New
Jul 22, 1:09 PM
#1
| Recently I found out that 80% of current cinema (Don't recall if it's "people watching" or "stuff being released", likely the former) are sequels, reboots and similar. Some guy proposed the theory that since going to a movie theater is a hassle, people rather just wait 3 months until it's on streaming, unless it's something they are already comfortable with (AKA sequels and reboots). It seems that industries like cinema and vidya have this weird culture of, therefore, hyping something for YEARS as something and, when it under-performs, hundreds or thousands of people lose their jobs and a lot of people cry on the internet. This culture of "apotheotic hype culture" essentially makes people hurt when it fails (Not even fails, just... under-performs), so they quit looking for stuff, they wait for such stuff to get filtered for them via algorithms. That's not healthy. I do understand where they're coming from, though: Before coming back en force to anime in mid-2024, I was also uneasy about starting new anime for "fear of failure" ("Urgh, what if it's actually boring/bad and I force myself to finish for sunken-cost fallacy?"), so I started with "baby steps" (No, not the anime with the same name): First movies, then 1-cour anime (Or at least anime divided into multiple single cours) where "If I didn't like it, I didn't have to continue", OVAs... and now I'm watching 20 anime in a season. I might be wrong, but anime is perhaps the only place that doesn't have the so-called "apotheotic hype culture": An anime gets announced, three months before it drops we have a trailer, then people watch it. Easy and simple. Not only that, people give a shot to a fuckton of seasonals every season. Not just seasonals, but a ton of older anime in general. There seems to be less, maybe even close to zero "fear of failure" here. What causes such phenomenon? |
Jul 22, 1:14 PM
#2
| Anime hype culture works on the we're so back it's so over cycle. |
Jul 22, 1:55 PM
#3
| Most of the hyped anime quickly lose most hype after they finished airing, that doesn't seem healthy either. |
Jul 22, 2:09 PM
#4
| I think it's less of an entry fee to watch new anime than it is to watch a new movie or play a new video game It's a lot harder to support movies outside of the theater and it's more expensive to go to the theater now Most video games that are hyped for years are likely the ones that cost $60/70 (although this is obviously not always the case, see Hollow Knight Silksong) With anime, you're usually paying for a streaming service from the jump and so if you don't like, say, City, you can just turn on New Panty and Stocking or something. Once you pay for Mass Effect 5 or whatever, unless you're on Steam and fall under the refund policy guidelines, you're kinda stuck holding a $70 drink coaster/giant block of data. EDIT: That being said, I do think anime fans have their own poisonous version of hype culture, see the Frieren/Solo Leveling dichotomy that still causes both shows to get hate threads to this day. Both were hyped to the heavens and people disappointed by both shows lash out against them. We still have hype culture, it just doesn't usually lead to company-destroying catastrophes. |
Jul 22, 2:39 PM
#5
| Nothing can be more hyper than Hyperdimension Neptunia. |
Jul 22, 3:07 PM
#6
| It is the same people doing the same thing. Anything Dragon ball always had a lot of hypers for anything. Some other popular manga adaptations get a lot of hypers, Jojo is a example. Some bad animation trailers for popular anime get a lot of bad trippers, Chainsawman and Sakamoto Days included. This https://myanimelist.net/anime/60146 too. Gundam sequels new works also get hypers and doomsayers. Some whiny people in MAL do hyping each season, they create threads like Isekai is finally dead this season. Cinema has less content, so obsessive hype coverage there just got more ridiculous, people literally analise every pixel in a trailer as far I saw. |
Jul 22, 3:47 PM
#7
Reply to Sasori56483
It is the same people doing the same thing. Anything Dragon ball always had a lot of hypers for anything. Some other popular manga adaptations get a lot of hypers, Jojo is a example. Some bad animation trailers for popular anime get a lot of bad trippers, Chainsawman and Sakamoto Days included. This https://myanimelist.net/anime/60146 too. Gundam sequels new works also get hypers and doomsayers.
Some whiny people in MAL do hyping each season, they create threads like Isekai is finally dead this season.

Cinema has less content, so obsessive hype coverage there just got more ridiculous, people literally analise every pixel in a trailer as far I saw.
Some whiny people in MAL do hyping each season, they create threads like Isekai is finally dead this season.
Cinema has less content, so obsessive hype coverage there just got more ridiculous, people literally analise every pixel in a trailer as far I saw.
Sasori56483 said: Some whiny people in MAL do hyping each season, they create threads like Isekai is finally dead this season. Hey, the title was actually Is the age of isekai nearing it's end? |
Jul 22, 5:43 PM
#8
| All fanbases do, anime is no exception to this. Unfortunately. ;_; |
Jul 22, 6:49 PM
#9
thewiru said: Recently I found out that 80% of current cinema (Don't recall if it's "people watching" or "stuff being released", likely the former) are sequels, reboots and similar. Some guy proposed the theory that since going to a movie theater is a hassle, people rather just wait 3 months until it's on streaming, unless it's something they are already comfortable with (AKA sequels and reboots). It seems that industries like cinema and vidya have this weird culture of, therefore, hyping something for YEARS as something and, when it under-performs, hundreds or thousands of people lose their jobs and a lot of people cry on the internet. This culture of "apotheotic hype culture" essentially makes people hurt when it fails (Not even fails, just... under-performs), so they quit looking for stuff, they wait for such stuff to get filtered for them via algorithms. That's not healthy. I do understand where they're coming from, though: Before coming back en force to anime in mid-2024, I was also uneasy about starting new anime for "fear of failure" ("Urgh, what if it's actually boring/bad and I force myself to finish for sunken-cost fallacy?"), so I started with "baby steps" (No, not the anime with the same name): First movies, then 1-cour anime (Or at least anime divided into multiple single cours) where "If I didn't like it, I didn't have to continue", OVAs... and now I'm watching 20 anime in a season. I might be wrong, but anime is perhaps the only place that doesn't have the so-called "apotheotic hype culture": An anime gets announced, three months before it drops we have a trailer, then people watch it. Easy and simple. Not only that, people give a shot to a fuckton of seasonals every season. Not just seasonals, but a ton of older anime in general. There seems to be less, maybe even close to zero "fear of failure" here. What causes such phenomenon? It’s kind of a mixed bag, honestly. Reboots in Western cinema use to perform quite well, especially throughout the 2000s and even earlier. But these days, going to the theater feels more like a fucking chore than a casual outing, and I think that’s a major factor behind the shift toward safe, familiar IPs like sequels, shitty reboots, and long-running franchises. Theaters themselves have changed too. Smaller, independent cinemas have largely disappeared, and the big chains have transformed into upscale experiences. The one big theater near where I live assigns seats ahead of time, you pick your spot like you’re reserving a table at a restaurant. There’s full food service with gourmet meals delivered to your seat (they will even bring you a freaken steak dinner that is almost on par with "LongHorn Steakhouse"), a coffee cafe with servers, and even a full bar serving actually well made alcoholic beverages. It’s no longer a casual experience, it’s a full fucking commitment. Almost shocking they didn't transform the theaters chairs into pseudo-toilet seats too, so one doesn't even need to get up to take a shit or something and miss a single second of the film (like a scene in that movie "Idiocracy", guy has an arm chair that is also a toilet to watch TV in his home. lol). I mean fuck... They even got specific chairs in the theater, that one can reserve, that not only recline but where the arm rests lift up then the seats can be shifted closer together, so a couple can freaken snuggle, make out, or even feel each other up during the entire film (wish that existed back when I was still in high school in the 90s too). lol This added effort and cost create a mental barrier. When you’re paying 150+ USDs for an early evening outing for two just to see a two hour film, like I did recently with my wife, in theater dinner for two, a few light things to snack on after the meal, and a few drinks each, you want to guarantee the experience is worth it. So naturally, people gravitate toward familiar franchises or sequels where the risk of disappointment feels lower. On the other hand, I think Anime handles this shit a bit better. While there’s still hype for titles like "Chainsaw Man" or "Jujutsu Kaisen", the cycle is shorter and more organic. Trailers drop a few months ahead, people sample shit out, and the sheer volume of content encourages exploration over loyalty. There’s less need to latch onto hype because there’s always something new around the corner. That doesn’t mean Anime is free of overhype (Just look at freaken "Ex-Arm" lol), but it avoids the bloated marketing cycles and high-stakes pressure of Western blockbuster culture. And because Anime is so accessible through streaming, trying something new doesn’t feel like a big financial or time sink when subscription fees to streaming platforms feels more like paying with pocket change one can find lying on the floor of your buddy's shitty Honda Civic that they haven't vacuumed or cleaned since the 1st day they bought it. lol So to answer the question, I think this shift is caused by a combination of rising costs, reduced accessibility, overblown hype cycles, and just fucking audience fatigue. People retreat into the familiar to minimize disappointment, and that ends up reinforcing the industry’s risk-averse behavior. That’s a big part of what fuels this ‘comfort-first’ culture. Familiarity becomes a filter, and hype fills the gap when originality feels risky. In that kind of climate, apotheotic hype becomes necessary to push anything new, but when shit underperforms, the backlash is harsher, which only deepens audience skepticism. That’s how we end up relying on algorithms and brand recognition instead of discovery. It’s a self-reinforcing fucking dead end cycle. |
ColourWheelJul 22, 10:50 PM
Jul 22, 8:45 PM
#10
| It's the opposite, every single year you will have overhyped nonsense with some idiots declaring it "one of the greatest works in animation". Just look at bs like the so-called "anime awards". |
Jul 22, 9:27 PM
#11
| Comparing it to cinema is silly. Cinema pricing has become ridiculous, to the point where you don't go unless you're 100% sure about what you're going to watch before you've even seen it. I can't remember the last time I paid actual money to go to the cinema to watch a film completely blind. With anime, you're either pirating (no cost) or you've got a subscription plan to a streaming service (where checking out an individual series costs you nothing). Giving anime a chance is a low-cost venture. Most dedicated anime fans have huge amounts of free time, too. As for the topic at hand (again, your OP makes it really hard to ascertain what exactly you're trying to say about it - but I'll give it a go), I don't think anime fans have a good relationship with "hype culture". Sakamoto Days and The Beginning After The End are examples of shows where hype set them up to fail when, honestly, the source material simply wasn't that good in the first place. Lord Of Mysteries (to a lesser extent) is also suffering from being overhyped. Taking TBATE out of the equation (its failings are a unique case really), the other shows are solid-to-good at worst, yet if you read online, you'd think they were terrible. |
Jul 22, 9:38 PM
#12
Reply to Briekimchi
Comparing it to cinema is silly. Cinema pricing has become ridiculous, to the point where you don't go unless you're 100% sure about what you're going to watch before you've even seen it. I can't remember the last time I paid actual money to go to the cinema to watch a film completely blind. With anime, you're either pirating (no cost) or you've got a subscription plan to a streaming service (where checking out an individual series costs you nothing). Giving anime a chance is a low-cost venture. Most dedicated anime fans have huge amounts of free time, too.
As for the topic at hand (again, your OP makes it really hard to ascertain what exactly you're trying to say about it - but I'll give it a go), I don't think anime fans have a good relationship with "hype culture". Sakamoto Days and The Beginning After The End are examples of shows where hype set them up to fail when, honestly, the source material simply wasn't that good in the first place. Lord Of Mysteries (to a lesser extent) is also suffering from being overhyped. Taking TBATE out of the equation (its failings are a unique case really), the other shows are solid-to-good at worst, yet if you read online, you'd think they were terrible.
As for the topic at hand (again, your OP makes it really hard to ascertain what exactly you're trying to say about it - but I'll give it a go), I don't think anime fans have a good relationship with "hype culture". Sakamoto Days and The Beginning After The End are examples of shows where hype set them up to fail when, honestly, the source material simply wasn't that good in the first place. Lord Of Mysteries (to a lesser extent) is also suffering from being overhyped. Taking TBATE out of the equation (its failings are a unique case really), the other shows are solid-to-good at worst, yet if you read online, you'd think they were terrible.
Briekimchi said: (again, your OP makes it really hard to ascertain what exactly you're trying to say about it - but I'll give it a go) FunFact: I actually cut one and a half paragraphs from the original version of it, which I wrote (Together with Is Chidori really a bad school? and another, yet unpublished HUGE thread) during the days I was away from MAL. After "and a lot of people cry on the internet.", it had the following: That's... not healthy. People shouldn't spend more time talking about a movie or a game before it releases than after it does. Something that disgusted me a few months ago was a video of some Nintendo YouTubers making a music video about "How there will be a Nintendo Direct and they will make theories, and, and and". I want you to think with me: It's not a song about a game they played. It's not a song about a game that will release and they will play. It was not a song about the games announced at an event. It's a song about the concept of games that will be announced at an event in the future. That's... not healthy. This links to other stories I also heard: A girl that asked a boy for ten movie recommendations, and then got mad that she didn't know about any of them. Or TheWeebCrew criticizing people who complain about "I WISH THERE WAS MORE CUTESY MAHOU SHOUJO INSTEAD OF THE EDGY STUFF" or "I miss when there were shoujo", but won't watch current seasons, which have both of that stuff. What seems to connect all of this is a culture of "laziness via trauma": |
Jul 22, 9:54 PM
#13
Reply to DesuMaiden
Nothing can be more hyper than Hyperdimension Neptunia.
| @DesuMaiden yeah a 12 years old anime still hyped. Even in the fanbase the title lost notoriety because they didn't release a main game in forever. Just like cinema we get remake,reboot and some spin off but we got no direct sequel since VII. |
Jul 22, 10:41 PM
#14
| Kinda. Sometimes you like low rated animes like hidden gems. |
| I need somebody who can love me at my worst No, I'm not perfect, but I hope you see my worth 'Cause it's only you, nobody new, I put you first And for you, girl, I swear I'll do the worst If you stay forever, let me hold your hand I can fill those places in your heart no else can Let me show you love, oh, I don't pretend, yeah I'll be right here, baby, you know I'll sink or swim |
Jul 22, 11:17 PM
#15
Reply to DesuMaiden
Nothing can be more hyper than Hyperdimension Neptunia.
| @DesuMaiden Nothing can be more hyper than Fate/kaleid liner Prisma☆Illya. |
Jul 22, 11:40 PM
#16
I might be wrong yes, you are. you are looking at it from the perspective of hardcore anime fans who will give anything a shot. hardcore cinema fans will do the same. the vast majority of viewers will only watch stuff that has either been hyped to high heavens (Solo Leveling) or proven itself among the hardcore crowd (Frieren, Dungeon Meshi). and now I'm watching 20 anime in a season. which is exactly my point: no regular viewer does that. |
Jul 23, 12:48 AM
#17
thewiru said: That seems absurdly high....source?Recently I found out that 80% of current cinema (Don't recall if it's "people watching" or "stuff being released", likely the former) are sequels, reboots and similar. thewiru said: I don't deny that, however, Hollywood sequels, reboots, remakes etc are also the big budget films, that you want to check out in theaters. Personally, the only kind of film, I would ever care to check out in theaters is anything that is epic in scale. If it's just a drama or rom com, I would rather watch it at home.Some guy proposed the theory that since going to a movie theater is a hassle, people rather just wait 3 months until it's on streaming, unless it's something they are already comfortable with (AKA sequels and reboots). thewiru said: Yeah......this never happens to manga adaptions lol.It seems that industries like cinema and vidya have this weird culture of, therefore, hyping something for YEARS as something and, when it under-performs, hundreds or thousands of people lose their jobs and a lot of people cry on the internet. thewiru said: Chainsaw Man had it's dissent, Oshi No Ko is getting heat, AOT had tons of controversies.....I think 1/5 of my posts on here, was just fighting with other fans when the final season was in development. I remember when I first got on MAL, and Darling in the Frankxx got super hyped up, and then got a ton of flack....and fans over in Japan literally harassed a VA, over a story development, she had no control over. I really don't know how you can argue this? I might be wrong, but anime is perhaps the only place that doesn't have the so-called "apotheotic hype culture" I mean it's subjective, however, I haven't encountered better behavior here. Stuff like Star Wars and big AAA releases, are bigger than anime. So of course, that is going to attract in pure number, more detractors, and those disappointed by hype. Anime is growing significantly....it' still very niche compared to some of the stuff you are talking about. |
BilboBaggins365Jul 23, 12:53 AM
Jul 23, 12:50 AM
#18
| "Do anime fans have a healthier relationship with "hype culture"?" Nope. In general hype ruins everything for me, I noticed that as little. For example I was in the kindergarten and the rest of kids were very hyped about the release of one of the Sandokan live action movies (like released decades later as everything in Bulgaria at the time). I was not familiar with the franchise tho. When my mother brought me to watch it I was shocked to discover that: 1. The MC was not the cool pretty european looking protagonist type I was used to see, but some giant weird dude with long hair and long beard. 2. The story was told from the perspective of his love interest and constant damsel in distress, which was pretty boring to little me. 3. They mostly talked, the movie had 3 action scenes at best. I was deeply disappointed since I was used to stuff like Zorro and The Black Tulip (also released decades later here) with Alain Delon. Those were my idea for "action packed" at the time. Hype was never real for me till Star Wars and Indiana Jones (also released with hefty delay here) and maybe never since. "people rather just wait 3 months until it's on streaming" Yeah, you can say that 4K screens and fast video releases killed the last remains of the movie going experience. "I might be wrong, but anime is perhaps the only place that doesn't have the so-called "apotheotic hype culture"" You obviously are wrong. Almost all the anime adaptions of popular manga, manhwa or book get hyped to the heavens by its respective fandom. ..and I have such a negative reaction against hype that I was surprised when stuff like Delicious In Dungeon and Freiren turned out to be actually watchable. Solo Leveling being meh was totally expected. |
Jul 23, 1:17 AM
#19
Reply to ColourWheel
thewiru said:
Recently I found out that 80% of current cinema (Don't recall if it's "people watching" or "stuff being released", likely the former) are sequels, reboots and similar. Some guy proposed the theory that since going to a movie theater is a hassle, people rather just wait 3 months until it's on streaming, unless it's something they are already comfortable with (AKA sequels and reboots).
It seems that industries like cinema and vidya have this weird culture of, therefore, hyping something for YEARS as something and, when it under-performs, hundreds or thousands of people lose their jobs and a lot of people cry on the internet.
This culture of "apotheotic hype culture" essentially makes people hurt when it fails (Not even fails, just... under-performs), so they quit looking for stuff, they wait for such stuff to get filtered for them via algorithms. That's not healthy.
I do understand where they're coming from, though: Before coming back en force to anime in mid-2024, I was also uneasy about starting new anime for "fear of failure" ("Urgh, what if it's actually boring/bad and I force myself to finish for sunken-cost fallacy?"), so I started with "baby steps" (No, not the anime with the same name): First movies, then 1-cour anime (Or at least anime divided into multiple single cours) where "If I didn't like it, I didn't have to continue", OVAs... and now I'm watching 20 anime in a season.
I might be wrong, but anime is perhaps the only place that doesn't have the so-called "apotheotic hype culture": An anime gets announced, three months before it drops we have a trailer, then people watch it. Easy and simple. Not only that, people give a shot to a fuckton of seasonals every season. Not just seasonals, but a ton of older anime in general. There seems to be less, maybe even close to zero "fear of failure" here.
What causes such phenomenon?
Recently I found out that 80% of current cinema (Don't recall if it's "people watching" or "stuff being released", likely the former) are sequels, reboots and similar. Some guy proposed the theory that since going to a movie theater is a hassle, people rather just wait 3 months until it's on streaming, unless it's something they are already comfortable with (AKA sequels and reboots).
It seems that industries like cinema and vidya have this weird culture of, therefore, hyping something for YEARS as something and, when it under-performs, hundreds or thousands of people lose their jobs and a lot of people cry on the internet.
This culture of "apotheotic hype culture" essentially makes people hurt when it fails (Not even fails, just... under-performs), so they quit looking for stuff, they wait for such stuff to get filtered for them via algorithms. That's not healthy.
I do understand where they're coming from, though: Before coming back en force to anime in mid-2024, I was also uneasy about starting new anime for "fear of failure" ("Urgh, what if it's actually boring/bad and I force myself to finish for sunken-cost fallacy?"), so I started with "baby steps" (No, not the anime with the same name): First movies, then 1-cour anime (Or at least anime divided into multiple single cours) where "If I didn't like it, I didn't have to continue", OVAs... and now I'm watching 20 anime in a season.
I might be wrong, but anime is perhaps the only place that doesn't have the so-called "apotheotic hype culture": An anime gets announced, three months before it drops we have a trailer, then people watch it. Easy and simple. Not only that, people give a shot to a fuckton of seasonals every season. Not just seasonals, but a ton of older anime in general. There seems to be less, maybe even close to zero "fear of failure" here.
What causes such phenomenon?
It’s kind of a mixed bag, honestly. Reboots in Western cinema use to perform quite well, especially throughout the 2000s and even earlier. But these days, going to the theater feels more like a fucking chore than a casual outing, and I think that’s a major factor behind the shift toward safe, familiar IPs like sequels, shitty reboots, and long-running franchises.
Theaters themselves have changed too. Smaller, independent cinemas have largely disappeared, and the big chains have transformed into upscale experiences. The one big theater near where I live assigns seats ahead of time, you pick your spot like you’re reserving a table at a restaurant. There’s full food service with gourmet meals delivered to your seat (they will even bring you a freaken steak dinner that is almost on par with "LongHorn Steakhouse"), a coffee cafe with servers, and even a full bar serving actually well made alcoholic beverages. It’s no longer a casual experience, it’s a full fucking commitment. Almost shocking they didn't transform the theaters chairs into pseudo-toilet seats too, so one doesn't even need to get up to take a shit or something and miss a single second of the film (like a scene in that movie "Idiocracy", guy has an arm chair that is also a toilet to watch TV in his home. lol). I mean fuck... They even got specific chairs in the theater, that one can reserve, that not only recline but where the arm rests lift up then the seats can be shifted closer together, so a couple can freaken snuggle, make out, or even feel each other up during the entire film (wish that existed back when I was still in high school in the 90s too). lol
This added effort and cost create a mental barrier. When you’re paying 150+ USDs for an early evening outing for two just to see a two hour film, like I did recently with my wife, in theater dinner for two, a few light things to snack on after the meal, and a few drinks each, you want to guarantee the experience is worth it. So naturally, people gravitate toward familiar franchises or sequels where the risk of disappointment feels lower.
On the other hand, I think Anime handles this shit a bit better. While there’s still hype for titles like "Chainsaw Man" or "Jujutsu Kaisen", the cycle is shorter and more organic. Trailers drop a few months ahead, people sample shit out, and the sheer volume of content encourages exploration over loyalty. There’s less need to latch onto hype because there’s always something new around the corner.
That doesn’t mean Anime is free of overhype (Just look at freaken "Ex-Arm" lol), but it avoids the bloated marketing cycles and high-stakes pressure of Western blockbuster culture. And because Anime is so accessible through streaming, trying something new doesn’t feel like a big financial or time sink when subscription fees to streaming platforms feels more like paying with pocket change one can find lying on the floor of your buddy's shitty Honda Civic that they haven't vacuumed or cleaned since the 1st day they bought it. lol
So to answer the question, I think this shift is caused by a combination of rising costs, reduced accessibility, overblown hype cycles, and just fucking audience fatigue. People retreat into the familiar to minimize disappointment, and that ends up reinforcing the industry’s risk-averse behavior.
That’s a big part of what fuels this ‘comfort-first’ culture. Familiarity becomes a filter, and hype fills the gap when originality feels risky. In that kind of climate, apotheotic hype becomes necessary to push anything new, but when shit underperforms, the backlash is harsher, which only deepens audience skepticism. That’s how we end up relying on algorithms and brand recognition instead of discovery. It’s a self-reinforcing fucking dead end cycle.
ColourWheel said: That’s a big part of what fuels this ‘comfort-first’ culture. Familiarity becomes a filter, and hype fills the gap when originality feels risky. In that kind of climate, apotheotic hype becomes necessary to push anything new, but when shit underperforms, the backlash is harsher, which only deepens audience skepticism. That’s how we end up relying on algorithms and brand recognition instead of discovery. It’s a self-reinforcing fucking dead end cycle. Definitely this. US Cinema also got extremely reliant on "success cookie cutter formulas", and while anime and manga has done this, it has more leeway with fractions less of the cost and resources needed and has brutal consequences for any that miss the note that it is reliant on creativity, storytelling, and being off the wall from mundane "normalcy". Cinema rides on manpower, flesh and blood, PR marketing projects, as well as investors pouring in money to see their money grow in a return on a more high stakes one way return on opening day with a limited profit window, all tied up with hype of sensationalism and celebrity touting culture. What happened was that relying on the formulae caused a resistance tolerance akin to cocaine abuse with money that just got stupidly ridiculous. Movies with 100 million dollar+ budgets relying on making billion dollar returns. Actors and actresses, execs and producers thinking they can do anything with the money and power they got. Comfort turning into fragile entitled complacency that is shattered when success formula projects get pushed out way too often and with little twists or turns. I've yet to go to an Alamo Drafthouse, but I know they thrive from an experience than just the traditional Hollywood hype of what's "new and hip and in" with shiny marketing projects. I don't even hate the old hype of being excited for movies, I hate how it got butchered by greed and failure to know what they are doing wrong and the pride of never admitting to it. If there's anything I hate today though, I hate Youtube videos made with clickbait titles. |
Jul 23, 1:34 AM
#20
Reply to krautnelson
I might be wrong
yes, you are. you are looking at it from the perspective of hardcore anime fans who will give anything a shot.
hardcore cinema fans will do the same.
the vast majority of viewers will only watch stuff that has either been hyped to high heavens (Solo Leveling) or proven itself among the hardcore crowd (Frieren, Dungeon Meshi).
and now I'm watching 20 anime in a season.
which is exactly my point: no regular viewer does that.
| @krautnelson I've mentioned that this was post two of a series of three, and it was supposed to be the "spiritual successor" for post one (Which I haven't posted yet, might do it tomorrow), which touches on the aspects of "casuals vs hardcore fans", so it makes sense that you see such things there. |
Jul 23, 1:40 AM
#21
Reply to BilboBaggins365
thewiru said:
Recently I found out that 80% of current cinema (Don't recall if it's "people watching" or "stuff being released", likely the former) are sequels, reboots and similar.
That seems absurdly high....source?Recently I found out that 80% of current cinema (Don't recall if it's "people watching" or "stuff being released", likely the former) are sequels, reboots and similar.
thewiru said:
Some guy proposed the theory that since going to a movie theater is a hassle, people rather just wait 3 months until it's on streaming, unless it's something they are already comfortable with (AKA sequels and reboots).
I don't deny that, however, Hollywood sequels, reboots, remakes etc are also the big budget films, that you want to check out in theaters. Personally, the only kind of film, I would ever care to check out in theaters is anything that is epic in scale. If it's just a drama or rom com, I would rather watch it at home.Some guy proposed the theory that since going to a movie theater is a hassle, people rather just wait 3 months until it's on streaming, unless it's something they are already comfortable with (AKA sequels and reboots).
thewiru said:
It seems that industries like cinema and vidya have this weird culture of, therefore, hyping something for YEARS as something and, when it under-performs, hundreds or thousands of people lose their jobs and a lot of people cry on the internet.
Yeah......this never happens to manga adaptions lol.It seems that industries like cinema and vidya have this weird culture of, therefore, hyping something for YEARS as something and, when it under-performs, hundreds or thousands of people lose their jobs and a lot of people cry on the internet.
thewiru said:
I might be wrong, but anime is perhaps the only place that doesn't have the so-called "apotheotic hype culture"
Chainsaw Man had it's dissent, Oshi No Ko is getting heat, AOT had tons of controversies.....I think 1/5 of my posts on here, was just fighting with other fans when the final season was in development. I remember when I first got on MAL, and Darling in the Frankxx got super hyped up, and then got a ton of flack....and fans over in Japan literally harassed a VA, over a story development, she had no control over. I really don't know how you can argue this? I might be wrong, but anime is perhaps the only place that doesn't have the so-called "apotheotic hype culture"
I mean it's subjective, however, I haven't encountered better behavior here. Stuff like Star Wars and big AAA releases, are bigger than anime. So of course, that is going to attract in pure number, more detractors, and those disappointed by hype. Anime is growing significantly....it' still very niche compared to some of the stuff you are talking about.
BilboBaggins365 said: That seems absurdly high....source? The video was reading this article: https://www.honest-broker.com/p/the-new-80-rule-in-culture Back in 2000, 80% of movie revenues came from original ideas. But this has now totally flip-flopped. Today 80% of the movie business is built on old ideas—remakes, and spin-offs, and various other brand extensions. And we went from 80% new to 80% old in just a few years. So yeah, I misremembered the quote a bit. |
Jul 23, 4:21 AM
#22
| Only if by “healthy” you mean riding emotional rollercoasters, screaming over trailer, and pretending to pissed off about spoilers then they are totally normal. |
Jul 23, 4:26 AM
#23
Reply to thewiru
@krautnelson
I've mentioned that this was post two of a series of three, and it was supposed to be the "spiritual successor" for post one (Which I haven't posted yet, might do it tomorrow), which touches on the aspects of "casuals vs hardcore fans", so it makes sense that you see such things there.
I've mentioned that this was post two of a series of three, and it was supposed to be the "spiritual successor" for post one (Which I haven't posted yet, might do it tomorrow), which touches on the aspects of "casuals vs hardcore fans", so it makes sense that you see such things there.
| @thewiru ok ok so if I follow you. You decided to post the part 2 of a series of 3 before the first. Even for you its a new low. |
Jul 23, 4:51 AM
#24
| What's up with this guy and his inability to write concise messages? Not every topic requires 1500+ characters of text. This has to be some form of narcissism. Seen it many times on reddit. People who don't respect readers' time and egoitistically insist on writing long paragraphs on topics that don't warrant such verbalogy. And even disregarding his lack of respect for the readers' time, he's comparing apples to oranges. Movies make most money from cinema sales, so obviously people will think twice before spending money to watch unknown IPs. Anime makes most money from merch sales, bluray sales, promoting manga/novels, and people mostly watch anime for free (or almost free) on TV, streaming websites, or pirating. So of course people will be less affected by hype and more likely to give unknown series a try. |
iweebzJul 23, 5:03 AM
Jul 23, 5:04 AM
#25
Reply to iweebz
What's up with this guy and his inability to write concise messages? Not every topic requires 1500+ characters of text.
This has to be some form of narcissism. Seen it many times on reddit. People who don't respect readers' time and egoitistically insist on writing long paragraphs on topics that don't warrant such verbalogy.
And even disregarding his lack of respect for the readers' time, he's comparing apples to oranges.
Movies make most money from cinema sales, so obviously people will think twice before spending money to watch unknown IPs.
Anime makes most money from merch sales, bluray sales, promoting manga/novels, and people mostly watch anime for free (or almost free) on TV, streaming websites, or pirating. So of course people will be less affected by hype and more likely to give unknown series a try.
This has to be some form of narcissism. Seen it many times on reddit. People who don't respect readers' time and egoitistically insist on writing long paragraphs on topics that don't warrant such verbalogy.
And even disregarding his lack of respect for the readers' time, he's comparing apples to oranges.
Movies make most money from cinema sales, so obviously people will think twice before spending money to watch unknown IPs.
Anime makes most money from merch sales, bluray sales, promoting manga/novels, and people mostly watch anime for free (or almost free) on TV, streaming websites, or pirating. So of course people will be less affected by hype and more likely to give unknown series a try.
| @iweebz He thinks a higher word count makes him sound intelligent, but he doesn't realize all he's posting is the mediocre slop of a midwit desperate to feel superior. |
Jul 23, 5:07 AM
#26
Jul 23, 8:18 AM
#27
HokutoMumyoZan said: Definitely this. US Cinema also got extremely reliant on "success cookie cutter formulas", and while anime and manga has done this, it has more leeway with fractions less of the cost and resources needed and has brutal consequences for any that miss the note that it is reliant on creativity, storytelling, and being off the wall from mundane "normalcy". Cinema rides on manpower, flesh and blood, PR marketing projects, as well as investors pouring in money to see their money grow in a return on a more high stakes one way return on opening day with a limited profit window, all tied up with hype of sensationalism and celebrity touting culture. What happened was that relying on the formulae caused a resistance tolerance akin to cocaine abuse with money that just got stupidly ridiculous. Movies with 100 million dollar+ budgets relying on making billion dollar returns. Actors and actresses, execs and producers thinking they can do anything with the money and power they got. Comfort turning into fragile entitled complacency that is shattered when success formula projects get pushed out way too often and with little twists or turns. I've yet to go to an Alamo Drafthouse, but I know they thrive from an experience than just the traditional Hollywood hype of what's "new and hip and in" with shiny marketing projects. I don't even hate the old hype of being excited for movies, I hate how it got butchered by greed and failure to know what they are doing wrong and the pride of never admitting to it. If there's anything I hate today though, I hate Youtube videos made with clickbait titles. Worst of all, in a place like the U.S., even something as simple as going to the theater just to catch a damn movie has become a luxury for many. If someone looks at ticket prices today and thinks, "this is too much", that’s not just sticker shock, it’s a symptom of how they’ve slipped out of what used to be the middle class. Where if one looks at going to see a film at the theater and think that it is now too expensive, they are already part of the low class demographic in the states and probably have been for some time. Where even some people I know are even totally in denial about it, where they are actually not far from actually being in the lowest ranks of the lower working class now. Specifically when I often hear some friends complain about some really petty things like paying to go out to just catch a quick healthy bite to eat like at a Panera and instead insist on just going home just to make themself a PB sandwich. Where even simply going to a McDonald's drive thru just to get two large fries as just a snack and some coffee seems like an expensive luxury to some these days. This actually happened recently since I can't walk on my broken leg, having a friend to drive me around to town, asking if they wanted to get a quick snack to eat just by simply going up to a McDonald's drive thru. In the end I just told them I would pay for everything even bought them a full meal since they knew I would be paying. lol It’s one more signal that wealth now dictates access to even the most basic forms of leisure. Unless you're content with something like a walk in the park (which, by the way, isn’t even free in some states anymore, I’ve heard of places starting to charge just for park access and even parking), the options are drying up fast. Even streaming, gaming, or catching a ballgame, things often people used to take for granted, are becoming unaffordable for many people I know in real life. Just a few weeks ago, my wife and I invited a couple out that we used to double-date with all the time, and they had to turn us down… not because they didn’t want to hang out, but because they couldn’t afford to anymore. And this is a couple that, just two years ago, joined us in living it up like rock stars, dining at high-end restaurants that required reservations two months in advance, booking VIP booths at jazz clubs, sipping cocktails all night, and ending the night with an "Uber Lux" to take us all home in style. Now? That whole lifestyle just vanished for them. Even Uber Lux isn’t available around where I live anymore too. While my wife and I can still afford such luxury even to this day. Too many of our friends, while they are not struggling to get by, they simply can't afford to enjoy leisure activities they have completely taken for granted even just a few years back. And honestly, it all ties back to what you said about the formula fatigue. Hollywood got too comfortable betting on the same formulas, thinking money and star power would always guarantee turnout. But when the product feels hollow and the cost of entry is high, people eventually check out. It’s not just burnout, it’s a fucking backlash. And instead of learning from it, the industry doubles down, like it can brute-force excitement out of us with flashy trailers and bloated budgets and at a cost that makes many I see around me as being an expensive luxury to enjoy at all. |
ColourWheelJul 23, 10:45 AM
Jul 23, 8:35 AM
#28
Reply to thewiru
BilboBaggins365 said:
That seems absurdly high....source?
That seems absurdly high....source?
The video was reading this article: https://www.honest-broker.com/p/the-new-80-rule-in-culture
Back in 2000, 80% of movie revenues came from original ideas. But this has now totally flip-flopped.
Today 80% of the movie business is built on old ideas—remakes, and spin-offs, and various other brand extensions. And we went from 80% new to 80% old in just a few years.
Today 80% of the movie business is built on old ideas—remakes, and spin-offs, and various other brand extensions. And we went from 80% new to 80% old in just a few years.
So yeah, I misremembered the quote a bit.
thewiru said: Yeah that makes way more sense, as big blockbuster movie profits have exploded. So yeah, I misremembered the quote a bit. |
Jul 23, 10:00 AM
#29
Reply to ColourWheel
HokutoMumyoZan said:
Definitely this. US Cinema also got extremely reliant on "success cookie cutter formulas", and while anime and manga has done this, it has more leeway with fractions less of the cost and resources needed and has brutal consequences for any that miss the note that it is reliant on creativity, storytelling, and being off the wall from mundane "normalcy". Cinema rides on manpower, flesh and blood, PR marketing projects, as well as investors pouring in money to see their money grow in a return on a more high stakes one way return on opening day with a limited profit window, all tied up with hype of sensationalism and celebrity touting culture. What happened was that relying on the formulae caused a resistance tolerance akin to cocaine abuse with money that just got stupidly ridiculous. Movies with 100 million dollar+ budgets relying on making billion dollar returns. Actors and actresses, execs and producers thinking they can do anything with the money and power they got. Comfort turning into fragile entitled complacency that is shattered when success formula projects get pushed out way too often and with little twists or turns.
I've yet to go to an Alamo Drafthouse, but I know they thrive from an experience than just the traditional Hollywood hype of what's "new and hip and in" with shiny marketing projects. I don't even hate the old hype of being excited for movies, I hate how it got butchered by greed and failure to know what they are doing wrong and the pride of never admitting to it.
If there's anything I hate today though, I hate Youtube videos made with clickbait titles.
Definitely this. US Cinema also got extremely reliant on "success cookie cutter formulas", and while anime and manga has done this, it has more leeway with fractions less of the cost and resources needed and has brutal consequences for any that miss the note that it is reliant on creativity, storytelling, and being off the wall from mundane "normalcy". Cinema rides on manpower, flesh and blood, PR marketing projects, as well as investors pouring in money to see their money grow in a return on a more high stakes one way return on opening day with a limited profit window, all tied up with hype of sensationalism and celebrity touting culture. What happened was that relying on the formulae caused a resistance tolerance akin to cocaine abuse with money that just got stupidly ridiculous. Movies with 100 million dollar+ budgets relying on making billion dollar returns. Actors and actresses, execs and producers thinking they can do anything with the money and power they got. Comfort turning into fragile entitled complacency that is shattered when success formula projects get pushed out way too often and with little twists or turns.
I've yet to go to an Alamo Drafthouse, but I know they thrive from an experience than just the traditional Hollywood hype of what's "new and hip and in" with shiny marketing projects. I don't even hate the old hype of being excited for movies, I hate how it got butchered by greed and failure to know what they are doing wrong and the pride of never admitting to it.
If there's anything I hate today though, I hate Youtube videos made with clickbait titles.
Worst of all, in a place like the U.S., even something as simple as going to the theater just to catch a damn movie has become a luxury for many. If someone looks at ticket prices today and thinks, "this is too much", that’s not just sticker shock, it’s a symptom of how they’ve slipped out of what used to be the middle class. Where if one looks at going to see a film at the theater and think that it is now too expensive, they are already part of the low class demographic in the states and probably have been for some time. Where even some people I know are even totally in denial about it, where they are actually not far from actually being in the lowest ranks of the lower working class now. Specifically when I often hear some friends complain about some really petty things like paying to go out to just catch a quick healthy bite to eat like at a Panera and instead insist on just going home just to make themself a PB sandwich. Where even simply going to a McDonald's drive thru just to get two large fries as just a snack and some coffee seems like an expensive luxury to some these days. This actually happened recently since I can't walk on my broken leg, having a friend to drive me around to town, asking if they wanted to get a quick snack to eat just by simply going up to a McDonald's drive thru. In the end I just told them I would pay for everything even bought them a full meal since they knew I would be paying. lol
It’s one more signal that wealth now dictates access to even the most basic forms of leisure.
Unless you're content with something like a walk in the park (which, by the way, isn’t even free in some states anymore, I’ve heard of places starting to charge just for park access and even parking), the options are drying up fast.
Even streaming, gaming, or catching a ballgame, things often people used to take for granted, are becoming unaffordable for many people I know in real life. Just a few weeks ago, my wife and I invited a couple out that we used to double-date with all the time, and they had to turn us down… not because they didn’t want to hang out, but because they couldn’t afford to anymore.
And this is a couple that, just two years ago, joined us in living it up like rock stars, dining at high-end restaurants that required reservations two months in advance, booking VIP booths at jazz clubs, sipping cocktails all night, and ending the night with an "Uber Lux" to take us all home in style. Now? That whole lifestyle just vanished for them. Even Uber Lux isn’t available around where I live anymore too. While my wife and I can still afford such luxury even to this day. Too many of our friends, while they are not struggling to get by, they simply can't afford to enjoy leisure activities they have completely taken for granted even just a few years back.
And honestly, it all ties back to what you said about the formula fatigue. Hollywood got too comfortable betting on the same formulas, thinking money and star power would always guarantee turnout. But when the product feels hollow and the cost of entry is high, people eventually check out. It’s not just burnout, it’s a fucking backlash. And instead of learning from it, the industry doubles down, like it can brute-force excitement out of us with flashy trailers and bloated budgets and at a cost that makes many I see around me as being an expensive luxury to enjoy at all.
ColourWheel said: the industry doubles down, like it can brute-force excitement out of us with flashy trailers and bloated budgets I feel that way about the latest Hunger Games movie. The whole point of the book is that it's NOT flashy, because the story takes place 65 years before the rest of the series. Panem's technology and traditions were not fully developed back then. If Lionsgate had a spare 100 million to burn on another Suzanne Collins movie (more than the 1st Hunger Games), they'd have done better to adapt her OTHER series. It has people riding giant bats. |
| その目だれの目? |
Jul 23, 11:24 AM
#30
Lucifrost said: I feel that way about the latest Hunger Games movie. The whole point of the book is that it's NOT flashy, because the story takes place 65 years before the rest of the series. Panem's technology and traditions were not fully developed back then. If Lionsgate had a spare 100 million to burn on another Suzanne Collins movie (more than the 1st Hunger Games), they'd have done better to adapt her OTHER series. It has people riding giant bats. I have a wild prediction, while it's still exaggerated, but not entirely out of the realm of possibility. In the not-so-distant future, going to see a film in a theater might exclusively require tickets through something like Ticketmaster. Theaters could evolve into spaces with only private booths, mandatory service fees for food and drinks where you have your own waiter (like they expect you to buy drinks and food like sitting down in a restaurant), and an experience that mirrors renting a luxury box at a sporting event. By then, the large bucket of theater popcorn along with a large drink will cost between 50 to 75 USDs too. lol At that point, going to a movie might cost as much as attending a rock concert, where ticket prices can reach into the thousands as they currently do now. And this won’t be an accident, but the result of the film industry tripling down on what it's already doubling down on today... Bloated budgets, bloated experiences, and pricing most of the public out of the equation. Seeing a movie at the theater could become a luxury that over 90% of people simply can't justify in the future. lol Even looking back when I was still a teen in the 90s, remembering going to a rock concert in high school, that only cost me 15 to 25 USDs at most for a ticket to see even three music bands perform one after the other. And they were all bands I really liked and already were into listening to (even owned a few LPs for at least one of the opening acts each time). Even leaving me extra money to buy a cheap T-shirt for $10 to wear the next day at school to show off that "I Was fucking There!" with everyone else I noticed at school the next day wearing the same T-shirt, while my ears kept ringing for days after. lol Like WTF happened since....? My neighbor's daughter went to go see some rock concert recently and the ticket cost her 1150 USDs. lol |
ColourWheelJul 23, 11:53 AM
Jul 23, 12:06 PM
#31
Reply to Otakupervert890
@thewiru ok ok so if I follow you. You decided to post the part 2 of a series of 3 before the first. Even for you its a new low.
| @Otakupervert890 Yeah, like Star Wars or Monogatari. |
Jul 23, 12:14 PM
#32
| @iweebz @MYZIC If so, then why did I delete ~200 words/1000 characters from it? The reason they're like that is because they're written in "stream-of-consciousness", and I feel that I need to explain where I'm coming from for my arguments: I first need to explain what hype-culture is, why I got to that conclusion, etc. I couldn't force myself to write more even if I wanted. Another thread that I'll soon post had me remove 2k characters for the sole reason that while I was writing it, I decided to go in another direction, which made the initial paragraphs "An introduction to the introduction", therefore 100% removable. |
Jul 23, 2:09 PM
#33
Jul 23, 2:12 PM
#34
Reply to iweebz
Nope lmao. He got defensive about it. Lost cause.
| @iweebz "HAHA, SAY THAT YOU ARE WRONG AND THAT AM I RIGHT. IF YOU DEFEND YOURSELF, YOU'RE CRINGE". Don't you see how childish that sounds? This isn't criticism, that was just shaming and ad hominem. |
thewiruJul 23, 3:05 PM
Jul 23, 2:27 PM
#35
Reply to thewiru
@Otakupervert890
Yeah, like Star Wars or Monogatari.
Yeah, like Star Wars or Monogatari.
| @thewiru except you are not George Lucas or Nisio Isin and definitely don't have the writing talent of the latter but whatever flock your boat. |
Jul 23, 2:51 PM
#36
Zarutaku said: Most of the hyped anime quickly lose most hype after they finished airing, that doesn't seem healthy either. This is so true, I miss being able to discuss a series for at least a few years after its finished airing, but everyone moves on to the next thing immediately. Forums like AnimeSuki used to be like that, but most of these places are dead now. It's harder to find community to talk about these things with the way the modern internet is built, how it focuses on temporary, short form content where the priority is engagement. I feel like the way people interact (or don't, really) has been affected by that shift, based on how episode discussion threads tend to just be short hype (or complain) posts and no interaction with the rest of the community. And hi Zarutaku, hope you are well~ |
Another hero? Oh, please! You're a god-damn philistine. |
Jul 23, 2:52 PM
#37
Reply to Otakupervert890
@thewiru except you are not George Lucas or Nisio Isin and definitely don't have the writing talent of the latter but whatever flock your boat.
| @Otakupervert890 Well... if you say so... |
Jul 23, 2:54 PM
#38
Reply to CC
Zarutaku said:
Most of the hyped anime quickly lose most hype after they finished airing, that doesn't seem healthy either.
Most of the hyped anime quickly lose most hype after they finished airing, that doesn't seem healthy either.
This is so true, I miss being able to discuss a series for at least a few years after its finished airing, but everyone moves on to the next thing immediately. Forums like AnimeSuki used to be like that, but most of these places are dead now. It's harder to find community to talk about these things with the way the modern internet is built, how it focuses on temporary, short form content where the priority is engagement. I feel like the way people interact (or don't, really) has been affected by that shift, based on how episode discussion threads tend to just be short hype (or complain) posts and no interaction with the rest of the community.
And hi Zarutaku, hope you are well~
| @CC That isn't because of hype-culture, though, but rather by the sheer volume of anime being released nowadays. People watched stuff like GQuuuuuuX the day it released, talked about it while it was still releasing, for three months. There just isn't much to talk about anymore. In the past, there would've been 8 anime in a season, only half of them would be subbed, and once you're caught up with them you would be watching older anime that maybe wasn't even subbed back in it's day. That's why such things happened in the past. |
Jul 23, 3:20 PM
#39
Jul 23, 3:42 PM
#40
thewiru said: @CC That isn't because of hype-culture, though, but rather by the sheer volume of anime being released nowadays. I'd argue it's both, I was going to mention that but I wanted to keep it short. I just think hype culture makes it worse, because the people who want to be involved (the biggest purveyors of hype culture) have to move on to the next hyped thing which is already here because of the volume of anime produced nowadays. Some people think the amount of anime we have nowadays is a good thing, I see people saying "there's never been a better time to be an anime fan" all the time, but I disagree. I think it dilutes the media we consume when no time is spent on absorbing it before you fill your brain with the next thing. Like when you say "There just isn't much to talk about anymore." There are things to talk about, we always found things to talk about, we wrote entire blogs about magazine interviews and extraneous information, speculation, fandom polls in Newtype and then got into conversations about it in the comment section or the anime forums. I'm sure it would be the same now if anime as a form of media wasn't so oversaturated. So I agree, it is because of the volume of anime being released, but hype culture increases that demand. It's a bit cyclical, I think. Zarutaku said: Hi, why do you hope that? (no trick question) No trick question, huh? Oh no, has fleur gotten into your head? And, because we haven't talked in a bit and I like seeing you happy. |
Another hero? Oh, please! You're a god-damn philistine. |
Jul 23, 4:12 PM
#41
Jul 23, 9:35 PM
#42
Reply to thewiru
@CC
That isn't because of hype-culture, though, but rather by the sheer volume of anime being released nowadays.
People watched stuff like GQuuuuuuX the day it released, talked about it while it was still releasing, for three months.
There just isn't much to talk about anymore.
In the past, there would've been 8 anime in a season, only half of them would be subbed, and once you're caught up with them you would be watching older anime that maybe wasn't even subbed back in it's day. That's why such things happened in the past.
That isn't because of hype-culture, though, but rather by the sheer volume of anime being released nowadays.
People watched stuff like GQuuuuuuX the day it released, talked about it while it was still releasing, for three months.
There just isn't much to talk about anymore.
In the past, there would've been 8 anime in a season, only half of them would be subbed, and once you're caught up with them you would be watching older anime that maybe wasn't even subbed back in it's day. That's why such things happened in the past.
thewiru said: People watched stuff like GQuuuuuuX the day it released, talked about it while it was still releasing, for three months. There just isn't much to talk about anymore. I expect that many people will not discover an anime until after it finishes airing. If nobody's talking about a show after 3 months, it's probably not good enough to be worth watching. |
| その目だれの目? |
Jul 23, 11:10 PM
#43
| Hype culture is nonhealthy by default imo. Also anime hype is just short lived and that's not healthy. Maybe a tiny bit healthier than some other hype shit but I don't know, me no hype |
Jul 24, 1:01 AM
#44
Jul 24, 3:02 AM
#45
Reply to Zarutaku
@CC I wanted to perplex you, did it work?
| @Zarutaku No, I just hadn't got to this notification yet! I'm sleepy, it's past bed time and the forums keep going down. Zarutaku said: (possible trick question) Mildly concerning, but I'm sure it's fine. Surely Zarutaku isn't capable of playing trap cards? Zarutaku said: That makes me glad, how much do you like it? It's impolite for me to say in public~ The mods are going to get me for being off topic! |
Another hero? Oh, please! You're a god-damn philistine. |
Jul 24, 3:38 AM
#46
Reply to CC
@Zarutaku No, I just hadn't got to this notification yet! I'm sleepy, it's past bed time and the forums keep going down.
Mildly concerning, but I'm sure it's fine. Surely Zarutaku isn't capable of playing trap cards?
It's impolite for me to say in public~

The mods are going to get me for being off topic!
Zarutaku said:
(possible trick question)
(possible trick question)
Mildly concerning, but I'm sure it's fine. Surely Zarutaku isn't capable of playing trap cards?
Zarutaku said:
That makes me glad, how much do you like it?
That makes me glad, how much do you like it?
It's impolite for me to say in public~
The mods are going to get me for being off topic!
CC said: It's impolite for me to say in public Impolite? 😮 I wish you said indecent. |
Jul 24, 10:35 AM
#47
| I think there is a difference in accessibility here. When it comes to movies, you go to the cinema to see them, and the cinema is no longer the cheap experience of the past. Today, cinema is a cost or even a luxury for many. If you are to spend on a trip to the cinema, you are not going to go blindly to a movie like it was the case 20 years ago, and prefer to spend the money on something you are familiar too, like a sequel or an adaptation. Is not hype, is just being responsible with your expenses. Personally, those days I rarely go to the cinema, and I usually go to see an anime - and even then I didn't go to any anime, just because it was an anime in the cinema. When it comes to movies, I am pretty sure, I won't go to the cinema until the next Dune is out. Anime is accessible on the other hand. When a new season starts, as long as I have internet, I can watch it. It costs less or can cost nothing. |
Jul 24, 11:13 AM
#48
Jul 24, 11:27 AM
#50
Reply to Zarutaku
As long as it's fun ... hold on, are you implying @CC is a catfish?
| @Zarutaku I dunno, chu should ask her directly~ UwU @CC Are you a catfish? 🤔 @aurora_yuuki I hope chu're not too possessive~ |
DeathkoJul 24, 11:33 AM
Prophetess of the Golden Era |
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