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What did you think of this episode?
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Mar 20, 7:28 AM
#1
Welcome to Shodoshima! Where's Takagi-san? Uika Hatsune: Saki-chan daisuki ( ͡° ͜ʖ ͡°) F that Togawa old man Sadaharu. He should be the one who moved to Switzerland. He just did everything just for himself, not Sakiko. Gladfully, finally, Sakiko ran away from him. In the end, we haven't got any chance to meet the real Uika. Same bus stop |
AkeZZZMar 20, 7:49 AM
真姫ちゃん! 何が好き? トマト よりも あ・な・た♡ |
Mar 20, 7:40 AM
#2
Love it,not other word just love it.if Togawa group want messing with them Hatsune just need ask help her senpai Tsurmaki Kokoro to dealing with Togawa Group for messing with Tsurumaki Family |
Mar 20, 7:41 AM
#3
Sakiko had enough of this bullshit and forced her authority as the rightful heiress of the family, practically gaslighting her own grandpa with the newly acquired knowledge of his scandalous affair. Also, Sakiko stayed through her kayfabe name "Oblivionis" and decided to "forget" her misfortunes and brute forced move on her life. Of course those things left behind will eventually gonna catch up to her in the future and it will gonna be interesting to how she will deal with those. And with the real Uika and her mother already in the mainland, that will be a huge plotpoint for future storylines for AveMujica. As I predicted weeks ago, the final episode would be a concert. We could have as much as 4 new songs combined from both AveMujica and MyGo!!!!! |
Mar 20, 7:46 AM
#4
DESUWA. Sakiko thinks she's Kira We never get to meet the real Uika, I was coping until the very end that THAT was the real Uika pretending to be Hatsune, but lol. Sakiko decided to just forget everything and continue moving forward, that's her, Oblivionis. I felt something lacking, like things just ended midway unresolved, but I guess... we can see their future story in the game itself. I just want to see them happy for real!! Excited for the Final Episode, a joint concert with MyGO!!!!! based on the PV!!! |
Mar 20, 7:47 AM
#5
Reply to AkeZZZ
Welcome to Shodoshima! Where's Takagi-san?
Uika Hatsune: Saki-chan daisuki ( ͡° ͜ʖ ͡°)
F that Togawa old man Sadaharu. He should be the one who moved to Switzerland. He just did everything just for himself, not Sakiko. Gladfully, finally, Sakiko ran away from him.
In the end, we haven't got any chance to meet the real Uika.
Same bus stop


Uika Hatsune: Saki-chan daisuki ( ͡° ͜ʖ ͡°)
F that Togawa old man Sadaharu. He should be the one who moved to Switzerland. He just did everything just for himself, not Sakiko. Gladfully, finally, Sakiko ran away from him.
In the end, we haven't got any chance to meet the real Uika.
Same bus stop
@AkeZZZ Let me guess, Hatsune is still in limbo, and we don't get an answer to either where the real Uika went (I highly doubt Hatsune killed her, but still) or what we're supposed to do with all the previous yuri bait if Hatsune was eventually confirmed as Sakiko's close relative? @Aleksu I also had this crazy idea that Uika was pretending to be Hatsune pretending to be Uika, but in the end it was obviously a crack idea since her father clearly recognized her. But either way, I would rather prefer they get a more or less solid happy ending at the end than have this parade of crazy over the top twists continued. |
RobertBobertMar 20, 7:51 AM
Mar 20, 7:49 AM
#6
Reply to Zhenvincent
Love it,not other word just love it.if Togawa group want messing with them Hatsune just need ask help her senpai Tsurmaki Kokoro to dealing with Togawa Group for messing with Tsurumaki Family
@Zhenvincent its time for Kokoro to deploy Michelle to fight |
Mar 20, 7:51 AM
#7
Reply to RobertBobert
@AkeZZZ Let me guess, Hatsune is still in limbo, and we don't get an answer to either where the real Uika went (I highly doubt Hatsune killed her, but still) or what we're supposed to do with all the previous yuri bait if Hatsune was eventually confirmed as Sakiko's close relative?
@Aleksu I also had this crazy idea that Uika was pretending to be Hatsune pretending to be Uika, but in the end it was obviously a crack idea since her father clearly recognized her. But either way, I would rather prefer they get a more or less solid happy ending at the end than have this parade of crazy over the top twists continued.
@Aleksu I also had this crazy idea that Uika was pretending to be Hatsune pretending to be Uika, but in the end it was obviously a crack idea since her father clearly recognized her. But either way, I would rather prefer they get a more or less solid happy ending at the end than have this parade of crazy over the top twists continued.
@RobertBobert She returned to the mainland. It was said in the episode. So that's why we never got a chance to see her. |
真姫ちゃん! 何が好き? トマト よりも あ・な・た♡ |
Mar 20, 7:53 AM
#8
Reply to AkeZZZ
@RobertBobert
She returned to the mainland. It was said in the episode. So that's why we never got a chance to see her.
She returned to the mainland. It was said in the episode. So that's why we never got a chance to see her.
@AkeZZZ It would be crazy, but funny, if Uika in turn pretended to be Hatsune in order to communicate with her mother and the locals. |
Mar 20, 8:01 AM
#9
Reply to Aleksu
DESUWA. Sakiko thinks she's Kira
We never get to meet the real Uika, I was coping until the very end that THAT was the real Uika pretending to be Hatsune, but lol.
Sakiko decided to just forget everything and continue moving forward, that's her, Oblivionis.
I felt something lacking, like things just ended midway unresolved, but I guess... we can see their future story in the game itself. I just want to see them happy for real!!
Excited for the Final Episode, a joint concert with MyGO!!!!! based on the PV!!!
We never get to meet the real Uika, I was coping until the very end that THAT was the real Uika pretending to be Hatsune, but lol.
Sakiko decided to just forget everything and continue moving forward, that's her, Oblivionis.
I felt something lacking, like things just ended midway unresolved, but I guess... we can see their future story in the game itself. I just want to see them happy for real!!
Excited for the Final Episode, a joint concert with MyGO!!!!! based on the PV!!!
@Aleksu Yes, this season is practically a one big prologue. What it conclusively did however, is exposing the true nature of these girls. |
Mar 20, 8:08 AM
#10
Reply to rookielazer
@Aleksu Yes, this season is practically a one big prologue. What it conclusively did however, is exposing the true nature of these girls.
@rookielazer That would be too simplistic and somewhat disrespectful to the creators of anime. I would rather view the game as a new season or even a sequel, as Revue Starlight did back in the day. At least for me, it's hard to imagine a game including arcs that would surpass these two series in terms of significance and plot heaviness. |
Mar 20, 8:10 AM
#11
Such a relieving episode, but is this the proper ending we needed? At least the girls are smiling again. A lot of things left hanging and I hope the game story can execute the continuous neatly... or maybe if they consider to make another season which I think will never happen. The next episode seems to be concert-focused, along with a little closure for this series, just like MyGO. |
Mar 20, 8:15 AM
#12
Reply to RobertBobert
@rookielazer That would be too simplistic and somewhat disrespectful to the creators of anime. I would rather view the game as a new season or even a sequel, as Revue Starlight did back in the day. At least for me, it's hard to imagine a game including arcs that would surpass these two series in terms of significance and plot heaviness.
@RobertBobert That is why I believe, a sequel anime series is really necessary. The problem with the game is there are 8 other bands there that will have to share the time the AveMujica future storylines would eat up. There is no way the game can handle that. They will take years. |
Mar 20, 8:16 AM
#13
here's the conclusion: FUCK YOU, old man! im taking my wife back with me _Saki said. |
Mar 20, 8:18 AM
#14
Reply to chocomayu
Such a relieving episode, but is this the proper ending we needed? At least the girls are smiling again.

A lot of things left hanging and I hope the game story can execute the continuous neatly... or maybe if they consider to make another season which I think will never happen.
The next episode seems to be concert-focused, along with a little closure for this series, just like MyGO.
A lot of things left hanging and I hope the game story can execute the continuous neatly... or maybe if they consider to make another season which I think will never happen.
The next episode seems to be concert-focused, along with a little closure for this series, just like MyGO.
@chocomayu The show was originally conceived as a dual show, consisting of opposing perspectives of MyGO and Ave Mujica. So they won't be able to release a new season without a new MyGO anime, and will probably only be able to continue the story within the general Bandori anime. Also, don't forget that we still have several cours of Garupa PICO to come. @rookielazer I already partially answered this in a reply to another comment. The key issue is that the game won't let them draw the same imaginary line as the anime and they'll have to actually combine all that edgy angst with stories about three idiots not being able to figure out who's in Michelle's costume. And if all the participants have now come to their sense and freed themselves from their mental conflicts, then what would the stories of the game be about? It's hard for me to imagine Ave Mujica without all of this, lmao. @Jebidor In this case it's more like "go to hell grandpa and dad, I'm moving in with my auntie." |
RobertBobertMar 20, 8:27 AM
Mar 20, 8:19 AM
#15
It's good that Saki failed to go to continue her studies abroad and I love her determination and struggle in this episode. Saki and Hatsune have become an amazing duo dynamic this time, both sisters have felt the hardship and pain in their families and now they will be together to move forward with their own stances. And that's how the final conflict ended I really felt my emotions going up and down and sometimes I could smile and laugh like I saw Saki and Hatsune in this episode. I'm glad Ave Mujica is back with seriousness especially now with all sane members lol. ![]() |
Mar 20, 8:59 AM
#16
The episode is so peak that the ED song becomes the OP song and the other way around. It's so peak man. I'm sorry but I still want to know about who Uika and Hatsune are lmao, are we really not going to see Uika directly or Uika is Hatsune and Hatsune is Uika or Hatsune just has mental problems about her having a sister named Uika, or Hatsune killed Uika lol. Sakiko from the beginning of Ave Mujica until this point remains my favorite character in Ave Mujica, Sakiko who "started" all the drama that has happened so far and Sakiko also ended the drama, but will this really end happily like this? at least everyone is smiling again. and fuck you sadaharu. The final episode seems to focus more on the concert between MyGoat and Ave Mujiking, looking forward to next week how they will end this amazing anime. |
Mar 20, 9:03 AM
#17
Mar 20, 9:06 AM
#18
Couldn’t they have just used their platform to expose what was happening to them? Their fans would not have stayed silent, they could’ve brought down the Togawa group if they leaked the scandal. And couldn’t Sakiko just had herself legally emancipated? There were so many more realistic options to have taken |
ajw215799Mar 20, 9:11 AM
Mar 20, 9:14 AM
#19
Reply to RobertBobert
@AkeZZZ Let me guess, Hatsune is still in limbo, and we don't get an answer to either where the real Uika went (I highly doubt Hatsune killed her, but still) or what we're supposed to do with all the previous yuri bait if Hatsune was eventually confirmed as Sakiko's close relative?
@Aleksu I also had this crazy idea that Uika was pretending to be Hatsune pretending to be Uika, but in the end it was obviously a crack idea since her father clearly recognized her. But either way, I would rather prefer they get a more or less solid happy ending at the end than have this parade of crazy over the top twists continued.
@Aleksu I also had this crazy idea that Uika was pretending to be Hatsune pretending to be Uika, but in the end it was obviously a crack idea since her father clearly recognized her. But either way, I would rather prefer they get a more or less solid happy ending at the end than have this parade of crazy over the top twists continued.
@RobertBobert In a previous episode when we learn about Uika's past, there Hatsune now know as Uika, tells us that after his little sister told her that, the reason Hatsune isn't crying or showing grief is due to there father isn't Hatsune's real dad. After hearing this her heart breaks and she runs to Tokyo and gets scouted. So no, Hatsune's real sister Uika(real) and mother are alive and Hatsune haven't killed anyone yet. |
Mar 20, 9:15 AM
#20
Reply to ajw215799
Couldn’t they have just used their platform to expose what was happening to them? Their fans would not have stayed silent, they could’ve brought down the Togawa group if they leaked the scandal. And couldn’t Sakiko just had herself legally emancipated? There were so many more realistic options to have taken
@ajw215799 You forget that this is not the US, this is Japan. And that Togawa still are Sakiko's relatives. Any attempt at this will quickly destroy her and Ave Mujica's reputation, making them very toxic to the audience and show business in general. As a bonus, you can add Fake Uika drama so that the B-list media will create a reputation for Sakiko being involved in a suspicious relationship with her blood related aunt and Ave Mujica will sink louder than Milli Vanilli. @XArceusX Thanks for disproving my reference to the meme from last episode discussions where people joked about Hatsune killing Uika as an crazy excuse for her absence. |
RobertBobertMar 20, 9:20 AM
Mar 20, 10:00 AM
#21
An amazing work penned single-handedly by none other than the legendary Yuniko Ayana herself with all her signature hallmarks like a small cast, deep internal monologue plus her favorite: complex relationship between girls. (I feared we might not see a true Yuniko episode after hearing her split from Bang Dream project, but this episode proved me wrong. Better late than never.) It sure feels much improved from the previous episodes since it now has a “big bad” this time (which should’ve been the main plot in the first place). Not some band members’ random problems appeared out of nowhere, but a true puppeteer that has been pulling the strings all along. Seeing at the end both Sakiko and Uika broke free by directly confronting Sadaharu and getting the band back together again make me cheer (even Sakiko’s dad, Kiyotsugu, showed sign of sobering up). Combined with everything Yuniko excels at littered throughout the episode, I can say this is the kind of story I wanted to see. The downplaying of Uika’s fate worked in Hatsune’s favor, since showing her does no good for Hatsune (unless Uika somehow reconciles with Hatsune). I knew they were going to address it in some way, even feared of an intense Uika-Hatsune face off or Uika’s death, but I forgot sometimes it’s better to let it go. It's a tasteful treatment. Using ED as OP is more fitting as the lyrics are incredibly fitting to the scene (an the theme in general); and OP as ED also got me so excited since there is nothing better to signify their rebirth other than KillKiss, their first song where it all begins. Plus, Sakiko’s proud proclamation as Oblivionis of Ave Mujica and a Togawa then immediately cut to KillKiss is extremely powerful. The next episode is not a joint concert like I previously anticipated but rather they are going their separate ways (judging by the size of the backdrop, Ave Mujica in a concert venue, MyGO in a livehouse). Ave Mujica needs a good show to mark their return and MyGO needs a good final send off. (I hope Mana is doing well going solo.) (Side note: in the end credits it still says “Uika”, not “Hatsune”. Guess they will go with that.) |
Mar 20, 10:12 AM
#22
Reply to Tamunomo
An amazing work penned single-handedly by none other than the legendary Yuniko Ayana herself with all her signature hallmarks like a small cast, deep internal monologue plus her favorite: complex relationship between girls. (I feared we might not see a true Yuniko episode after hearing her split from Bang Dream project, but this episode proved me wrong. Better late than never.)
It sure feels much improved from the previous episodes since it now has a “big bad” this time (which should’ve been the main plot in the first place). Not some band members’ random problems appeared out of nowhere, but a true puppeteer that has been pulling the strings all along.
Seeing at the end both Sakiko and Uika broke free by directly confronting Sadaharu and getting the band back together again make me cheer (even Sakiko’s dad, Kiyotsugu, showed sign of sobering up). Combined with everything Yuniko excels at littered throughout the episode, I can say this is the kind of story I wanted to see.
The downplaying of Uika’s fate worked in Hatsune’s favor, since showing her does no good for Hatsune (unless Uika somehow reconciles with Hatsune). I knew they were going to address it in some way, even feared of an intense Uika-Hatsune face off or Uika’s death, but I forgot sometimes it’s better to let it go. It's a tasteful treatment.
Using ED as OP is more fitting as the lyrics are incredibly fitting to the scene (an the theme in general); and OP as ED also got me so excited since there is nothing better to signify their rebirth other than KillKiss, their first song where it all begins. Plus, Sakiko’s proud proclamation as Oblivionis of Ave Mujica and a Togawa then immediately cut to KillKiss is extremely powerful.
The next episode is not a joint concert like I previously anticipated but rather they are going their separate ways (judging by the size of the backdrop, Ave Mujica in a concert venue, MyGO in a livehouse). Ave Mujica needs a good show to mark their return and MyGO needs a good final send off. (I hope Mana is doing well going solo.)
(Side note: in the end credits it still says “Uika”, not “Hatsune”. Guess they will go with that.)
It sure feels much improved from the previous episodes since it now has a “big bad” this time (which should’ve been the main plot in the first place). Not some band members’ random problems appeared out of nowhere, but a true puppeteer that has been pulling the strings all along.
Seeing at the end both Sakiko and Uika broke free by directly confronting Sadaharu and getting the band back together again make me cheer (even Sakiko’s dad, Kiyotsugu, showed sign of sobering up). Combined with everything Yuniko excels at littered throughout the episode, I can say this is the kind of story I wanted to see.
The downplaying of Uika’s fate worked in Hatsune’s favor, since showing her does no good for Hatsune (unless Uika somehow reconciles with Hatsune). I knew they were going to address it in some way, even feared of an intense Uika-Hatsune face off or Uika’s death, but I forgot sometimes it’s better to let it go. It's a tasteful treatment.
Using ED as OP is more fitting as the lyrics are incredibly fitting to the scene (an the theme in general); and OP as ED also got me so excited since there is nothing better to signify their rebirth other than KillKiss, their first song where it all begins. Plus, Sakiko’s proud proclamation as Oblivionis of Ave Mujica and a Togawa then immediately cut to KillKiss is extremely powerful.
The next episode is not a joint concert like I previously anticipated but rather they are going their separate ways (judging by the size of the backdrop, Ave Mujica in a concert venue, MyGO in a livehouse). Ave Mujica needs a good show to mark their return and MyGO needs a good final send off. (I hope Mana is doing well going solo.)
(Side note: in the end credits it still says “Uika”, not “Hatsune”. Guess they will go with that.)
@Tamunomo She was still listed as the story writer in this episode, though not the scriptwriter. As for Hatsune's name, I can only assume that it was done spoiler-wise. Especially considering that in the episode itself, Sakiko sort of accepted her as Uika, which freed them from having to rewrite the character despite all the problematic implications and frozen questions that decision would have. I mean, are they really telling us that the best way to solve the problem of hard lies is to accept it as truth? This will not solve Hatsune's mental problems with lying and doesn't erase her original personality and the past she hid through it. UPD. Ah, it seems I dug too deep and some people are telling me that the fake Uika's identity was kept as her public persona while Sakiko still fully accepted her past and real identity. |
RobertBobertMar 20, 10:27 AM
Mar 20, 10:46 AM
#23
After this episode, we still don't know where is real Uika & her mother about. And it's really become the real plot hole point to be solve. Like doesn't real Uika feels betrayed by her own sister as Hatsune finally becoming idol, taking the popularity, but she don't be it's. More, doesn't she feels annoyed that her sister taking her identity. Her mother? it's still be mystery as she become the important point for this scandalous issue of Sadaharu. But doesn't she have feeling try to involve on Hatsune issue? Yes Ave Mujica's member problem almost all been solved, but there still riddle to solve on whole Togawa family & Uika though. Or it's just not important anymore after Sakiko use her authority, Idk. It's still mystery to me. |
Mar 20, 10:55 AM
#24
Was a great episode. Is no one gonna talk about how they played the ED at the start and OP at the end? |
Mar 20, 10:56 AM
#25
Reply to MrBluebear
After this episode, we still don't know where is real Uika & her mother about. And it's really become the real plot hole point to be solve.
Like doesn't real Uika feels betrayed by her own sister as Hatsune finally becoming idol, taking the popularity, but she don't be it's. More, doesn't she feels annoyed that her sister taking her identity.
Her mother? it's still be mystery as she become the important point for this scandalous issue of Sadaharu. But doesn't she have feeling try to involve on Hatsune issue?
Yes Ave Mujica's member problem almost all been solved, but there still riddle to solve on whole Togawa family & Uika though. Or it's just not important anymore after Sakiko use her authority, Idk. It's still mystery to me.
Like doesn't real Uika feels betrayed by her own sister as Hatsune finally becoming idol, taking the popularity, but she don't be it's. More, doesn't she feels annoyed that her sister taking her identity.
Her mother? it's still be mystery as she become the important point for this scandalous issue of Sadaharu. But doesn't she have feeling try to involve on Hatsune issue?
Yes Ave Mujica's member problem almost all been solved, but there still riddle to solve on whole Togawa family & Uika though. Or it's just not important anymore after Sakiko use her authority, Idk. It's still mystery to me.
@MrBluebear I would imagine they just decided to leave it up to the fans to free themselves from having to deal with complex lore issues. Like they already did with their biological relationship and shipping, just pretending nothing is happening while fans argue about it. Although if they wanted to, I suppose they could very well bring in the real Uika later to create a sister vs sister conflict. In a hypothetical OVA/movie or even a game. The key point is that since, despite my jokes, her sister clearly wasn't pretending to be a fake Hatsune, it could cause some problems for her daily life. Just imagine that you look like an identical twin of a popular celebrity and even have the same name. @Hiiragi_Asuka No one? There are already at least 2-3 comments about this above. |
Mar 20, 11:54 AM
#26
Good thing we have Oblivionis to help them forget their mental issues and problems. Also to help the viewers forget about good writing. You'll remember nothing and be happy. |
Truth is absolute but human perception of truth is always relative. |
Mar 20, 12:00 PM
#27
"A normal closing chapter and with its yuri skills. It seems that Sakiko and Hatsune are aunt /niece no matter, we already know how the Japanese are hahahaha. Little more to say and I suppose What is the last chapter will be Mygo and Ave Mujica playing music |
Mar 20, 12:02 PM
#28
The storyline wrapped up too quickly, and the development felt like several episodes were skipped. |
Mar 20, 12:13 PM
#29
After all those suffering it's so unreal to see Saki's happy ending. This episode was so satisfying to the point that watching it took all my stress away. |
Mar 20, 12:14 PM
#30
Reply to Hormigo
"A normal closing chapter and with its yuri skills. It seems that Sakiko and Hatsune are aunt /niece no matter, we already know how the Japanese are hahahaha. Little more to say and I suppose What is the last chapter will be Mygo and Ave Mujica playing music
@Hormigo To be able to say what matters and what doesn't, they would at least have to have some kind of canonical romantic or completely platonic relationship. Which was never established, Sakiko simply acknowledged her as her authentic childhood friend. As for the Japanese, they will ship even literal twins with each other, although Bushiroad has semi-seriously tried to promote other ships instead. @shiro1006 In another show, this would be questionable timing, but to me, they overused the drama so much this time around that a quick and easy ending seems like a great decision. Although I will agree that the ending feels a bit too idealistic after showing us almost the entire group severely broken mentally. It's quite ironic now to remember how the scriptwriter, back during MyGO, promised the most realistic writing possible. |
Mar 20, 12:25 PM
#31
Reply to RobertBobert
@Hormigo To be able to say what matters and what doesn't, they would at least have to have some kind of canonical romantic or completely platonic relationship. Which was never established, Sakiko simply acknowledged her as her authentic childhood friend. As for the Japanese, they will ship even literal twins with each other, although Bushiroad has semi-seriously tried to promote other ships instead.
@shiro1006 In another show, this would be questionable timing, but to me, they overused the drama so much this time around that a quick and easy ending seems like a great decision. Although I will agree that the ending feels a bit too idealistic after showing us almost the entire group severely broken mentally. It's quite ironic now to remember how the scriptwriter, back during MyGO, promised the most realistic writing possible.
@shiro1006 In another show, this would be questionable timing, but to me, they overused the drama so much this time around that a quick and easy ending seems like a great decision. Although I will agree that the ending feels a bit too idealistic after showing us almost the entire group severely broken mentally. It's quite ironic now to remember how the scriptwriter, back during MyGO, promised the most realistic writing possible.
@RobertBobert I am not very consumer of Yuri, so I do not control the genre much. But what I have seen in this chapter is not friendship, even that of Aunt/ niece/ . Not even Sakiko affected him that Hatsune told him that she was the daughter of his grandfather. Platonic love? Romantic love canon? simple friendship with Yuri bait? No idea |
Mar 20, 12:40 PM
#32
I hope the finale will be able to surprise, not leave with a feeling, wait for someday in the game, because with each series more and more questions, and answers are not yet, especially with Wika, the answer that was in 11 series, it is an excuse. |
Mar 20, 12:43 PM
#33
Reply to Hormigo
@RobertBobert I am not very consumer of Yuri, so I do not control the genre much. But what I have seen in this chapter is not friendship, even that of Aunt/ niece/ . Not even Sakiko affected him that Hatsune told him that she was the daughter of his grandfather. Platonic love? Romantic love canon? simple friendship with Yuri bait? No idea
@Hormigo This looks like a typical melodramatic over the top female friendship in shoujo or all-female title. It's very melodramatic, but it's much less homoerotic than some Hibike where completely platonic pals compare their friendship to a boy and a girl's first date and so on. I'm more interested in why they didn't make them half-sisters, for example. It would have been much simpler and more intuitive than what we got. Purely as a fanon, I can assume that their aunt and niece status was intentionally added to, on the one hand, get rid of accusations of yandere yuri bait, and on the other, make them not so close that people could continue shipping them. That's why they, at the moment, do not comment on this in any way so that they cannot be accused of moving in one direction or another. However, remembering how Revue Starlight and D4DJ handled ships, I think a lot will still depend on how their events will look in the game. |
Mar 20, 1:06 PM
#34
Honestly, Saki's development just felt too fast and incoherent, from how she acted in episode 10 to this... It practically feels like they skipped an episode. It's not like the development itself isn't expected in its direction, but to me it didn't feel like it was earned. I feel like one more episode would've allowed for this smoother transition. As it stands, this episode disappointed me. I felt like the show had much stronger writing, especially last week's episode which I really loved. Everything is just... too convenient and rushed. Oh well, still a great show overall. Looking forward to next week's performance and hopefully some new songs. Ave Mujica is a great band with some bangers. |
Mar 20, 1:12 PM
#35
already hoped that there was a scene where Hatsune's sister was shown by Eueueueueu |
Mar 20, 2:44 PM
#36
Very disappointed. Somehow all the writing before feels meaningless if Sakiko (and we) are meant to forget it. That's just a lazy cop-out. Hoping for S2 announcement. |
Mar 20, 3:16 PM
#37
Reply to RobertBobert
@Tamunomo She was still listed as the story writer in this episode, though not the scriptwriter. As for Hatsune's name, I can only assume that it was done spoiler-wise. Especially considering that in the episode itself, Sakiko sort of accepted her as Uika, which freed them from having to rewrite the character despite all the problematic implications and frozen questions that decision would have. I mean, are they really telling us that the best way to solve the problem of hard lies is to accept it as truth? This will not solve Hatsune's mental problems with lying and doesn't erase her original personality and the past she hid through it.
UPD. Ah, it seems I dug too deep and some people are telling me that the fake Uika's identity was kept as her public persona while Sakiko still fully accepted her past and real identity.
UPD. Ah, it seems I dug too deep and some people are telling me that the fake Uika's identity was kept as her public persona while Sakiko still fully accepted her past and real identity.
RobertBobert said: She was still listed as the story writer in this episode, though not the scriptwriter. As for Hatsune's name, I can only assume that it was done spoiler-wise. Especially considering that in the episode itself, Sakiko sort of accepted her as Uika, which freed them from having to rewrite the character despite all the problematic implications and frozen questions that decision would have. Correct me if I am wrong, but I've never heard of the term "story writer" within the concept of anime. The official website credited Yuniko Ayana as the sole screenwriter ("脚本", aka scriptwriter) for this episode, contrary to the shared writing credit for episode 1 (with Midori Goto). She remain listed as the series composition ("シリーズ構成"), but I doubt how much actual control she has over the series due to her departure from Bang Dream project. Her credit as story concept ("原案") was not present in the entire Ave Mujica, but was present in MyGO (except in episode 13 where she is "MyGO/Ave Mujica story concept", which was subsequently removed from BD release of this episode). Regarding the name, it really doesn't matter, come to think of it. At the end of day, it's just a small part of the Bang Dream multimedia project and Bushiroad will do anything they can to profit from that, even if it does make some people feel uneasy. (Plus, you don't want all you past merchandise to carry a "wrong" name, right?) And since in the series they did not show real Uika and everyone seemed to accept Hatsune-as-Uika, the can pass it off as ambiguity, both logically and morally. If that doesn't work, they can just recon it with a few line of code for website (click Uika and it will turn into Hatsune) & game or change it in the BD release. I sure hope that they won't bring out real Uika one day in game or anime just to generate more hype or worse, give her a band. |
Mar 20, 3:21 PM
#38
Funfact: Four roses symbolize the four elements of the earth and can represent the four seasons of the year. Giving four roses can show that your love for the person is unchanging, and will always be a constant in their life.![]() |
Mar 20, 3:51 PM
#39
It’s a self centred approach for the ending. Everyone can forget what’s around them, it will not be revealed at all. |
Mar 20, 4:03 PM
#40
Mar 20, 8:06 PM
#41
Clearly not a fan of this episode. My biggest issue with Uika's backstory is that it comes out of nowhere. They dumped a ton of information in the last episode with such lazy storytelling that it feels like a last-minute attempt to justify all the nonsense that happened before. The whole thing about her taking her little sister’s name just to follow Saki is weird af, and the island storyline feels completely forced. There was no buildup or foreshadowing in previous episodes, so I don’t see the point of introducing all this backstory now. I’m all for a concert episode for the finale, but the nuanced writing about mental illness and split personalities has been replaced with a shallow, overly convenient resolution to everything. |
Mar 20, 8:56 PM
#42
I hate how I burst out laughing when they played Georgette Me, Georgette You as the OP for this episode (I've gone way too deep into online AveMuji brainrot). So anyway, it seems that everything Hatsune said about herself in the previous episode is all true which...I honestly don't really mind. Except maybe how it's her fault Kiyotsugu (and in turn Sakiko) suffered. I dunno, I maybe would've liked it more if some of the things that Hatsune said in the previous episode were just lies (I really liked the idea that her whole 'Weaver of Lies' thing meant that she was also deceiving herself). Besides that, the most noteworthy thing about this episode I think is Sakiko, specifically her character development. She may not be in a better place than where she was in the first episode, but she's changed and grown. Yeah, her circumstances are still not in her favor and she's still going to try to take control of things, but this time it won't just be for herself. She's now going to make the most of the time that is given to her before it once again passes, and even then, she will even be willing to defy fate itself to protect Ave Mujica. And I think that's kinda beautiful. (P.S. Sadaharu deserved getting talked down and being called a coward by his granddaughter.) (P.P.S. It was nice seeing the Morfonica girls towards the end; I honestly almost forgot that this was a Bandori project.) |
Mar 20, 9:13 PM
#43
Reply to Jojoringo
Clearly not a fan of this episode. My biggest issue with Uika's backstory is that it comes out of nowhere. They dumped a ton of information in the last episode with such lazy storytelling that it feels like a last-minute attempt to justify all the nonsense that happened before. The whole thing about her taking her little sister’s name just to follow Saki is weird af, and the island storyline feels completely forced. There was no buildup or foreshadowing in previous episodes, so I don’t see the point of introducing all this backstory now. I’m all for a concert episode for the finale, but the nuanced writing about mental illness and split personalities has been replaced with a shallow, overly convenient resolution to everything.
@Jojoringo No buildup? Hints keep showing since Uika appeared in MyGO season, last episode is a must to explain her back story. Also without Hatsune, Sakiko cannot talk loud to her grandfather which did not have the Togawa bloodline and with a big secret of Hatsune. |
Mar 20, 9:15 PM
#44
i liked the episode because Sakiko finally took action for herself and took responsibility seriously. She was willing to be their god even lmao, forgiving and guiding them. That's really beautiful considering how she knew everything could easily end and problems could catch up to them one day. i guess what i didn't like was how all other subplots were dumped/dumbed down to oblivion, probably i overestimated their relevancy to the band's story. Mortis/Mutsumi, Sakidad, Hatsune's identity, Umiri's, Nyamu's relationship with other band members. I get these will eventually be in game story, but im just disappointed how the anime as a whole is just like this - introducing a lot of subplots, hyping up but to nowhere |
Mar 21, 12:04 AM
#45
Reply to Tamunomo
RobertBobert said:
She was still listed as the story writer in this episode, though not the scriptwriter. As for Hatsune's name, I can only assume that it was done spoiler-wise. Especially considering that in the episode itself, Sakiko sort of accepted her as Uika, which freed them from having to rewrite the character despite all the problematic implications and frozen questions that decision would have.
She was still listed as the story writer in this episode, though not the scriptwriter. As for Hatsune's name, I can only assume that it was done spoiler-wise. Especially considering that in the episode itself, Sakiko sort of accepted her as Uika, which freed them from having to rewrite the character despite all the problematic implications and frozen questions that decision would have.
Correct me if I am wrong, but I've never heard of the term "story writer" within the concept of anime.
The official website credited Yuniko Ayana as the sole screenwriter ("脚本", aka scriptwriter) for this episode, contrary to the shared writing credit for episode 1 (with Midori Goto). She remain listed as the series composition ("シリーズ構成"), but I doubt how much actual control she has over the series due to her departure from Bang Dream project. Her credit as story concept ("原案") was not present in the entire Ave Mujica, but was present in MyGO (except in episode 13 where she is "MyGO/Ave Mujica story concept", which was subsequently removed from BD release of this episode).
Regarding the name, it really doesn't matter, come to think of it. At the end of day, it's just a small part of the Bang Dream multimedia project and Bushiroad will do anything they can to profit from that, even if it does make some people feel uneasy. (Plus, you don't want all you past merchandise to carry a "wrong" name, right?) And since in the series they did not show real Uika and everyone seemed to accept Hatsune-as-Uika, the can pass it off as ambiguity, both logically and morally. If that doesn't work, they can just recon it with a few line of code for website (click Uika and it will turn into Hatsune) & game or change it in the BD release.
I sure hope that they won't bring out real Uika one day in game or anime just to generate more hype or worse, give her a band.
@Tamunomo Either way, she's credited and that's all we can do with it. She probably didn't write the episode itself, but she still came up with the general development. The show's director has already stated that they have drawn some line between MyGO and Ave Mujica and the rest of the bands, keeping the overall continuity but not directly interfering with them. It wasn't said word for word, but I think they wouldn't want the new bands to change the positioning and IP of the old ones. I don't know why you're against introducing real Uika in the future in one event or another, but I think it could work and be lore-wise if done right. @Okami_doge You think so? In my opinion, it's not so much that they forgot about the other subplots, but rather that they just closed them too quickly and superficially. Even if they still have a game for it. @sharoro Yeah. Uika did foreshadowing whenever things even slightly reminded her of it. @awokadoser I suspect I know where you got that from. 4 flowers can indeed imply permanence, especially in their context. The problem is that people are never given an even number of flowers because flower etiquette considers it a funeral tradition. Especially in Japan, where the number 4 is a symbol of death. I assume that this sequence meant, coupled with their dialogue afterwards, that Sakiko reaffirmed her affection for Hatsune even after her past was revealed. |
RobertBobertMar 21, 12:22 AM
Mar 21, 12:46 AM
#46
Reply to RobertBobert
@Tamunomo Either way, she's credited and that's all we can do with it. She probably didn't write the episode itself, but she still came up with the general development.
The show's director has already stated that they have drawn some line between MyGO and Ave Mujica and the rest of the bands, keeping the overall continuity but not directly interfering with them. It wasn't said word for word, but I think they wouldn't want the new bands to change the positioning and IP of the old ones.
I don't know why you're against introducing real Uika in the future in one event or another, but I think it could work and be lore-wise if done right.
@Okami_doge You think so? In my opinion, it's not so much that they forgot about the other subplots, but rather that they just closed them too quickly and superficially. Even if they still have a game for it.
@sharoro Yeah. Uika did foreshadowing whenever things even slightly reminded her of it.
@awokadoser I suspect I know where you got that from. 4 flowers can indeed imply permanence, especially in their context. The problem is that people are never given an even number of flowers because flower etiquette considers it a funeral tradition. Especially in Japan, where the number 4 is a symbol of death. I assume that this sequence meant, coupled with their dialogue afterwards, that Sakiko reaffirmed her affection for Hatsune even after her past was revealed.
The show's director has already stated that they have drawn some line between MyGO and Ave Mujica and the rest of the bands, keeping the overall continuity but not directly interfering with them. It wasn't said word for word, but I think they wouldn't want the new bands to change the positioning and IP of the old ones.
I don't know why you're against introducing real Uika in the future in one event or another, but I think it could work and be lore-wise if done right.
@Okami_doge You think so? In my opinion, it's not so much that they forgot about the other subplots, but rather that they just closed them too quickly and superficially. Even if they still have a game for it.
@sharoro Yeah. Uika did foreshadowing whenever things even slightly reminded her of it.
@awokadoser I suspect I know where you got that from. 4 flowers can indeed imply permanence, especially in their context. The problem is that people are never given an even number of flowers because flower etiquette considers it a funeral tradition. Especially in Japan, where the number 4 is a symbol of death. I assume that this sequence meant, coupled with their dialogue afterwards, that Sakiko reaffirmed her affection for Hatsune even after her past was revealed.
@RobertBobert I rewatched the episode and you are probably right about Yuniko Ayana not writing the episode entirely. Something's off after the initial yuri stuff, and the discrepancy is more obvious later into the episode. (I will probably do a longer write up in the morning) I take MyGO/Ave Mujica as a soft reboot succeeding the main series (though oddly wiki refers to them as "spin-offs"). There are nods and easter eggs here and there, random old band members popping up in places. There may be changes, but those feel like natural progression rather than heavy handed retcon. The reason why I am against real Uika showing up is the fact that she is a hot potato. The undeniable fact is that Uika is a victim of an identify theft perpetrated by Hatsune, with Sadaharu acting as a accomplice. To "do right" means at least Uika has to reconcile with Hatsune and forgive her, which requires a lot of willingness for the girl who got her name, life and dream taken away (plus convincing the audience while doing so). I doubt if it will ever work, but I have faith in the wisdom of the writers. |
Mar 21, 12:50 AM
#47
The world is healing and Ave Mujica will cast aside it's fate and forge it's own destiny of their own choosing! |
Mar 21, 12:56 AM
#48
Reply to Tamunomo
@RobertBobert
I rewatched the episode and you are probably right about Yuniko Ayana not writing the episode entirely. Something's off after the initial yuri stuff, and the discrepancy is more obvious later into the episode. (I will probably do a longer write up in the morning)
I take MyGO/Ave Mujica as a soft reboot succeeding the main series (though oddly wiki refers to them as "spin-offs"). There are nods and easter eggs here and there, random old band members popping up in places. There may be changes, but those feel like natural progression rather than heavy handed retcon.
The reason why I am against real Uika showing up is the fact that she is a hot potato. The undeniable fact is that Uika is a victim of an identify theft perpetrated by Hatsune, with Sadaharu acting as a accomplice. To "do right" means at least Uika has to reconcile with Hatsune and forgive her, which requires a lot of willingness for the girl who got her name, life and dream taken away (plus convincing the audience while doing so). I doubt if it will ever work, but I have faith in the wisdom of the writers.
I rewatched the episode and you are probably right about Yuniko Ayana not writing the episode entirely. Something's off after the initial yuri stuff, and the discrepancy is more obvious later into the episode. (I will probably do a longer write up in the morning)
I take MyGO/Ave Mujica as a soft reboot succeeding the main series (though oddly wiki refers to them as "spin-offs"). There are nods and easter eggs here and there, random old band members popping up in places. There may be changes, but those feel like natural progression rather than heavy handed retcon.
The reason why I am against real Uika showing up is the fact that she is a hot potato. The undeniable fact is that Uika is a victim of an identify theft perpetrated by Hatsune, with Sadaharu acting as a accomplice. To "do right" means at least Uika has to reconcile with Hatsune and forgive her, which requires a lot of willingness for the girl who got her name, life and dream taken away (plus convincing the audience while doing so). I doubt if it will ever work, but I have faith in the wisdom of the writers.
@Tamunomo Yuniko really likes yuri stuff, but why is that the only thing we talk about when it comes to her writing? Is that the only thing she writes about and wants to talk about? It's starting to feel like a really weird wishful thinking, especially when things have a context. It's really a spin-off. According to the director, they originally even wanted to put the groups in a separate timeline like Argonavis did back in the day. So it's more of an attempt to try something new in the franchise without interfering with the old content. Although I don't want to predict the future, considering how D4DJ once completely changed the concept after Bushiroad decided to change creators. The problem is that so many nuances are ignored, not to mention that it would be strange for a character who plays such an obvious role in the story not to appear in even one scene. Even in a sequel hook. I won't speculate on what her appearance might have been. There are many possibilities. But to simply forget about her as a plot device would be odd. |
Mar 21, 1:06 AM
#49
Best episode, 10/10. |
Mar 21, 3:00 AM
#50
THIS SHIT IS PEAK FICTION |
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