage of the CG on the battlefield, the number of characters drawn on the screen was indeed much but they always made sure these characters moved independently for the most part and not the ‘Foosball table’ combat one may have anticipated. 360 degree camera rotations and different camera positions are also plentiful.

Despite the shows seemingly low production values, it had a number of very popular seiyuus, the likes of Fukuyama Jun and Morita Masakazu grace us with some very powerful performances, almost all the seiyuus left powerful impressions on their characters. The soundtracks in Kingdom mostly comprise of orchestral pieces and the sound director did a great job of adding the right track to suit a situation, be it a dramatic, comedic or tense moments. Kingdom also spans an OP and three ED songs.

Kingdom features one of the greatest character growths I have ever witnessed in any anime. Our protagonist Xin, not only grows physically in his strength and sword fighting skills but also grows mentally, when we first meet him, he is your everyday brute that solves all his problem with the throw of a punch or the swing of his sword but as he gains experience in battle he starts to use a bit of intellect to his duties. One can’t help but feel proud of the young lad who rose from obscurity when we see him gain accomplishments on the battlefield and one can’t help but do a victory dance every now and then when he succeeds with all the odds seemingly stacked against him. Even simple events like Xin receiving his first ever payment or him buying his first ever piece of armor are events that truly warm the heart.

The supporting characters also receive a decent slice of the pie, their personalities of most of them are unique and also at the same time enjoyable, the show has no shortage of standout characters and you may have a hard time picking a favorite. The majority of the female characters in the show in particular, although few and far in between, were all great, they never act weak, play the damsel in distress or used for profane fan service and actually are capable of single handedly dismantling a large number of their male counterparts. Despite the large number of cast, Kingdom does a great job in developing most of them in very enjoyable fashion whilst keeping the pacing near flawless, I was honestly shocked by the amount of content that went into 38 episodes and the show never beats around the bush with needless flashbacks and dragging themes but always stays precise and straight to the point.

Kingdom has indeed for me been a diamond in the rough, it had a lack luster opening but slowly grew into something impressive. The CG may bring it down a notch or two but it more than does enough to cover for it in with its vibrant story and great characters. The decision of the author to put character growth ahead of everything else has indeed proven a perfectly worked out formula. While the large, heart-wrenching and pulse-pounding battles will receive the most attention, we can’t deny that it was a show that attempted to impress in all departments.

To create a show with such a large world that almost accurately captures the principles and aesthetics of ancient warfare is indeed quite a feat, but to execute it with so very few flaws, absolutely boggles the mind.

Reviewer’s Rating: 9

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Dec 22, 2015

dissipated

Mixed Feelings

First 14 episodes = 4/10
14–20 = 5/10
20+ = 6/10
Average=5/10

In episodes 20–38, a few episodes deserved 7-8 scores, noticeably the penultimate episode.

_
Comments on plot and characters
plot=5
... Comments for episodes 1-20:
The plot is garbage. It just relies on cheap cliff hangers and plot twist to keep the audience watching every single episode.

The characters are bad. They are superficial, so little is known about them which obscures any possible affections for them. Their dialogue is also atrocious.

The protagonist is illogically over-powered, and he incessantly spews cringe-evoking dialogue.

The humour is forced and inserted wherever possible.

The execution is subpar.

It is difficult to take this show seriously when its logic is absurd.

The characters have logic defying strength and super jump. The problem is the show offers no explanation for the unnatural strength of the characters, so it cannot be accepted as anything but a flaw. The only exceptions are the clans that call upon God’s strength because there was at least a modicum of explanation.

A myriad of plot conveniences run rampant, especially in battle spoiling the mood. Also, the protagonist Xin receives special treatment because he’s the main character as opposed to any logical consequence of the plot.

A few plot holes are apparent: Xin buying armour and never using it in combat; the absurd battles throughout the anime—a tiny group against thousands; the part where Wei, Ping elected to be a decoy by leaving a blood trail, yet he was able to escape. That must mean they never followed him or caught up which is near impossible; there are also those preposterous premonitions that frequently occur.

There were no redeeming factors until episode 20.

Episodes 20+
Pass that, it’s actually enjoyable. Wang, Qi and his army became likeable despite previously being loathsome. Xin is still annoying. The only other likeable characters were the brothers that helped Xin out.

Some of the negatives mentioned above are experienced to a much less degree or are unrealized. The major flaws are still present, so this arc receives a 6.

It should be emphasised that armour cannot be easily penetrated with generic swords. A specialised weapon or sword suited to combating each specific armour is needed.
_
Character=4
Most characters were ridiculous and/or unlikeable. These ratings are based on the character design and how well they were used.

Zheng=bad
Piao=fine
Xin=bad
Lei=average
Diao=bad
Bi=average
Wei, Ping=good
Wei, Dao=good
Wang, Qi=fine
Pang=bad (Too little is known about him, and he defied his own logic when he didn’t beat Wang with his own strength. Also, how the army found him to begin with is rather dubitable.)
_

Art=9
The animation style (3D and high detail) complemented the war and action theme of the anime. The 3D aspect evoked a vibrant experience. However, seldom are the wounds shown upon contact of the blade. This detracts from the show’s realism.

_

Sound=9
Most of the sounds were appropriate, and the sound tracks were superb. However, one absolutely detestable thing was that song or tune that played every time Lei danced. It was abject cringe.
_
Enjoyment =5
Overall=5

Reviewer’s Rating: 5

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Nov 26, 2022

perseii

Not Recommended

Funny

Well-written

Kingdom Season 1 is a big disappointment. The show is a historical epic about wars and heroes, but it does not dig into the setting deeply. It is closer to an action adventure show about a kid fighting strong opponents, but follows a simplistic, obnoxious protagonist that barely develops. On top of these, the poor production quality hampers the excitement and the storytelling.

I had a somewhat high expectations for Kingdom:
- I had heard the manga described as one of the great historical epics, mentioned in the same breath as Vinland Saga. I had not read either, but I was absolutely blown away by Season 1 ... of Vinland Saga.
- I was very interested in its setting, the warring states period of ancient China, since I enjoyed reading "Romance of the Three Kingdoms".
- Kingdom Season 4 was airing at the time and holding one of the highest MAL user ratings of that season.

I appreciated how Kingdom S1 takes great care in depicting warfare. I enjoyed the build-up to a battle, when generals discuss strategy and foot soldiers prepare themselves. Once the battle starts, the show frequently explains strategies and the thinking behind them. On the ground, characters are constantly figuring out how to carry out orders without dying, and the emotions go through highs and lows along with the flow of battle.

However, the show is severely lacking on the visuals side to really deliver the full impact of the battles, and it hurts especially in 2022. While the use of CGI allows sweeping camera shots and huge melees, the extremely stiff and simplistic animation fails to make them convincing or exciting. One-on-one fights are not much better; the characters simply swing their weapons at each other really hard. It does not help that the environment design and background art often looked completely flat and uninspired.

Some of the hand-drawn animation does look more pleasing and expressive, and I wish the show had more of it. Also, the character designs manage to be a lot of fun. The characters have simple, distinct personalities with a variety of backgrounds and motivations, and their looks clearly communicate them and make the cast memorable. This brings us to the biggest problem I have with the show...

The main character, Xin, is very annoying and uninteresting. He is a country kid, the simple-minded and brash type, always excited to battle, with boundless ambition and confidence, and most importantly, LOUD. He has no other memorable personality traits or quirks to him, and he is given little motivation beyond "I'm gonna be the very best". He does not develop much through the season, because he is very rarely seriously challenged in his beliefs or suffers failure. On the battlefield, he displays superhuman strength and agility from the very beginning, which is never really explained. He is consistently rewarded for these personality traits and his martial prowess. This style of writing, combined with stiff CGI models, makes it hard to understand or sympathize with Xin.

Kingdom S1 spends an overwhelming majority of its time with Xin, so the other characters are not given much time to shine. Zheng is introduced as "the other half" of the story (as seen in the poster), and he offers a very different type of story and point-of-view from Xin's. However, his story almost completely takes a back seat to Xin's later in the season. We do spend a lot of time with one particular side character, exploring his personality, motivations, and battles. He becomes a stand-out in the show for me, and even has some impact on Xin as a character, but he comes late in the season.

The show misses out on exploring other storylines by focusing so heavily on Xin. With a large cast entangled in power struggles and wars, the show could have explored palace intrigue, statecraft, diplomacy and espionage, and even everyday lives of the commoners and the nobles, etc. While the show touches upon some of these briefly, it does not follow up on them; for example, a powerful figure is introduced as the de facto ruler of the country and a dangerous rival, only to disappear from the story shortly afterwards. The later seasons supposedly expand on what has been set up, but I am struggling to have faith in the series.

Despite my many complaints and general dissatisfaction, I have sat through all 38 episodes of the season. A part of me just wanted to be able to say I finished it (and leave a review), but another part of me wanted to see it improve and realize its potential. The show does steadily get more interesting as the season progresses, but the earlier parts are much too clunky, and the later improvements are not significant enough. Kingdom has announced a Season 5 at the time of writing, so I may come to enjoy Kingdom more in subsequent seasons. However, after these disappointing 38 episodes, I will not be bringing myself to watch Season 2, at least for a long while.

Reviewer’s Rating: 4

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