Sugar Sugar Rune

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Sugar Sugar Rune wasn't really my top choice, although it was one of the few I could actually have in my hands while reading. But one day, by some circumstances, I actually got the first volume of it for free, and decided, 'Hell I could give it a try'. And it really isn't as bad as I had initially thought it would be.

The story itself, while not entirely original, is interesting because you're never exactly sure what might happen next. Sure, with it's setting and genre, it's not exactly hard to see it coming, but the characters aren't exactly empty headed caricatures who are making ... any illogical decisions, so it has that going for it, if anything.

Weird, quirky and LOVELY art but scattered paneling.

The development of character was one of the things I praise. Chocolat seem to become more mature as the story goes on, confronting others as well as herself about feeling and the way things are going on and Vanilla, well, read on and find out. Supporting cast is sadly thrown to the side most of the time, which is really lame considering the roles and potential they COULD have.

When I started reading it, at first it wasn't very eye catching, or heart capturing, and it takes a while for a real story to start unfolding and it was a tad monotonic, to be honest. In the end it was worth it however, and the ending worth reaching.

Cuteness abound.

"Tim Burton meets magical anime girls" kinda deal.

Truly unique art, for better or worse.

Nice, comfy read.

STORY:
I liked the premise. The day-to-day collecting hearts stories were so adorable. Puppy love in its purest form makes me smile. The love or hearts collected weren't solely romantic either. I thought it was great that they collected friendship and other forms of love. However, I did not care for the shy character turns evil arc at all. I found it unneeded and waited patiently for it to finish. I usually like that trope but just not here.

As far as plot twists go, Sugar Rune kept things interesting. I frantically turned pages when Vanilla and Chocolat's backstories and births were revealed. I still want to ... know who is Vanilla's dad. Pierre's background is only briefly referenced in the manga from what I can see. I would have loved to know about his family and the life before being a prince.

The time skips were a bit much. Time spent in the magic world goes by fast!

CHARACTERS:
My favorite is Chocolat, and it's rare for me to like the main character that much. Chocolat's independent, opinionated personality was a breath of fresh air. She was blunt but never meant to hurt someone. She was smart and could see through an evil prince's scheme a mile away. Still, she had her childish charm even after maturing from previous rashness.

Vanilla was nice. I am glad she evolved from being whiny (...so, so whiny) to someone who could stand up for herself (and keep compassion in her heart for others). At one point, Vanilla had to explain to Chocolat that she couldn't be outgoing and aggressive like her. She had to be herself foremost.

I liked ALL the school kids and Chocolat's uncle as well!

My least liked were the ogres. BOO!

RELATIONSHIP:
I don't have that much to say about it. Pierre and Chocolat's love took a nice time to develop. I liked Chocolat with all of the boys and a relationship with either of them would turn out happy. I am glad that story never became truly harem-y.

But...Why did they even have to play with Chocolat being related to one of her lovers? I was like NOOOOOOOO!

SN: Woo rebounded so quick! Talk about instant love!

ART:
I liked the art style of Sugar Rune a lot! The school kids have cute and unique designs. I love the way Momoko draws men. My favorite aspect of Sugar Rune's art was the hair though. Each strand of Pierre, Vanilla, and Chocolat's hair looked like it was made with meticulous effort. I also like the way Pierre's hair was parted. Another thing is Vanilla had uncommon hair. Never have I seen a shoujo girl with that cut.

I am usually apathetic to overly large shoujo eyes, but I found the eyes here matched the characters.

OVERALL:
This was an enjoyable read, which is why I rated it so highly. I spent three days happily immersed in the sugary-sweet story.

I hope the answers I have left can be answered by the anime. The few things that stopped me from giving this manga a 10 was the dark arc, the unneeded character death(s), and the lackluster ending. I really wanted to see magical babies ha!

One of the things that Moyoco Anno utilizes extremely well is her sublime sense of space. I think this applies to everyone within the Kyoko Okazaki tradition, although I’ve only really seen a few others. Their panels are ridiculously packed with every kind of decoration, tons and tons of side-jokes, and provide non-stop stimulation to the senses while creating this incredible visual tension by transitioning from fragmented frames to large spreads. I bet anybody aiming to get into the industry or make their own work could learn a ton simply by analyzing the frame-structure of those like Anno and George Asakura.

The result of such a ... tightly packed frame is that in a mere 8 volumes, I’ve felt like I’ve been through every single kind of fantasy world possible. The story goes from a school setting, to haunted mansions, to city streets, to twisted landscapes, to beaches, to deserts, all culminating in a majestic finale that ties everything together.

The plot itself is like the art of those Golden Age Illustrators like Kay Nielsen, and other fairy tales, mixed together and turned into pure crack. People fall in love and experience heartbreak at mach speed, fight magical NTR battles, and do a whole lot of general fucking around while ruminating about the mysteries of the world and what romance entails. Since, in the world of Sugar Sugar Rune, the heart itself becomes an actual device for manipulation – you have a lot of battles and scenarios that also double as multi-layered metaphors about stuff like depression, abusive relationships etc… etc.. Furthermore all this fits into Anno’s writing power, since she’s done all sorts of genres including josei stuff like In Clothes Called Fat and seinen stuff like Hataraki Man before.

Also important is the fact that Moyoco Anno actually knows how to draw fashion, and has tons of fun creating all sorts of gothic-chic outfits and fairytale designs for the whole host of magic land inhabitants. This all fits in her drawing style – and the movement and anatomy of all the characters are so lucidly sketched out that they’re able to express almost every kind of expression in the most melodramatic flair possible. Shit, these are what magical girls should actually look like in the 21st century.

There’s a reason why the other big name Anno, Hideaki Anno, considered his wife to be better than him. Moyoco Anno is simply one of the most versatile creators in the industry, while Hideaki had to become disillusioned and leave us with only Eva and KareKano to have mere hints of what he could have achieved. And Hataraki Man, although less memorable artistically and expressionistically, is simply a hundred times more mature than Eva at teaching people how to actually deal with your life.