I have to admit, right up until the last few minutes I was thinking, "Meh, nice ending but not fantastic." The whole graduation idea was nice, and having just the five of them had a sort of close and oddly final feel that I appreciated, but at the same there was also a slightly... tacky feel to it, if that's the word. It lacked a certain je ne sais quoi, let's put it that way. Things started to pick up when they began to vanish - I did think Hinata would go before Yuri, but in a way, given how Yuri was kind of side-lined after the first couple of episodes, this is probably more fitting. Still, even then, I felt it was good but not brilliant.
Then it made me cry.
... yes, in a good way, before you ask.
I honestly wasn't expecting to cry. I mean, I knew more or less what was going to happen, and I hoped it would be touching. I expected, hoped even, to feel a very clear sense of regret. But even as little as a minute before it actually happened, I don't think I really expected Otonashi to confess to Kanade. I anticipated that it would be implied, but that direct reference would be avoided. But then he did. And it was seriously one of the most bittersweet moments I've seen for a while. It was when he actually fell forward that I finally felt my eyes go moist. I didn't expect it. And that was probably what made it so wonderful.
So that was enough for my estimation of this episode to hit 5/5. Sure, it wasn't perfect. Sure, like the rest of this series, there were things rushed, left unsaid, not given time to bloom. But, like the rest of this series, it had it where it counted. And that's enough.
And now, before I progress to my usual list of miscellaneous thoughts on the episode, a word on the epilogue.
I won't dignify it with the term 'ending' in the same way I don't dignify that zit on my face (rhetorical at the moment, thankfully) with the term 'nose' - it's not, but instead an uncomfortable little growth on the end of something wholly superior that fills onlookers with a vague sense of nausea. Well alright. Now I'm being overly harsh, to both the epilogue and the zit.
It wasn't terrible. I don't hold cop with the argument that it was out of the blue - it was made pretty clear from the very start of the series that people who moved on got reincarnated, so I'm sorry all you nitpickers, but yes it does make perfect sense that they're alive. Just because it thankfully avoided something as horribly unsubtle as '18 YEARS LATER' doesn't mean time hasn't passed, either; I don't expect Tokyo City will really look that much different in just under two decades' time, and we did only see about 30 seconds of footage.
Anyway. Enough semantic squabbling and onto the more artistic side of things. This is where my unconditional defence of the epilogue ends. I already said it wasn't as terrible as I made out in my original analogy on this, partly because it was so inevitable that I'd already resigned myself to it happening about halfway through the end credits. I think if they didn't give people some sort of closure, saying 'yes, they do find each other in the next life, though you're going to have to fill in the blanks from there', they'd probably get more complaints than as it is. But that doesn't change the fact that on a purely artistic level it was wholly unnecessary. The real ending was good! Fading out at the end of final credits would have been perfect, a tragically happy ending that probably would've left half of us blubbering on the sofa (or computer chair. Whatever. And ok, maybe I exaggerate, it wasn't that sob-inducing. But still). Instead we get... this. One can't help but feel a little cheated.
Still, I'll admit that if they were going to do something like this they probably did it in the nicest way possible. They did at least restrict themselves to a quick Yuzuru/Kanade encounter, rather than doing something ridiculous like trying to orchestrate a meet-up of the entire main cast. No dialogue was good, gave it a greater sense of mystique (even if that mystique could never be enough to compensate for that last by having the epilogue in the first place). And the final fade-out was good - I must confess I liked how Otonashi's hand seemed to just miss Kanade's shoulder - makes us wonder if she didn't slip away again. Though I doubt it somehow.
And now that that unpleasantness is out of the way, my other thoughts...
I already mentioned how I don't feel the epilogue was at all inconsistent. However, what I will question on the consistency front is the timeline of this entire thing. How is it that Kanade was able to receive Otonashi's heart, live with its aid for a while, then die and still get into the afterlife before him? Does the God of this world grant express passes to moe young girls or something? Is the God of this world PEDOBEAR or something? Christ, no wonder Yuri wanted to lamp him one. Rah rah rant rant.
Sad that we didn't get to see a little more of TK before he went. Still, I suppose that's to be expected, minor - though very awesome - character, after all. Oh well, hopefully they'll give him his own miniseries or something at some point. (A man can dream...)
As with last episode, really noticed the soundtrack. I must say I think Angel Beats! has one of the best anime soundtracks I've heard - I don't usually notice expect for the intro and outro themes, but this one really worked.
A little disappointed not to have seen more of the guy who fell in love who was referred to last week. Unless we're meant to infer that was Otonashi? Nah, seems unlikely... though that would explain the timelag I noted a few paragraphs back, possibly...
Well, now that this series has ended, maybe I'll do a review! After exams, though... |