Aug 13, 2017
The saying ‘’A picture paints a thousand words’’ is truly exemplified by this manga. While the amount of dialogue in-series isn’t exactly low, the main character speaks rarely throughout the whole manga; yet that is its biggest feat. While manga, like anime, is a visual medium, most works don't utilize their visuals to full extent, only going as far as to present scenarios in a very bare-bones and basic manner. That's where Kokou no Hito shines, as it manages to tell the story solely through its astonishingly utilized visuals - be it the visualization of psychological struggle or metaphorical imagery that adds a symbolic layer
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to the scenarios that our protagonist faces.
I think it should first be mentioned that expecting a traditional sports manga when going into it is a mistake; the series is more akin to titles like Ping Pong, where the actual sport takes a backseat to the exploration of the cast. Yet Kokou no Hito is different in a way, since the whole manga focuses on Mori Buntarou’s mentality, and his alone. Our protagonist is shy by nature, and soon after transferring schools, he gets into mountain climbing - this is a rather traditional setup, but that’s not all there is to it.
Initially, Sakamoto Shinichi was responsible for the artwork whereas Yoshiro Nabeda was responsible for the writing - a fairly common constellation for serializations; but due to, at least to me, unknown circumstances, Yoshiro Nabeda left the project after volume 3, and Sakamoto Shinichi was now not only the illustrator, but the author as well. I believe this worked to the series’ benefit - the first two volumes were rather clichéd in their structure, but once Sakamoto Shinichi took over the writing, the series evolved; turning over from a traditional sports series to an atmospheric, introspective character study.
That’s where the visuals get important - while in most cases, characterization is done through dialogue and actions, Kokou no Hito does it through the art; since Mori fails to talk back to people due to his shyness, and is reluctant to talk in general, his personality and mindset are brought forward solely by metaphors. Instead of just blandly showing us his inability to reply, his thought process is visualized; to provide an example, in an instance where a character stubbornly demands Mori’s keys, Mori fails to deny the request and simply stands there, awestruck - yet what is actually shown to us is Mori pointing a remote at her trying to metaphorically “turn her off”, followed by him sitting on the floor writing possible replies on notes. This impressively conveys his struggle to find the right words and him wanting to escape the situation. And yet Mori, in reality, just stands there doing nothing. This was just one of numerous examples, and the series truly makes successful use of this technique. Kokou no Hito also utilizes its art to create a fitting atmosphere - be it landscape shots from the mountain-top to create a sense of irrelevance and scale or small moments like Mori breathing in fresh air and simply feeling alive. Although it is perfectly utilized, the atmosphere creates an issue within the series - since the writer changes, the tone of the series alternates rather abruptly; this causes the transition from volume 3 to 4 to be rather jarring, and can break the built up immersion in the previous volumes, although I personally am able to overlook that since once you get used to the new direction it takes, it becomes a way more captivating series.
The change in author also caused several subplots to be scrapped, and some characters that were planned to be relevant later on were treated very poorly by the plot; this feels especially odd considering the level of insight the series gives Mori and its thematic exploration, creating a stark contrast between the very well crafted and almost amateurishly written sides of the series. That does not mean the series goes downhill though, as it manages to create several compelling subplots and exciting twists - since this series is about mountain climbing, an inherently dangerous activity, there are bound to be fatalities, and the way the series portrays the cruel apathy of nature is truly chilling; people die on several occasions throughout the series, yet those deaths are not dramatized in the slightest, rather, they are presented to be natural events, which makes those moments even more haunting and depressing. This ties really well into the series’ theme of human irrelevance to nature, how small and meaningless we are in the grand scheme of things. The manga addresses this in an intriguing way, presenting the mountain and the act of climbing as both a strenuous and demanding, yet desirable and fulfilling thing; throughout his journey Mori faces many challenges and cruelties in the mountains, yet he never backs down, always chasing one peak after another - he doesn’t have any concrete reason, the only thing he knows is that it gives him a sense of liberty, being isolated from the humans he does not get along with.
The aforementioned ties profoundly into the series’ symbolism, most notably the meaning of the mountain and the rope. Whereas the mountain’s symbolic meaning is vague, the rope’s is pretty simple and straightforward - human connection. Once you link ropes with a climbing partner, your life lies in their hands and theirs in yours. If one falls, both die; severing the rope means severing your connection to another human, and that theme is poignantly presented in Kokou no Hito. The mountain’s meaning deserves more focus than I can give in this review.
A big criticism this series often receives is the underwhelming sidecast, especially in comparison to the phenomenally characterized protagonist; while this criticism isn’t necessarily wrong, I feel like it’s missing the point of Kokou no Hito - it’s an autobiographical work through and through, detailing the life journey of Mori Buntarou, so I do not see why a sidecast with more focus is necessary. I agree though that a few characters could have been handled with more care, especially Yumi and Miyamoto. What is often forgotten is that Kokou no Hito did have a few side characters that, while only having a short appearance in the series, were handled in an absolutely brilliant way, perfectly showcasing what the series can achieve in terms of atmosphere and thematic exploration.
Another aspect I want to address is the conclusion - Kokou no Hito has probably the most impressive final act I have witnessed in media; the narrative shifts completely, switching between the last climb and the memories and thoughts of our protagonist, giving it a very unchronological and confusing feel. Indeed, many people need a reread of the last two volumes to fully grasp what's presented, but this makes for one of the most absorbing and cathartic conclusions I have seen, being simultaneously inspirational and cathartic.
Yes, this series is flawed, but I truly believe that its positives more than overweigh its shortcomings; it’s insightful on a very personal level, detailing the life of a fully fleshed out and explored protagonist, while presenting themes that are relevant to all of us. Kokou no Hito is a journey, for the protagonist and the reader alike, and it’s a journey I would love to embark on time and time again. It fully absorbs you into the mountains, making your crave for fulfillment yourself, and that is the greatest feat a work of art can achieve.
Recommendations:
-Oyasumi Punpun for capturing the same emotional beats
-Neon Genesis Evangelion for an anime that is similarly structured in narrative and has a strikingly similar protagonist
-Ping Pong for another psychological/sports series that conveys similar thematics
Reviewer’s Rating: 10
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