“Sleep and wake and eat and move” - Yuu

Apocalyptic stories in anime come in many forms and serve a variety of purposes. Many times the setting allows for action scenes and having a hero come into their own, something like Attack on Titan or High School of the Dead. Others take the situation in slightly different ways, more contemplative ways, series like Casshern Sins or Neon Genesis Evangelion as examples. Shoujo Shuumatsu Ryokou takes an alternative route of using an apocalypse for object lessons on a variety of topics.

The story of Shoujo Shuumatsu Ryokou isn't so much about an overarching plot as the chapter to chapter encounters and experiences of the main leads, Yuu and Chii. The only connecting element of the series is the girls’ constant movement upward and need for supplies. Their stops along the way result in a wide variety of thought-provoking situations from odd encounters found throughout the crumbling city them are in.

Many of these situations take a look at modern society and norms from a future that has forgotten the reason for some inventions: the amazing marvel of technology that is the camera, why humans take pictures at all, and what happens when those pictures are either lost or outlive their subjects as a single example. Other stops focus on the nature of living and what one does when the world and time as we know it has ended. These ideas and their underlying themes make up the true appeal of the series and form the major reason for reading it at all. Each chapter works through a new idea, not offering an answer for the questions the series raises but instead gives that reader a chance to consider things they might take for granted or as a normal, and whether that mundanity is really something to appreciate

The art of this manga skillfully plays into the messages and themes of the story, drifting between believably run down and apocalyptic buildings to slightly fantastical or constructions out of science fictions story. The art, whether meant to be literal illustrations of the dilapidated world surrounding the girls or showing how they see their world as a mysterious,vaguely foreboding landscape pairs well with the readers lack of knowledge of the world, being shown only what the main characters see. Every location that Yuu and Chii visit contains broken constructs, hints about the activities and purpose of each area, and creates a wonderful atmosphere of a once mighty and thriving world now breathing its last.

Especially effective are the vaguely ominous and foreboding backgrounds, hinting at world that fell to ruin and only continues down the path of entropy. The final few chapters especially point to how little remains of the human world and how broken it is without upkeep and inhabitants. Watching Chii and Yuu traverse this vast and varied landscape is another major selling point for the series, as it is a masterful example of a story without words, giving information through interpretation and implication rather than outright explanation.

Shoujo Shuumatsu Ryokou is a masterfully crafted trek through a dying world, contemplating the very reason for living and being, seen through the eyes of two girls who make do with whatever they have. While perhaps a slow boil, Shoujo Shuumatsu Ryokou is a unique collection of ideas wrapped in a deceptively simple yet deeply intriguing world.

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What do you do when you’re most likely the last two human beings in a world that’s already ended? You keep moving, of course. Girls' Last Tour is a survival story where there are no final destination. As they drive their old Kettenkrad to scavenge for supplies then talk about whatever comes to mind—from questioning their very existence or on why people wage wars to whose turn is it to do the laundry.

The world of Girls' Last Tour is haunting yet serene. Its background art is magnificent and filled with raw details, truly bringing the desolate wasteland that is their home to life. There are so many small joys to be found within their world like learning all about its past history, technology, culture, as well as the potential reasons for their world to exist as it does. Tsukumizu's unique art style, squishy designs, and memorable characters really blended well with it's poignant philosophy that hits all the right spots—especially if you're a reflective kind of person.

Chi and Yuu's dynamic as a pair is the greatest strength of this manga. Majority of the funny moments come from them having to deal with one another. The two almost feel like sisters; they bicker then make up a moment later, ultimately their love for one another shines through. They have a very wonderful chemistry and their philosophical banters never feel unnatural. The story thrives by treating the two as a combo, with them being an interesting survival duo where one makes up for the other’s weaknesses, they pull each other through bit by bit that it’s heartwarming to see them continually bond together as survivors-in-arms.

All they had left in this world are each other's companionship and that human connection is more precious than anything. Their journey through life is a memorable one and they enjoyed it to the fullest extent without being weighed down by regrets. All while having lost every worldly possession and the shred of hope for the future they might've had. The moral lesson they taught us here, is that the best things in life are experiences and connections and not the mere possession of materialistic things.

If we could all live the way Chi and Yuu live, then the eventual end of our lives, the humanity, the Earth, and the universe wouldn't matter. The world around them has ended, but Chi and Yuu's lives certainly have not. It's tragic yet beautiful.

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