English: Death Note
Published: Dec 1, 2003 to May 15, 2006
Serialization: Shounen Jump (Weekly)
Score: 8.851 (scored by 58224 users)
1 indicates a weighted score
2 based on the top manga page.
Popular Tagsdrama mystery psychological shounen supernatural undefined
Jul 2, 2008
STORY - Morals and ethics are serious business, and it isn't often that they're addressed so directly in a series. The lines that people draw vary greatly from individual to individual, and the last thing any writer wants is to severely offend any portion of its potential readership. I found it incredibly impressive then, that Death Note could so effectively address such a controversial issue -- capital punishment -- without alienating anyone in the audience. Wrapped up and packaged with some rather generic supernatural elements, Death Note may not seem like anything particularly special at first glance, but the eerie realism in the rest of the world begs the question, "What would you have done?" And I find that connection one of this story's greatest strengths.
Despite the flexibility of his manga though, Ohba's personal morals and overall message is clear. All the same, if his primary intention was for readers to think and contemplate the issue, then he certainly succeeds, regardless of whether individuals agree with his views or not. He doesn't offend them with his opinions, and that's good enough. Death Note's story progresses rapidly and quickly spirals into a very involved suspense; it's a tension-filled chess game that the protagonist and antagonist carefully play (which character is the protagonist depends entirely on your point of view). Yes, there are many more words than actions, and yes, it can be frustrating, and even comical at times, how long the chains of "I knew that you knew that I knew that you knew" become. But these words and lengthy passages of expository serve their purpose and keep you on the edge of your seat, and it's obvious from the beginning that this ain't no shounen title.
Sadly, I've found that a lot of readers stopped halfway through the series, citing that the tension ramped off severely after the major spoiler. While I understand their position, I would disagree and honestly applaud Ohba for breaking through everyone's expectations with said spoiler. If anything, the uncertainty that's left behind and the vague impression that there's already a winner in the battle for justice makes the latter half of the series that much more interesting, even if the absence of certain things may be a blow. The stakes are higher. It's the last stretch of the race. Up until the very end, Ohba is able to keep the ultimate victor a secret. Those last forty seconds waiting for the last few names written into the Death Note to die? Killer. You'll breeze through the pages, but your heart will still be pounding afterwards. And it's all worth it in the end.
CHARACTERS - Death Note had a fantastic cast of characters, and you really find yourself emotionally evolved. You feel for them. You love them. You hate them. You hate them. I find it to be a sign of incredible character writing and development when you can come to hate a characters as much as I hated Light Yagami. Mediocre characters just don't invite that much attention. So I didn't hate Light because he was a bad character; I hated him because of his personality, his morals, his reasons and logic, and the way he used his intellect. It didn't start off that way though. Light progresses a lot during the course of the series; his arrogance heightens, and his character warps. In a way, it was incredibly realistic and fascinating to watch as his personality and growing neuroticism turned him into a sociopath (not to mention frustrating, when certain things about him are revealed). It was also kind of scary. Seriously though, there's no denying that Light is a well thought-out character, and as much as I love to hate him, I can't help but think he's the most well-written character in the series.
L, as the antagonist/protagonist, is just about everything that Light is not, but that isn't as clear-cut as it may seem. As noted by several of the series' other characters, L's tactics can be rather questionable, and so even though his ultimate goal is to defeat Kira/Light, even his morals are not spotless. This adds another degree of realism to the story and provides for a very interesting foil. Additionally, L's personality quirks are some of the most interesting and endearing ones I've ever seen, though this may serve to cancel out the previous realism points for some people. As much of his past remains mysterious for the duration of the series, L's personality does not seem to progress or change as much as Light's. Still, the way he adapts and reacts to each of Light's changes definitely keeps things interesting.
The rest of the cast seems to be scattered across the moral spectrum, providing readers with many choices as to who to sympathize with or to relate to. Detective Soichiro Yagami is likely the most moralistic of the lot, though not unrealistically so. His relationship with his son is fun to follow throughout the series, considering their vast differences. Most of the other detectives are also clustered on the "ideal" end of the spectrum, though there's enough variation and personality quirk that they manage to establish meaningfully different personas (ie, they're all definitely different characters, even though their roles are fairly interchangeable). Misa's morals are more difficult to assess as they seem incredibly flexible; rather than morals, her character is defined by her utter infatuation with Light. I find this interesting mainly because it started off as an infatuation with Kira, but once she learned of Kira's identity, her affections were transferred to Light as Light rather than Light as Kira. Because of her lack of a moral standing and the one-dimensional nature of her "love" though, it's incredibly easy to lose interest in Misa, despite her importance as a tool in the grand scheme of things (this is also true for Takada and to some extent, Mikami). The lack of development in her "love" is also what made Rem not-as-interesting to me.
Now, Mello and Near. I kind of feel like Ohba tried too hard to mirror the quirkiness of L's character, what with Mello's apparent obsession with chocolate and Near's with toys. Still, both of them grew on me, and I was satisfied enough with the way they played their parts. And finally, there's Ryuk. What's there to say? As probably the only character with no real ultimate goal, he serves as kind of an objective bystander throughout the course of the series. He doesn't care one way or another as long as things are "interesting." Because of his attachment to the Note given to Light, he does end up helping Kira now and again, but I don't think that hurts his objectivity all that much in the end. In a series rife with moral and ethics, it was ironic to have the character that started it all so removed from all the conflict.
There were no useless characters in Death Note. All of them contributed in one way or another to the series as a whole, either by offering a variation in moral standing or by acting as a tool for another character to use. Sure, there were a few generic archetypes (the butler, the love-stricken slave, the vengeful widow), but I suppose there just wasn't enough depth to go around when the two main characters take up so much of the spotlight. God, I ramble a lot.
ART - Obata draws beautiful stuff, no question about that. From his wonderfully detailed backgrounds to the wide variety of character expressions (including Light's five hundred different creepy smirks), this artist's incredible prowess is evident throughout all twelve volumes of the series. Angles and perspective are expertly rendered and the meticulous attention he pays to each character definitely makes up for the fact that there are a lot of talking heads in Death Note. The human world is wonderfully realistic while the shinigami world offers everything you might expect from the supernatural. Character designs vary from being very simple -- Light and L -- to being very complex -- Misa and the shinigamis -- but all are well done. It's an incredible treat to go through this manga as the artwork is definitely up to par with the sophistication of the story.
OTHER - I've yet had a chance to read Viz's translation of this, so I can't really say much about its English adaptation unfortunately. :< I've heard pretty decent things about it though. Other than that, I really wish I could review the first two live action movies on this site because they were incredibly impressive and are two of the few book-to-film adaptations that satisfied my rampant purist ways, despite significant changes.
OVERALL - Death Note has probably impressed me more than any other manga I've read (which isn't any incredible number, but still). Its degree of sophistication in all categories, story, characters, and artwork, is incredible. The story is significant; the characters are engaging; the artwork is beautiful. It's like hitting the jackpot, and I really feel like this is one of those titles that almost anyone can enjoy; better yet, I feel like this is one of those titles that can act as a gateway for the not-yet-a-manga-fan, encouraging them to explore the media further. Yeah, there's a lot of hype around Death Note, and they're definitely milking it for what it's worth (an anime, three live action movies, video games, and several spin-offs, all in the course of what, two or three years?), but for once, I think this series deserves every bit of attention it gets. Don't take the numbers on this review too lightly. I don't give 10's that often.
Sep 30, 2007
About the story. The main character is Light Yagami who is a bored Highschool student, he soon finds a Death note which has the power to kill people by writing there name in, he soon finds out about this power and a Death god call Ryku comes to Light. He decides to make the perfect world in which he is God. He starts killing criminals with the death note and soon becomes famous and known as Kira. We then see how the story unfolds and the intelligence of the main characters.
Just something I should point out, you will never guess what happens at the end. read more
May 10, 2008
Story: The plot is something I've never seen before. It is definitely my personal favorite, but if you want to do yourself a favor, stop after reading chapter 56-58. It gives you a sense of ending. After that, they introduce the new characters; L wannabe, Near, and chocoholic Mello. The plot gets a little tedious, and often I found myself wanting to skip through it.
Art: As far as I can tell, the art is pretty well drawn, though sometimes a bit sloppy.
Character: Not many people have noticed, but I have to wonder if the creators are misogynistic. All of the females portrayed are seen as weak and helpless - even dumb. For example, there's Misa, who will gladly give away her life for Light and is not so smart. Yuri, who was just being used for barely two chapters, Sayu Yagami, who was basically just used so Mello could kidnap her, the lady who was Raye Penber's fiancee, who is shown to be obviously in a more dominated side of the relationship, and though she was smart, was killed off soon enough.
Otherwise, I find everyone to be very lifelike.
Enjoyment: I enjoyed it very much; up until chapter 60. With that, it started up again (the plot) and it felt kind of forced - like fanfiction when the author had writer's block.
Overall: Overall...I find it very difficult not to give it a high score. Go read it. Now. read more
Aug 9, 2007
With that being said, on to the details.
Brilliant. I can't think of anything else that has even come close to something like this. Entertaining, smart, and keeps you on the edge of your seat. You'll want to read the chapter after chapter to find out what happens next.
Looks good to me. Figures are drawn well and the females were good looking.
By far, the best part of this show. The characters were...alive. You felt like you really "knew" the people. Almost like reading a book there was so much detail. There aren't any that follow a typical "stupid" or "cliche" trademark either. Thank god.
Well, as I said, I didn't enjoy the second half of the story. After the first half, my enjoyment level plummeted. Read the second half, if only just to say you have.
Do yourself a favor and stop after chapter 57-59. You'll enjoy the manga a lot more and probably be happy with a well thought out ending (as opposed to the chapter 108 thrown together ending). read more
Jul 28, 2013
A: Death Note.
The protagonist, and his adversary, are both genius pretty boys (with the odd names of Light and L, respectively) who have an incredible amount of achievements and skill for their young age. Light somehow predicts things that he could not possibly have the foresight to predict, because, you know, probability is a thing. Don’t worry though, it’s not like you know that he’ll always win, because L possesses this exact same unexplained and ludicrous ability to predict the future; he just does so without a cheesy “Just as planned!” catchphrase that makes me want to shoot myself every-time it graces my ears. In this way, rather than being a dark and mysterious thriller, Death Note often manages to be an overblown mental mudslinging contest between two impossibly perfect master practitioners of bullshit who are both describable in a single sentence. This is epitomized in an early scene where the two, who both have tennis skills at a professional level, get into a match and engage in a ridiculously drawn-out internal line of logic about how the desire to not lose might relate to the true identity of the other.
Furthermore, what kind of psychological mystery thriller has a plot entirely driven by coincidences, improbabilities, and impossibilities? Again, Death Note. Plot devices like this were used every-time the manga found itself in a narrative corner, and these cop-outs always completely killed the tension that was built up to that point, while simultaneously disengaging the plot from the audience.
The concept was intriguing, and I won’t say it did not entertain me at some parts, but it was ultimately far too flawed in its execution to be called enjoyable or good overall, and it never managed to pull off the promise of its premise. It seemed overdone at times, with eye-roll worthy developments, and lines like “I take a potato chip and eat it!” delivered with the utmost significance and conviction, devoid of any irony or self-awareness. Light’s ability, of writing a name in a notebook as a method of killing, is initially well established and limited, while being relatively creative, although you would think he’d be able to do a bit more with it, but the way the new rules of the note are introduced as the story goes on can get a tad contrived.
Characterization quality is somewhat varied, but I would say that it's generally not all that good. It was bad, really. Light is a bit too perfect, his only flaws being the well-concealed logical results of his perfection, such as his narcissism and overconfidence. It could be argued that this flawlessness was intentionally done in an effort to depict the deconstruction of a seemingly perfect human being, but I think this concept eventually fell flat. It would have been far more interesting to see an average teenager find the note and watch the scope of his ambitions and arrogance develop over time. Light is arrogant, ambitious, and a staunch consequentialist from the very outset; this, logically, kills almost all opportunity for development. As for the rest of the characters, L was far more interesting and entertaining than Light, although he was even more unrealistic, evoking the child prodigy and boy detective clichés among other things; I mostly found myself rooting for him rather than the protagonist. Light's eventual “girlfriend” falls in love with him, to the extent of obsession, right away, as the plot commands it, and this insufficiently-explored obsession with him defines her entire character. There is absolutely nothing to her besides that, despite her eventually becoming one of the most significant characters in the series. In all actuality, the motivations for most characters, besides the protagonist and the Shinigami, are hazy at best and, with the exception of L, none of them are interesting in the slightest.
Death Note has some religious symbolisms and themes, which are underplayed and done well until a forced Christ allegory towards the middle, but this all kind of falls apart in the second half and all of the symbolism quickly vanishes into thin air. To make matters more dire, the already limited development of the protagonist stagnates and his adversary is quickly replaced by two identical, yet duller and less compelling, copies. At the same time, while the developments and additional rules to Light’s ability in the first half were often a bit contrived, they were usually better than nothing; pretty much all evolution stops in the second half, and it only gets worse. The manga essentially loses everything that it ever had going for it, and it then lies fallow in that inadequate stage for the remainder of the plot, all leading up to an anticlimactic conclusion that the audience knew was coming from the very beginning. The manga would have lost nothing to speak of had that conclusion come around 4 volumes earlier than it did. Therefore, as the plot progressed, it increasingly lost its higher significance and simultaneously started to wear thin the initial appeal of its premise.
The art is arguably the strongest, or least flawed, aspect of Death Note, the character design being particularly astounding, with the exception of a couple characters introduced in the second half whose designs were either dumb-looking or recycled. The art is generally pretty atmospheric and it never skimps on detail out of convenience, although not much detail is required in the first place. The design of the main antagonist, while understated, is particularly impressive due to the fact that he manages to be very aesthetically appealing, despite the ridiculous heroin chic vibe that the audience gets from him. It is usually pretty stellar, although side characters aren't all that detailed.
In the end, what Death Note did accomplish was hackneyed and not all that original; it could not be called “deep” nor was it ever cutting-edge in the grand scheme of things. The coincidences and general improbabilities that drove the plot bar it from being called “realistic,” more than the out-there premise ever could. That said, it should be given some credit for featuring a true antihero, who is still often admired by the audience, and ultimately not being afraid to portray him as pathetic. It also never used the character’s high school age as an excuse to throw light school-life hijinks into the plot. But these positive qualities unfortunately failed to have too much influence in the industry, and they are additionally outweighed by negatives in the universe of the manga itself. Code Geass, a blatant Death Note rip-off, wasted no time at all in taking every single good Death Note did and flipping it all on its head. I might recommend Death Note, if only for the first half, but only with a warning that it fell apart and that even the first half is not as great as it's often made out to be. You honestly might be best off watching the first half and simply skimming the plot summary of the second, because it has nothing of value to offer the reader beyond that point.
Note: This is mostly a modified version of my review for the anime. They follow the same storyline and suffer from the same fundamental issues. read more
Sep 14, 2011
First things first, the story is incredible. The characters work so well together and the story takes a lot of risks but all of them work really well. The time jumps are great and mean the story doesn't sit around doing nothing at any point. Light is a character you can both love and hate, as you can see both that he is wrong in using the Death Note, but the reasons behind it - to start with - are pretty pure. L as well is my favourite character of all time and the two are perfect as both enemies and friends - which remains one of the complex and best relationships I have ever seen.
The characters are almost all enjoyable, though I can't say I liked Misa much - this might be just my opinion - yet the story does take a few turns that will have some people extremely upset. Death Note though is great in that it kept on creating brilliant new characters throughout, who are even better than some of the original characters!
The art is great, and each character is given their own 'look' as well. I liked how Light always wore something that suited his personality, considering how many different outfits he went through, and how this point applied to everyone else. The artwork for L as well made him stand out from every other character, which showed just how different he was from them. The shinigami also have some great artwork too as some are made to look like humans - only twisted - while others are made to look only like monsters.
This manga is well and truly a classic. It's not easy to create characters and a story that focuses so heavily on moralistic values and good and evil. Each plot twist is cleverly crafted and it always is made to feel fresh, especially when new characters are involved. If you have not already read this manga, do so now. If you have already, read it again. It is one of the best out there. read more
Dec 31, 2008
The story is good, it's not the greatest thing ever. It includes a lot of talk and content that makes you think, if you're not into this then maybe you should pass it up. Anyways, it's basically the same thing back and forth between Light and L but you become intrigued to see what happens next every step of the way. There are a few intense moments during the story but that's about it.
The art style isn't amazing either but it's a lot better than other things out there are the moment. The detail isn't prized so much in the backgrounds but in the detail of the characters. They're given a lot of detail in certain frames and it makes their 'emotions' stand out.
The characters are probably the most interesting part of Death Note. Light and L really steal the show for different reasons. For Light, it's because of his ever changing personality and his quest to rid the world of criminals using the Death Note. He was donned with the nickname "Kira". With L, it's because he's so abnormal to anything I can think of right now... from the way he sits to the way he plays with his food. I'll let you find out for yourself. If you read it from beginning to end, you'll see how much the characters evolve and change.
I actually really enjoyed reading Death Note... up to volume seven. Something big happens in that volume that turns most readers away from reading it but because of the way my brain works, I read it all the way to the end. The second half of Death Note was decent, it didn't have that original fire to it but it was still enough to keep me wondering what will happen next. I found that the final volume was well worth having to go through four mediocre volumes to get to.
Overall I think Death Note is something that you either love or hate. You can't really say until you've tried to read it and then make a fair judgment. I still think that Death Note would have been considered amazing if it ended at volume seven. Even though it went all the way to volume twelve, it could have added some sort of good spice to the mix instead of giving the readers a new annoying character in Mello. Anyways, it was a good read and I recommend it to anyone who enjoys reading psychological manga. read more
May 6, 2013
Yagami Light, a brilliant high school student, finds a notebook Every person of which his/her name is written in the notebook will die-if the cause of death is specifically written that will happen,unless it's something that can't happen;like someone from Japan dying in England,and if the cause of death isn't written the person will die of a heart attack-, with a few other rules. The Shinigami Ryuk/Ryuuku had dropped the notebook on purpose out of boredom and has to follow Light, the owner of the notebook, now. Light has a strong sense of justice and a strong will and has decided to kill off all criminals who commited big crimes-he doesn't punish people who commited small crimes,people who didn't do the crimes on purpose or people with a criminal record but who changed-and to let the world know someone is punishing evil people getting sudden heart attacks becomes Kira's trade mark. When criminals keep dropping dead the people nickname him Kira en the authorities send the legendary detective L.With L hot on his heels, will Light lose sight of his noble goal... or his life? The story was great-in the first half it was the absolute best for me. The second half was nice too, but not as great. After 'major spoiler'-like the others call it-I was truly shocked. Really,for a second I thought it was just a joke. After all that happened I didn't expect thát to happen.Most people stop reading it at that point,but I wanted to know how it ended and then I got shocked again. Still, I promise it's worth to read it. I agree with the other people who say it would have ended better at the point of 'major spoiler',but it's still great to read.It's like a cat-and-mouse game and I keep getting like 'Okay,what?' at points when they think so far ahead as how they would respond to the plan of the enemy on their plan or how their plan worked-I was really confused at the end thanks to Nears response-but okay. Mello and Near appear later as more of Lights enemies,but L still surpasses them for me. I still give the story a 10 as it still managed to keep me on the edge of my seat.
The arts great-I really get goosebumps at times when Light shows me an unbelievably creepy smirk and then comes up with even more versions of it.It's drawed well and accurate, so I give it a 10.
The characters are truly astonishing. Light is so smart that it's frightening and L is on par with him. Really, the characters developed greatly and you managed to understand them and predict their reactions. Well this obviously doesn't count for Light,L or Near. Even though most people dislike Light because he uses people to achieve his goals-mostly Misa,to which Light is everything-and because he looks down on people,but I took quite a liking to Light-well apart from the creepy smirks and the using and looking down on people Light is just trying to get a better world. I wonder if Light never had picked up the notebook and someone else had become Kira,would he and L have become friends?I really hope so. The Shinigami were quite scary at the beginning,but I began to take a liking to Ryuuku,Rem and Shidou-Shidou was so foolishly adorable it was hard not to. All in all I give the characters a 10 too.
I really enjoyed reading this and couldn't stop reading it once I started.If you are looking for something which will make you sit on the edge of your seat the whole time,keeping you wondering and guessing what will happen,then this is the ideal manga for you.If your just looking for something enjoyable you should give it a try to. It's worth it. I give it a 10 too.
Well,you wouldn't expect any other score with all the 10s I gave,eh? But still, I really love this manga. It's awesome and you'll surely like it.
Just give it a try and keep reading. read more
Oct 15, 2012
I want to make love with this manga's collection. I want smothered it all my love.
Reading this make me feel like riding a jetpack while having double miniguns and fu*ked all the dinosaurs into extinction by time machine.
It's so good, I feel like I was frolicking at the back of a hairy polar bear while riding a unicorn while watching godzilla and some random monster from ultraman fighting each other.
I know it's a little bit late of reviewing this but I have to do it in honour of this masterpiece written by some genius mind of some japanese dude.
I even suspect that that the writer was drinking a shiny tear of bald eagle while writing the manga.
Ok, let's cut to the chase.. the Review.
The story is undoubttly have any plotholes (for me, I don't know if any Death Note fans out there have any). Every action, event and path for the storyline in the manga is just good and make sense in any way or another.
They don't have boring storyline at all, they just kept us entertained and suspensed railing on for waiting the next chapter.
It's a story about an excellent student, Yagami Light that really have a remarkable sense of strong justice run through his veins. Well, wait 'till you see when he possessed the Death Note, he went from Genius to batshit insane of a mad murderer.
Of course, what comes around goes around.. here comes the Detective infamous of it quirks and child-like behaviour,L.
Of course, the clash of minds begin and the odds one will be eliminated.
L IS DEAD! RAMMED BY A CARGO FULL OF CANDY!!
As for the continuation. another Detective by the heir of L himself.. N and M ,Mello. The stories went a little bit of confusing but you can pretty much catch it up all the way~
That's for the storyline, other than that I can't reveal anymore. I know putting spoilers are ridiculous because this manga is considered fossil by today's date, but have a respect for the new reader that never enlightened to read this manga on how good it is.
The art is a little bit different from any typical manga you ever read. Because they keep it realistic and seriousness. Of course, even I would've crap this manga if they done any MOE stuff in it.
The character are well DONE! They have the story portrays as a hardworking genius battles with a natural genius. Each character have it's own interesting attribute and design that we could differentiate one and another.
Their motives are clearly shown, their personality and others.
If you ask me, my favourite character would be L. Of course, it's highly typical with other Otakus out there.. but I like him because I can relate pretty much everything with him and little bit from N.
I'd say L is more smarter than N but with a little bit more of an initiative but in logic skills, N takes it all the way.
It was great, I recommend everyone should read the manga alongside the BB case itself. Yes~ the Los Angeles Beyond Birthday case. Probably the most mind twisting and gore, but explains on how Wammy house operates itself.
Dec 21, 2007
It draws you in fast, because of the many twists and the amazing minds and strategies the two main characters use against each other. Its like a literal battle of the gods or good and evil.
Its also very deep, you get to know these characters and things happen that you wont expect.
I can't say much without spoiling it. But if you enjoyed the anime check out the manga. I enjoyed the manga a lot more then the anime. It just goes deeper story wise.