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Jan 7, 2015 7:09 AM
#1
Ep 1 [spoiler] So yeah... I'm still trying to figure out what is actually going on. So the "cover story" here is that alien bears came crashing into earth from another planet and starting eating the humans, because of this the humans erected a wall called the "wall of extinction" and bears are not supposed to be able to get past this wall to eat humans. So some interesting things I noticed is that there are no male humans so far and the act of "eating" seems to be very sexualized. My own thinking plus some of the ideas that I've seen floating around MAL and other anime sites leads me to believe. human=female, bear=male, eating=sex, yuri kuma (lesbian bears)= an anomaly. One of the girls refers to them as "the new ones". extinction court= representation of discrimination against lesbians. Need for approval from general public (thus yuri approved). invisible storm=lesbians among humans, but are not willing to express their sexuality(eat). Some people have also hypothesized that the extinction court trio are hybrids between bears and humans (thus their androgenous char designs) that allow yuri kuma to switch between bear form and human form. They are also the only "male" characters in the show. Also the pendant/ribbon that Ginko is wearing is the same one that Kureha's mom is wearing in the photo that is briefly shown. So I'm sure thats going to come up at some point. Also during the extinction court the trio asks the yuri kuma if they want become invisible (human but not able to express their sexuality) or eat humans. So that also enforces my idea of what the "invisible storm" is. I'm also thinking that Ginko and Lulu could have once been human which would explain how they were able to get over the wall of extinction. They have bear forms, because they chose to express their sexuality and not be "invisible". This could also mean that Ginko and Kureha could be related cause of the pendant/ribbon or maybe Ginko ate Kureha's mom. Also I'm guessing the reason why Kureha wasn't literally eaten and Sumika was is because the yurikuma didn't get "yuri approval" from the court of extinction, but decided to eat her anyway. These are all just theories though, honestly only Ikuhara really know wth is going on. Hopefully you guys have some interesting observations as well. |
LoneWolfJan 7, 2015 8:06 AM
"The individual has always had to struggle to keep from being overwhelmed by the tribe. If you try it, you will be lonely often, and sometimes frightened. But no price is too high to pay for the privilege of owning yourself." -Friedrich Nietzsche |
Jan 7, 2015 6:11 PM
#2
Episode 1 The show was inspired by the Sakebetsu Brown Bear Incident, the worst brown bear attack in Japanese history. The novel/radio play/stage performance of the incident is probably where the namesake comes from. Arashi Ga Oka is the japanese translation of Wuthering Heights, which speaks on similar themes of revenge, superficial vs. true love and nature vs. civilization. I'm not sure if Ikuhara wants to expand any further than that, since he has much less time than with Penguindrum/Utena and would probably rather shed more light on Sankebetsu. KUMASHOCK>electricity>lightning>bearstorm. The design of the wall incorporates both paw prints and honeycomb. Extended hands is a recurring motif from both Utena and Penguindrum. Penguindrum stars. Ikuhara shows are theatrical and thus, usually begin with stage curtains. One small step for bear and one giant leap for bearkind. "The humans built the Wall of Extinction to try to kick us bears out of their world." Deforestation (the bears lost their habitat aka the destruction of Kumaria) is claimed to be probable cause for the Sankebetsu Incident. Kureha and Sumika immediately stand out with the two of them being the only students in their row. Unlike everyone else, they stand out and thus, aren't invisible. Can't make heads or tails about the bird imagery yet, but the class rep has a bird insignia on her uniform. Also, Yurikamome is the japanese translation for black-headed gull and inadvertently(?) train imagery again lol. http://en.wikipedia.org/wiki/Yurikamome I guess there's only going to be 5 more court scenes. Yurimilk lol. Not to mention, how everyone has yuri in their name. The bento box could be speaking on the division between the bearristers (going by hair color) and the man-eaters (Ginko and Lulu)? Penguindrum uses the sharing of food (curry, apples) for spreading love and it's initially similar here. Cannibalism...yum. However, by the end of the episode, sharing food becomes a more grotesque thing. Penguindrum was more about family than sex, but YuriKuma brings back the literal de-flowering from Utena. The sound of a jackhammer plays, echoing the construction background. The incorporation of construction, itself, implies the wall isn't finished. This allows for the bears to invade in the first place and also means its still possible to co-exist with the bears. As Sami pointed out, Ginko's wearing Kureha's mother's necklace, meaning Ginko might've ate her mother. The converging human and bear signs is also in line with this theory. The actual picture of the brown bear from the Sankebetsu Incident is in the painting in Kureha's room. Calm down, Eren. Aside from the general premise feeling like an Attack On Titan parody with outside forces breaking through the wall and the main character vowing for revenge after the mom died as a result, I'm told Ginko and Lulu's roles as traitors hiding in plain sight is similar to what happens after the anime ended. It's little hard to read, but I think it says "She that shouts oft at last shall hit the mark". Like Utena, confrontation takes place on top of the surreal school building, just after going up the spiral staircase. While Kureha runs up the stairs to protect the one she loves, while Ginko and Lulu go down the stairs to eat the one she loves. The fetal position from Utena and the descending staircase from Penguindrum. Penguindrum doors. Again, it uses Penguindrum imagery, but inverts it. In Penguindrum, invisibility was almost equatable to death, but here, it means survival. My guess is that the Invisible Storm is a double entendre for 1: the bears attacking the humans in secret and 2: the rest of the girls (outside of Kureha and Sumika) have a conformist group mentality so that they don't stick out/remain invisible, but they don't necessarily love each other. In turn, the invisibility is destroying love. "Is your love true love?" "The invisible storm begins by destroying the most beautiful things." "Those who destroy love cannot be forgiven." Anyway, the characters and base narrative aren't as immediately compelling as that of Utena or Penguindrum's first eps, but I'm interested. Until next week, Shaba-da-du! |
brianwuzhereJan 7, 2015 6:14 PM
Jan 8, 2015 6:28 AM
#3
Episode 1 Yeah, I am super into the yuri genre, so all of the yuri moments/hints/subtext got me really excited. The genre is very thin, so my excitement is, understandably, very high. I just recently started watching Utena and haven't made a proper assessment on it yet, but Penguindrum is one of my favorites. This anime is clearly similar to Penguindrum in presentation and style. With that said, it is hard to tell what is exactly going on. The details of the symbolism are hard to pinpoint this early in the series. A lot of moments seemed quite sexual to the yuri side of things. That is a plus for me. I'm sure it will become more clear as the story progresses. The conflict is definitely on the "WTF?" side, but that just makes it more interesting to me. Even the plot of the first episode is difficult to analyze without further exploring the rest of the series. Since I'm really into the yuri side of things, I'll give my thoughts on a few of those moments. It seems that "eat" is being used literally, and figuratively concerning the soul/heart/love, and in sexually explicit manner. I noticed this most during the trial. One bear and one of the court officials seemed to be talking about eating human flesh, while the other bear and other official felt like they were debating a much more sexual meaning to "eat." Then the two bears are shown licking the nectar off of Kureha's flower. It is shown coming out of her chest, so it seemed to possibly represent her heart and her love. They devoured the nectar of her love/killing Sumika. The angle, however, changes to show this act in a much more sexually explicit manner. I could say it is just yuri fanservice, but I'd imagine Ikuhara has a symbolic meaning behind it as well. These are just my early looks into the series and may or may not be completely off base. All I know is, I'm ridiculously excited for this series. This episode was like a dream for a yuri fan. There are very limited options for yuri and even more limitations when looking for something unique. You are pretty much required to get into manga. This series could be huge for yuri anime's future. Also, this episode was flirting with the "deconstruction of yuri" angle. That would also be more than welcome. Also, I love your analysis batto & brian. Great stuff! |
KingYoshiJan 8, 2015 6:36 AM
Jan 8, 2015 8:52 AM
#4
Ikuhara said he wanted to make the "Gundam of Yuri" and he usually equates sex with corruption (briefly touched on in Penguindrum, very clear in Utena), hence the deflowering and bears talking about how eating is a sinful act at the end. However, context is important, negative things can easily turn into positive things just as one man's trash becomes another man's treasure in Penguindrum. Alternatively, he's just a perverted weirdo lol. http://i.imgur.com/jD7iiZu.jpg Penguindrum jampacks a lot of information into the library episode, but Utena is regularly dense, so have fun with that. |
brianwuzhereJan 8, 2015 9:04 AM
Jan 12, 2015 4:58 PM
#5
Episode 2 https://www.youtube.com/watch?v=Bd-LdXk7h4Y There's a few horror movie references: The hexagon pattern of the wall is similar to Kubrick's floor design in The Shining. The Tsbuaki house is the same as Norman Bates' from Psycho. The school's hallway/rooftop are derived from Suspiria's set design. Play within a play. Falling lilies (literally means yuri) are in contrast to the rising birds and this is similar to how birds fly in the opposite direction when the yuri (Kureha, Ginko and Lulu) go up or down the stairs. Also, the spotlight on Ginko and Lulu from the OP is incorporated into the actual show. The way Ginko and Lulu are excluded from the imagery brings to mind this line: "Guess what, man-made rules don't work on bears!" Not to mention, the pattern isn't projected on the Yurika, Kureha's seat, Konomi or Mitsuko either. This draws very clear lines between the visible and the invisible/true love and fake love. The massive file cabinet collection references Utena. The falling bullets references the Penguindrum OP. The faceless gossip also reminds me of Utena and this group mentality becomes its own collective character. YURIAMORRRRRRR "Girls who don't follow the mood of the herd get excluded. That's how the system works, isn't it?" Group mentality takes priority over individuality. This show is just a bottomless reservoir for animal buttholes. Hm, pun unintended. The transition from tears to bathwater is nice. The fireplace POV also feels like makeshift curtains. Treat comes up this time. "Kureha, your love is the real thing. The taste of tears… Your love is true, growl." "I know. Because my love is true, too." Ginko, a bear, being framed next to leaves foreshadows that Konomi is also a bear. Also, just basic word association: Bears live in a forest of trees with leaves. Glass shards from Penguindrum. https://twitter.com/Yuyucow/status/554732456105238529 "Mistuko belongs to me! I won't let anyone else have her!" Wuthering Heights also deals with jealousy. There's thunder for the night scenes, in preparation for the upcoming storm. The flashbacks are preceded by the wind-up sound of a music box, which is linked with memory. Aside from yuri/lily, there's a couple of other puns: Decliousmell and Judgemens. I like how your familiarity with the color usage in the first ep informs you of what will happen in the 2nd ep. The sunlit scene immediately lets you know that Mitsuko is at the door, because it features similar lighting used for their previous encounter at the end of the first ep. Blue is a foreboding color that contributes to: control, loneliness, ruined flowers, death, nighttime, etc. So, it sets off an alarm before you even hear Mitsuko say "Decliousmell". Compare and contrast the differences in the callback scenes: http://i.imgur.com/84oW5nL.jpg / http://i.imgur.com/jEMWdEf.png http://i.imgur.com/HHRd8g2.png / http://i.imgur.com/LVgV4n4.png http://i.imgur.com/ZWCgcPf.png / http://i.imgur.com/uU42C8U.jpg Theatrical spotlight again. "It's no good. Invisible girls will only ever taste invisible. Only excluded individuals are truly delicious. It's only the meat of girls who don't back down on love that tastes like pomegranates and honey--that satisfies my hunger! "Soon… the Invisible Storm will come soon!" I thought the Invisible Storm was a double entendre (the bears eating in secret/invisibly and the collectivist nature of the school making the students invisible), but maybe it's a triple (the storm against invisibility). |
brianwuzhereJan 12, 2015 5:31 PM
Jan 12, 2015 5:50 PM
#6
Ep 2 [spoiler] Well looks like there are a lot more bears than I originally thought. One thing confuses me though. Mitsuko says she ate Sumika, but then how was she able to see presumably ginko and lulu eating Sumika in the last episode? Did she drive them off and eat Sumika by herself or was it actually Konomi and her eating Sumika and her POV was made up? idk it just seems kind of confusing and could be a plot hole or oversight. Also find of obvious at this point but everyone with yuri in their name is turning out to be bears so I guess we can expect to see the teacher "reveal" herself soon. Not sure if my normal girls turning into yuri bears theory still holds up, but the original planet being all female humans still hasn't been disproved. I'm still thinking invisible storm storm is having sexual feelings for other humans, but not being able to express them. Also kind of confused by the extinction trio court this episode. I expected Konomi to be on trial this time around, but it was Ginko and Lulu again (even though they weren't even close to Kureha iirc). Life sexy seems really biased towards Life Beauty's side and after Kureha was eaten this time around nothing happened to her. Last episode she ended up on a hospital bed, but this time the scene just went on like nothing happened. Does this mean the trial scenes are all in Kureha's head? Not really sure how reproduction works in this world and ofcourse theres the construction of the wall and considering the age of the teacher and the status of Mitsuko (student prez) how long these 2 have been hiding among humans. Then again Kureha appears to be living alone is allowed to own and use a gun (Mitsuko as well) and just let 2 random ppl into her house and 1 of them use her shower, so maybe trying to apply real-world logic isn't the best idea lol. |
LoneWolfJan 13, 2015 6:35 AM
"The individual has always had to struggle to keep from being overwhelmed by the tribe. If you try it, you will be lonely often, and sometimes frightened. But no price is too high to pay for the privilege of owning yourself." -Friedrich Nietzsche |
Jan 12, 2015 6:45 PM
#7
battosai-01 said: Mitsuko says she ate Sumika, but then how was she able to see presumably ginko and lulu eating Sumika in the last episode? Did she drive them off and eat Sumika by herself or was it actually Konomi and her eating Sumika and her POV was made up? I don't think Konomi is really in the picture here, nor was it a dream sequence. The most likely answer is Ginko and Lulu got caught, didn't have time to finish eating and Mitsuko eventually had their leftovers. battosai-01 said: I'm still thinking invisible storm storm is having sexual feelings for other humans, but not being able to express them. Well, that's basically what I'm saying. Visibility is linked with embracing your homosexuality, while invisibility is repressing those feelings. The authority of the school approves of platonic Class S relationships and rejects homosexuality. The yuri bears, however, embrace homosexuality and just want everyone else (specifically, Kureha) to embrace it too. Ikuhara doesn't really concern himself with how the world "works" in any of his shows, since they're all allegorical tales, rather than realistic portrayals of life. And to be fair, Kureha had her guard down with the loss of Sumika and still had fresh tears on her face when the two of them came over. |
brianwuzhereJan 12, 2015 6:55 PM
Jan 15, 2015 1:32 AM
#8
Episode 2 Just as good, if not better than the first episode. It is a travesty that this is only getting 12 episodes. Love the analysis brian. I really found the horror movie references interesting. I definitely missed those the first time through, but I haven't rewatched the episode yet. I usually catch more on the second time through. I figured there were more bears amongst the cast. I'm super interested in Mitsuko after this episode. She really stood out and I can't wait to find out her connection to everything. I'm still skeptical about many of theories floating around. After only two episodes, there are many things that are still a bit confusing. Now that I am in the mood, off to tackle a few more episode of Utena :) |
Jan 15, 2015 7:39 AM
#9
The interior of the Tsubaki house is also similar. http://i.imgur.com/rkCMhDc.jpg http://i.imgur.com/0sKZQ94.png http://i.imgur.com/XLLjPZK.jpg |
Jan 15, 2015 6:22 PM
#10
Jan 19, 2015 3:53 PM
#11
Episode 3 So, we got more of a "literal" look at the Exclusion Ceremony this episode. That was actually a bit surprising to see. It seems that some of the symbolism and theories from the first two episodes got some light shed on them. The Invisible Storm meaning to fade into/follow the crowd, hiding ones love, true self, etc. It was interesting to see these things explained so blatantly, though many questions still remain. It was nice to see Kureha conscious in her Yuri Approved sequence this time around. Lulu and Ginko seemed like the enemy in episode 1, episode 2 they seemed to possibly be neutral or undecided, and now episode 3 they seem to actually be on Kureha's side. The OP kind of gives away that they are actually connected to Kureha in some way, but it was still nice to see them together as allies. Plus, the conscious yuri is way more cute and gives off less rape-y vibes :P. The use of the word "eat" is still a bit cloudy. There are clearly multiple meanings going on here. I just wonder how exactly Mitsuko and the other bears within the school, like Eriko, fit into the symbolism. As they are lesbian characters involved in spreading the invisible storm for some reason or another. Also, I can never get enough of....Kuma Shock!!! Another great episode and I look forward to everyone's comments and next week's episode! This is easily my favorite series of the season, but I'm yuri biased I suppose :P |
Jan 19, 2015 7:42 PM
#12
Episode 3 https://twitter.com/br1anwuzhere/status/557376978891079680 School really is an excellent system… of oppression. Mitsuko's black lilies contrast with Sumika's white ones. LOL Pop-Up [Bear] Pirate. Sit-ups may or may not be the right approach. Half bear, half boxer. The reduced size of the eraser shows the passage of time and how something that used to be there is now missing. This is reiterated in the lunch scene as well. "What this means is that the Crusades exposed the people…" The Invisible Storm turns out to be the conformist "get in where you fit in" nature of the school. The allusion to the Crusades corresponds with the Exclusion Ceremony aka The Invisible Storm, along with the way the students see the other as an "evil" to be rid of. The false friendship created as a necessary means for survival, rather than genuine connections with one another, contrast with how Ginko and Lulu want to become "true friends". Also, contrast the Exclusion Ceremony with the fairness of the Yuri Trial and this form of social abandonment seems to be YKA's equivalent of the Child Broiler. Love this sequence from silly to serious to silly again. Getting Penguindrum vibes again from the news reports and "it was raining that day". Close-ups for intimacy. Kureha's tears for Sumika were framed around the fireplace, where they were once together, as seen in this week's flashback. Making good use of the music room. Unlike Mitsuko, who acts on immediate impulses and doesn't live in the past, Ginko and Lulu are a little different. "You know, Ginko, I'll never forget the day I met you. You found my love. You brought it to me. So no matter what happens, I won't give up on my love." Those words are much more in line with Kureha. "Did you know? When you're deciding to be friends with someone, the only important thing is that she's just a little bit inferior to you. That way she's easy to control." Following up on the conformity of the Invisible Storm, control is important. Still playing up the horror aspect. Agreed on switching up the formula for a conscious act of love. As to why Mitsuko was rushing Eriko to initiate the Invisible Storm, the excluded/isolated eventually become food for yuribears and Mitsuko lusts for Kureha's deliciousmell of true love. I was worried about this becoming a little too plot-centric, so I was happy with the much needed characterization this time. Assuming there's only going to be 3 more court cases and that there's pictures of the Judgemen as bears, I'm curious to what role they'll serve outside of the court scenes. Maybe more prominent roles than the Shadow Girls and Triple H? |
brianwuzhereJan 19, 2015 10:47 PM
Jan 19, 2015 10:57 PM
#13
Ep 3 [spoiler] I don't really have much to add. I think it really helped some of the people who didn't realize what was really going on to make things more apparent with the exclusion ceremony. |
"The individual has always had to struggle to keep from being overwhelmed by the tribe. If you try it, you will be lonely often, and sometimes frightened. But no price is too high to pay for the privilege of owning yourself." -Friedrich Nietzsche |
Jan 21, 2015 6:30 PM
#14
Kureha's bedroom is also nearly a mirror image of the one from Psycho. http://i.imgur.com/0ZRXZh3.jpg Liberty Leading the People is self-explanatory, for the Revolution of the World! The sofa amidst the jungle life in The Dream is similar to YKA's industrialized nature. I've heard the YKA guidebook states that the Judgemen are comparable with angels, which makes sense in the context of the OP: the opening doors precede the angel-like scene, similar to how the Yuri Trials begin. The bird/flower wall design is inspired by Escher's Sky and Water I. |
brianwuzhereJan 23, 2015 8:39 AM
Jan 26, 2015 6:28 PM
#15
Episode 4 https://twitter.com/br1anwuzhere/status/559897981944872961 I didn't expect to see the Judgemen's bear forms until the 2nd half, but this is more than welcome now. Connecting the Judgemen with enlightenment gives more credence to the angel comparison. There's also the winged bear in the painting on the right. Frame within a frame. The bee makes revolutions around Lulu, protecting her love. Note that the bee's sting creates a star. Even with time constraints, Ikuhara manages to sneak in some nice foreshadowing. As for the club, it probably refers to the similar shape of the throne for both of them in green. Eventually though, Lulu crosses the wall to help Ginko and wears a pink heart in the present. Literal storm again and I love how Life Sexy Shaba-daba-etc. is in sync with Bach's Toccata and Fugue in D Minor. Somewhat similar to the school, the people take priority over the individual. A window into the world. I like how the presumably empty honey pot sets up the Promise Kiss scenes. Bear cloud and bear tree, Desire Max! The box gag is from Utena, as well as the fairytale approach to the bulk of the episode. The unwanted honey becoming a star reminds me of the change glass undergoes in Penguindrum. DESIRE MAX! Similar to how Masako's assassination attempts always ended in failure in Pengindrum, he dies by accident. Another view of the room and yay for curtains again. I like how the Sankebetsu picture is being obscured. Of course, I already know what it is, but if I didn't… Even the porridge bowl is a flower. You will pay dearly for your heinous crimes against humanity. Not sure if want. Nice match cut. Keeping the art references coming, Picasso's Weeping Woman is displayed in Lulu's room during her time of sorrow. "I hated you from the beginning and I must have love you from the beginning too." "It's fine, because I got love from her." "Yeah. So, I'm going to return it." We learned what the love/hate phrase means for Lulu, but it's initially told by Ginko. Ginko was likely in a (wo)man vs. bear relationship until she was shown love by Kureha's mother. Lulu giving up on kisses for the sake of Ginko's love is similar to the conversation Himari has with Sanetoshi. The sax and piano towards the end of the ep are really nice. Wonder if the ED visual will change every 3 eps. |
Jan 26, 2015 9:55 PM
#16
Ep 4 [spoiler] Dam, didn't know Lulu was such a narcissist. My take on the fairytale flashback is that it highlights the various forms of love. There is the love from the kingdom, which she eventually loses when her brother is born. The love the kingdom has for her is very shallow though, because it is condition and not mutual (Lulu doesn't reciprocate their love). The love her little brother gives her is unconditional love between family which is represented by the honey. Again she does not reciprocate her brother's love though and this is most likely due to her huge ego caused by all of the conditional one-sided love she received from the kingdom symbolized as the bee. After her little brother dies and she again receives the love of the kingdom and her ego grows so much that she can no longer reciprocate any kind of love. When the judgemen propose to her they offer her various forms of love. Sexy offers raw sexuality or eros, Cool offers financial stability and Cute offers loyalty and each time her ego doesn't enable her to reciprocate their love. After she goes through the hallucination of her little brother and Ginko arriving she realizes that she can love others instead of just receiving love. At the end when the Judgemen are asking her if she wants the kisses or love I think what they are really asking is whether she going to give up the love of the kingdom in order to pursue a romance or perhaps platonic relationship with Ginko. Or maybe I'm just over-thinking, anyway hopefully we get to see some flashbacks of how Kureha's mother fits into all of this. |
LoneWolfJan 26, 2015 10:53 PM
"The individual has always had to struggle to keep from being overwhelmed by the tribe. If you try it, you will be lonely often, and sometimes frightened. But no price is too high to pay for the privilege of owning yourself." -Friedrich Nietzsche |
Jan 27, 2015 4:13 PM
#17
I don't think the bee represents the love of the kingdom, because it shoves the bearladies out of the way and they back away in fear. The bee is never wary of Mirun though and it circles the two of them, because there's true love there (even if Lulu doesn't reciprocate it until after Mirun's death). Just thinking about it fundamentally, Mirun brings the honey>a symbol of true love>bees protect honey. When the Judgemen ask her if she wants to give up love or kisses, this is after she's met Ginko and has seen the error of her ways ("I hated you from the beginning and I must have love you from the beginning too") She's also no longer wearing her crown anymore, so the kingdom stuff is already behind her at this point. I think it should be taken literally: the one Lulu was supposed to give a promise kiss too is gone ("My kisses are already lost, I can never see them again"), but Ginko still has a chance to return hers. Lulu doesn't back down on love, so her love for Mirun can live vicariously through Ginko making right on her promise ("I know she'll complete her Promise Kiss in my place"). A couple other things I noticed: Continuing the fairy tale theme, bears and porridge reminds me of Goldilocks. Lulu gives up on kisses and thus, she doesn't do any of the kissing in the OP. |
Jan 28, 2015 9:51 AM
#18
Episode 4 Wow, that was a nice look into Lulu's past. Lulu kept sending her little brother off, boxed, labeled, and everything. She was definitely much different than she is now. I always thought Gink and Lulu were in love with each other, but that isn't the case. It seems Ginko was in love with Kureha's mother. Also, the judges bear forms!! I thought of the bee as more simple translation. Representing Lulu herself and her desire to be the "Queen Bee." She closed off her love for her desire of attention/power/fame/etc. The bee threatened to "sting" anything that tried to bring out her love. Later, she realizes she had been hiding her true feelings for her little brother and she accepts her love for him. Thus, the bee circled both of them. |
KingYoshiJan 28, 2015 4:38 PM
Jan 28, 2015 11:52 AM
#19
Agreed, the bee portrays the duality of her love/hate relationship. The bee's sting is dangerous, but it also turns into a star, a sign of real love. On a similar note, Kureha's mother showed Ginko love and her necklace is star-shaped. KingYoshi said: It seems Ginko was in love with Kureha's mother. It's worth noting that the first words Ginko says when she spots Kureha are: I finally found you. This is ep 4 btw. |
Jan 28, 2015 2:15 PM
#20
Jan 28, 2015 4:39 PM
#21
Feb 2, 2015 4:16 PM
#22
Episode 5 https://twitter.com/br1anwuzhere/status/562403273895067648 The many faces of Ginko the many faces of Lulu Lady and the Tramp? YURIASTORRRRRR The lily has the same number of petals as the necklace's star has points. True love. I guess every room has flower chandeliers. Cool spotlighting. There are stars here, but they don't shine as bright as the ones around Ginko and Lulu. The past couple eps have broken the repetition by skipping the door opening sequence and icon shuffle, which maybe gives credence to possibly only 1 more wind trial? And I guess removing the icon shuffle recently lets the bear trap take you by surprise if you didn't already notice it in there. Strong heart motif present in this ep, so it's fitting that the bear trap creates a broken heart. This lack of love works in contrast to the Full Metal Jacket reference: Ginko was Born to Eat until she was shown love by Kureha. |
brianwuzhereFeb 2, 2015 4:50 PM
Feb 3, 2015 12:58 AM
#23
Ep 5 [spoiler]It was about time the coat-less girl did something in this show. Her importance has been hinted at since the start of the show. Looks like the yuri bears have finally met their match. Yeah probably not, I doubt Ginko is dead or even really injured. She'll likely be eaten or perhaps convinced to join their side. The flashback to when I imagine the bears still landed was interesting. I wonder how they had the time to build a kingdom lol. Yeah I know it's not supposed to make any sense lol. Still waiting on the reveal for the teacher. |
"The individual has always had to struggle to keep from being overwhelmed by the tribe. If you try it, you will be lonely often, and sometimes frightened. But no price is too high to pay for the privilege of owning yourself." -Friedrich Nietzsche |
Feb 9, 2015 2:18 PM
#24
Episode 5 Nooooo! Ginko :( I hope she makes it out ok. Also, fuck those group of girls for toying with Kureha like that. I hope they all get eaten. Anyway, it seems Ginko's love isn't directed toward Kureha's mother as I first suspected, but to Kureha herself. It was interesting seeing the background story behind Ginko and Kureha's encounter. I hope Kureha soon remembers Ginko, though Ginko's fantasizing is yuri-tastic!! Episode 6 This is my favorite episode thus far and I have greatly enjoyed the series. The moon girl x forest girl anecdote was fantastic. I love this type of storytelling. Also, those bedroom scenes :). Yuri, yuri everywhere! Now that I got the fanboy comments out of the way, the ending was greatness. We got to see the judgemen bears outside of the courtroom. We also got to see Ginko cast herself into the flames of the "third wheel" to prove her love for Kureha. Kureha rereads the letter and realizes Sumika wasn't tricked after all. Her new "friend" indeed stands before her. Still some confusing/cloudy things here and there, but this one seemed pretty straight forward as far as the "plot" is concerned anyway. It was also nice to get background information on Sumika. I had been wondering how she became invisible for a while. It seems she sacrificed herself for Kureha's sake. I'm in awe after this episode to be honest. Time for me to go back and rewatch it!! Awesome!! |
Feb 9, 2015 2:59 PM
#25
Episode 6 https://twitter.com/br1anwuzhere/status/564920532043182080 Bunch of stuff from the OP is included in this episode: https://twitter.com/br1anwuzhere/status/564905309249232897 https://twitter.com/br1anwuzhere/status/564906873456173056 https://twitter.com/br1anwuzhere/status/564909659933650944 Also notable is the moon in the music box. No Yuri Trial this time, but another Penguindrum shoutout. Water vs fire again, but the roles are reversed as meanings twist and turn all around. Ikuhara makes his dialogue purposely vague for red herrings. For starters, Mitsuko was an unreliable narrator for the end of the 1st ep (as seen in the after credits scene) and Ginko's only crime is just not backing down on love. The new friend in front of Kureha (as declared in Sumika's letter) is not Kaoru, but Ginko. Not to mention, how Ginko's hate you/loved you lines double for Lulu as well in ep 4. Not as good as ep 4, but the ending BGM was similarly good. |
Feb 9, 2015 6:52 PM
#26
Ep 6 [spoiler] I'm kinda just rooting for Kaoru at this point. Most of the characters in the show just don't really appeal to me. I was never really worried for Ginko, her heavy plot armoring is pretty obvious. Nice visuals as usual though. |
"The individual has always had to struggle to keep from being overwhelmed by the tribe. If you try it, you will be lonely often, and sometimes frightened. But no price is too high to pay for the privilege of owning yourself." -Friedrich Nietzsche |
Feb 11, 2015 6:30 AM
#27
Feb 16, 2015 7:53 PM
#28
Episode 7 https://twitter.com/br1anwuzhere/status/567531291617542144 https://twitter.com/br1anwuzhere/status/567531114672439297 The bowl for Ginko is the same color as the pot for the ginger milk and there are glasses in both scenes. Two peas in a pod. Crunchyroll uses Kumalia, so the pun gets lost in translation. Given the stained glass and mention of the holy mother, Kumaria makes more sense: Kuma+Maria. WMBs. Both a blood bukkake and a heart. "We hated you from the beginning… and loved you from the beginning, too." The flower on the milk bottle is six-pointed like a star. Callback to the first ep. Guess we can expect one last ED visual for eps 10-12. Kaoru's "lover" is probably the teacher and trying to frame Ginko for the murder of Kureha's mother. |
Feb 16, 2015 9:11 PM
#29
Episode 7 OMG ending the episode right there! This is going to be a long week's wait for the next episode. Liked this episode as much as, if not more than last week's. Kureha gradually begins to remember her "friend," and finally puts it together at the end. I want to hear Ginko's response so bad. Love all the picture book-esque mini stories/anecdotes this episode. The art style was fantastic as always. I just hope the teacher hasn't already gotten into Kureha's head with the whole, "Our enemy wears your mother's pendant" thing. I agree brain, that teacher is 100% trying to frame Ginko. I wonder if the teacher is actually the one that ended Kureha's mother? Time will tell. |
Feb 16, 2015 9:20 PM
#30
Ep 7 [spoiler] Agreed, Kaoru was probably killed by the teacher. Too bad she had to go, one of the better characters in this show. Some more backstory on Ginko and the war. Lone Wolfsbane got a chuckle out of me since I'm currently reading Lone wolf and cub. Also sometimes I zone out during this show, did they ever give an explanation for why there isn't any male humans? I thought it was weird that Sumika likens Kureha to an "old man" in episode 1, but how would they know what an old man is like if there are no human men? Not like this show is lacking in inconsistencies or made much logical sense from the start anyway. |
"The individual has always had to struggle to keep from being overwhelmed by the tribe. If you try it, you will be lonely often, and sometimes frightened. But no price is too high to pay for the privilege of owning yourself." -Friedrich Nietzsche |
Feb 18, 2015 1:54 AM
#31
Episode 7: I don't think they ever explained the lack of human men, no. I think "Not like this show is lacking in inconsistencies or made much logical sense from the start anyway." is probably the answer lol. But yeah, cliffhanger alert. Hopefully we'll soon get to see what happened to Kureha's mother though, and what her mother had to do with... well, basically everything, because somehow I'm most interested in that xD |
Feb 18, 2015 7:15 AM
#32
Again, it's an allegorical story, so that's kind of beside the point. It's like asking where does the egg come from in Angel's Egg. |
Feb 23, 2015 3:15 PM
#33
Episode 8 Well, there you have it. Just because the show refrains from showing a handful of male characters doesn't deny the existence of men. Notice how there's no mention of Kureha's father, because male characters are largely unimportant to the story it wants to tell. The only male characters that show up are sources of jealousy like Him or Lulu's brother. https://twitter.com/br1anwuzhere/status/569998138116857856 Kinda gives a new perspective to Lulu putting her brother in a box in ep 4. All has gone according to keikaku so far, but I'm out of ideas now. Like the finale is obviously going to mirror Utena/Penguindrum, but I'm not really sure what the end game is supposed to be. I guess the judgemen will take a more active role around ep 10 or so tho. |
Feb 23, 2015 9:50 PM
#34
Ep 8 [spoiler] No male humans red herring. Yuriko backstory. So bears. Much yuri. Such trial. Wow. |
"The individual has always had to struggle to keep from being overwhelmed by the tribe. If you try it, you will be lonely often, and sometimes frightened. But no price is too high to pay for the privilege of owning yourself." -Friedrich Nietzsche |
Feb 26, 2015 1:15 PM
#35
Episode 8: I'm probably just being stupid, but seriously, what is the main allegory supposed to be here? Is it some kind of social justice thing? Is it a comment on how real love needs to be at least partially blind? Is it a tale of how #basicbitches need to stop hatin? Are we not meant to ever know? Someone (probs brian? :P) please explain, or give me your best guess. Because eight episodes in and I'm only slightly more clued-in than I was after episode 1. xD To be honest though, I'm looking forward to the Promised Kiss finally happening at some point. It does seem likely that the saiban bears will come into their own soon. Should be interesting, hopefully. |
Feb 27, 2015 12:33 AM
#36
Sandileina said: Is it a tale of how #basicbitches need to stop hatin? Haha, awesome!! I really like that one. Made me :) Sandileina said: ...what is the main allegory supposed to be here? As it isn't over yet, I wouldn't put it passed Ikuhara to mix in some additional mindfuckery before it is all said and done. However, my take on the main theme is not hiding one's true self. Particularly, for the sake of the general public/masses/social norms/etc. That, with an emphasis on homosexuality (yuri) and feelings towards another regardless of race, gender, sexual orientation, etc. Love is love. You don't choose to love, but you can choose to deny that love and hide your true self. Which ties into Ikuhara's philosophies on fate/destiny/etc. Something along those lines anyway :P Episode 8 I'm with you brian. I still haven't been able to envision an endgame. I was glad Ginko admitted to not eating Kureha's mother. I really can't imagine what she said to bring out Kureha's anger there at the end. Also, why Lulu even spoke up about it in the first place? I was completely at ease up until that final scene, haha. now, i'm questioning a lot of things. Which is great. That is what I want Yuri Kuma to do to me. Once again, loved the episode. |
Feb 27, 2015 4:09 PM
#37
"Become like a rose petal, blowing free" - Utena "I'm talking about love" - Penguindrum All Ikuhara shows are about revolutionizing systems of oppression and the oppressive force in YKA is the conformity of the Invisible Storm/Exclusion Ceremony that denies true love, due to Yurika's perceived betrayal by Kureha's mother. Yurika doesn't give up on boxes and she is perpetuating this system where you literally get in where you fit in. However, love isn't supposed to be repressed or trapped in boxes, it should be free like a bird. In the premiere, the opening sequence captures birds fleeing from the school. Keep in mind, birds can easily just fly over a wall. |
Mar 2, 2015 2:42 PM
#38
Mar 2, 2015 6:20 PM
#39
Maybe so, but there is this: http://puu.sh/gjEig/da6fc4f96c.webm http://puu.sh/gjCoV/3bb5234f3b.webm |
Mar 10, 2015 11:03 PM
#40
Ep 9 [spoiler] Im confused. Why is Ginko saying she ate Sumika if it was shown to actually be Mitsuko that ate Sumika? Was it that Mitsuko attacked her first and began eating her and then Lulu and Ginko took over? The show on a whole is already confusing and all these red herrings and misinformation doesn't help at all. Anyway Im thinking the new girl in charge of the Exclusion Ceremony is also a bear since the bird design didn't cover her, but that might be me looking too deeply. I also felt like the fanservice this ep was excessive. I guess you could argue that it was "part of the plot", but really when it's this obvious and in your face I don't really feel like that's a valid argument. |
"The individual has always had to struggle to keep from being overwhelmed by the tribe. If you try it, you will be lonely often, and sometimes frightened. But no price is too high to pay for the privilege of owning yourself." -Friedrich Nietzsche |
Mar 11, 2015 2:06 PM
#41
Mar 12, 2015 2:21 PM
#42
Episode 9 Yeah, Ginko didn't eat Sumika. My subs said kill instead of eat. In fact, Mitsuko states, "I ate her, but you..." and then Ginko finishes with "killed her." Ginko is just taking responsibility for not stopping Mitsuko when she had the chance. On top of that, she feels guilty about wanting Kureha for herself and shunning Lulu's love for it. Anyway, fantastic episode. That fanservice was glorious. It was all in context with the plot and progression of the story. The sexual double entendres are shown through visuals. I have zero problems with fanservice of this nature. Might just be me. I particularly loved the sequence with Ginko giving in to her desire (Mitsuko). Ginko's "death" bed was awesome!. Loved the design and the use of black really made it jump out. Especially, considering the color palette in the series thus far. Yuriika getting what she deserved. I was surprised to see Kureha's mother, released from her box, running to Yuriika's side. It seems her love was real after all and Yuriika's delusions were false. Not that I doubted it all that much, but was still interesting to see. I'm not sure where this is going to go either. We still have three more episodes left. To be honest, I wish this series would never end :P. |
Mar 14, 2015 11:38 AM
#43
Episode 9 https://twitter.com/br1anwuzhere/status/575109354367676416 https://twitter.com/br1anwuzhere/status/575109176701120513 https://twitter.com/br1anwuzhere/status/575108976456654848 Halloween 4: http://puu.sh/gxbts/f0eff11232.webm So, Mitsuko is back and basically Sanetoshi. Very sensual and while it obviously serves to be seductive, it also tiptoes the fine line between eating and killing. Ginko "killed" Sumika by not stopping her from running into Mitsuko and feels just as responsible, as if she had actually eaten Sumika, herself. "We hated you from the beginning and we loved you from the beginning, too." Ginko loves the smell of lilies, but hates the lily personified as Sumika. One being found, means someone else must become unwanted, which mirrors Yurika's backstory. "I found you/You found me" is another repeated phrase like "I'll ruin bears", "Never back down on love", "Let's search evil", etc. Lol Ginko watching behind the tree reminds me of Death Parade 9. Love on the left, desire on the right. "To love someone is to rule them." This is similar to how Yurika thinks you have to box up the things you love, which is reflected in the scene transition. What's unfortunate about the post-YKA world is that we'll probably never see the phrase "bitch-bear" again. These bear FX are still awesome. And here we are. "The ritual of banding together to exclude someone" doesn't only exist within the school, but amongst the bears too. Ikuhara.jpg Cool match cut, reversed color dominance. Wizard of Oz heel clicks again as Kureha reminds Yurika of her mother. Basically, she's still living the dream which comes to fruition in her perceived reunion with Kureha's mother at the end. Kureha has fat fingers. Ikuhara is very particular about his word choice and he likes to play around with that. Eating and killing are similar within the context of this show, but not the same. Likewise, kiss and love are in the same ballpark too, but they define different things. In addition, the Japanese terms (ki-su and su-ki) share the same letters, but reverse the order. Opposites are abundant from the opening love/hate lines to holiness vs. sin to the oxymoronic Love Bullet. With regards to fanservice, Kill la Kill was more shamelessly exploitative in that regard and it feels more tasteful here. The stripping scenes between Mitsuko and Ginko/Yurika and Kureha are purposefully rapey (while not going overboard imo [like KLK actually has Ragyo fingering and slapping Satsuki's ass butt-naked, amongst other things] and they're both in the most foreboding frame of the OP to begin with), while what seems to be consensual intimacy is seen with clothes on, only to be sexualized through the quite literal male gaze. Life Cool is done after he gets his intel, but Life Sexy's eyes like to wander to the point that he's probably getting off to it, so maybe he has a hidden agenda? Life Cool, in general, seems to be the voice of reason amongst the judgemen: "But was this really right?" "But it's horribly--" Well, it was still a delusion, just not the delusion that Kureha's mother had actually betrayed Yurika's feelings. The delusion here is that it was actually Kureha holding Yurika as she came to grips with everything in her last moments. Perspective is toyed with time and time again, so you get plenty of unreliable narrators until the truth starts becoming clearer towards the end of the show. I worry for Lulu, because Ikuhara has a track record for self sacrifice (dating back to Sailor Moon even) and that would be one way to snap Ginko out of it. Not to mention, she's missing from the last shot in the OP before the curtains. Aside from Ginko confronting Kureha, I think we're due for some more overt angelic imagery. If not next week, then probably the penultimate episode. |
Mar 15, 2015 8:51 AM
#44
Mar 17, 2015 2:41 PM
#45
Episode 10 https://twitter.com/br1anwuzhere/status/577945892998742016 UTENA SPOILERS: http://imgur.com/a/gxUNY#0 Kureha encounters a wall of severance, but then she opens the door. Like the exterior of her house and the school, you see a pink triangle, surrounded by wilderness. Opposites again, the soothing music box melody plays against the harsh sirens. Do you even metaphor? Like a certain Utena line and recalls broken glass from very early on. Flipping the camera upside down reinforces her doubt. Like Ginko excluded Sumika, the rubber duck excludes Lulu. Broken glass and rubber duck are from ep 2, so again, I'm glad Ikuhara could work stuff like this in even with time constraints. Note how the pinks and greens are so united in Kureha's bathroom. Authoritative POV, now that the KMTG has been introduced and the high angle also serves to obscure the lettering a bit. We have the technology. Hive mind mentality again. I like how it was necessary to draw all that, it's the little things… The enlarged eyes emphasize how much they are just observers from the outside looking in, with nothing else to do but judge. Recalls ep 1: covered in dirt, retrieving love that was lost. Cool transition. Water is mostly seen as a falling action, associated with loneliness or general sadness. The water fountain shooting sky high works for dramatic contrast with day and night/past and present reversals. And the catchphrase is back! KuMatagi is a pun meaning bear hunter and Kureha has the proper attire on her bedroom wall. You need electricity to start the Invisible Storm. Love and hate. A lily laser, wonderful. Ikuhara shows are all about breaking said rules. Reversal and foreshadowing. Like mother, like daughter. Sometimes, you're forced to lie to your loved ones to protect them. As Life Sexy mentioned, "Love comes in many forms." Yay spotlight again. I doubt this will be the last we see of Lulu. Kureha's mother sent Ginko away in the same fashion (with a sign of love: a star for Ginko and honey for Lulu) and history has a habit of repeating itself. Final ED card and there's Mirun/Milne hiding on the bottom left. Looking forward to how the Yuri Trial goes and I wonder if Ginko might interrupt it. |
Mar 23, 2015 6:12 PM
#46
Episode 11 https://twitter.com/br1anwuzhere/status/580172858917298176 https://twitter.com/br1anwuzhere/status/580173131945521152 The episode begins with a flash forward that takes place between the actual episode itself and the post-credits sequence. Colorful spotlights from the OP. Shooting star from the OP. https://twitter.com/br1anwuzhere/status/580167304006209536 The episode begins with Kureha's boots and ends with Ginko's. Again, water frames the loneliness, excluding one from others. https://twitter.com/br1anwuzhere/status/580168341739986944 The rotating Danzetsu is the only thing I can think of besides the bee making revolutions around OG Lulu. I imagine there would be a more cyclical foundation if he had the time. Cute, retracting her claws for personhood. Ikuhara's no stranger to fairy tales: "To her dismay, the prince never sees the Little Mermaid or realizes that it was she who had originally saved his life" "We hated you from the beginning and loved you from the beginning, too" Ginko hated the Invisible Storm, but loved Kureha. Torn pieces of paper turn into stars, never back down on love. Background from the OP. Day and night reversal of ep 1, switched positions too. https://twitter.com/Yuyucow/status/580136122522714113 Nice smash cut. http://imgur.com/a/EUazO#3 The expression in the 3rd shot is perfect. Kishishi...turns out Ginko overcomes desire through the determination to realize her true love (re-enacting the fairy tale from before), but Lulu does, indeed, sacrifice herself for Ginko's sake. YKA's sound design has been nice throughout, but it was really given a chance to shine this week. Ikuhara has a reputation to uphold with finales (Sailor Moon S, Utena, Penguindrum), so I'm pretty confident he can bring it home. |
brianwuzhereMar 24, 2015 1:58 PM
Mar 25, 2015 12:32 AM
#47
Episode 10 Awesome moments between Lulu and Kureha this episode. It made me a little sad that Kureha couldn't admit her friendship. The honey pot gift was a nice touch though and helped ease the sadness. I'm glad Kureha now realizes Ginko's role in her life. I wish she would regain her memories though as it seems Kureha is still not ready to accept her love for Ginko as a bear. Also, Ginko seems to be in a pretty aggressive state. I wonder what she is planning. Kureha on trial should be very interesting as well. Episode 11 Noooo!! Poor Lulu. She made the ultimate sacrifice with a smile on her face. Sad stuff. indeed. Kureha tries, but is unable to hide her true feelings as she is used as bait. Glad to see Ginko overcome her desire/cast that bitch off. Even though they did have a couple of pretty intense bed scenes. I do wonder how Lulu's death is going to change things. Kureha's trial and the finale coming up next. I'm extremely excited and a bit worried too. This anime has been so great for me, thus I'm expecting an outstanding finale. I hope it can live up to these expectations. |
KingYoshiMar 25, 2015 1:12 AM
Mar 30, 2015 8:11 PM
#48
Episode 12 Callback to the beginning, setting up Ginko and Kureha’s departure. http://i.imgur.com/Hsee3W3.jpg http://i.imgur.com/es0Fnmh.jpg Just had to sneak in one last Penguindrum reference: http://i.imgur.com/8LrTy49.jpg https://www.youtube.com/watch?v=TMS3RIVEOrQ “If you’re invisible, who will find you?” This line gives me the same satisfaction as when Himari and Masako’s stories finally collide in Penguindrum. http://i.imgur.com/xaDd1y6.jpg http://i.imgur.com/3KkzDt3.jpg http://i.imgur.com/vaGI4E9.jpg http://i.imgur.com/kRzJtbV.png Kishishi, this is actually really clever. The joke is obviously that the little bear arms are skinnier than a human’s and metaphorically, the bear’s true love breaks free from the chains of the Invisible Storm. Also, in the ED: http://i.imgur.com/XJWZLBR.jpg As the story has finally become clear, the past and present are no longer mutually exclusive, but intertwined. http://i.imgur.com/GjstzQF.png Sound design is so important, what you don’t verbally communicate should be just as significant. http://puu.sh/gVXvZ.webm Remember Kureha’s bear shadow at the end of ep 10? http://i.imgur.com/Yz9qlIV.jpg http://i.imgur.com/OqGG2tJ.jpg Kureha finally turned into a Tsubaki or a Camellia in English. http://i.imgur.com/UhrmGZZ.png http://i.imgur.com/5qW1kAD.jpg LOVE BULLET http://i.imgur.com/StE5WHE.png http://i.imgur.com/S9hbN4g.png Close-up on the door creates nicely bordered framing. http://i.imgur.com/7X14nFg.jpg An open box is no longer hidden from sight and its contents can be found. http://i.imgur.com/qKnWjY6.jpg http://i.imgur.com/C3IIMxU.jpg So, we have a fairytale about a fairytale about a fairytale. Sasuga, Iku-chan. http://i.imgur.com/G2QgQOM.jpg Those who never give up on love in one life get rewarded in the next: “I’ll be waiting you-know-where in an empty world Even if everything falls apart Even if you have to gracefully writhe, Even if you have to bend space-time Find me” Merely receiving it is selfish, but the gift of giving brings about true love. http://i.imgur.com/r7o0eJB.jpg http://i.imgur.com/6hV4l4u.jpg http://i.imgur.com/KioIyRY.jpg “Flower petals will slowly enfold us on a starry night” http://i.imgur.com/es0Fnmh.jpg Well, I was always going to like this, just wasn’t sure how much. The characters weren’t as memorable as Utena or Penguindrum’s, but I’m satisfied with what I got and didn’t even expect to get emotional over KonomiBot. Time constraints don’t allow for as elaborate of setup as those two either, but there’s still plenty of foreshadowing (the OP/ED, the bento, the duck, the chime, etc.) that pays off in due time. While there is surely an even better 2-cour YKA buried behind the scenes, I really liked this nonetheless. Ikuhara’s theatrical sensibilities are always a sight to see and I love how he plays with words for misdirection, twisting and turning their meanings inside and out, which guarantees rewarding rewatches. In the end, the system is still intact and back to business as usual. A couple of lesbears can’t simply revolutionize the world overnight, but the revolution begins in their hearts. You can only lead the way and hope that someone may follow your footsteps. 8/10 If you liked YKA’s art direction, look out for Chieko Nakamura doing her thing again on Doukyuusei later this year: https://www.youtube.com/watch?v=WN7jkjuRY7U |
Mar 30, 2015 11:45 PM
#49
Ep 12 [spoiler] I agree the show would have benefited greatly from a greater episode count. I never really felt like I got the time to get familiar and attached the characters. I remember hating Ringo from Penguindrum when she was first introduced, but by the end of the series she was my favorite character. I never really bought sibling relationship of Mirun and Lulu after she treated him so callously in order to maintain her own ego and status. Ginko and Kureha's relationship at the end of the day is just another childhhood friend to romance relationship and the lesbian angle doesn't really add anything for me. The misdirection and red herring were a negative for me though. I felt like it just lead to a lot of unnecessary thinking that only leads to dead ends. OST also felt like a downgrade from both Utena and Penguindrum. Overall this is by far my least favorite Ikuhara work. Luckily the visuals and cinematography pull through to help this show pull up above average and remain somewhat entertaining. 6/10 Also dat ~shabadadu |
LoneWolfMar 31, 2015 12:01 AM
"The individual has always had to struggle to keep from being overwhelmed by the tribe. If you try it, you will be lonely often, and sometimes frightened. But no price is too high to pay for the privilege of owning yourself." -Friedrich Nietzsche |
Mar 31, 2015 2:25 AM
#50
Episode 12 God tier ending!! I couldn't imagine a better final episode. Kureha's memories return and she crosses over to bear, where she has belonged all along. Not to mention how cool her bear design was. Best one of the series. The promised kiss moment gave me chills. Sumika's revealed role of showing Kureha the meaning of true love. Then, Lady Kumalia as Sumika, granting them a life together. Kureha and Ginko pass along the idea to only one of the girls, but the world is changed, one person at a time. It was awesome to see Konomi being rescued in the end, much like Ginko was rescued by Kureha. Passing along the idea of true love. Also, the theatrics this episode were top notch. brian your comment was perfect: "A couple of lesbears can’t simply revolutionize the world overnight, but the revolution begins in their hearts. You can only lead the way and hope that someone may follow your footsteps." Love that!!! The series was fantastic throughout. I would have loved to see a 2-cour version of this, but 12 episodes did plenty. Its Yuri Kuma > Penguindrum > Utena for me, but I haven't finished Utena yet, so... Anyway, the animation, yuri, color palette, story, yuri, characters, side stories, music, and yuri were all amazing. There wasn't a single moment I felt disinterested and wanted more. Best yuri series I have ever saw/read. Its going in my Top 5 all time anime without a doubt. Easily a 10/10 for me and it was never very close to anything less. One that is going to be rewatched immediately, and then on a regular basis after that. |
KingYoshiMar 31, 2015 2:30 AM
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