Shinseiki Evangelion Movie: Air/Magokoro wo, Kimi ni

Visually compelling and very thought provoking sequel movies to highly popular (and deservedly so) TV anime that changed their stereotypical genre (magical girl for Madoka and mecha for Evangelion). Both have endings that will blow your mind. In fact, the entire movie will blow your mind. 

Psychological movies, that are a sequel to a deconstruction anime, which rewrite the main series end. 

Hangyaku no Monogatari parallels End of Evangelion in a number of significant ways and it's not just the fact that they are both high-budget sequels to successful franchises that are notorious for playing with the conventions of venerable genres of anime. As expected, the each of two films features top-notch production values, but they additionally both use much of their generous budgets in service of their shared affinity for visual experimentation. However, as the Madoka Magica franchise is already known for its use of unconventional animation techniques, Hangyaku no Monogatari ends up being decidedly more experimental than End of Evangelion with regards to the way that it presents itself. While Gekidan Inu Curry's involvement in the previous installations of the Madoka Magica franchise was mostly limited to scenes in which witches were involved, their signature style is seemingly omnipresent in this film. In other words, many viewers will see this as the most SHAFT that SHAFT has ever gone. The series' signature form of heavily stylized mahou shoujo combat is also the at the best it's ever been. no doubt due to the increased budget. Similarly, with its acclaimed organic mecha design on full display, End of Evangelion features what is arguably the most well executed straight up mecha brawling in anime. Extremely well animated action sequences is not all that it has to offer in terms of visuals, however, and it takes the Neon Genesis Evangelion television series' fondness for symbolism even further with its infamous giant Reis, vulvae that Georgia O'Keeffe would be proud of, and, of course, crosses—can't forget the crosses. The two differing philosophies of visual representation here are the insertion of traditional mahou shoujo elements into the context of expressionistic experimentation versus a uniquely sleek and allegory-laden reinterpretation of the sci-fi mecha aesthetic. Furthermore, each of the two films takes a somewhat different approach to storytelling relative to its respective predeccessor (and relative to each other, of course). As in the television series, hints are scattered throughout Hangyaku no Monogatari while the full scope of the plot is withheld. However, as the television series was already a visually-driven work by nature, the shift toward an even more theatrical and expressionistic style of presentation has a profound effect on the way that the narrative elements of the film are conveyed to the viewer. Not only has choreography become a major motif that subverts the linearity of the pacing, but the ubiquity Inu Curry's influence establishes surrealism as the norm—we are told that, once again, the rules have changed. As a result, Hangyaku no Monogatari has the potential to be a bit less accessible than its predcessor, as the reaction of some early viewers is already starting to reveal. In contrast, the ending given by End of Evangelion is considered by most to be much more accessible than the television ending. The film doesn't dip too often into the highly minimal and abstract style of the later television episodes and even if it is less than straightfoward at times and features quirks like an eight minute musical interlude (which is totally awesome, by the way), End of Evangelion is in most respects a distinctly more conventional and conclusive rendition of the events of Third Impact. As a result, it finds overwhelcming acceptance among the large portion of the fanbase that finds the original television ending to be dissatisfying. Finally, certain choices made in both films can elicit very polarized reactions from viewers and especially from fans. Why that is, I'll leave to you to watch and find out. read more 

First, NGE and Madoka are very similar series, and I have to recommend sticking it out and watching both. They have very similar archetypes, plot/character development, and have a wonderful series of darker twists and turns that keep them from becoming "kiddie" anime. Besides the fact that "End of EVA" rewrites the ending of NGE and "Rebellion" continues Madoka, I would say they share many of the same positives. Action: Check. Rebellion has some of the best action sequences in the series, in all of the right ways. The fights give you exactly what you wish there was more of in the other works, and there are some fantastic uses of powers that I really found impressive. End of EVA naturally keeps up with the high-action themes of its series as well. There are some very intense EVA fights that will totally keep you on your toes, but it's important to note that there are also a lot of sequences involving the characters without the use of an EVA. The feels? Check Rebellion. I can't really even go into it too much without giving away too much, but I will just say that there are MANY places where I had a lump in my throat because of both joy and sadness. This film was an emotional roller coaster, and I enjoyed every minute, even the ending. End of Evangelion definitely hits hard in some places, but it often times made you cringe as you watched horrible things happen to characters you love. There were definitely some really sad moments, but it feels a lot more distant as opposed to Rebellion's smooth changes backed by fantastic BGM choices. WTF Factor: Check (Ok, more of a psychological twisty-turny factor, but I wanted a short phrase) Rebellion. Again, wow, Rebellion has two giant twists, with a smattering of smaller turns that keep it engaging. The first twist comes at you slowly, allowing you to take in information with a detective, but it also lets you see into Homura's character a lot more, letting you get to know her better. Rebellion uses its smooth storytelling with some choppy/surreal artwork to keep its dark themes. End of Evangelion, honestly, is the exact opposite in this respect. It has some darker themes, a few twists, but overall it just throws the characters' mental anguish in your face full force. The artwork is all very bright and everything is so much more visceral than in rebellion. End of EVA doesn't care about leading you to conclusions; things happen, and there is nothing you can do about it. Contrasting thoughts: Personally, I put Rebellion over End of Evangelion, as it seems to keep with the underlying mood of the show better and gives the viewers smoother transitions. Yes, the ending was a real ... interesting way to take it, but after thinking about it enough, I think I can justify it. End of Evangelion just seemed like it was a rushed way of pleasing fans that tried to keep the emotional/psychological impact that the original series had. It was good, but Rebellion puts a better capstone on Madoka than End of EVA does NGE. read more 

there's a moment when your feelings beat your heart decisions , this moment a chaos will happen, revive your brain control or let your feelings complete the havoc .. this is the final moral of both of these movies 

End with Rebellion are the ending films for dark/psychological series. Both are meant to shock, provoke thoughts and leave you with state similar to hangover. Last phases of both films are full of power and epicness.  

No denying, both movies will leave you with a sense of awe after having seen their respective shows. Not for the faint of heart and a very similar final act to the final act of this movie. Watch Neon Genesis Evangelion first.  

Both movies have exceedingly dark tones, and contain 'Mind-fuckery' moments in them, with controversial endings to both titles. Both are direct sequels to the series they are based upon. 

Both anime show the epic conclusions of their respective sagas. Both anime have apocalyptic elements, surreal imagery, dark plot twists and dream-like sequences. Overall, both anime convey a similar vibe and atmosphere. 

Both movies are meant to offer a conclusion to their own series. They are mind-blowing, very very very weird at some points and they both mess with the order of the universe. Madoka Magica is easier to understand than The end of Evangelion, though. If you're looking for an unusual experience, check them out! 

Happy ending are for chums. Watch these if you're into loosing a piece of your soul and would like to start questioning your very existence. 

-Both are made to complete their former series -Both are filled with psychological events and are hard to understand sometimes -Both involve a new fate for the main characters that was different in the main series 

Alternate conclusions to their respective series that take drastically different approaches from the original endings. Worth watching, even if you ultimately prefer one version over the other. 

Both are alternate conclusions to their respective TV series. Both have tragic tones and hopeful finales. Neither of them should be experienced without having watched their respective TV series. 

Both are movies with alternate conclusions to their respective series that take drastically different approaches compared to the original TV series. 

Both high-budget movies serve as the finale to extremely dark, genre-altering subversive anime original shows. Thematically these movies are very similar, however, End of Evangelion and Rebellion end up in similar yet opposite places. Without going into spoiler territory, these movies are about loving your self essentially, but in Rebellion, the characters don't reach this conclusion and you get to see the consequences, as if Shinji was the perpetrator of the events that take place in The End of Evangelion. They both are deeply complex and have confusing plot lines that converge to a major mind-blowing climax to twist everything previously established by its predecessor, combined with dazzling experimental visuals in an apocalyptic thriller. They also completely rewrite the original ending of their predecessor all while displaying great action sequences and philosophical yet chaotic plot twists.  read more 

moe evangelion where everything is just as confusing and the ending is just as ambiguous 

Madoka Magica 3 and The End of Evangelion are both movies that further develop their respective series' religious and philosophical concepts by turning up their intensities to absurd levels. These series live and die by their symbology and require whoever is watching them to internalize and introspect on what they've seen to understand what's happening. Additionally, these anime movies challenge the viewers' perspective on what they think is happening. They will mess with you once you get too confident in your belief/understanding of them. In a way, they're animes about "thinking about thinking." They will subject you to traumatizing situations as an inspiration to further introspect how you'd handle the situation. Both are not for sensitive individuals. Lastly, both these anime movies double down and focus heavily on existential philosophy paired with gnostic religious undertones, especially regarding the concept of alchemy. read more 

Very similar show with themes of angels and the end of the world. One of the final scenes in DEVILMAN Crybaby might have even been a nod to this movie. Bloody monster fights and psychedelic, philosophical questioning of life and the self. 

Where do I even begin, Eva's influence is undeniably quite prominent throughout Yuasa's new adaptation of the original Devilman manga series; Devilman: Crybaby. Both rely heavily on religious motifs and themes to drive the plot forward and adamantly refuse to shy away from the darker side to the themes that they put forth. Long story short; if you can handle Eva's overt usage of sex and death as well as its soul-crushing bleakness, then Devilman is likely to be an all-around worthwhile experience that will leave you feeling awfully grateful for your continued existence as a blissfully ignorant mortal. And vice versa. 

Both have a sense of philosophical storytelling in it and of course an especially big focus on the ultra violence to to help spice the story up. 

Hideaki Anno was influenced by Go Nagai and wanted an ending similar to that of Devilman in End of Evangelion. These two anime have a similar dark and gritty tone to them as they both have characters being killed off during the end of the world and religious symbolism. Not to mention they both have good amount of disturbing moments.  

Messed-up characters and surprising plot twists. Towards the end you can really see the influence the original Devilman had on End of Evangelion. 

The End of Evangelion was heavily influenced by 1972's manga Devilman. Hideaki Anno and Yoshiyuki Sadamoto wanted to have a similar ending. If you liked The End of Evangelion, you'll find the same painful feeling in Devilman: Crybaby. Both have mentally unstable, weak main characters, that have to save the Earth. 

Similar in 'storytelling' fashion. Although they are different themed the basis and catharsis feeling is the same. 

They both are great and well animated 

Well first off Evangelion was inspired by Devilman. Both use sex to convey messages. The ending scene is extremely similar. They are both insane.  

The End of Evangelion and Devilman are animes that focus on an interpretation of gnostic religious texts along with the Christian/Jewish concept of the rapture; therefore, they share many similarities within the context of symbolism, philosophy and artistic direction. These animes are perfect for theology and philosophy students, especially those who study psychoanalysis and psychoanalytic theory. Additionally, Devilman and End of Evangelion are character studies of how flawed characters and people would react to a biblical style of an end-of-the-world scenario. The main difference is that The End of Evangelion focuses more on the internal struggle, while Devilman Crybaby focuses on the external struggle.  

Both movies explore the depths of the psychologically disturbed characters and are abstract in their own unique ways. A lot of thought is required in order to piece together what had happened. There is also plenty of action and gore in each to top it all off. 

If you have seen at least one of them and you like a weird, unique, trippy, fascinating, WTF-experience then this is likely for you. (If you didn't watch Neon Genesis Evangelion: The End of Evangelion yet, then of course you should watch the original series: Neon Genesis Evangelion first.)  

If you like the mindfuck apocalypse in one of them, you might like the mindfuck apocalypse in the other.  

both are old (no offense), both get downright mentally insane in the 2nd half, both are really good, and both have an all-powerful being (Ava unit 1 among other things in the end of Evangelion, and Akira) 

the movie has that same level for gruesome and wholesome of art style, story telling, and many more that will leave you speechless and amazed by it after watching it. both show has the same level of pop culture and a classic in the anime wolrd 

The End of Evangelion and Akira are both sci-fi animes from the 90's, which leads them to have a similar esthetics. They include violence, and ultradimensional creatures. ------------------------------------------------------------------------------------------------------------- The End of Evangelion e Akira tem estéticas parecidas, são dois animes de ficção científica dos anos 90. Os dois incluem violência e formas ultradimensionais, como os EVA'S em evangelion.  

If you enjoyed the eerie elements of Akira, then you are for sure going to enjoy Evangelion, especially End of Eva. Both these movies (or the Eva series) follow supernatural events that shape the daily lives of the protagonists. These otherworldly events force the government to take action, which results in lots of explosions and destruction. However, military action is all futile when you are up against an uncontrollable, omnipotent deity.  

Both have Avant-Garde mind bending endings and incredible OSTs. 

A large part of Evangelion was inspired by Ideon to the point where it can be said that Ideon was the Evangelion of the 1980s that unfortunately never received the popularity or staying power of the latter. 

Ideon and Evangelion share many similarities, the least of which is a similar troubled production schedule involving low raiting, decreasing budgets, an ending that due to said production troubles wasn't entirely according to plan, and a theatrical revival due to fan demand consisting of both a remastered recap movie and the originally intended apocalyptic finale. Ideon and Evangelion share many themes and concepts, and the ultimate finale for both look beautiful and still deeply resonate with the hearts of many to this day. If you liked one, you'll be sure to like the other as ell. Just make sure to watch the respective series for maximum effectiveness and impact, or failing that at least the corresponding theatrical compilation movies. read more 

Hideaki Anno admitted to being inspired by Yoshiyuki Tomino's film. The crude and depressive atmospheres, the apocalyptic finale and visual metaphors pay homage to one of the best products of the 80s. 

Space Runaway Ideon is one of the anime that inspired Hideaki Anno's Evangelion, and they both deal with similar themes. Both are dark and gritty science fiction anime, featuring destructive mecha and apocalyptic elements. 

Neon Genesis Evangelion director Hideaki Anno has often cited Yoshiyuki Tomino's Space Runaway Ideon as one of his biggest and most important influences. Anno's directorial style is very similar to Tomino's style, with an overall very cinematic feel in their works, similar camera angles, and a very similar, clear, and often realistic scene presentations. Just like its predecessor (The Ideon: Be Invoked), The End of Evangelion is a dark and bloody film filled with plenty of deaths, and strong feelings of hatred and desperation, and in the end, everybody dies (or turns into orange juice, in Eva's case) in both films. Their endings, however, have some light and hope shining through. If you wanna watch something filled with deep, philosophical meaning and plenty of bizarre, mindscrew-ish imagery, then go ahead and watch either one of these movies, both of which I regard as masterpieces. Please don't forget to watch Neon Genesis Evangelion before The End of Evangelion and Space Runaway Ideon before The Ideon: Be Invoked. They both have their own respective compilation films, but neither one of them is a good replacement for the original TV series. read more 

Both are overwhelming in symbolism, both have to do with the main character changing fate and their current world. While one is shounen and bitter, and the other is shoujo and hopeful, both are allegoric and offer post-modern taste. Basically same reason why those who like Evangelion the tv series should take a gander at Revolutionary Girl Utena 

Both films are massively symbolic and best appreciated by viewers who enjoy analyzing the movies' literal and metaphorical meanings. Each movie is beautifully animated in such a way that it is almost a work of art: intended to be viewed multiple times, watched with a careful eye, and open to various interpretations. Their stories also approach the concepts of an "apocalypse" -- the end & renewal of the physical world, and that of the heroes' psyches. Truly fascinating films for more intellectual anime fans. 

Movies driven by the characters and their inner psychological struggles, using visuals to convey those and with heavy usage of metaphors, surreal scenery and mindfuckery. Both also look absolutely gorgeous and have aged really well. 

- Both films have very powerful, beautiful, creative and poignant art direction, composition and imagery. - Both films leave a LOT to interpretation and can be pretty confusing if you're trying to figure out the basic narrative. - Both films, in my opinion, require you to have seen the previous TV series to be able to fully enjoy them. - Both films have fighting elements using human-powered mechanics i.e. mechas in NGE: EoE and Cars in SKU: AM - Both films have similar vibes and themes in that they both involve psychological exploration of trauma and coming of age. - Both films are masterpieces. 

These films explore the psychological struggles of their characters, employing breathtaking visuals to portray inner turmoil and surreal landscapes. Embracing heavy metaphors and mind-bending storytelling, they have multifaceted narratives that demand thoughtful analysis and benefit from multiple viewings. In order to have a general understanding of what's going on, you need to watch the Utena series before the movie. 

If there is anything to connect specifically the EoE movie with Perfect Blue, it simply is the trippy presentation it holds. You will find yourself at the end of it all thinking, "what is this thing my eyes just allowed me to see". A good trippy experience.  

If you want another movie that absolutely stuns you physically and mentally from the harmony of brilliant direction, artwork, music design, and a mind**** plot, then 'Perfect Blue' is the perfect cousin to 'Neon Genesis: The End of Evangelion'. 

Both are disturbing and psychological which are confusing if not enough attention is given to it. Probably will take further research after watching both. 

Both are movies in which depict the event after the TV series. The concept of both movies are pretty similar IMO, in which our dandere took a central role here in the relations with the male protagonist, and the male protagonist decision was also similar. It's just that End of Evangelion has some actions and also depicts what happened on Shinji mouth, while The Disappearance of Haruhi Suzumiya showed us more to the what happened on the given lifeline and how the protagonist act on that lifeline. 

In these movies the quiet main female from each story gives the main character a choice that determines the type of world they consider for themselves and as a result the main character goes through a phase of psychological conflict to accept their own decision. They're almost exactly the same in that way 

Both films have many subversive and psychological elements to the presentation. There's also an underlying religious theme within both. Angel's Egg has more of a gothic style to it, however... while End of Eva has more of a traditional 90's art style. 

Both feature a young, shy, possibly mentally ill, yet deeply flawed protagonist who is desperate for connection with others. Due to circumstances beyond their control involving advanced technology, they end up having to make choices affecting the fate of themselves and many others, and struggle with the selfish choice versus the morally correct choice. Both works have a reputation of being excessively confusing but make sense when you realize it's the ideas that matter, not a literal interpretation of what exactly happened on-screen. 

I saw someone else compare it to this, and I can kinda get behind it. Due to production issues in both, the endings of the actual shows (Neon Genesis Evangelion and Wolf's Rain) were not well-received and were generally unsatisfactory. For NGE, it was budget problems, network censorship, and time constraints. For Wolf's Rain, it was the SARS outbreak of 2003 in Asia that dug its fangs (pun intended, haha!) into the production of the show. However, End of Evangelion and Wolf's Rain OVA came along and saved the day, delivering a far stronger ending than the originals could. Some may disagree, but I think fans of the respective series were glad they got them. read more 

If you want to be confused, don’t hold yourself back from these clusterfucks. 

Both serve as a conclusion to their respective series that deconstructs the tropes of their main genre. Both are messy, convoluted, and weird in a way that makes the story better or for the worse. 

End of Evangelion and Attack on Titan Final Chapters both deliver intense and thought-provoking experiences that fans of one are likely to appreciate in the other. You are in for an emotional rollercoaster if you are captivated by their despair-filled narrative and post-apocalyptic struggles. 

one movie is a different remake of the other however there are a lot of narrative points which intertwine with each other. it is essential to have watched the end of evangelion before watching the new ending which takes on another approach. :)