Seikai no Senki

Please watch Crest of the Stars before starting this series for maximum enjoyment and understanding of the plot.

Seikai no Senki, or Banner of the Stars, is the 13 episode sequel to Crest of the Stars. It follows the development of the relationship between Lafiel, the Abh princess, and Jinto, son of the administrator of a planet that surrendered and got his family made into Abh nobility.

In Banner of the Stars, Lafiel is now captain of her own Assault ship. Jinto, who promised Lafiel that he would study hard and become a supply officer, has been requisitioned to join Lafiel's crew aboard the Basroil. He ... brings with him Diaho, the ginger cat Lafiel bequeathed to him at the end of Crest of the Stars.

Banner of the Stars is about the Abh Empire's quest to retake territories they lost to The United Mankind. As such, a majority of the story is made up of battle scenes, which are quite well done. The only drawback to the animation is that they re-used those scenes a LOT, similarly with the soundtrack, or I would have rated it a lot higher.

Character development again, is key. You identify with Jinto, and to a lesser extent, Lafiel. There are those characters that you love to hate, and those are well done also. Even Diaho, the cat, is a character in his own right.

The story was a lot better than Crest of the Stars, and overall Banner of the Stars was good, just not as outstanding as some of the other high quality recent releases.

There is an effect in the arts, most notably in music, dubbed the "sophomore slump". It relates to the fact that the sequel to an acclaimed or beloved work often pales in comparison to its predecessor. If a movie is a smash hit, the sequel will be less of a hit. A band's first album is a milestone in its genre? Next album is half of one. Of course, there are exceptions to this rule and the term is fairly overstated. Yet the term has become so commonplace that it's much easier to think of the "slumps" than it is of the "rises". In the ... case of the Stars series, I found out that Crest of the Stars was much more of a beloved show than I had thought (outside of knowing the novels won a Seiun award back in the 90's). However, its sequel Banner doesn't seem to get the same amount of love. In Banner's defense, I don't think it's a case of "sophomore slump" as much as it is the expectations of the viewers coming into it.

The most notable thing that Banner does, for me, is that it "stops pretending". I mentioned in my Crest review about how one-sided the politics feel and how it tends to be biased towards the Abh. Banner drops this element - now its Abh focused for the duration of the show. It focuses more on the battles and how the characters (most notably Lafiel's division) feel about their placement in the war. Though dropping the politics may put some in a dour mood, I actually see this as an improvement for the show. If the show wanted to be like LoGH and show balance between the two sides, it did a poor job at it - its hard to see the conflict past "Abh good, humans bad" with such a warped perspective. It now has more time for action and the characters, which is something I liked about the show in the first place. Dropping the weaker elements and strengthening the more prevalent elements allows me to see the show for what it is instead of what its trying to compete with.

So what's happened in the 3 years since the last adventure? Lafiel's become a captain of the ship Basroil while Jinto has become a trusty supply officer (who, obviously, is enrolled by Lafiel for her crew). Some new characters are introduced as Lafiel's crew members, like the taciturn and serious Ekuryua, the drinking blue-collar spirit of Samson and the mature Wing Flyer Sobaash. Other characters are introduced as commanders of other ship divisions. Lafiel's commander, Atosuryua, is the sister of the Baron they killed 3 years prior. The Bibos twins, Nefei and Nereis, are known for their "Beautiful Insanity" when it comes to drawing up battle plans. Finally, a few characters return from Crest - the haughty commander Spoorh and the supreme commander Dusanyu. Rather than an adventure, the episodes focus on the buildup and battle defending the critical area of the Aptic Gate. We see how the Abh react, prepare and fight against a human fleet of 15 times their own size. Fans of more tactical thought will enjoy this season more as there are a lot more dangerous situations. Outnumbered battles and new enemy weapons keep the Abh on their toes and the battles often turn from one of equal footing to one of strategic survival.

That said, the best part of Banner of the Stars is not these battles but the characters. Banner of the Stars' theme is discussing a person's place and role in the universe and these introspective moments is when we see the characters as more than cartoons. Jinto channels his inner Shinji Ikari (Evangelion) and contemplates his loneliness in the empire (non-Abh race, lost his family completely) and if anyone would truly miss him if he were gone. Lafiel battles her strong will against the commands of others and learns of the important roles that a leader has vs. her usual solo nature. Outside these two, Samson is the best character in the show. He comes from the surface like Jinto, but is older and has experienced years of the Abh's space service. His remark that people much younger than him are passing him by while he retains the same position is a bittersweet message of the show. We don't get to see too much of his serious side, as he prefers drinking and joking, but the few moments of solemnness we get with him are some of the best in the show. Perhaps that's why I find it to be so special - it's rare but it's there and it makes an impact.

Although the show's change of direction is something I approve, it still ultimately has problems. I didn't mention it in the Crest review but both Crest and Banner suffer greatly from one thing - its dryness. A show about space battles with grandiose scores should be exciting, but I don't feel it too often due to the Abh race. The Abriels, Ekuryua, and even the Bibos twins deliver lines in a very flat way with no dynamics in range. They're not free of emotions, but it often feels like they're trying their best to not show any - they don't come off as charismatic nor remotely interesting. You'd think that the Bibos twins, with the name "Beautiful Insanity", would do something mind blowing but the only real insanity is the constant one-upping the brothers try to do with each other. Even they admit they play it quite safe for battle plans this time around. Some characters, such as Sporh, break free from this but in the wrong way, coming off as bratty and more in place for a rom-com than a space opera. Not all characters suffer from this (Samson, Atosuruya), but they're a minority in the cast of undesirable characteristics. I'm not asking for people goofing off or being comic relief - this is a war and lives are on the line, after all. Just a little more expression would go a long way with me. The anime, as said above, is based on a novel series. For books, you don't get to see the action - you have to imagine it. So if I can imagine the characters saying their lines much more expressively than I can see them in the adaptation, I'd rather read the book.

Other issues I find stem not from what the show does but what it doesn't do. An example is the earlier mentioned Bibos twins, who aren't particularly insane in their battle performance. The way I see it, Sporh is far more "insane" in her approach ("crush the weak" philosophy) than the Bibos twins. Another good example is Roi Atosuruya, Lafiel's commander. You would think that Atosuruya, being the brother of the Baron that Jinto and Lafiel killed, would have contempt towards them and use her position of power subtly to endanger their lives further (as well as be an early example of cracks in the Abh empire's perfect image). However, it is treated as water under the bridge. That's a surprisingly mature approach and Atosuruya has good reasons for why there's no real issue, but it passes on an opportunity for conflict/excitement. And when a series is a dry, slow-paced watch, that can go a long way to making it a worthwhile viewing. Ultimately, many of these issues can be brushed away by stating this is a beginning or prologue to events to come. This is based on the first book in a series of five, so changes can happen and what I've said could end up being irrelevant. That said, this review covers what is shown and known for the anime, so it's a bit unfair to say "the sequel fixes this" when this cour must be watched first.

This show, to me, is the equivalent of reading a textbook. Yes, it's factual and there are a lot of important details you need for your classes or major. However, it's not an exciting read and it's hard to maintain excitement or interest. Like I said before, this may not apply to everyone. Those that want a more technical and tactical show will enjoy this, maybe even more so than Crest of the Stars. This isn't a bad show by any stretch, but it's just not to my preference.

As I said before, this show is more action based and it shows in a slightly higher budget. There are more fight scenes and therefore more times to show off said action. There are a lot of camera tricks involved to simulate flight (Crest also did this, in fairness) and there's some ugly early CG used occasionally, but there's more fluidity and a bit higher production qualities. Those looking for what's new in the sound department will be disappointed - most of the tracks here were all previously used in Crest. That's not necessarily a bad thing, though - Crest of the Stars had a good orchestral soundtrack. The exception is the new ED "Pink" by YUAMU, which evokes a 90's alternative rock song. It's a good song, and shows great contrast with the slight roughness of the lead vocals and some nice chorus harmonies. It's better than Crest's ED, though I still like the chorus for Crest's ED a bit more (it's too infectious).

Overall, I give this show a 5.5. From a numerical standpoint, it may seem that I think this show is equal to Crest but that's not the case. I prefer Banner over Crest, but I find both to be similar in strengths and disappointments that they fall around the same level. If you like Crest of the Stars for its romanticized adventures, tread cautiously for Banner. You'll get more Jinto and Lafiel, but the romance and adventure aspects are both downplayed. Those looking for a more grounded show (as strange as that is to say for a space opera) will enjoy this, while those looking for something a bit more flashy should give a pass to this one. I'll admit, Banner of the Stars is for a niche audience and I am not part of that niche. Those that are will find this show to be a definitive favorite.

Do you like or dislike this anime? If you haven't watched it, are you encouraged to watch it or not? Leave a comment on my profile telling me what you think of the anime and/or my review.

Thanks for reading and have a blessed day!

Banner of the Stars, as you all know, continues from where its prequel series Crest of the Stars left off, and so the basic premise and setting is the same here too. Humankind is under attack by the Abh Empire, and it is up to United Mankind and their allies to stave off the impending advance after a temporary ceasefire...wait, that's wrong, you say? I didn't actually say anything inaccurate here...oh right, I forgot - silly me - this story is told from the invaders' perspective, and it's them that you're supposed to root for.

Sarcasm aside, given just how utterly horrified I was by Crest ... of the Stars (scoring it a 1/10 in my review), you might wonder why I even bothered with the sequel. The thing is this - this show seemed to be more about its battle than about its political justifications, and given its undeniable artistic talent, I figured maybe there's actually some scope for enjoyment here as long as you could put the god-awful politics aside - temporarily, at least. Unfortunately though, even on its own terms, the battle simply isn't what it was initially made out to be - not unlike the prequel series. And on the other hand, it isn't long before the horrible politics creep right back and break your immersion anyhow. This right here is the long and short of it - the rest of my review will be about justifying and elaborating on this stand.

The show starts off getting you up to speed with the current status quo, as well as the military logistics of the Abh fleet. It also introduces you to the crew of the attack ship Basroil captained by our lead character Lafiel Abriel, with our other lead Lin Jinto serving as a supply officer. A Terran combat veteran called Samson is notably part of the bridge crew, along with Ekuryua, a somewhat withdrawn and introverted Abh girl who seems overly attached to Jinto's pet cat, and another Abh lady whose name I forget. Also introduced are the various Abh military commanders whom I'll get to later. The show wastes no time getting into combat mode, and before you know it the introductions are over and you're thrust into the immediacy of the war. One thing that the Seikai series as a whole does deserve credit for is its pacing.

Now there are two levels at which the battle is depicted: at the here-and-now tactical level, we're shown the trials that the leads face and how they deal with them; and at the strategic level, we're shown various higher-order commanders as they squabble amongst each other and come to crucial decisions. And here's where it gets interesting: at the level of the here-and-now, the show puts you in the hot seat of the front-lines alongside Lafiel and her crew, and gives you the impression of a gritty and dogged battle against overwhelming odds. Every one in the bridge is practically sweating from the tension, and sirens start blaring across the board as one sector after another of the ship take increasing amounts of damage. The tactical breaks provide very little in the way of relief.

And in between all this, the focus shifts to the higher-order commanders as they deal with the bigger picture and strategic aspects of the battle. But in the war room, things seem almost downright boring - the commanders seem supremely sure of themselves to the point of detachment - one goes for a bath in the middle of all the fighting, and another makes a game of pestering his understaff about her personal relationships. All these 'cute' scenes in the high command ships are supposed to showcase the Abh's supreme competence, and their capacity for mischievous joviality even in the heat of battle. But when the show nears its conclusion, all this charm comes undone when an Abh commander commits a shocking act that reveals what the real stakes of the battle were all along, and makes all their previous joviality and nonchalance come across as rather obscene in hindsight.

Another thing to note is that the battle is depicted solely from the Abh's standpoint: you only get to see the Abh side of the strategising, and you only ever learn of United Mankind's strategy or tactics through the obstacles the Abh side faces. So on one hand you get to see how chivalrously the Abh face off against their opponents; and on the other hand how dastardly the enemy is...because that's what they tell you. One unintentionally good thing about this one-sided view of the war, though, is that the enemy is never given a face this time. You only get to see either their ships or mines being blown up. No dastardly, gratuitously-villainous, moustache-twirling military commanders from the ranks of United Mankind plague the screen this time around (that job is taken over by the Abh commanders, albeit unintentionally).

With that out of the way, it's now time to address the Elephant in the Room i.e. the two-faced politics of this show. No, you saw this coming a mile away - and no, there's no getting around this. Because quite simply, not only is it thematically central to the whole story, but it also taints and utterly poisons everything it comes into contact with. So anyways, we're right back to what Crest of the Stars did worst - any humans who do not wholeheartedly and with tears of gratitude accept Abh overlordship are portrayed as corrupt, greedy, morally broke or otherwise generally pathetic. The president of the Aptic system, which the Abh forcefully took over, gives a defiant speech to never surrender to the Abh invaders - but he is shown to do so just to look good to his voters. He even suggests behind-the-scenes that the Abh retort with racist and condescending insults to spice things up for the cameras. The Abh's offer to accept surrender from the Aptic government without imposing any deadline on them is made to look like a magnanimous act of generosity. Even those working for the Abh fare no better - a nation is shown to have joined with the Abh simply because the Abh didn't object to their dietary habits whereas the Terran alliances were absolutely appalled (if you must know, they ate cats - no, I'm not making this up).

And then of course, there's the United Mankind - the only force in the Galaxy that poses any credible threat to Abh dominion. Their policy is depicted not as a legitimate political resistance to the Abh's unilateral aggression (which it easily could and should have been), but as a dogmatic mission to either enslave or exterminate the entire Abh race. And surely enough, they are portrayed as genocidal fascists (albeit off-screen this time) who do not consider the Abh to be human, and thus see it as fair game to disregard their enemy's basic human rights - during combat or otherwise.

On the other hand, Abh commanders like Crown Prince Abriel and Baroness Spoor or even the Bebaus twins, whose actions would have clearly branded them as war criminals in just about any other narrative, are not only never (intentionally) made to look bad, but rather made to look like eccentric geniuses whose outwardly obnoxious antics belie just how "wonderful" and compassionate they supposedly are beneath the surface. The show accomplishes this with its singularly worst act of hypocrisy - while it's abundantly clear to any rational person that these commanders took many of their decisions with a callous and blatant disregard for human lives, their actions are ultimately justified by the show on grounds that these decisions somehow end up working out for the best. A related point is how the show expects you to overlook all of Abriel's needless endangerment of his own troops because he expresses the coy sentiment that he'd never be able to forgive himself if anything happened to Lafiel (his distant descendant) or Jinto. The exact same issue loomed in Crest of the Stars as well, and Banner of the Stars continues in the same dishonoured tradition.

Later on in the series, the Terran-born Prime Minister of the Abh Empire has a brief parting talk with the infamous eyepatch-wearing ambassador from the last series, where he praisingly refers to the Empire as "the only force in the galaxy that can impose modernity on the surface worlds". That right there is the big pretext that the show provides to justify all of the Abh's military aggression over anyone who seeks to oppose their completely one-sided dominion over humans. I continue to be surprised at how many people seem perfectly fine with this.

To make things worse, the show doesn't just leave things be even here: even when the crew are on their down-time and just breathing, either reflecting on their lot or even just making small talk, the show takes every opportunity to illustrate how superior the Abh are in every conceivable shape and form, and just how hopelessly unattainable that superiority is to ordinary humans (again, this ties in with the show's justification of the Abh's forceful takeover of human worlds). It may not be as blatant as it was in Crest of the Stars - but it's there, believe me. And it's done much more subtly this time.

Which brings me to the show's perhaps craftiest sleight-of-hand: during one of their breaks from the fighting, Jinto has a chat with Lafiel - reflecting upon his lot in life, the position he's been thrust into, and his possible career options from that point on. Lafiel also shares some of the decisions she's made about her own future. Throughout the span of that discussion, their relative lack of freedom and legroom within their position as Abh nobility gets brought up time and again, given just how pervasively it is a part of their reality. But under no circumstances is the Abh system itself, which is actually the root cause of their plight, ever brought into question or criticised. The most dumbfounding moment is when Jinto briefly contemplates giving up his title as Count of Hyde and simply returning to his homeworld, but then decides against it because he thinks the people would look down upon him for chickening out of his role as their overlord. Are you KIDDING me?! The people of Martine long for Independence from Abh dominion, and if an involuntarily-appointed governor were to turn down that post and return home, that would make a bold and heroic political statement against the Abh, and the people would have welcomed him home as a goddamned HERO!! Nope, Jinto has no choice (in his own mind, at least) but to continue in his dual roles as a petty officer in the Star Forces on one hand, and a puppet figurehead for Abh rule on his homeworld on the other. Interestingly though, there is one character (and an Abh one at that, to boot) who implicitly criticises the ways of the royals, but the show plays it away as an intentionally spiteful remark made by someone holding a personal grudge, rather than a genuine grievance.

On the technical side of things, the animation is somewhat better than the positively freakish fare that you had to endure last time. The sound and audio cues are pretty much exactly the same as last time, and they mostly do their job quietly and unobtrusively. The opening score, on the other hand (and especially the eerily ominous drum-rolls whenever the voice-over narrator or anyone else speaks Abh-tongue), made me feel deeply uneasy and nauseous - in much the same way that Richard Wagner's "Flight of the Valkyrie" today invokes imagery of cold-blooded monstrosity because of its rather unfortunate appropriation by the Nazi regime.

As for the characters, things are more or less exactly as they were in the last series. Jinto once again proves himself to be an accomplished sycophant. This time around, he is given more space to "develop" - as in, more airtime to express his self-pity with melodramatic wistfulness. Among other things, he broods that no one will miss him when he dies (awwww), and that he won't be around for as long as Lafiel. You know what, his worries might be unfounded - even in his early twenties, he still looks like a 14-15 year-old, and still retains a husky adolescent voice...maybe he has defied the odds and hit the genetic lottery after all! The show also tries to "humanize" Jinto by showing how he winces and cringes in embarrassment at having to read out the Abh's official statements of hostile takeover, but it's a diversion from the plain-and-simple fact that he is perfectly OK with what the Abh are actually doing - the hypocrisy on display is simply sickening. Lafiel is, of course, exceedingly good to Jinto as always, and unfailingly dutiful to her crew - but underneath even that generous and dutiful personality is an uncritical mind, and an unwavering loyalty to the very system that serves to oppress her (and not to mention entire planets besides).

Overall, Banner of the Stars retains the core essence of what made Crest of the Stars so sickening and reprehensible. But where Crest of the Stars provoked shock and outrage, Banner was more of just constantly annoying. The stakes are not something you can sympathise with without rooting for criminal invaders, and that's primarily what breaks the immersion factor whenever you're reminded of it. As for the battle itself, as gripping as it may initially seem, it proves to be more one-sided than it was made out to be, and basically depicts the wholesale slaughter of conveniently "evil" enemies in a glorifying light. If it seems "better" than Crest of the Stars, that's only because it has less obviously-offensive scenes, and instead goes for making subtler insinuations during the more "quiet-time" interactions between the characters. And finally, as much as you may try, it proves impossible to separate the artistic good from the thematic poison of this show, as every event and every interaction is inextricably linked to its reprehensible ideas. It proves once again that it's just not possible to make good wine from bad grapes.