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Sep 21, 2024 2:48 PM
#151
| peak, like actually. |
Sep 24, 2024 4:45 PM
#152
| Someone could probably make a whole 2-hour video analysis on Nina's self-destructive mindset (but that ain't gonna be me!). It's not that she's not working hard, she's just rushing too much and when reality hits her, she can't face it so she gets more desperate. The last two episodes are a prime example of this; did anyone in the show honestly expect TogeToge to ever have a change against Diamont Dust? Even Hina came to help Nina, but she wouldn't listen. Lots of folks here are calling the ending rushed; no, I think they did a bold move by essentially giving us the Bad Ending on the very first season of their brand new show. Whenever S2 comes around they definitely have to adress Nina's emotional issues, though. Now that she has her father's acceptance, Nina ought to set herself straight and stop going after desperate measures. We saw shades of that when she was beginning to learn the guitar, but despite Momo's harsh words, she continues learning hoping to play in the band. All she wanted was for someone to pat her in the head for trying. "Look at me! I'm doing something!" I said in an earlier post how Momoka's self-esteem was lower than Nina's but now even Momoka is not afraid to tackle new ground, so that post is moot (whoops!). The only one left with serious issues is Nina and she needs help fast. Perhaps her newfound love with Momoka can help her, or perhaps this cruel defeat will gradually set her mind straight. We could have gotten the Good Ending if Nina had not pushed for accepting the challenge and I can see why some people dislike her, but I think she's an amazingly well written character. She feels like the victim ever since she got bullied for doing what she believed is right. The whole world is her enemy and she just wants to be accepted, but being cute and having the power of friendship is not enough and we all saw what happend with that kind of mindset. What a sleeper hit! ps. Subaru best girl; God will not allow any other answer! |
Oct 12, 2024 6:57 AM
#153
| Been hearing a lot about this anime, but it was so mediocre. |
Oct 14, 2024 11:41 AM
#154
| Overall one of the best shows of the year so far, but for me it's just fallen short of the true greatness so many have said it is. These weak final two episodes are a big part of that, as the decisions they've made as a group here have kind of made me lose some of the respect I had gained for them throughout the show: at the very first big challenge they face as professionals, they throw in the towel because they know they can't win despite their whole thing being about taking on and beating Diamond Dust. They just cower out rather than facing the music, and that's just not at all satisfying however you slice it. Knowing that this anime has a gacha in the works, I'd have been much happier ending at episode 11 with them signing the contract as professionals, then leaving whatever comes next to the gacha story. The other big issue I have with this show is the fundamental contradiction between its messaging and the reasons it exists in the first place. Throughout, this show's messaging has been about doing your own thing musically and not compromising to professional or commercial demands, but the show is primarily a vehicle for promoting a new multimedia franchise and professional band. In other words, the show is the very thing it's criticised from day 1 and it just makes the messaging feel more hollow than it should. Still, some of the best 3DCG visuals and animation an anime has ever had and some fantastic characters and dynamics has made this a very enjoyable watch throughout despite the above issues. A solid 8/10, but it could have been even better. |
Oct 15, 2024 5:46 AM
#155
Reply to Atavistic
Overall one of the best shows of the year so far, but for me it's just fallen short of the true greatness so many have said it is. These weak final two episodes are a big part of that, as the decisions they've made as a group here have kind of made me lose some of the respect I had gained for them throughout the show: at the very first big challenge they face as professionals, they throw in the towel because they know they can't win despite their whole thing being about taking on and beating Diamond Dust. They just cower out rather than facing the music, and that's just not at all satisfying however you slice it. Knowing that this anime has a gacha in the works, I'd have been much happier ending at episode 11 with them signing the contract as professionals, then leaving whatever comes next to the gacha story.
The other big issue I have with this show is the fundamental contradiction between its messaging and the reasons it exists in the first place. Throughout, this show's messaging has been about doing your own thing musically and not compromising to professional or commercial demands, but the show is primarily a vehicle for promoting a new multimedia franchise and professional band. In other words, the show is the very thing it's criticised from day 1 and it just makes the messaging feel more hollow than it should.
Still, some of the best 3DCG visuals and animation an anime has ever had and some fantastic characters and dynamics has made this a very enjoyable watch throughout despite the above issues.
A solid 8/10, but it could have been even better.
The other big issue I have with this show is the fundamental contradiction between its messaging and the reasons it exists in the first place. Throughout, this show's messaging has been about doing your own thing musically and not compromising to professional or commercial demands, but the show is primarily a vehicle for promoting a new multimedia franchise and professional band. In other words, the show is the very thing it's criticised from day 1 and it just makes the messaging feel more hollow than it should.
Still, some of the best 3DCG visuals and animation an anime has ever had and some fantastic characters and dynamics has made this a very enjoyable watch throughout despite the above issues.
A solid 8/10, but it could have been even better.
| @Atavistic > The other big issue I have with this show is the fundamental contradiction between its messaging and the reasons it exists in the first place. Throughout, this show's messaging has been about doing your own thing musically and not compromising to professional or commercial demands, but the show is primarily a vehicle for promoting a new multimedia franchise and professional band. In other words, the show is the very thing it's criticised from day 1 and it just makes the messaging feel more hollow than it should. Been there, seen that, done that: https://www.reddit.com/r/girlsbandcry/comments/1cvxstc/are_we_being_scammed_big_time/ Furthermore, the whole contradiction you've described may or may not be the reason why two members of Togenashi Togenari band (IRL Subaru and Tomo) have been on hiatus for several months, officially for medical condition but nobody knows anything. They missed live concerts, radio shows and promotion events. Maybe they are fed up with being turned into otaku idols / social media puppets, while the other 3 girls accept or even enjoy that? |
Tacsk0Oct 15, 2024 5:55 AM
Oct 15, 2024 6:03 AM
#156
Reply to Erebus25
Been hearing a lot about this anime, but it was so mediocre.
| @Erebus25 > Been hearing a lot about this anime, but it was so mediocre. GBC's BD/DVD purchases are certainly not mediocre: it has been selling 12-14,000 box sets per volume, in a market where any anime crew would offer child sacrifice for selling just 5500-6000 copies. The amount of GBC fan art / doujin also isn't mediocre, it's huge! In other words GBC is much loved and crazy popular wherever properly accessible (though the non-streaming digital purchase method in Amazon and Microsoft stores is apparently inconvenient for US audiences.) |
Oct 15, 2024 6:10 AM
#157
Reply to SuperJohnDoe
Someone could probably make a whole 2-hour video analysis on Nina's self-destructive mindset (but that ain't gonna be me!). It's not that she's not working hard, she's just rushing too much and when reality hits her, she can't face it so she gets more desperate. The last two episodes are a prime example of this; did anyone in the show honestly expect TogeToge to ever have a change against Diamont Dust? Even Hina came to help Nina, but she wouldn't listen.
Lots of folks here are calling the ending rushed; no, I think they did a bold move by essentially giving us the Bad Ending on the very first season of their brand new show. Whenever S2 comes around they definitely have to adress Nina's emotional issues, though. Now that she has her father's acceptance, Nina ought to set herself straight and stop going after desperate measures. We saw shades of that when she was beginning to learn the guitar, but despite Momo's harsh words, she continues learning hoping to play in the band. All she wanted was for someone to pat her in the head for trying. "Look at me! I'm doing something!" I said in an earlier post how Momoka's self-esteem was lower than Nina's but now even Momoka is not afraid to tackle new ground, so that post is moot (whoops!). The only one left with serious issues is Nina and she needs help fast. Perhaps her newfound love with Momoka can help her, or perhaps this cruel defeat will gradually set her mind straight.
We could have gotten the Good Ending if Nina had not pushed for accepting the challenge and I can see why some people dislike her, but I think she's an amazingly well written character. She feels like the victim ever since she got bullied for doing what she believed is right. The whole world is her enemy and she just wants to be accepted, but being cute and having the power of friendship is not enough and we all saw what happend with that kind of mindset.
What a sleeper hit!
ps. Subaru best girl; God will not allow any other answer!
Lots of folks here are calling the ending rushed; no, I think they did a bold move by essentially giving us the Bad Ending on the very first season of their brand new show. Whenever S2 comes around they definitely have to adress Nina's emotional issues, though. Now that she has her father's acceptance, Nina ought to set herself straight and stop going after desperate measures. We saw shades of that when she was beginning to learn the guitar, but despite Momo's harsh words, she continues learning hoping to play in the band. All she wanted was for someone to pat her in the head for trying. "Look at me! I'm doing something!" I said in an earlier post how Momoka's self-esteem was lower than Nina's but now even Momoka is not afraid to tackle new ground, so that post is moot (whoops!). The only one left with serious issues is Nina and she needs help fast. Perhaps her newfound love with Momoka can help her, or perhaps this cruel defeat will gradually set her mind straight.
We could have gotten the Good Ending if Nina had not pushed for accepting the challenge and I can see why some people dislike her, but I think she's an amazingly well written character. She feels like the victim ever since she got bullied for doing what she believed is right. The whole world is her enemy and she just wants to be accepted, but being cute and having the power of friendship is not enough and we all saw what happend with that kind of mindset.
What a sleeper hit!
ps. Subaru best girl; God will not allow any other answer!
| > Someone could probably make a whole 2-hour video analysis Could 1 hour and 36 minutes of Girls Band Cry discussion suffice? https://www.youtube.com/watch?v=LTY8pTqcssg |
Oct 15, 2024 7:51 AM
#158
Reply to Tacsk0
@Erebus25
> Been hearing a lot about this anime, but it was so mediocre.
GBC's BD/DVD purchases are certainly not mediocre: it has been selling 12-14,000 box sets per volume, in a market where any anime crew would offer child sacrifice for selling just 5500-6000 copies. The amount of GBC fan art / doujin also isn't mediocre, it's huge! In other words GBC is much loved and crazy popular wherever properly accessible (though the non-streaming digital purchase method in Amazon and Microsoft stores is apparently inconvenient for US audiences.)
> Been hearing a lot about this anime, but it was so mediocre.
GBC's BD/DVD purchases are certainly not mediocre: it has been selling 12-14,000 box sets per volume, in a market where any anime crew would offer child sacrifice for selling just 5500-6000 copies. The amount of GBC fan art / doujin also isn't mediocre, it's huge! In other words GBC is much loved and crazy popular wherever properly accessible (though the non-streaming digital purchase method in Amazon and Microsoft stores is apparently inconvenient for US audiences.)
| @Tacsk0 Those numbers don't mean anything to me since I don't follow those, but let's assume they show popularity. So the question is why. Why is this mediocre anime gathering such attention? Music is so generic I no longer remember any song from the anime. 3D is at "watchable" level, but it will never be remembered as good. Characters all have some tragic past which is just lazy writing, and story itself with someone is quitting the band every other episode got bored pretty quick. |
Oct 18, 2024 6:26 AM
#159
Reply to Erebus25
@Tacsk0 Those numbers don't mean anything to me since I don't follow those, but let's assume they show popularity. So the question is why.
Why is this mediocre anime gathering such attention? Music is so generic I no longer remember any song from the anime. 3D is at "watchable" level, but it will never be remembered as good. Characters all have some tragic past which is just lazy writing, and story itself with someone is quitting the band every other episode got bored pretty quick.
Why is this mediocre anime gathering such attention? Music is so generic I no longer remember any song from the anime. 3D is at "watchable" level, but it will never be remembered as good. Characters all have some tragic past which is just lazy writing, and story itself with someone is quitting the band every other episode got bored pretty quick.
| @Erebus25 > Music is so generic I no longer remember any song from the anime. Rock hasn't been truly mainstream in the West for like 25 years, unlike Japan, so our ears are saturated with pop music taste. Furthermore, GBC's music is heavily modeled on Vocaloid scene from the previous decade, which was dominated by amateur producers. Their aesthetics relied much on keyboards (easier to use with MIDI and DAW vs guitar / bass) and accelerated singing pace (as Hatsune Miku et al. didn't need to breathe.) GBC / Togenashi Togeari vocalist Nina / Rina actually had a few problems in live concerts trying to keep up with their fastest songs. > 3D is at "watchable" level Compared to anything from previous anime titles (like BangDream MyGo) GBC's 3D-cgi is revolutionary, regarding fluency of motion and the large number of facial expressions achieved through advanced mo-cap. Many say it resembles video-game transition scenes. However, one cannot expect Hollywood / Pixar movie grade CGI animation from a broadcast-for-free TV production, where return of investment is totally uncertain. > Characters all have some tragic past which is just lazy writing Momoka, Subaru, Tomo and Hina don't really count as tragic backstories for me, they have issues that happen to everyday people as well. > someone is quitting the band every other episode Good observation but that's apparently the way of rock music in real life and many formations are higly unstable. In GBC the girls weren't voting out each other at least. Anyhow, if none of them wanted to quit, how could they come together by the end? |
Oct 24, 2024 3:14 PM
#161
Reply to Autumnium
The ending was not satisfying at all.
| @Autumnium > The ending was not satisfying at all. It's not the ending, it's the beginning of indie rock band Togenashi Togeari (TogeToge). GBC ED shows the future: band is on tour in their clunky minivan while their ex-manager takes care of the pets. If fans demand it enough there will be more content (a sequel, a prequel or live action adaptation, who knows?) A japanese otaku has also discovered that the commercially unsuccessful TogeToge song of episode 12 / 13 (Flowers of Fate a.k.a. I'm here!) is actually the melodic basis of GBC OP song Wrong World. Consider that OP animation shows TogeToge performing in the 15,000 audience Budokan venue, which means our beloved rock band will eventually find success! |
Oct 24, 2024 4:15 PM
#162
Oct 28, 2024 4:54 AM
#163
Reply to Autumnium
I just wish the anime was longer, that’s why I didn’t find it satisfying.
| @Autumnium If GBC remains popular enough or the Crunchy streaming makes it even more popular, then project continuation is almost certain! I'd personally be most interested in a prequel (addressing the rise and fall of Old Diamond Dust, the nature of Nina x Hina relationship at school plus Beni-Shouga and Rupa backstory, etc.) |
Nov 18, 2024 11:52 PM
#164
| I just finished this show recently after it got licensed by Crunchyroll. Am a little late to the party but am I the only one who thought that this episode was beautifully underwhelming? Compared to the previous 11 episodes, episode 12 and 13 felt rushed. The conflict between Diamond Dust and Toge Toge weren't really setup up well and we don't really know why DD are trying to antagonize them aside from the rivalry they have. However, despite how rushed the final arc felt, I think it also emphasized a key message of the show, which I think is "be true to yourself". They did this by creating a dilemma wherein Toge Toge could not sell out their tickets and am not surprised really because they are an up and coming band, and not to mention how their generally aggressive lyrics don't sell well as in the mainstream (akin to how metal music is niche). Hina then talks with Nina giving her a rationale solution, where Toge Toge could avoid financial ruin. However, as with Nina's stance on bullying, it doesn't sit right with her and she and the rest of Toge Toge accept their loss, refusing to hypothetically kneel before DD and instead flips them a finger by pushing through with their gig despite the low audience count. I found it interesting as well how the final song, in my opinion, was also not as good as emptiness and catharsis, void, and others. This is just not my subjective opinion, but I feel the show emphasized this as well by it not becoming popular. Despite the lackluster song, this was the song that all of them felt personalized them as a band and hence made it not for a mainstream audience, but as an expression of what they want to say to the world. The world didn't like it, but again, they flipped the finger at the world and stayed true to themselves performing this potentially mediocre song in their likely final performance with their agency. If you made it this far, thanks for reading my four paragraph thoughts. I acknowledge that the final arc of GBC was rushed and that if they had an episode or two more, it could have ended much better. Despite these shortcomings though, I felt it still hit its landing and hence why I think its a beautifully underwhelming ending. |
Nov 20, 2024 2:31 PM
#165
| What a weird ending for a great show. I especially really annoyed with how they handled the Nina - Hina friendship, and tried to make Hina look good. Nina isn't a saint (a saint wannabe, maybe lol) but leaving your friend where she needs you the most isn't a thing that you can forgive just because "they were listening the same songs". I thought Nina was annoying for a while but god damn, Hina took that crown in just one episode. Besides I'd really loved if the season ended on eleventh episode, it was generally great. They were a dysfunctional rock band like every other rock band and even with their differences they became great friends. I hope we get at least another season of these girls. And if their "drama" feels unrealistic, I'd recommend you watching the Metallica's Some Kind of Monster documentary, it's even messier IRL. |
Nov 23, 2024 10:55 AM
#166
| Overall I really liked this series and the music. I don't really like a lot about Nina except that she is passionate. The last episode however left me pretty disappointed and I think its more of a cultural difference. I don't understand why they resigned and why they feel the need to stick to some point of pride like this. They had an agency that was going to let them basically play their own style and seemed like they would have had a lot of future freedom. Wasn't it about the band and the music? why did they throw it all away for some stupid competition and claim that it was about showing that their way was right... Who are they to decide what the fans should like to listen to. Is it the music you make with your bands that makes you happy or is it beating some other band and showing them that "your way" was the right way.... so dumb.. At the end of the day I was going to give this series an 8 overall but for me the last episode was a 2 and the series dropped to 7. I liked the music but i don't like how they destroyed themselves over stupid pride but I guess that's the Japanese way.... PS: I thought the last song they did was lame :P |
Nov 23, 2024 11:45 AM
#167
| This show didn't stop to glow up each episodes. This is so strong and feeling. Ganbare, Togetoge ! |
Dec 29, 2024 10:17 PM
#169
| I can't believe it took this long for Nina to realize the truth behind why Hina joined DD lol I know she is our protagonist, and I kinda like her sometimes, but for me Nina is still really stupid and stubborn. I'll be honest here, we didn't really see much of her, but you know what, I think Hina >>> Nina in terms of personality, Hina was kinda mean but she always wanted the best for Nina, she cared for her even after they got separated, while Nina hated her, the school, her parents, DD... Nina just fucking hates everything and if someone says something she doesn't like she just fucking explodes, it's annoying. I didn't really understand, did they quit the agency, or did they just reject the offering to play the same day as DD? Idk if it was because of the subtitles I used but it wasn't that clear to me, I guess is the 2nd one since they played the day after DD and Miura was there with them, but there is also that after they chatted with Miura in her office Nakata told them to come back years later and he will work for them for free, they also said they will just keep going on their own... I hope that isn't the case becuase that would mean Tomo and Rupa left their jobs for nothing 😭 and that Nina once more ruined everything. I LOVED THIS SONG, AND THIS ANIME, HOLY SHIT THIS BETTER GETS A SECOND SEASON 😭 IT'S PEAK I'll miss Subaru so much, I absolutely love her, the show was great but clearly she was the one carrying it ❤️ Since the 1st time I saw the ending I was waiting for her to cut her hair lol, but she never did, and they also never got the yellow van, maybe that's next for the 2nd season??? PD: I love how the "confession" from ep 8 was never ever mentioned again, goes to show how it wasn't a romantic one, yuritards. |
StallionXDDec 30, 2024 11:51 AM
Sorry if my english is bad (っ˘▽˘)っ~~~ Btw, cry about it. |
Dec 30, 2024 10:45 AM
#170
Reply to StallionXD
I can't believe it took this long for Nina to realize the truth behind why Hina joined DD lol
I know she is our protagonist, and I kinda like her sometimes, but for me Nina is still really stupid and stubborn.
I'll be honest here, we didn't really see much of her, but you know what, I think Hina >>> Nina in terms of personality, Hina was kinda mean but she always wanted the best for Nina, she cared for her even after they got separated, while Nina hated her, the school, her parents, DD... Nina just fucking hates everything and if someone says something she doesn't like she just fucking explodes, it's annoying.
I didn't really understand, did they quit the agency, or did they just reject the offering to play the same day as DD? Idk if it was because of the subtitles I used but it wasn't that clear to me, I guess is the 2nd one since they played the day after DD and Miura was there with them, but there is also that after they chatted with Miura in her office Nakata told them to come back years later and he will work for them for free, they also said they will just keep going on their own... I hope that isn't the case becuase that would mean Tomo and Rupa left their jobs for nothing 😭 and that Nina once more ruined everything.
I LOVED THIS SONG, AND THIS ANIME, HOLY SHIT THIS BETTER GETS A SECOND SEASON 😭 IT'S PEAK

I'll miss Subaru so much, I absolutely love her, the show was great but clearly she was the one carrying it ❤️









Since the 1st time I saw the ending I was waiting for her to cut her hair lol, but she never did, and they also never got the yellow van, maybe that's next for the 2nd season???
PD: I love how the "confession" from ep 8 was never ever mentioned again, goes to show how it wasn't a romantic one, yuritards.
I know she is our protagonist, and I kinda like her sometimes, but for me Nina is still really stupid and stubborn.
I'll be honest here, we didn't really see much of her, but you know what, I think Hina >>> Nina in terms of personality, Hina was kinda mean but she always wanted the best for Nina, she cared for her even after they got separated, while Nina hated her, the school, her parents, DD... Nina just fucking hates everything and if someone says something she doesn't like she just fucking explodes, it's annoying.
I didn't really understand, did they quit the agency, or did they just reject the offering to play the same day as DD? Idk if it was because of the subtitles I used but it wasn't that clear to me, I guess is the 2nd one since they played the day after DD and Miura was there with them, but there is also that after they chatted with Miura in her office Nakata told them to come back years later and he will work for them for free, they also said they will just keep going on their own... I hope that isn't the case becuase that would mean Tomo and Rupa left their jobs for nothing 😭 and that Nina once more ruined everything.
I LOVED THIS SONG, AND THIS ANIME, HOLY SHIT THIS BETTER GETS A SECOND SEASON 😭 IT'S PEAK
I'll miss Subaru so much, I absolutely love her, the show was great but clearly she was the one carrying it ❤️
Since the 1st time I saw the ending I was waiting for her to cut her hair lol, but she never did, and they also never got the yellow van, maybe that's next for the 2nd season???
PD: I love how the "confession" from ep 8 was never ever mentioned again, goes to show how it wasn't a romantic one, yuritards.
| @StallionXD > I didn't really understand, did they quit the agency Yes, they did and gave up their professional contract. Only the "collaboration" concert was held, with New Diadust performing on Day1 and TogeToge on Day2, because that already was fixed and couldn't be cancelled without financial penalty. Afterwards Togetoge became an "indie" band, working part-time and touring in their free time in the yellow submarine minivan. The ED animation shows their story afterwards, including Samson Subaru haircut and Miura as a friend caring for their pets while they are on the road, etc. Character designer Teshima Nari wrote about those in the booklet sold at Comiket 104 fair. |
Dec 30, 2024 11:52 AM
#171
Reply to Tacsk0
@StallionXD
> I didn't really understand, did they quit the agency
Yes, they did and gave up their professional contract. Only the "collaboration" concert was held, with New Diadust performing on Day1 and TogeToge on Day2, because that already was fixed and couldn't be cancelled without financial penalty. Afterwards Togetoge became an "indie" band, working part-time and touring in their free time in the yellow submarine minivan. The ED animation shows their story afterwards, including Samson Subaru haircut and Miura as a friend caring for their pets while they are on the road, etc. Character designer Teshima Nari wrote about those in the booklet sold at Comiket 104 fair.
> I didn't really understand, did they quit the agency
Yes, they did and gave up their professional contract. Only the "collaboration" concert was held, with New Diadust performing on Day1 and TogeToge on Day2, because that already was fixed and couldn't be cancelled without financial penalty. Afterwards Togetoge became an "indie" band, working part-time and touring in their free time in the yellow submarine minivan. The ED animation shows their story afterwards, including Samson Subaru haircut and Miura as a friend caring for their pets while they are on the road, etc. Character designer Teshima Nari wrote about those in the booklet sold at Comiket 104 fair.
| @Tacsk0 wow, that's crazy, that they have that much lore ready to even show it to us since ep1, even tho this is an original anime. Well, it sucks that they quit the agency so soon, like Miura said, they not having their 1st song be succesful wasn't really their fault, they are a new band after all... they should've at least give it another try with a new song before quitting. And the fact Tomo and Rupa quit their job, a job they clearly liked and cared for, just to end up with nothing is crazy, I blame Nina for that. Their band going indie can work, sure, but without an agency they will never be able to get the monetary success they expected, they will have to play their cards really carefully, but then again, with Nina being the leader idk how that could work... I hope we get a 2nd season, and they should make this post-anime plot more public so it gets even more fans interested, so a 2nd season can greenlight more easily. I need to see Subaru with that haircut 😭❤️ Thanks for info, appreciate it. |
Sorry if my english is bad (っ˘▽˘)っ~~~ Btw, cry about it. |
Dec 30, 2024 12:34 PM
#172
Reply to StallionXD
@Tacsk0 wow, that's crazy, that they have that much lore ready to even show it to us since ep1, even tho this is an original anime.
Well, it sucks that they quit the agency so soon, like Miura said, they not having their 1st song be succesful wasn't really their fault, they are a new band after all... they should've at least give it another try with a new song before quitting.
And the fact Tomo and Rupa quit their job, a job they clearly liked and cared for, just to end up with nothing is crazy, I blame Nina for that.
Their band going indie can work, sure, but without an agency they will never be able to get the monetary success they expected, they will have to play their cards really carefully, but then again, with Nina being the leader idk how that could work...
I hope we get a 2nd season, and they should make this post-anime plot more public so it gets even more fans interested, so a 2nd season can greenlight more easily.
I need to see Subaru with that haircut 😭❤️
Thanks for info, appreciate it.
Well, it sucks that they quit the agency so soon, like Miura said, they not having their 1st song be succesful wasn't really their fault, they are a new band after all... they should've at least give it another try with a new song before quitting.
And the fact Tomo and Rupa quit their job, a job they clearly liked and cared for, just to end up with nothing is crazy, I blame Nina for that.
Their band going indie can work, sure, but without an agency they will never be able to get the monetary success they expected, they will have to play their cards really carefully, but then again, with Nina being the leader idk how that could work...
I hope we get a 2nd season, and they should make this post-anime plot more public so it gets even more fans interested, so a 2nd season can greenlight more easily.
I need to see Subaru with that haircut 😭❤️
Thanks for info, appreciate it.
| @StallionXD As far as I understand, why Hina warned Nina and Nina demanded they quit the talent agency contract is because TogeToge's path as a not-so-successful professional band would be inevitably the same as Old Diamond Dust. That is, the music label would eventually force them to adopt more mainstream / j-pop sound and loli look for commercial success. Hina and Nina idolize Momoka and they wanted to protect her from repeating the past trauma of commercialization. As an "indie" band TogeToge can sing what they want, dress as they want and remain fiercely independent. One small detail, which I can't confirm or deny due to not having trained ears: the commercially unsuccessful ep 13 song "Flowers of Fate / I'm here" allegedly uses almost the same melody as the anime's OP "song Wrong World" which is performed in the fully booked Budokan. Thus, it's possible that OP shows the future, where Momoka reworked her song with newly written lyrics and TogeToge achieved success with that. |
Dec 31, 2024 7:58 AM
#173
| Man I can't stand Nina, she is just so annoying and ignorant. What I mainly disliked about the show is how her behaviour is constantly being justified by the people around her, she is always in the right and can do no wrong, it made it really hard for me to get through the anime. The CGI was very wel done and made for some cute animations thought the series. Speaking of cuteness, the girls drip was on point thought out the show, Tomo was my favorite, she is just sooo cute! I don't think I'm gonna miss this show, it was nice but Nina really ruined it for me. If this ever gets a sequel I hope Nina gets toned down and admits she is in the wrong sometimes! |
Dec 31, 2024 10:02 AM
#174
Reply to itsdreo
Man I can't stand Nina, she is just so annoying and ignorant. What I mainly disliked about the show is how her behaviour is constantly being justified by the people around her, she is always in the right and can do no wrong, it made it really hard for me to get through the anime. The CGI was very wel done and made for some cute animations thought the series. Speaking of cuteness, the girls drip was on point thought out the show, Tomo was my favorite, she is just sooo cute!
I don't think I'm gonna miss this show, it was nice but Nina really ruined it for me. If this ever gets a sequel I hope Nina gets toned down and admits she is in the wrong sometimes!
I don't think I'm gonna miss this show, it was nice but Nina really ruined it for me. If this ever gets a sequel I hope Nina gets toned down and admits she is in the wrong sometimes!
| @itsdreo > I can't stand Nina, she is just so annoying and ignorant. That's is the majority opinion of western viewers, not just you. But there is a huge contrast with Asia, where fans dearly love Iseri Nina for the exact same reasons she gets shunned in the West... (Maybe asians see her as a ronin, a samurai who lost or renounced one's clan and lord and wanders around, guided solely by own moral convictions. Of course a warrior can never be wrong as that would mean final defeat, so Nina is on the offensive almost all the time. As for Nina vs Momoka, I'm not sure who the retainer is?) |
Jan 5, 6:17 AM
#175
| @LacingMaster > There's some snot Bokuyaba s2 ep2: hold my running nose... > Target audience - mostly girls, young, high school age and students. If so, then Toei Studio has the worst mis-aligned rifle scope in the world... Fanbase of GBC / Garukura consists mostly of guys (late teens and adults) as shown by Comiket attendence lined up to buy chara designer Nari's doujin. Girls are just too embarrassed to associate with the dysfunctional TogeToge band - the hysterical, grating, butthurt vocalist Nina and her idol, the utter life failure drunkard Momoka. Modern girls don't rebel, they are consumed by consumerism, pop-culture and a very poshy life, especially in Japan. Meanwhile, guys are busy shipping NinaHinaMomoNana or just wish "Marry me Subaru!" > I think the title lacks a bit of the comedic element. It's a bit too serious. Original series title was to be "Girls in the Cry" and the 5 members of TogeToge band were part time rockers, part time eco-tenorists, blowing up a giant powerplant smokestack which towered over Enoshima island. The whole project was apparently softened up a lot and stuffed with comedic content over the 5 years it spent in the making. Btw, the whole mixed media venture is called "Project Alnair" in-house by Toei Studios. > There is no fan service. GBC actually had an anti-fan service moment: during the sauna scene, viewers spotted Momoka having more under the towel than she does when clotched and complained. Thus, in the Blu-ray release she got breast reduction for that scene. GBC staff wisely left "fanservice" creation to fan artists and doujin circles. There is a huge amount of yuri content on Pixiv and various ...boruu sites. There is even R34 content, mostly about Subaru. > And so a whole set of marketing techniques. After GBC has just ended airing, the series director posted on Twitter literally begging viewers to buy merch to have any hope of continuation. That's because the high-quality project had a huge cost but was aired on free-to-view TV in Japan, thus having almost no fixed revenue. In other words, somewhere during the 5-year project marketing aspects fell off the radar or the staff just became too obsessed producing something excellent vs selling it. Luckily, fans reacted in stride and bought 12000 disc sets (note that 5500 is measure of great success nowadays) and 30x overbooked concerts and any kind of merch is flying off the shelves. Outside Asia it's hard to grasp the immense and enduring grassroots popularity of GBC, because Nina's "unbusinesslike" wretched personality prevented the show from achieving a breakthrough in the West. |
Jan 6, 1:06 PM
#176
LacingMaster said: Random yuri moments with Momoka and Nina There are no random yuri moments per se, as they are clearly star-crossed. > mental problems Japanese girls have because they never speak up and don't talk things out You've likely never seen a japanese girl in real life. Total opposite of the above is true. The Schoolgirl (JK) having become kind of mascot for modern-day Japan, they get a lot of perks. Their life in school and at home is really poshy, they are pampered and able to spend lavishly and complain loudly if they don't get the same fashion or tech friends wear or use. By the time they grow up become so selfish they demand the same or better life immediately from any guy who'd approach them. (Which is materially impossible to meet for a working young adult japanese guy, they would have to endure a few years of frugalty before he can climb the salary ladder). Thus japanese guys don't even approach real life girls any more, go for nekomimi, etc. instead - while ladies live alone with a cat, wasting their life on wellness travel and fashion shopping and call men lame. The result is record low marriage and birth rate in japan (officially 1.47, but heard that figure is heavily retouched and 1.27 is closer to reality). Note that anything below 2.1 means population decline and Japan has near-zero permanent immigration. |
Tacsk0Jan 6, 1:13 PM
Jan 6, 1:11 PM
#177
LacingMaster said: Momoka and Nina make me sick, how much better would the series be without their participation? Are you seriously suggesting to remove the MC and co-MC from a story to make it better? Anyhow, the Spring 2024 season's best female anime character voting on Reddit was won by Iseri Nina and she beat Momoka in the finale. Thus it's obvious that viewers recognized their key roles and also loved them. (Btw, Subaru was 3rd and Tomo 5th but they got eliminated due to rule on limit of characters per series.) |
Jan 9, 2:22 PM
#178
| The last 2 episodes were rushed. I'm sad. Would be way better with 24 episodes. 7/10 |
⡏⠉⠛⢿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡿⣿ ⣿⠀⠀⠀⠈⠛⢿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⠿⠛⠉⠁⠀⣿ ⣿⣧⡀⠀⠀⠀⠀⠙⠿⠿⠿⠻⠿⠿⠟⠿⠛⠉⠀⠀⠀⠀⠀⣸⣿ ⣿⣿⣷⣄⠀⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣴⣿⣿ ⣿⣿⣿⣿⠏⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠠⣴⣿⣿⣿⣿ ⣿⣿⣿⡟⠀⠀⢰⣹⡆⠀⠀⠀⠀⠀⠀⣭⣷⠀⠀⠀⠸⣿⣿⣿⣿ ⣿⣿⣿⠃⠀⠀⠈⠉⠀⠀⠤⠄⠀⠀⠀⠉⠁⠀⠀⠀⠀⢿⣿⣿⣿ ⣿⣿⣿⢾⣿⣷⠀⠀⠀⠀⡠⠤⢄⠀⠀⠀⠠⣿⣿⣷⠀⢸⣿⣿⣿ ⣿⣿⣿⡀⠉⠀⠀⠀⠀⠀⢄⠀⢀⠀⠀⠀⠀⠉⠉⠁⠀⠀⣿⣿⣿ ⣿⣿⣿⣧⠀⠀⠀⠀⠀⠀⠀⠈⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢹⣿⣿ |
Jan 13, 1:31 PM
#179
| What a show. It had some of the best natural dialogue I have seen in a long time. But the ending... big oof. TogeToge threw away their guaranteed pro income to become indie. What bothered me here was how Nina strongarmed this decision: it's clear that Tomo and Subaru had some ambitions of going pro, while Rupa just went with the flow. Rupa/Tomo quit their jobs because they thought they could now survive on the pro income. It's clear that Nina completely overreached here. I had enjoyed Nina's volatility throughout the whole show, but the last two episodes kind of made me go sour on her because she was too prideful. What it reminds me of is this video: "How to become a 37-year old broke loser". This guy had software developer job offers at Amazon and Nvidia when he was young. He rejected them because he couldn't stand the idea of living a corporate cubicle life, and wanted to freelance. Now his life is significantly worse than if he had simply taken the corporate jobs. It also reminds me of the VTuber scene: Hololive is the golden job offer, and while there are popular indie VTubers, they are few and far between. Some Hololive members have left on their own terms such as Minato Aqua, but they achieved financial independence after being in Hololive for several years, and are using that to jumpstart their post-Hololive indie careers. While TogeToge might achieve some success as an indie band, it is definitely the harder road, and the show made it come off as a "good" ending when it really isn't. Still, it's an overall great show, 8/10. However, my 9/10 music shows, Kono Oto Tomare S2 and Shine Post, had much more uplifting and positive endings. |
GippyJan 13, 1:36 PM
Jan 15, 1:30 PM
#180
Reply to Gippy
What a show. It had some of the best natural dialogue I have seen in a long time.
But the ending... big oof.
TogeToge threw away their guaranteed pro income to become indie. What bothered me here was how Nina strongarmed this decision: it's clear that Tomo and Subaru had some ambitions of going pro, while Rupa just went with the flow. Rupa/Tomo quit their jobs because they thought they could now survive on the pro income. It's clear that Nina completely overreached here. I had enjoyed Nina's volatility throughout the whole show, but the last two episodes kind of made me go sour on her because she was too prideful. What it reminds me of is this video: "How to become a 37-year old broke loser". This guy had software developer job offers at Amazon and Nvidia when he was young. He rejected them because he couldn't stand the idea of living a corporate cubicle life, and wanted to freelance. Now his life is significantly worse than if he had simply taken the corporate jobs.
It also reminds me of the VTuber scene: Hololive is the golden job offer, and while there are popular indie VTubers, they are few and far between. Some Hololive members have left on their own terms such as Minato Aqua, but they achieved financial independence after being in Hololive for several years, and are using that to jumpstart their post-Hololive indie careers.
While TogeToge might achieve some success as an indie band, it is definitely the harder road, and the show made it come off as a "good" ending when it really isn't. Still, it's an overall great show, 8/10. However, my 9/10 music shows, Kono Oto Tomare S2 and Shine Post, had much more uplifting and positive endings.
But the ending... big oof.
TogeToge threw away their guaranteed pro income to become indie. What bothered me here was how Nina strongarmed this decision: it's clear that Tomo and Subaru had some ambitions of going pro, while Rupa just went with the flow. Rupa/Tomo quit their jobs because they thought they could now survive on the pro income. It's clear that Nina completely overreached here. I had enjoyed Nina's volatility throughout the whole show, but the last two episodes kind of made me go sour on her because she was too prideful. What it reminds me of is this video: "How to become a 37-year old broke loser". This guy had software developer job offers at Amazon and Nvidia when he was young. He rejected them because he couldn't stand the idea of living a corporate cubicle life, and wanted to freelance. Now his life is significantly worse than if he had simply taken the corporate jobs.
It also reminds me of the VTuber scene: Hololive is the golden job offer, and while there are popular indie VTubers, they are few and far between. Some Hololive members have left on their own terms such as Minato Aqua, but they achieved financial independence after being in Hololive for several years, and are using that to jumpstart their post-Hololive indie careers.
While TogeToge might achieve some success as an indie band, it is definitely the harder road, and the show made it come off as a "good" ending when it really isn't. Still, it's an overall great show, 8/10. However, my 9/10 music shows, Kono Oto Tomare S2 and Shine Post, had much more uplifting and positive endings.
| Hello, Gippy said: What bothered me here was how Nina strongarmed this decision What happened was this: Hina the pinkhead hinted to Iseri Nina that (due to TogeToge's commercial failure with their first pro song) Golden Archer talent agency is trying to obtain help from New Diamond Dust's agency for joint ticket sales. Nina understood that can only lead in one direction: a repeat of the Old DiaDust story, with label bosses forcing change of the band's music style and visuals, to cater to more mainstream j-pop / loli consumer tastes. That outcome has already wrecked Momoka Kawaragi once and Nina's absolute focus is her idol, she wants to protect Momoka above all! That's why Nina threw a tantrum and demanded reverting to indie rock band. > music shows ... had much more uplifting and positive endings On a bit of positive note, it is alleged that Girls Band Cry hit OP song "Wrong World / Zattou bokura no machi" is mostly based on music score from the unsuccessful ep13 song "I'm here / Flowers of Fate". That suggests Momoka rewrote the lyrics and indie band Togenashi Togeari eventually managed to gain enough fame to perform at the Budokan. If and when there is a 2nd season we'll see. Otherwise, happy ending is generally not a focus of japanese productions. For example, Tsuki ga Kirei got criticized domestically that happily married with kids the couple's breakup |
Jan 18, 8:13 AM
#181
| -Beautiful anime with a medicore ending. Pacing was bad as well however i liked it much more than i expected -Opening was so addictive as well From the animes that i watched so far this one made me feel watching an anime that is like a hibike + paripi koumei mix solid 8/10 |
defaulticusJan 18, 8:24 AM
Jan 19, 6:13 AM
#182
| I got everthing i want from this anime with ep 8 and ep 10 which are momoka's beating her fear and family reunion. I don't expect another season of this because it will only go down from this. The biggest development is done in ep 8 i don't think this anime can offer a development and build up like this one |
Jan 19, 6:33 AM
#183
Reply to defaulticus
-Beautiful anime with a medicore ending. Pacing was bad as well however i liked it much more than i expected
-Opening was so addictive as well
From the animes that i watched so far this one made me feel watching an anime that is like a hibike + paripi koumei mix
solid 8/10
-Opening was so addictive as well
From the animes that i watched so far this one made me feel watching an anime that is like a hibike + paripi koumei mix
solid 8/10
| @defaulticus defaulticus said: Pacing was bad Girls Band Cry scriptwriter Jukki Hanada tweeted that Rupa and Tomo were to join the band in ep,4 originally, but Nina' troublesome personality required two more episodes for character development, before she was willing to accept becoming a pro band. Because of this delay, the Rupa-focused episode was dropped, yet the ending was still short of at least one episode. > anime that is like a hibike + paripi koumei mix Hibike animes also involved Jukki Hanada, he's a profilic and highly successfuly scriptwriter. |
Jan 19, 6:42 AM
#184
Reply to defaulticus
I got everthing i want from this anime with ep 8 and ep 10 which are momoka's beating her fear and family reunion. I don't expect another season of this because it will only go down from this. The biggest development is done in ep 8 i don't think this anime can offer a development and build up like this one
| @defaulticus defaulticus said: I don't expect another season of this There will be a 2-part compilation movie, which will include some new footage besides the anime series' story recap. Future TV seasons of "Girls Band Cry" are likely to involve other rock bands within the intended "mixed-media" franchise, but those other bands are still being recruited as of now and will first appear in the smartphone game version anyway. (I think the mixed-media expansion plan will end in failure, because Nina and Togenashi Togeari band are not replaceable. A story involving the Neo Diamond Dust formation could possibly find acceptance among fans, but not something completely new.) |
Jan 23, 8:45 AM
#185
| Everyone has their own favorite music-related anime and I can proudly say that I found mine, Girls Band Cry. It was beautiful, charming, heartbreaking, underwhelming, unexpected... Just like life itself. Watching all 5 not only entertained me, also showed me how struggles can be a push-power for you to go on. Explaining themselves with music, especially rock was truly beautiful, already added all of the songs to my playlist hehe. To me, there won't be any music anime like this and I'm greatful that I've experienced this beautiful show before me 20's (I'll be 20 tmrw that's why xD) Only "bad" thing I can say about the show is how they rushed the Rupa and Tomo's characters and the band itself. Still It was a beautiful ride, a really good one. Thanks to everyone who worked GBC and made them a living project. GIRLS BAND PEAAAAAAAAAK |
Jan 23, 2:29 PM
#186
Reply to Nymbris
Everyone has their own favorite music-related anime and I can proudly say that I found mine, Girls Band Cry. It was beautiful, charming, heartbreaking, underwhelming, unexpected... Just like life itself. Watching all 5 not only entertained me, also showed me how struggles can be a push-power for you to go on. Explaining themselves with music, especially rock was truly beautiful, already added all of the songs to my playlist hehe. To me, there won't be any music anime like this and I'm greatful that I've experienced this beautiful show before me 20's (I'll be 20 tmrw that's why xD) Only "bad" thing I can say about the show is how they rushed the Rupa and Tomo's characters and the band itself. Still It was a beautiful ride, a really good one. Thanks to everyone who worked GBC and made them a living project.
GIRLS BAND PEAAAAAAAAAK

GIRLS BAND PEAAAAAAAAAK
| @Nymbris Nymbris said: Only "bad" thing I can say about the show is how they rushed the Rupa and Tomo's characters The opposite is true. Tomo and Rupa were supposed to join Shin-Kawasaki (temporary) band already in episode 4 but they had to be pushed back two episodes, as scriptwriter Jukki Hanada felt Nina's troubled personality wasn't yet ready to fully commit to going pro. The planned Rupa-focused episode fell victim to Nina's character development... By the way, there is a very active Girls Band Cry themed forum at: https://discord.gg/cTFWXVXHgd (Note however that its admins are extremely juvenile and belligerent. Better just watch and take all the loot, like audio CD rips, doujin-shi, etc. uploaded there, rather then trying to converse with them. Some of them are unable to read/write a simple sentence, they communicate entirely via emojis.) |
Jan 26, 7:30 AM
#187
| 5/5 episode........................................................................ |
Jan 26, 10:39 AM
#188
| GBC episode 13 song Flowers of Fate (I'm here) has reached 1 million views on Youtube in 6 months. It's not much compared to 2.2bn for Gangnam Style, etc., but YT isn't the main choice choice for JDM vieo streaming and GBC has limited recognition / viewership overseas. |
Mar 18, 3:00 PM
#190
Reply to NepsNeps
peak animation and plot, go watch it
| @NepsNeps NepsNeps said: peak animation and plot, go watch it Regrettably, people don't watch it much outside of Asia. Girls Band Cry has a total of 3281 ratings on Crunchyroll (among 15 million paid subscribers) and barely 25 people watch it per day nowadays on CR. I think only a very well-made english dub could change the situation. |
Apr 13, 5:47 PM
#191
| Ehhhh almost, but not quite there for me. I agree with the criticisms here about Hina's "redemption," quitting the agency, the band dynamic, and the obsession with "defeating" Diamond Dust. Now that I'm done with this, I feel like this is not really a music anime. It cares surprisingly little about the experience of writing and performing music in a band, "doing music" for a living, becoming better at music, and how exactly music reaches and moves people. It's more concerned about using music as a tool to deal with personal problems and to "stick it to the man." It cares about the words being spoken through music, while the actual music is just kind of... there. It's all about the drama, and even then it's somewhat forced and incoherent. The show obviously struck a chord with me, since I felt motivated to keep writing down my thoughts, but in the end it just didn't reach the heights that I thought it would. I'd still like another season or a movie that would tell the full story... |
Apr 14, 9:43 AM
#192
Reply to perseii
Ehhhh almost, but not quite there for me.
I agree with the criticisms here about Hina's "redemption," quitting the agency, the band dynamic, and the obsession with "defeating" Diamond Dust.
Now that I'm done with this, I feel like this is not really a music anime. It cares surprisingly little about the experience of writing and performing music in a band, "doing music" for a living, becoming better at music, and how exactly music reaches and moves people.
It's more concerned about using music as a tool to deal with personal problems and to "stick it to the man." It cares about the words being spoken through music, while the actual music is just kind of... there. It's all about the drama, and even then it's somewhat forced and incoherent.
The show obviously struck a chord with me, since I felt motivated to keep writing down my thoughts, but in the end it just didn't reach the heights that I thought it would.
I'd still like another season or a movie that would tell the full story...
I agree with the criticisms here about Hina's "redemption," quitting the agency, the band dynamic, and the obsession with "defeating" Diamond Dust.
Now that I'm done with this, I feel like this is not really a music anime. It cares surprisingly little about the experience of writing and performing music in a band, "doing music" for a living, becoming better at music, and how exactly music reaches and moves people.
It's more concerned about using music as a tool to deal with personal problems and to "stick it to the man." It cares about the words being spoken through music, while the actual music is just kind of... there. It's all about the drama, and even then it's somewhat forced and incoherent.
The show obviously struck a chord with me, since I felt motivated to keep writing down my thoughts, but in the end it just didn't reach the heights that I thought it would.
I'd still like another season or a movie that would tell the full story...
perseii said: I feel like this is not really a music anime. Girls Band Cry is deliberately not a music anime but a band anime. A music anime is music while in school / club, but normal life for rest of the days, while GBC is 7*24*365 insane! (Nota bene: one shortcoming of GBC is insufficiently depicting the passage of time. Anime's story takes place over ~1 year but the mostly "urban canyon" scene prevents easy depiction of seasons, which any school anime or ARIA routinely pull off through uniform swap.) |
May 10, 10:14 AM
#193
| Well, that was an ending. Can't say it wasn't inevitable, but it's certainly a sour note to end on. So instead of going pro to prove to her family she could drop school and be independent, Nina bailed from the pro scene. Instead of trying to garner the largest audience possible to expose the world to Momoka's music, Nina chose the smaller audience. Her band mates collectively decided to initially refuse the match against Diamond Dust, but Nina stubbornly wanted the match out of pride, and also out of pride, refused the more fair match terms that Ms. Miura painstakingly worked for, then terminated their contract. Nina's goal was never be successful as a pro musician, that was Tomo's goal. Nina's goal was never to create a band, that was Momoka's goal. At the end, Nina's goal wasn't even to be right on any of her arguments, since they flip flop once a situation changes. Nina's goal was just to be a contrarian. She just doesn't want to "feel" wrong. She was chasing vibes, and while she could put her future at risk for those vibes and work hard in tandem with her friends, at the end, she still ran away from facing Hina head on, taking all of Togenashi Togeari back into the indie scene. The contract break would cause trouble for Golden Archer and Ms. Miura, and they're now in debt for all the merchandise, advertisement, and administrative fees accumulated in Togenashi Togeari's name. That last promise Nina tried to make, for everyone to stick together forever, just felt empty, desperate, and most likely doomed to fail. This ending was pretty rough. It's like a repeat of what happened with Diamond Dust, but instead of the single member bailing and the rest continuing to forge ahead, the single member bailed and took everyone else down with her. Momoka refrained from returning home and continued fighting her inner demons. Subaru committed to the band and communicated her intentions to her grandmother. Tomo and Rupa quit their part-time jobs and would face their fears of another band too flaky to go pro. Nina just...threw all that away. For what it's worth, she never compromised in the past, and continues to never compromise. The problem is she also changes her mind and gets others to follow suit through arguments built on screaming. The louder one wins. Realism has lost all meaning to me, so I won't touch on that. With the flow of the anime, Girls Band Cry is consistent, so nothing here was unwarranted. I'm reminded of a particular animation studio, Phoenix Entertainment. The studio was seemingly active between 1990-2007, making primarily hentai OVAs. However, they made one of my favorite mecha OVAs, Giant Robo: The Day the Earth Stood Still, and an almost unknown anime called Princess Nine. The anime revolves around the most underdog of underdog all-female baseball team in a tournament against boys. They would start with only a few teammates, and through fire-forged friendship, they would add onto their ranks, train hard, and trailblaze forward in the face of gender disparity. The ending, however, was depressing to say the least, and it just made me feel "damn, that's as far as they got." That ending always stuck with me, as it really felt like the first and last hurrah for Phoenix Entertainment to make a TV anime, but at the end, that was all they could do. I won't fault anyone for anything in particular, nor do I hold anything against the writing. It's just...damn. That's really all Togenashi Togeari could achieve, huh. |
May 10, 3:24 PM
#194
Reply to Shocked
Well, that was an ending. Can't say it wasn't inevitable, but it's certainly a sour note to end on.
So instead of going pro to prove to her family she could drop school and be independent, Nina bailed from the pro scene. Instead of trying to garner the largest audience possible to expose the world to Momoka's music, Nina chose the smaller audience. Her band mates collectively decided to initially refuse the match against Diamond Dust, but Nina stubbornly wanted the match out of pride, and also out of pride, refused the more fair match terms that Ms. Miura painstakingly worked for, then terminated their contract.
Nina's goal was never be successful as a pro musician, that was Tomo's goal. Nina's goal was never to create a band, that was Momoka's goal. At the end, Nina's goal wasn't even to be right on any of her arguments, since they flip flop once a situation changes. Nina's goal was just to be a contrarian. She just doesn't want to "feel" wrong. She was chasing vibes, and while she could put her future at risk for those vibes and work hard in tandem with her friends, at the end, she still ran away from facing Hina head on, taking all of Togenashi Togeari back into the indie scene. The contract break would cause trouble for Golden Archer and Ms. Miura, and they're now in debt for all the merchandise, advertisement, and administrative fees accumulated in Togenashi Togeari's name. That last promise Nina tried to make, for everyone to stick together forever, just felt empty, desperate, and most likely doomed to fail.
This ending was pretty rough. It's like a repeat of what happened with Diamond Dust, but instead of the single member bailing and the rest continuing to forge ahead, the single member bailed and took everyone else down with her. Momoka refrained from returning home and continued fighting her inner demons. Subaru committed to the band and communicated her intentions to her grandmother. Tomo and Rupa quit their part-time jobs and would face their fears of another band too flaky to go pro. Nina just...threw all that away. For what it's worth, she never compromised in the past, and continues to never compromise. The problem is she also changes her mind and gets others to follow suit through arguments built on screaming. The louder one wins.
Realism has lost all meaning to me, so I won't touch on that. With the flow of the anime, Girls Band Cry is consistent, so nothing here was unwarranted. I'm reminded of a particular animation studio, Phoenix Entertainment. The studio was seemingly active between 1990-2007, making primarily hentai OVAs. However, they made one of my favorite mecha OVAs, Giant Robo: The Day the Earth Stood Still, and an almost unknown anime called Princess Nine.
The anime revolves around the most underdog of underdog all-female baseball team in a tournament against boys. They would start with only a few teammates, and through fire-forged friendship, they would add onto their ranks, train hard, and trailblaze forward in the face of gender disparity. The ending, however, was depressing to say the least, and it just made me feel "damn, that's as far as they got." That ending always stuck with me, as it really felt like the first and last hurrah for Phoenix Entertainment to make a TV anime, but at the end, that was all they could do.
I won't fault anyone for anything in particular, nor do I hold anything against the writing. It's just...damn. That's really all Togenashi Togeari could achieve, huh.
So instead of going pro to prove to her family she could drop school and be independent, Nina bailed from the pro scene. Instead of trying to garner the largest audience possible to expose the world to Momoka's music, Nina chose the smaller audience. Her band mates collectively decided to initially refuse the match against Diamond Dust, but Nina stubbornly wanted the match out of pride, and also out of pride, refused the more fair match terms that Ms. Miura painstakingly worked for, then terminated their contract.
Nina's goal was never be successful as a pro musician, that was Tomo's goal. Nina's goal was never to create a band, that was Momoka's goal. At the end, Nina's goal wasn't even to be right on any of her arguments, since they flip flop once a situation changes. Nina's goal was just to be a contrarian. She just doesn't want to "feel" wrong. She was chasing vibes, and while she could put her future at risk for those vibes and work hard in tandem with her friends, at the end, she still ran away from facing Hina head on, taking all of Togenashi Togeari back into the indie scene. The contract break would cause trouble for Golden Archer and Ms. Miura, and they're now in debt for all the merchandise, advertisement, and administrative fees accumulated in Togenashi Togeari's name. That last promise Nina tried to make, for everyone to stick together forever, just felt empty, desperate, and most likely doomed to fail.
This ending was pretty rough. It's like a repeat of what happened with Diamond Dust, but instead of the single member bailing and the rest continuing to forge ahead, the single member bailed and took everyone else down with her. Momoka refrained from returning home and continued fighting her inner demons. Subaru committed to the band and communicated her intentions to her grandmother. Tomo and Rupa quit their part-time jobs and would face their fears of another band too flaky to go pro. Nina just...threw all that away. For what it's worth, she never compromised in the past, and continues to never compromise. The problem is she also changes her mind and gets others to follow suit through arguments built on screaming. The louder one wins.
Realism has lost all meaning to me, so I won't touch on that. With the flow of the anime, Girls Band Cry is consistent, so nothing here was unwarranted. I'm reminded of a particular animation studio, Phoenix Entertainment. The studio was seemingly active between 1990-2007, making primarily hentai OVAs. However, they made one of my favorite mecha OVAs, Giant Robo: The Day the Earth Stood Still, and an almost unknown anime called Princess Nine.
The anime revolves around the most underdog of underdog all-female baseball team in a tournament against boys. They would start with only a few teammates, and through fire-forged friendship, they would add onto their ranks, train hard, and trailblaze forward in the face of gender disparity. The ending, however, was depressing to say the least, and it just made me feel "damn, that's as far as they got." That ending always stuck with me, as it really felt like the first and last hurrah for Phoenix Entertainment to make a TV anime, but at the end, that was all they could do.
I won't fault anyone for anything in particular, nor do I hold anything against the writing. It's just...damn. That's really all Togenashi Togeari could achieve, huh.
Shocked said: That's really all Togenashi Togeari could achieve, huh. Some hints: watch the GBC OP "Wrong World" and listen to it closely. You can see the band performing at the Budokan's circular arena and you can hear the song (melody) bears a close similarity to ep11 / ep13 songs. Momoka apparently re-used the melody, wrote new "angry" lyrics for it and that song became successful, so they made it to the Budokan eventually. In real life, Togenashi Togeari will have a live concert at the Budokan in Sep 2025, which would not happen if anime ended in defeat. Also take a closer look at the ED song "I'm Nobody" animation. On official word from GBC staff, it depicts events taking place after ep 13: TogeToge stays together and starts touring as an indie band, while Miura takes care of their pets while absent, Subaru cuts her hair short for easier care on the road, etc. By the way, it's not obvious that Nina forced TogeToge to quit pro contract! Rather, Diamond Dust learned what was going on (Miura's desperate request for joint performance meant TogeToge would have to mold into idol jpop-ish commercialisation, just like old-Diadust did). They didn't want Momoka to experience the same trauma with her new band. DD sent Hina as a messenger to Nina and because Nina values Momoka's dignity above all, she immediately found the situation unacceptable. You may also remember that Tomo and Rupa had refused pro contracts before joining TogeToge, because they found those too commercialized for their tastes. As for Subaru, she just doesn't care, her wealth grants freedom from daily worries. However, she values Nina very much as a friend. I have to admit, GBC episodes 11,12, 13 move at a lightning pace and are often confusing. Studio Toei should have made the story 15 eps long, by purchasing unused TV time slots from other 10-11 ep animes airing in the same season. However, GBC badly over-run its budget even in 13 eps format and top mgmt tried to axe the project several times, so there was no way to approve financing for even more eps. Only on ep7 airing date and onwards did it become obvious that TOEI hit jackpot with GBC. |
May 10, 3:40 PM
#195
Reply to Tacsk0
Shocked said:
That's really all Togenashi Togeari could achieve, huh.
That's really all Togenashi Togeari could achieve, huh.
Some hints: watch the GBC OP "Wrong World" and listen to it closely. You can see the band performing at the Budokan's circular arena and
you can hear the song (melody) bears a close similarity to ep11 / ep13 songs. Momoka apparently re-used the melody, wrote new "angry" lyrics for it and that song became successful, so they made it to the Budokan eventually. In real life, Togenashi Togeari will have a live concert at the Budokan in Sep 2025, which would not happen if anime ended in defeat.
Also take a closer look at the ED song "I'm Nobody" animation. On official word from GBC staff, it depicts events taking place after ep 13: TogeToge stays together and starts touring as an indie band, while Miura takes care of their pets while absent, Subaru cuts her hair short for easier care on the road, etc.
By the way, it's not obvious that Nina forced TogeToge to quit pro contract! Rather, Diamond Dust learned what was going on (Miura's desperate request for joint performance meant TogeToge would have to mold into idol jpop-ish commercialisation, just like old-Diadust did). They didn't want Momoka to experience the same trauma with her new band. DD sent Hina as a messenger to Nina and because Nina values Momoka's dignity above all, she immediately found the situation unacceptable. You may also remember that Tomo and Rupa had refused pro contracts before joining TogeToge, because they found those too commercialized for their tastes. As for Subaru, she just doesn't care, her wealth grants freedom from daily worries. However, she values Nina very much as a friend.
I have to admit, GBC episodes 11,12, 13 move at a lightning pace and are often confusing. Studio Toei should have made the story 15 eps long, by purchasing unused TV time slots from other 10-11 ep animes airing in the same season. However, GBC badly over-run its budget even in 13 eps format and top mgmt tried to axe the project several times, so there was no way to approve financing for even more eps. Only on ep7 airing date and onwards did it become obvious that TOEI hit jackpot with GBC.
| @Tacsk0 Pretty interesting comments throughout all the episodes. I haven't read into any of the behind-the-scenes ongoings so these are all new information to me. If there's anything I could say, it's that I wish Girls Band Cry were longer. |
May 10, 7:02 PM
#196
Reply to Shocked
@Tacsk0 Pretty interesting comments throughout all the episodes. I haven't read into any of the behind-the-scenes ongoings so these are all new information to me. If there's anything I could say, it's that I wish Girls Band Cry were longer.
| @Shocked Shocked said: Everybody hopes TOEI will announce season 2 either after TogeToge's Budokan concert or when the compliation movies come out in Oct/Nov.I wish Girls Band Cry were longer. On the other hand, script-writer Yukki Hanada is tied down with existing commitments for years in advance and GBC being an original project, it's unlikely someone else could take over. Even if they do, it will take years to produce the new animation. Shocked said: There is an active GBC discord, where links for most fanart and news are posted.I haven't read into any of the behind-the-scenes ongoings |
May 15, 9:59 PM
#197
| You know for a such music-focused anime, the songs in themselves weren't that good actually the lyrics were always a priority then the performance but the melodies were non-existent, just random or generic background music I enjoyed the drama and character development and even the visual style especially during performance but let down every time they had a new "ED", always some visual story and wall of text lyrics and that's it Anyway, Toei aren't really known for their music or OSTs or really anything outside their long-running series after all these years so this was a pleasant surprise and wouldn't mind a 2nd season |
May 17, 1:49 PM
#198
Reply to Assassin2112
You know for a such music-focused anime, the songs in themselves weren't that good actually
the lyrics were always a priority then the performance but the melodies were non-existent, just random or generic background music
I enjoyed the drama and character development and even the visual style especially during performance
but let down every time they had a new "ED", always some visual story and wall of text lyrics and that's it
Anyway, Toei aren't really known for their music or OSTs or really anything outside their long-running series after all these years
so this was a pleasant surprise and wouldn't mind a 2nd season
the lyrics were always a priority then the performance but the melodies were non-existent, just random or generic background music
I enjoyed the drama and character development and even the visual style especially during performance
but let down every time they had a new "ED", always some visual story and wall of text lyrics and that's it
Anyway, Toei aren't really known for their music or OSTs or really anything outside their long-running series after all these years
so this was a pleasant surprise and wouldn't mind a 2nd season
| @Assassin2112 > every time they had a new "ED", always some visual story and wall of text lyrics and that's it Girls Band Cry anime / Togenashi Togeari band were consciously modeled on the Vocaloid scene of 2010s, because that's the music the girls would have listened to during their kid / teenage years. As such, TogeToge songs have lots of lyrics and emphasis on the keyboard, because synthesizer was the most accessible instruments for the basement-dwellers who made all those Miku songs. The fanbook has more background info about this. Anyhow, the real-life Togenashi Togeari band has many live concerts, both in "one-man" format and as band duels, all of them sold out. The latest occasion one was 15 May 2025, TT vs She's Legend band from Heaven Burns Red game franchise (which is apparently descended from Angel Beats anime, but is little known in the West). Soon they'll return to Shanghai for another "one-man" concert and perform in L.A. during the summer. Thus, fans don't think the GBC songs are plain or boring. |
Tacsk0May 17, 1:55 PM
May 24, 5:14 PM
#199
| Last two episodes were somewhat of a let down. After the peak they reached before. The whole point of going pro and then not is pointless just a setback for the sake. It make sense with popularity imbalance. But the rise they had why not double down on fairytale ending or don't do it. Whole thing with Nina past to prove a point with that pink girl don't fly with me. The thing which salvaged this was the unity rest four shown and backed up Nina and went as far quitting the agency just to make sure Nina doesn't feel she is wrong. That was sweet. If this had ended after the festival with a more promising open ending would have been better. Clearly the story needed to cook more. Ending was rushed. But discounting that it's an amazing anime. Drama & Music both were executed superbly for most part. Great charcters and as was their development. You just wanna root for these girls so much. Probably no more continuation but was satisfying. Favourite music anime now and probably be for some time if not forever. |
May 27, 10:31 AM
#200
Reply to WaterMage
Last two episodes were somewhat of a let down. After the peak they reached before. The whole point of going pro and then not is pointless just a setback for the sake. It make sense with popularity imbalance. But the rise they had why not double down on fairytale ending or don't do it. Whole thing with Nina past to prove a point with that pink girl don't fly with me.
The thing which salvaged this was the unity rest four shown and backed up Nina and went as far quitting the agency just to make sure Nina doesn't feel she is wrong. That was sweet.
If this had ended after the festival with a more promising open ending would have been better. Clearly the story needed to cook more. Ending was rushed. But discounting that it's an amazing anime. Drama & Music both were executed superbly for most part. Great charcters and as was their development. You just wanna root for these girls so much.

Probably no more continuation but was satisfying. Favourite music anime now and probably be for some time if not forever.
The thing which salvaged this was the unity rest four shown and backed up Nina and went as far quitting the agency just to make sure Nina doesn't feel she is wrong. That was sweet.
If this had ended after the festival with a more promising open ending would have been better. Clearly the story needed to cook more. Ending was rushed. But discounting that it's an amazing anime. Drama & Music both were executed superbly for most part. Great charcters and as was their development. You just wanna root for these girls so much.
Probably no more continuation but was satisfying. Favourite music anime now and probably be for some time if not forever.
| @WaterMage WaterMage said: Probably no more continuation In late Oct and early Nov 2025, a two-part movie theatre version of GBC will debut in Japan, mostly a recap but known to include a small amount of new content, for which the two girls on long-term hiatus (Mirei / Subaru and Natsu / Tomo) have returned for dubbing work only. As for season 2 (or original prequel / sequel movies Bunny Girl Senpai style), those should happen if Asia is any indicator. GBC is super popular in China and South Korea, not just Japan. Main obstacle would be writing enough new songs and script / story and investing another trainload of money into 3D-CGI work. As long as Studio Toei continues to produce One Piece and Precure ad nauseum, they'll have enough revenue and profit to invest in artsy / prestige projects like GBC. But shareholders may think why not pay out that profit, prestige be damned? > went as far quitting the agency just to make sure Nina doesn't feel she is wrong That was more about Momoka not feeling she is wrong or repeating her mistakes of the past. Due to excessively fast pace of the concluding two GBC eps, it's hard to follow what was going on. However, know that Hina didn't wish ill for Nina, nor did New-DiaDust for Momoka and TogeToge. Essentially: had TogeToge agreed to be artifically propped up by same-daying them with New DD, owing to behind the scene label-to-label dealing, they would have ended up at the mercy of their promotion agency and be commercialized mercilessly, just like Old-DiaDust had been, which caused Momoka's step down. the OP shows they succeded eventually. The official timeline is: anime episodes -> ED animation (depicting events of TT's indie touring) -> OP animation (their concert at the Budokan). |
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