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Watching this filled me with an overwhelming sense of, "But why?" First off, there is something about our main female character, Liliana, being "Magi" in the description. Magi? What's a Magi? They never explain what the hell a Magi is. What really happens is that some random shota boy looks at some leaves funny and decides to follow it. But why? Then shota boy scares away some dogs and finds a random naked lady in the middle of an alley. But why? Shota boy decides to take her in and gets her some clothes. Fair enough. Then they start going out and get close enough ... to have sex. Seems forced, but it's hentai so okay. Then shota boy's undisclosed brother delivers a maid uniform and a bunny suit.

BUT WHY!? (╯°□°)╯︵ ┻━┻

I hate to break it to you, but this hentai doesn't make much sense. However, if we decide to turn off our brain to this matter, it's cute. Very abrupt, forced romantic progression, but still cute nonetheless. It's hard to get into since the extreme lovey-dovey aspects don't really feel deserved. Even with all these issues mentioned, that's only enough to dock a single point off. The main meat of things is the fact that aspects of the art and animation are mediocre.

In general, things look faded and splotchy. It's more or less fine in close ups, but some of the splotches just feel out of place, like it would be better off without it. I like how our shota boy contrasts with Liliana's skin tone and her alternate skin tone in the night scene. So it's definitely decent quality art, but not good.

If there is anything interesting about the animation, it would be the dynamics of the sex. They definitely are not as rigid as some other hentai with their poses and are trying to imitate the fluidity of Rance animation. Keyword: trying. There are jarring instances of some body parts being completely out of sync with other parts of the animation. While they may be less rigid than other hentai animations, there is still some awkward rigidity in some of the sex scenes. I also remember seeing a part where she was talking, but it was only shota boy's mouth moving during the fingering scene. Though since they put in the effort to put in more finesse in there sex scenes by adding many subtle details like a deepening embrace during a climax, it ends up being slighty above average animation. So mix the art and animation together and it's just average, ambitious art and animation with some derpy fails.

I'd give the art & animation a 7. Dock off a point from all the other funky unexplained Magi business and forced lovey-dovey stuff and it's a 6 to me. Still cute nonetheless.

Shigokare is quite the disappointment due to how cheap it is presented. What is so conflicting about this is how it has few decent scenes, but it is clear that fundamental part of the art and animation is lacking. Usually I give things like this a pass due to enjoyment, but this hentai fails to present a significant form of unique charm to offset this lacking quality.

The anchor to the quality of this hentai is in its animation It doesn't do well to hold up in quality. This ends up coming off as an aged hentai with a multitude of flaws.

Some flaws that are ... thrown in your face is the general stiffness of the animation, a still image of x-ray penetration that "wiggles" around, and a significant drop in quality in long shots. Half of the time is at the quality of an above average hentai. The other half suddenly drops the ball randomly and becomes cheap rush job.

While these complaints may seem like petty nonsense, I tried VERY hard to ignore these flaws. Even with my efforts, these issues are simply impossible to ignore. The very fundamentals that should make this a hentai is simply lacking. The paizuri setups were interesting, but unfortunately not bombastic enough to sweep the other flaws under the rug.

Hentai has 1 job: to turn you on. Shigokare turned me off.

"SEX! UWAAAA~! SEEEX! I am not merely doing sex. I- No. My entire EXISTENCE, truly, has become SEX!" -Motivated Biker in a tunnel

You might be wondering why I mention such an inspirational quote. Well that, my friends, is because that is the culmination of what our main character, Yamato Hitsuhara, becomes in the final episode.

Welcome to Nuki Doki Revolution. Where the demon fucks around, the angel is goofy as hell, and silliness is cranked to unparalleled levels. It is through this silliness that Yamato is supercharged and attains the ability of flight, tracking, and transformation.

Our legendary MC, Yamato, is led to a shrine where presumably ... his only female friend Momose Nonoa, works. Nonoa slips into a shrine maiden outfit to see Yamato's reaction when suddenly a voyeuristic demon shoots pebbles at them to strip them of their clothes. Then a tease fest begins.

The teasing is interesting, fetishizing telekinesis as the demon slut, Firika, controls Yamato and Nonoa's bodies to do sexy poses to expose themselves and slowly (painfully slowly) inch closer until contact. Firika does a telekinetic blowjob to get him ready, but Yamato busts a geyser nut before penetrating Nonoa. Suddenly an angel appears on her majestic mount, but gets distracted by Yamato's magnum schlong and gives him a paizuri. Which he doesn't even bust a nut to before realizing that Demon Slut and Miko Girl are gone.

All that said, teasing might be great, but it's still just a cocktease in the end. Unfortunately, what I just mentioned spans the length of the first two episodes. Good news though, now that you read this, you can skim over that if you're too horny to settle for a tease and move on to the second half of the series, where things get dramatically better. There's demon gangbanging, semen bath, girls kissing, angel anal, but perhaps the most interesting stuff is actually seeing Yamato manifest his supernatural capabilities.

Yamato truly carries this series, much unlike the PoRo variant, as his powerscaling climbs dramatically on the third episode onward. He is the primary source of the hyperscale absurdity factor with angelic dunderhead, Sera, being the other portion. With all that ridiculous energy channeled into these goofballs, the series goes wild on the second half because those two silly goons join forces. With the power of God and Anime on his side, Yamato truly becomes a force to be reckoned with and is interestingly enough, the main reason to watch this hentai in the first place.

If I had even 1/5th the imagination of Yamato, I too can truly become: sex.

One of the Harem titans of the old era. The 7 in Trinity Seven means the seven harem girls which glomp on the MC. The main reason you'd want to watch it is general attitude of the characters that are clearly aware that this is a harem anime. The male MC, Kasuga Arata, and many of the female ones being very upfront with sexual attraction. In fact this show is so clearly aware of its harem status, that within the first 30 seconds beyond the intro, our MC is literally groping boobs already.

When I say old era of harem, I mean the era where harem ... was all show-as-much-skin-as-possible, but not yet at the stage of doing extremely sexually suggestive actions. The farthest the MC goes being the classic slip-and-grope and flashing nudity. Nipples don't exist here though. Trinity Seven first and foremost is a harem anime and any motivation for watching it should start with that.

As for the underlying element of a plot beyond 'plot,' Trinity Seven takes on an apocalyptic Date a Live vibes with a magic academy focus. The motivations are extremely clear, but the plot progression is not at all. It leads to a very strange dilemma where Arata has a very clear objective in mind, but the story seems to stumble into random plot points instead of a clear path of progress towards his objective. A large part of it being because the concept of seven female MCs means that they must all be accounted for quickly. As such, you can summarize the plot as being rushed, and being a 12 episode anime most certainly doesn't help.

The single biggest sacrifice to this rushing is the magic system. It is not explained, nor fleshed out well at all. Being the very fundamental action element of this anime, you'd think that it would be simple and clear. Yet it pans out as a complicated system that has processes which are literally skipped over, all because Arata is an overpowered MC. It makes any form of combat in this anime a complete joke since it ends up being a bunch of random superpowers that manifest out of nowhere.

That being said though, can't go ranting on how shitty the action is without talking about the most important aspect of the show: tiddies ( ͡° ͜ʖ ͡°). The fanservice on this show is on a different wavelength. While it doesn't reach the levels of degeneracy as the notorious To Love-Ru and Shinmai Maou no Testament, and definitely not at the levels of borderline hentai from Ishuzoku Reviewers and Isekai Meikyuu de Harem wo, the aforementioned attitude really switches up the reaction dynamic. While there most certainly is the classic "KYAAA-" *shoot male-MC with a rocket launcher* kind of reaction (practically the identity of Asami Lilith), there is also the reactions that go along the lines of: "ooh~ you like that ( >w*)", "damn right, I do." That kind of upfront and honest degeneracy won't be seen in any other harems. The only one that comes remotely close is Highschool DxD, when Issei makes heroic speeches. Yet this goes through that has the confidence to go even farther beyond.

As far as characters go, half the cast are cliches while the other half has a bit of roundness. Though, some of the cliches make up for it with another kind of "roundness."
( ͡° ͜ʖ ͡°)
They are all pretty slim, so no big-booty-bitches here. Lieselotte Sherlock is a bit thicker than the rest of the cast, but not dummy THICC like you see in characters like Akeno from Highschool DxD. Then there are some characters have cliched themes, but a distinct personality. For example, Kazama Levi definitely has the ninja theme, but here sexual honesty is very distinct as a personality in spite of some kunoichi being known for sexual assassination.

Arata, our determined male MC, is a proud degenerate who has a strong sibling bond which serves as the primary purpose of his every action. His love for his cousin, Hijiri, is so great that he accepted his fate as a potential Demon Lord to save his cousin. His trust in Hijiri is so strong that he is willing to overlook at all the transgressions of things related to her, in absolute faith that she is acting with good intent. That fierce determination to find and save his cousin is very clear and easy to get behind, which is sorely lacking in many harem anime. It's one of the great positives of this show that makes it stand out in comparison to other harem anime. Many times, harem animes tend to have aimless male MCs who get strung all over the place without any real purpose. Arata has a very clear purpose and a very good reason for why he wants to take risks to achieve it. Familial bond is a simple, but extremely effective way to express motivation. Starting right out the gate with it makes Arata a very good character.

The Trinity Seven are a conglomerate of quirky magic students. Lilith is the commando tsundere. Levi is the shameless kunoichi. Yui is the childish sleeping beauty. Arin is the kuudere cultist. Akio is the confident delinquent-senpai. Mira is the crusader tsundere. Finally, Lieselotte is the seductive witch. The school is lead by a degenerate overpowered headmaster and the bulk of the show involves their interactions. Which makes sense since that's also their opportunity for fanservice.

Lilith carries that common beat the crap out of a guy for being silly that you see from characters like Tachibana Misato from Nichijou or Chidori Kaname from Full Metal Panic, the guns blazing variant. She's supposed to be a teacher, who is about the same age as Arata, but she ends up being a sexy body joke from being teased by the rest of the cast. She is one of the voices of reason in the stream of ecchi personalities clashing about. Her character ultimately amounts to being a tour guide for Arata with a splash of ecchi jokes getting forced onto her. Ends up feeling very tropey, leaning heavily on the guns blazing punishment for Arata.

Levi is a kunoichi, which you don't really see that often as a character in general unless it is an explicitly ninja focused anime. As such she makes a lot of ecchi jokes while doing ninja stuff and fighting using the ninja way. She likes to pop out of the roof to join in on conversations and is usually the kicker for Arata's degenerate honesty. While her role is quite simple, she actively dives into one of the main motivations to watch the show, which is that unabashed self-awareness of being a harem anime.

Yui is a sleeper OP character who uses dreams for magic and support. She's stuck with a childish mentality since she was secluded for a long time and only had an opportunity to wake up when Arata came along. She instantly glomped onto our male MC as soon as she woke up and is also another contributor to the ecchi talks since she has no hesitation to get down and dirty with Arata after his intervention.

Arin is a silly kuudere who tries her darn best to act on tropes, but flops due to her emotionless reactions. She instantly glomps onto Arata for a seemingly random reason of being destined to be the Demon Lord's waifu. She draws many parallels from Tobiichi Origami from Date a Live for this reason, with the exclusion of the fierce vengeance factor Origami has. Also flies into ecchi talks with Arata in the same way as Origami. At odds with her feelings with witnessing the degeneracy Arata falls into while being his self proclaimed wife.

Akio walks like a delinquent and clobbers fools like a delinquent, but doesn't have that ferociously aggressive attitude of one. Akio is rather lax and instead exudes confidence and care. Doesn't contribute much to the ecchi talks, but she doesn't really care when she gets stripped naked which adds to her confidence. Force of will is her magic and she's a devout believer in the power of friendship. Lots of good vibes all around.

Mira is the disciplinary council president kind of tsundere. For the most part, has a lot of aggression toward Arata due to his Demon Lord potential being a threat. Mira tries to be the mature stoic disciplinarian. Yet when exposed to her childlike choices from the inevitable fanservice, that side of her breaks down completely and she devolves into an embarrassed brat. She's the last one to glomp onto Arata due to her wariness of his overpowered Demon Lord magic.

Lieselotte is a sexy bad girl who is mostly debuted by her twin sister, Selina, the newspaper reporter. Being the bigger boob variant and the only character to actively try to charm enemies, she has the most dynamic fanservice and tries to be a sexy little devil to mask her abandonment insecurities. Gets intimidated very easily. Aggressively glomps on Arata for his Demon Lord power at first. Lovingly glomps on him later for his determination to save her from the dark side.

All in all, about what I expected from a harem anime. When you look at it as a harem anime, it has distinctly good story points going for it in the form of self awareness and clear motivations. Though if you look at it as a fantasy action anime, it's got a lot of problems explaining its magic system and rushing through without properly carrying forward progress for our male MCs motivations. In the fanservice department, they do a good job of showing off all the girl's figures and even the Arata's at times. Though it stops at full nudity with things like light beam censoring and small patches of clothes, it is appropriate for that harem era and shows off their curves particularly well--especially Lieselotte's scenes.

Your Lie in April is the anime embodiment of Omori, focused on the weight of expectation over enduring the responsibility over one's actions. I would put this in a recommendations section, but it's impossible for a section like that to exist, since I'm comparing this to a game, so I'm doing it here.

So why the hell am I comparing a depressing ass game like Omori with Your Lie in April in the first place? Well for one, they both centralize on a type of musical duet with a violin & piano. And spoiler alert, one of the two dies while the one left behind is ... forced to do their performance solo in the end. In Your Lie in April, it is the violinist who dies. While in Omori, it is the pianist that dies. Sorry if this spoils Omori for anyone who didn't expect it, but it's pretty much impossible to evade this given how the game is. The more important thing is the source of conflict in both. For Your Lie in April, the conflict isn't heavily vested in the death of the violinist, while in Omori 100% of the conflict comes from the death of the pianist.

Your Lie in April starts with the casual life of a pianist who is living a normal life, away from the piano for some reason. The story unfolds when a chance encounter with the violinist brings out the pianist and him, along with all the sludge of his dark past alongside it. As such, the heroine chipper violinist teaches him the pianist to face his insecurities with confidence and bravado. As more and more regrets pile on, increasing in severity, her confidence is unwavering and unshaken by the expectations of society. The pianist is washed away in her positive vibes and opens up more and more, unleashing the potential he blotted out. Quite literally since he blotted out the sound of the piano, since it was associated with such negative thoughts. Yet just when he reached his highest point, surpassing the performance of his old self, she dies.

It's sudden, but it was her fate. The violinist was fighting cancer all along, or well it might as well be since they explain it like some kind of extreme frailness. Her goal was to make her performance to engrave her mark on the world in her own way since she didn't have time for anything else. Yet she died. Before she could even have her grand duet with the pianist. The pianist who was motivated to look past the regrets of his past. He beat himself up for how foolish his own struggles seemed in comparison. Then he fell into another slump, but this slump was nowhere near as long as before. Because he knew this time, they both lived their best lives. They both overcame the hurdle of expectations in musical performance already, their peers did too. If he would take this event and have it spiral him to failure, it would spit in the face of everything that he had learned now.

And so he makes his grand finale, alone. A fierce one, one that grieves in the unfairness of it all. Yet he hears the violin. The strings that spurned him on, calms his rage and leaves the playful tune of their past performances as well as the great determination he holds. The determination to make a mark on the world in her place. Unfolding all of the feelings of his past memories onto the keys. It is a beautiful finale which holds all the emotions of longing for the deceased. Just like the final duet in Omori.

Final spoiler alert for the real big shit in Omori. There are many parallels to the game, but also dramatic differences in execution. The inspiring heroine ultimately dies and they play as a duet, but Your Lie in April has a gargantuan emphasis on music over Omori. Which is significant since Your Lie in April inevitably makes several concessions in order to mix in drama as well. The emphasis in Omori is moreso the emotional element literally being gameplay elements while the drama being the story progression. The biggest difference though is in the "who" and the "how" for the heroine's death. The who being that the heroine is our male violinist's sister, while the how is that he directly killed her.

He pushed her down the proverbial pizza staircase and broke her neck over a dispute on the violinist's willingness to perform. If that wasn't bad enough, he sullied her dead body with his best friend by hanging her with a jump rope noose on their own playground treehouse. Now both of the violinist and his partner in crime are mentally scared by the pianist's bulging dead fish eyes staring into their souls. Some real nightmare fuel shit. Saddest part of it all is that you actually learn she dies pretty early on, but the more the game progresses, the more you figure out just how fucked up it was.

The reason why you know so early on is because the game starts with him lost in his thoughts with his imaginary friends in dreamworld, which the game likes to call headspace. Yet when he wakes up and you realize just how bad the violinist has it, it's pretty much easy to come to the conclusion that it is impossible for him to forgive himself. Shut inside like a hikkikOMORI, waiting for the 3 days to leave his home to move somewhere else. All while ruminating on the great evil he cast down so carelessly. How could he possibly overcome such incredulous trauma and guilt? Well he is fighting back, and he's putting up a damn good fight. The fact that headspace exists in the first place, with his chipper pianist sister, is proof of that.

For those who don't know, a dreamworld is common amongst people in turmoil as it can manifest as compensation for a sensation unavailable in reality. Surrounded by his real life friends in younger form within headspace, they represent the compensation for lack of company in his time of need. They go around fighting quite literally with emotions and causing all sorts of shenanigans as they make new friends and rivals. Yet everywhere they go, there is always "something" there. An strange something that tears through headspace from the realm of his intrusive bad thoughts, blackspace. Typically when he is consumed by these events, our dreaming violinist wakes up and finds himself thrust in reality. It is there that he can choose to maintain his dark secluded lifestyle or literally open up to his friends waiting for him outside. When he opens up and tries to meet with all his friends outside, he has to come to grips with the many changes they undergone after the incident and in doing so, face some of his greatest fears: the fear of heights, the fear of spiders, and the fear of drowning.

In overcoming his fears in reality, the barriers of his fear in his mind also give way. Unlocking more and more of the truth as he enters into headspace from whitespace every single day, the space where it all began. Every day the violinist learns more of the struggles his friends endure after the pianist died, overcoming these challenges, and facing his fears. All until it culminates into confronting the one best friend that refuses to appear in the violinist's dream: his partner in crime.

In facing the violinist's old best friend, his friend hates him. He hates him for trying to leave. Leaving him behind with the monstrous something that haunts them, the looming figure that stares into their soul with its big bulging fish eye. The stress has driven him mad, especially since his partner in crime holed himself in isolation for years on end. So, sick and tired of it all and armed with garden shears, they clash violently. Unloading years worth of their stress in a bloody mess from a crazed attempt of eliminating something that haunts them. But since something doesn't exist, it only ends in both of them getting hurt and the violinist knows it. So as they both fall unconscious to the severity of their wounds, the violinist finds himself in a dream, but not entirely the same as headspace, whitespace, nor in blackspace. Rather a daydream, where his best friend lets him know that in spite of all the pain he's endured and all the bad things he's experienced from the incident (killing her own beloved sister and roping his best friend into a tragic mess) that there were good times before any of it happened.

Invaluable experiences that he shared with his best friend and his sister. So, his best friend shows him that it is simply not fair to ignore those experiences and suppress them out of fear. The violinist has faced many fears already, and one of those fears is the fear of responsibility. Owning up to his mistakes and confronting his friends with the truth. More importantly, confronting himself with the truth. So violinist takes the proverbial trip down memory lane to remember the good times he had with his best friend, his pianist sister and the rest of the gang after finally taking up the mantle of his hairy violin and bloody sheet music to do make a lonely performance to shatter the dream.

When his performance is done, he finds himself in the endless wasteland of whitespace. Yet the difference here is there is no black lightbulb, because if a glowing lightbulb is a representation of the introduction of new ideas. A black lightbulb is the suppression of such ideas. So in his acceptance, the truth comes flooding in: the good and the bad. And he himself serves as a cruel reminder of the bad, the him he left behind in the dream with the mantle of OMORI. The him that holds all of the emotions he's locked up in exchange for fearlessness, the very thing he tries to compensate for. OMORI reminds the violinist of all the repercussions, all the pain, the suffering, the divorce, the treehouse getting chopped down from his father out of hatred. All the friends who loved his sister. And he himself who loved his sister. The one who also took her away forever. Despite everything the violinist has learned to control his fear, it is impossible to win. He knows OMORI is right and succumbs to his ferocious reminders and ideas. However, that is all they are: thoughts.

Now the violinist knows that there are other thoughts as well, memories of better times. The precious unforgettable memories he had with his sister, the chipper pianist. So he pours all those thoughts in his final duet, to show OMORI the importance of these memories. The memories that should never be suppressed and forgotten. The love, trust, and respect he has for his sister shows as her piano joins the performance in the dream. Memories so overwhelming that OMORI has no choice, but to let go and accept it all. Believing in himself to accept reality in all it's ugliness and beauty.

While this may seem to diverge greatly from why this is relevant to Your Lie in April, those emotions are there. They are the same, but derived from different circumstances. The struggle of overcoming guilt, and the pain of accepting that the one who helped you through it has died. They may approach it at vastly different angles, but they both arrive at the same conclusion: acceptance. As such, if it is these emotions you are looking for, then that is most certainly the vibe you should be having when going into Your Lie in April.

Your Lie in April ends up trudging up a lot of painful memories, so there are a plethora of instances where things get awkward and stale. So it can be pretty difficult to latch onto with a set of expectations that don't align with a boy trying to overcome their problems. Which is most certainly an issue since it's easy to come into this with an expectation of just classical music and little else. There is also that anime hype-up where they use flashy colors and imaginary effects to enhance something that would look pretty simple in real life. Something along the lines of the extreme descriptions of Food Wars on how flavors emerge through metaphors and clothes bursting. There is a lot of foils in the form of rivals to the pianist in Your Lie in April attempting to fill in the slot he left behind by abandoning the piano all those years. Yet ultimately they perform to remind him of his passion for the piano. It all ends up feeling like filler on the way to reaching the conclusion, in which the same is true for a lot of the shenanigans that happen in headspace in Omori. It inevitably gets there, but it's certainly a bumpy road to the grand finale.

Sakusei Byoutou, aka. Semen Extraction Ward is about nurses who wring a guy's nuts dry cause he has a condition where he generates too much cum. He can't masturbate since he broke his hand, and the nurse in charge absolutely hates his fucking guts because of it. That being said, this is a pretty good setup for a femdom fetish.

It's quite refreshing to see the deviation of the warm-caring nurse trope play out in this way. It's a different way approach to portraying unwilling sex without relying on the overused rape and blackmail mechanisms. Sure, it might seem strange for someone who absolutely despises you ... to take the lead in sex without a significant motivator for it, but it makes sense in this context since it's her job. She has a duty to take care of him, but his patient care is literally making his ding dong go pew pew. It's preposterous and our nurse makes it very clear she didn't sign up for this.

Story is pretty straightforward and has generally same vibe as the game and manga it is derived from. The first episode covers the entirety of the Nurse Tachibana arc, the one who absolutely hates our little MC boy's guts. Though it takes a couple shortcuts that dramatically undercuts the hatred this nurse has.

If the manga version is 10/10 hatred, this hentai is only 6/10 hatred. The main difference being the unawareness of his condition in the manga, so Tachibana was forced into this with a strong, "I don't get paid enough for this," vibe. So, all the times where he's egging her on about greater stimulation, she gets even more irritated at this fact. That doesn't translate quite well to the hentai cause of the general awareness. The fact of the matter is this kid is getting laid and doesn't even appreciate it, even though the nurse is doing all of this unwillingly. Makes it very easy to hate the guy and feel for the nurse which makes her scathing remarks satisfying to see.

One good thing about this though is that it actually covers the entirety of the Tachibana arc. They could have easily spread it out to two episodes, but they managed to wrap it up neatly in a single one.

Unfortunately, as unique as this theme is, this is very clearly a low budget hentai. Soundtrack sounds like some alien shit at times and the art is muddy with all the large pastel splotches for coloring. Sex is also pretty basic until the very end where Tachibana goes full Amazon and plunges some kind of prostate sex toy into his ass. If you want to see some femdom rape-y vibes without actual rape, this is worth checking out if only for its approach to the matter.

A vanilla that starts off with a straight shota. Girls Rush is a simple, delicate hentai with bishounen MCs. There isn't a central theme to the story or the characters, so the only similarity between the two episodes is the art style and the vanilla. Yet the art-style is pristine enough to merit discussion on its own.

The characters are silky-smooth and polished in a way very reminiscent to Rent-a-Girlfriend, except the difference is the male MC is very well polished as well. Coincidentally, the first episode dives into a topic similar to Rent-a-Girlfriend where the male MC rents himself out to a "sugar sister."

That aside, ... there is a greater emphasis on foreplay, mainly focusing on breast contact. The animation itself is standard, that being a basic loop with some camera panning. Though every time there is sexual contact that isn't dick in the pussy, it gives a close-up animation of the breast fondling, the ear-nibbling, the fingering, their facial reactions, etc. You even get some chances to see bishounen boy's reactions, which seems increasingly rare nowadays with all the ugly bastards and faceless MCs.

Combined with the divine aura that sometimes envelops the characters at times, this basic hentai elevates itself to high class. If Rent-a-Girlfriend was a hentai and had a sexy male MC, you get a hentai that Girls Rush in where Ugly Bastards fear to tread. ( ͡° ͜ʖ ͡°)

Imouto Paradise? More like Immaculate Paradise. This second iteration single-handedly the best iteration of the Imouto Paradise series. Its animation-to-theme matches far more closely than the Imouto Paradise 1, the animation far outstrips the animation quality of the Eroge, and even Imouto Paradise 3 is far more rigid than Imouto Paradise 2. I will only be making a review on this, because it far outstrips the rest of its franchise thus far.

Before I begin, something important to note about this franchise are the characters being an incestual family. While that might seem obvious at first, what is more important to note is that it has ... multiple generations. The MC of Imouto Paradise 1 is Souichirou Nanase. Souichirou has sex with all of his sisters as seen in the hentai, but they all come to have kids. Those kids are the second generation where Keichii Nanase is the MC along with all of his half-sisters which are the daughters of Souichirou. Then Keichii has sex with all of his half-sisters which leads to the third generation where Yuuichi Nanase is the MC with all of his half-sisters being the daughters of Keichii.

It's integrated incest. ( ͡° ͜ʖ ͡°)

Imouto Paradise! 2 is based on the second eroge of the franchise: Imouto Paradise! 2 ~Onii-chan to Go nin no Imouto no Motto! Ecchi Shimakuri na Mainichi~ Yet in terms of anime, it follows a completely different animation and artstyle. In fact every single work in this franchise uses different artwork and animation. There is absolutely no consistency in this franchise, so don't dive into this expecting that.

As aforementioned, the main focus of this iteration is making the characters feel immaculate. While the art style does not take any special liberties on that front, the animation makes sure to introduce many reaction scenes to breathe more life into the sex scenes. That said though, the art does far outstrip the artwork in Imouto Paradise! 1.

Imouto Paradise! 1 can be summarized as a completele mismatch of style. It's like putting spaghetti on ice cream. Just cause the powerfucking style that Murakami Teruaki is known for in hentai like Taimanin Asagi has good dynamics, doesn't justify the painfully pastel color pallete and woozy camerawork that tries to get you to ignore god awful scenes like the egg-yolk licking scene. The Imouto Paradise eroge is a vanilla icecream hentai. Why the hell are you trying to put a hamburger patty in it with Imouto Paradise 1?

Imouto Paradise! 3 takes a nosedive in animation quality and has subpar art. The only thing the third iteration has is its linework, which is a shame because linework does little to making characters sexy. It reaches a level where even the animations in the Eroge, Imouto Paradise! 3 ~Onii-chan to Go nin no Imouto no Sugoku! Ecchi Shimakuri na Mainichi~, supercede the animations in the actual hentai. It also drops the reaction scenes which makes the hentai feel a lot more rigid with little to negative improvement to the quality of the art.

Imouto Paradise! 2 may have limited it's characters to only 2 out of the 5 half-sisters. However, their absolute dedication to making these two characters as lively as possible makes it leaps and bounds greater than the rest of the franchise. It is the only hentai in this franchise that is actually higher quality than its respective Eroge.

This is about one of the most self explanatory hentai in existence: an Isekai Harem Story. The entire logic of the story being that this perverted hero's semen is actually a power boost. So a party of adventuring women constantly have sex with him before battle to be strong enough to win.

The story is so simple and low effort, that it is comical how bad it is. The characters are also as no-dimensional copy-paste personality as it gets. So where is the charm in this hentai if not in the story's premise? Obviously, it's the sex.

There is so much sex in this show that it ... is brimming with sex scenes. Yet I would not even say this hentai takes a "Quantity over Quality" approach to their scenes. Rather they take the "Quantity IS Quality" approach.

You can clearly see the shift in priority in sex scenes in this hentai with how low quality the art and scenarios of mundane story scenes are. Yet when it shifts over to the sex, it is brought back up to about the level of Mankitsu Happening grade art and animation.

When you see it's a harem, you obviously think "group sex." Yet when you watch it, you quickly see that's only one of the many different elements of the sex scenes. Even the group sex tag could be broken down greatly. To list some elements:

- Breast press
- Four-some blowjob
- Anal fingering (even on the male MC)
- Creampie Pussy fingering
- Bathing Breast washing
- Triple Paizuri
- Group Prone Bone
- Group Mating Press
- Stacked Totem Prone Bone
- Kissing threesome

All of that isn't even mentioning the solo sex scenes in here. What is worth mentioning though is that there isn't ugly bastard, flat-chest, nor BDSM elements in here. Due the premise of this show, NTR isn't anywhere in sight either. It stays strictly vanilla so if you were expecting these elements, you'd best look elsewhere.

All-in-all this hentai is so condensed with good sex scenes that I can't complain. I respect their obvious priority toward the sex since that's pretty much the identity of a hentai and it is quite impressive that they managed to throw so many scenes in while maintaining quality. Isekai Harem Monogatari truly shows that quantity is quality.

The only thing happy about this show is the cat named Happy. Aside from that are my eternally glazed over eyes from the "power of friendship." Fairy Tail has a boring and cliched mess of a story. The only acceptable part of this show is how diverse the cast is and their effort in making everyone relevant.

Fairy Tail starts you off with a blonde bitch who stumbles upon spiky haired anime protagonist. From there blonde bitch is welcomed to the guild named after the show. As far as the plot goes, this is where the story starts, and where it ends.

The issue with the story ... is that it is too aimless. It's less about moving toward one sole objective, and more about exploring what already exists. So the guild members just do their aimless shenanigans and you learn more about them through it. The story is driven this way, but it isn't too compelling. It just exists.

The music is fair, gets you kinda hyped. Not when it plays for 200 times. It's unfortunately overused and the hype dies out real quick. The art is ok, I'd say above average. What sucks is the animation.

Everyone takes this stiff stance before they do anything. You know, got to shout the name of their power move. Then it follows with a jarringly different style special effects, e.g. the fire breath, water spells. In general, the animation is far more stiff than you'd expect it to be in a battle. The only real, redeeming part of this show is the fact that they put effort in exploring all the characters.

There is an enormous cast of seemingly random characters, but somehow they all find a way to be relevant in the end. That's because about 100% of the time, this anime is exploring yet another character. As such, the characters are a lot more rounded than you'd find in other anime. You get to know a lot about the secondary characters simply because they devote an exorbitant amount of time on them.

I would go as far as to say that if there is anything to like about Fairy Tail, it is the investment in characters. Not character development, but characters. There is still a wide divide between the main characters and the secondary in regards to how much they change, but you at least know every character, their personality, and their life story.

Unfortunately, since they spend so much time on these guys, the pace ends up being ridiculously dragged out. That's perhaps the most exhausting part about this show. Then again, if you really are interested in these characters, then this show might just be Fairy Tail for you.