Kokou no Hito

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Alternative Titles

Japanese: 孤高の人

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Information

Type: Manga

Volumes: 17

Chapters: 170

Status: Finished

Published: Nov 1, 2007 to Oct 27, 2011

Genres: Award Winning, Drama, Sports

Theme: Psychological

Demographic: Seinen

Serialization: Young Jump

Authors: Sakamoto, Shinichi (Story & Art)

Statistics

Score: 8.78¹ (scored by 35,462 users)

¹ indicates a weighted score.

Ranked: #41²

² based on the top manga page. Please note that 'R18+' titles are excluded.

Popularity: #122

Members: 112,182

Favorites: 6,525

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8.78

Ranked #41Popularity #122Members 112,182

MangaYoung JumpSakamoto, Shinichi (Story & Art)

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Volumes: /17

Chapters: /170

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Synopsis

Through pain and arduous effort, one can reach the top of the world. Standing where no man has ever set foot before, there is an exhilarating feeling of success. This is what Mori Buntarou trains, works, and lives for.

His climb to the top starts when he transfers to a new high school. Despite his lonesome and solitary nature, Mori's classmates persuade him to climb the school building. Without a harness or hesitation, he begins his scale to reach the top. Edging past the point of no return, he halts when he is faced with a final intimidating obstacle—a horizontal overhang. Adrenaline courses through him, and Mori jumps for the final hold at the summit.

From there, he casts his eyes upon something that he normally would not have seen—another peak, another goal. With an awakened passion and newfound purpose in life, Mori explores the breathtaking sport of rock climbing.

[Written by MAL Rewrite]

More characters
Characters

Mori, Buntarou

Main

Oonishi, Masao

Supporting

Miyamoto, Hajime

Supporting

Katou, Hana

Supporting

Niimi, Taku

Supporting

Takemura, Ayumu

Supporting

Kobori

Supporting

Hara, Keito

Supporting

Kurosawa, Mutsumi

Supporting

Branch Manager

Supporting

Reviews

Aug 13, 2017

NFMaster

Recommended

The saying ‘’A picture paints a thousand words’’ is truly exemplified by this manga. While the amount of dialogue in-series isn’t exactly low, the main character speaks rarely throughout the whole manga; yet that is its biggest feat. While manga, like anime, is a visual medium, most works don't utilize their visuals to full extent, only going as far as to present scenarios in a very bare-bones and basic manner. That's where Kokou no Hito shines, as it manages to tell the story solely through its astonishingly utilized visuals - be it the visualization of psychological struggle or metaphorical imagery that adds a symbolic layer ... to the scenarios that our protagonist faces.

I think it should first be mentioned that expecting a traditional sports manga when going into it is a mistake; the series is more akin to titles like Ping Pong, where the actual sport takes a backseat to the exploration of the cast. Yet Kokou no Hito is different in a way, since the whole manga focuses on Mori Buntarou’s mentality, and his alone. Our protagonist is shy by nature, and soon after transferring schools, he gets into mountain climbing - this is a rather traditional setup, but that’s not all there is to it.

Initially, Sakamoto Shinichi was responsible for the artwork whereas Yoshiro Nabeda was responsible for the writing - a fairly common constellation for serializations; but due to, at least to me, unknown circumstances, Yoshiro Nabeda left the project after volume 3, and Sakamoto Shinichi was now not only the illustrator, but the author as well. I believe this worked to the series’ benefit - the first two volumes were rather clichéd in their structure, but once Sakamoto Shinichi took over the writing, the series evolved; turning over from a traditional sports series to an atmospheric, introspective character study.

That’s where the visuals get important - while in most cases, characterization is done through dialogue and actions, Kokou no Hito does it through the art; since Mori fails to talk back to people due to his shyness, and is reluctant to talk in general, his personality and mindset are brought forward solely by metaphors. Instead of just blandly showing us his inability to reply, his thought process is visualized; to provide an example, in an instance where a character stubbornly demands Mori’s keys, Mori fails to deny the request and simply stands there, awestruck - yet what is actually shown to us is Mori pointing a remote at her trying to metaphorically “turn her off”, followed by him sitting on the floor writing possible replies on notes. This impressively conveys his struggle to find the right words and him wanting to escape the situation. And yet Mori, in reality, just stands there doing nothing. This was just one of numerous examples, and the series truly makes successful use of this technique. Kokou no Hito also utilizes its art to create a fitting atmosphere - be it landscape shots from the mountain-top to create a sense of irrelevance and scale or small moments like Mori breathing in fresh air and simply feeling alive. Although it is perfectly utilized, the atmosphere creates an issue within the series - since the writer changes, the tone of the series alternates rather abruptly; this causes the transition from volume 3 to 4 to be rather jarring, and can break the built up immersion in the previous volumes, although I personally am able to overlook that since once you get used to the new direction it takes, it becomes a way more captivating series.

The change in author also caused several subplots to be scrapped, and some characters that were planned to be relevant later on were treated very poorly by the plot; this feels especially odd considering the level of insight the series gives Mori and its thematic exploration, creating a stark contrast between the very well crafted and almost amateurishly written sides of the series. That does not mean the series goes downhill though, as it manages to create several compelling subplots and exciting twists - since this series is about mountain climbing, an inherently dangerous activity, there are bound to be fatalities, and the way the series portrays the cruel apathy of nature is truly chilling; people die on several occasions throughout the series, yet those deaths are not dramatized in the slightest, rather, they are presented to be natural events, which makes those moments even more haunting and depressing. This ties really well into the series’ theme of human irrelevance to nature, how small and meaningless we are in the grand scheme of things. The manga addresses this in an intriguing way, presenting the mountain and the act of climbing as both a strenuous and demanding, yet desirable and fulfilling thing; throughout his journey Mori faces many challenges and cruelties in the mountains, yet he never backs down, always chasing one peak after another - he doesn’t have any concrete reason, the only thing he knows is that it gives him a sense of liberty, being isolated from the humans he does not get along with.

The aforementioned ties profoundly into the series’ symbolism, most notably the meaning of the mountain and the rope. Whereas the mountain’s symbolic meaning is vague, the rope’s is pretty simple and straightforward - human connection. Once you link ropes with a climbing partner, your life lies in their hands and theirs in yours. If one falls, both die; severing the rope means severing your connection to another human, and that theme is poignantly presented in Kokou no Hito. The mountain’s meaning deserves more focus than I can give in this review.

A big criticism this series often receives is the underwhelming sidecast, especially in comparison to the phenomenally characterized protagonist; while this criticism isn’t necessarily wrong, I feel like it’s missing the point of Kokou no Hito - it’s an autobiographical work through and through, detailing the life journey of Mori Buntarou, so I do not see why a sidecast with more focus is necessary. I agree though that a few characters could have been handled with more care, especially Yumi and Miyamoto. What is often forgotten is that Kokou no Hito did have a few side characters that, while only having a short appearance in the series, were handled in an absolutely brilliant way, perfectly showcasing what the series can achieve in terms of atmosphere and thematic exploration.

Another aspect I want to address is the conclusion - Kokou no Hito has probably the most impressive final act I have witnessed in media; the narrative shifts completely, switching between the last climb and the memories and thoughts of our protagonist, giving it a very unchronological and confusing feel. Indeed, many people need a reread of the last two volumes to fully grasp what's presented, but this makes for one of the most absorbing and cathartic conclusions I have seen, being simultaneously inspirational and cathartic.

Yes, this series is flawed, but I truly believe that its positives more than overweigh its shortcomings; it’s insightful on a very personal level, detailing the life of a fully fleshed out and explored protagonist, while presenting themes that are relevant to all of us. Kokou no Hito is a journey, for the protagonist and the reader alike, and it’s a journey I would love to embark on time and time again. It fully absorbs you into the mountains, making your crave for fulfillment yourself, and that is the greatest feat a work of art can achieve.

Recommendations:
-Oyasumi Punpun for capturing the same emotional beats
-Neon Genesis Evangelion for an anime that is similarly structured in narrative and has a strikingly similar protagonist
-Ping Pong for another psychological/sports series that conveys similar thematics

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Jul 20, 2024

Charizardexbb

Mixed Feelings

Spoiler-free so not much detail.

To kick off this review, let me say that I was hooked on "The Climber" right from the first 30 chapters. The plot was clear, the character development was impressive, and the artwork beautifully captured the intensity and passion of climbing.

However, the series hit a rough patch which disrupted the flow and made it hard to stay engaged. The story felt a bit lost between chapters 30 and 90, despite some standout moments. Thankfully, things picked up significantly after chapter 90. The narrative regained its direction, delivering a stretch of high-quality chapters that renewed my interest.

I was a bit frustrated with ...

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Sep 19, 2023

ssiasme

Not Recommended

Funny

Yeah, it's sad. I found it to be really boring, i didn't managed to like one single character, i find all the choices the main character does stupid... it would be a 3/10 for me if it wasn't for the maestry of technical things Sakamoto - the mangaka, which i've read Innocent before, other of his works - did on Kokou no Hito. It is so beautiful, it has so many experimental things like characters getting crazy in the middle of the cold and their speech getting inverted in the speech balloons, the scene where Mori sees the dawn and there's an orchestra going on ... and the symbolism is really cool, the artwork is fantastic, that one chapter where he recommends us to read it while listening to Bob Marley's "No Woman, No Cry" its pretty cool too. His paneling work is amazing too. So for technical reasons i gave it a 7/10 on MyAnimeList, thought it would only be fair even if i didn't like the story or had any fun.

I think Sakamoto could do a big hit doing a collab with someone that can write better than him, and maybe a more lighthearted story. I mean, in the whole Kokou no Hito there's only one scene i've cracked a smile that is when Mori, our main character, gets out of the hospital and a little girl drops a flower and he gives back to her. This was literally the only scene where i felt empathy for Mori because he only do the worst possible decisions, it is astonishing even.

I'm well aware the work wasn't obligated to make me have fun, i watched Parasite (the korean movie that was the first foreigner movie to get Best Movie Of The Year by the Oscar Academy) and didn't have any fun, the atmosphere was heavy, it wasn't a movie made for you to have fun, and i get this. I think Kokou no Hit was probably made with the same intent. The problem is that in Parasite i could understand the characters, whereas the choices Mori did were simply forced so the story could end on a bad note because it is a seinen so it must end in a heavy way. Also Parasite was a movie, Kokou no Hito was a whole 100+ chapter manga. Mori does so many mistakes and simply doesn't learn with them. Also every single side character was forgettable and stereotypical seinen characters that do something bad and that's it, some even might try to redeem themselves but i really didn't liked it.

Sakamoto is probably one of the greatest mangakas we have as right now, he is amazing drawing, but a very uncompelling writer in my humble opinion. I hope he finds his way with a good writer someday.

That's just my opinion, i respect you if you think Kokou no Hito it's a 10/10 and think it is a masterpiece. It just didn't clicked with me and i don't recommend it to anyone besides those who want to see Sakamoto's amazing technical prowess at being a mangaka.

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Poll: Kokou no Hito Chapter 130 Discussion UnknownGhost5 - Oct 7, 2023	1 replies	by almightybismarck »» Yesterday, 12:48 AM
Poll: Kokou no Hito Chapter 129 Discussion UnknownGhost5 - Oct 7, 2023	1 replies	by almightybismarck »» Yesterday, 12:06 AM
Poll: Kokou no Hito Chapter 128 Discussion UnknownGhost5 - Oct 4, 2023	4 replies	by almightybismarck »» Jul 24, 11:24 PM
Poll: Kokou no Hito Chapter 127 Discussion H_Erifu - Jun 13, 2015	3 replies	by almightybismarck »» Jul 24, 11:09 PM
Poll: Kokou no Hito Chapter 126 Discussion Mirorin - Jul 4, 2014	5 replies	by almightybismarck »» Jul 24, 10:51 PM

Kokou no Hito
The Climber
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