| Chainsaw Man by Tatsuki Fujimoto has reached 28.000.000 copies in circulation with 18 volumes. https://x.com/WSJ_manga/status/1815771129866223659 for comparisons https://en.wikipedia.org/wiki/List_of_best-selling_manga |
gyoobr said: yet someone on this app tried to claim CSM wasn’t popular enough and therefore can’t get a 2nd season lol Manga sales don't impact the anime receiving more projects. So this has nothing to do with the anime getting a second season or not. |
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| damn, 18 are out. wow, feels like part two started not long ago |
| boredboredbored |
rinnmakesmusic said: SimplyBrazen said: Manga sales don't impact the anime receiving more projects. So this has nothing to do with the anime getting a second season or not. Do you know that to be correct? It is correct. An anime adaptation is given the go-ahead if the stakeholders of the IP are willing to make a new project. However these stakeholders only make profit from the adaptation and in most cases it's hard for them to be 100% sure if a continuation is worth the money. That's why a lot of anime don't receive second seasons. Nowadays it's a bit easier since streaming services have allowed for anime to be more profitable in comparison to a decade or two ago. |
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| Well congrats for Fujimoto sensei then. I haven't caught up with the current chapters of the manga since I'm lazing out with popular stuff recently like csm here and jjk because boredom surrounded my brain but I think it's about time I'm gonna try and catch up now. |
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| Per volume sales are still not as high as I expected it to be. Maybe the anime sequels will make it reach at least 2 million per volume. |
If you enjoyed the time you wasted, then its not a waste of time.  |
| Heh, less than Tokyo Revengers. TR > CSM |
rinnmakesmusic said: SimplyBrazen said: It is correct. An anime adaptation is given the go-ahead if the stakeholders of the IP are willing to make a new project. However these stakeholders only make profit from the adaptation and in most cases it's hard for them to be 100% sure if a continuation is worth the money. That's why a lot of anime don't receive second seasons. Nowadays it's a bit easier since streaming services have allowed for anime to be more profitable in comparison to a decade or two ago. Except streaming services have done fuck all towards making studios more money. Not an accurate statement at all. To my limited knowledge (which I’m sure yours is as well) you listed a single reason among many. You didn’t even mention anything about the lack of physical copy sales, and that’s the actual reason that CSM is considered a flop in Japan. Streaming services get money to the stakeholders, and then the stakeholders share it with the studios based on agreed percentages. Physical copies in this day and age are useless. The only reason csm is considered a flop is cuz ppl still think BD sales play a role. My knowledge isn't perfect on this topic, but saying studios don't benefit at all is a very ignorant statement made by twitter users who base anything they say on outdated sources and don't care to look at the new data. |
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rinnmakesmusic said: SimplyBrazen said: Streaming services get money to the stakeholders, and then the stakeholders share it with the studios based on agreed percentages. Physical copies in this day and age are useless. The only reason csm is considered a flop is cuz ppl still think BD sales play a role. My knowledge isn't perfect on this topic, but saying studios don't benefit at all is a very ignorant statement made by twitter users who base anything they say on outdated sources and don't care to look at the new data. You’re not looking at new data, you’re looking at fabricated data lol. That and you can’t read. All I said was that streaming services have not changed the amount of money these studios make. The licenses are bought and the IP is distributed. Streaming royalties for distributors as far as I know are 50/50 and have always been so what’re you on about exactly? That hasn’t changed at all and studios are still getting wrung out by corporations like Sony. Sounds to me like you oughta actually partake in this “research” you speak of. Tf does that have to do with anything? Studios can make fuck all for all I care, this wasn't the topic of discussion. New projects are completely decided by the companies and individuals who own the most shares. That's it. |
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Reply to rinnmakesmusic
SimplyBrazen said:
Tf does that have to do with anything? Studios can make fuck all for all I care, this wasn't the topic of discussion. New projects are completely decided by the companies and individuals who own the most shares. That's it.
rinnmakesmusic said:
You’re not looking at new data, you’re looking at fabricated data lol. That and you can’t read. All I said was that streaming services have not changed the amount of money these studios make. The licenses are bought and the IP is distributed. Streaming royalties for distributors as far as I know are 50/50 and have always been so what’re you on about exactly? That hasn’t changed at all and studios are still getting wrung out by corporations like Sony. Sounds to me like you oughta actually partake in this “research” you speak of.
You’re not looking at new data, you’re looking at fabricated data lol. That and you can’t read. All I said was that streaming services have not changed the amount of money these studios make. The licenses are bought and the IP is distributed. Streaming royalties for distributors as far as I know are 50/50 and have always been so what’re you on about exactly? That hasn’t changed at all and studios are still getting wrung out by corporations like Sony. Sounds to me like you oughta actually partake in this “research” you speak of.
Tf does that have to do with anything? Studios can make fuck all for all I care, this wasn't the topic of discussion. New projects are completely decided by the companies and individuals who own the most shares. That's it.
Btw the last 2 responses from you to me have explicitly been about how the studios make or don’t make money based off of streaming royalties. You can’t even track a conversation and you’re trying to hit me with all these academics, absolute joker shit😂
| @rinnmakesmusic You diverged the conversation by ranting about studio shares and whatnot not me bruh, but ok. |
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