The fact that this is a POV anime seems to be enough to send most people running. If it calms you down, you should know that it is not entirely done in POV. It's more of a hybrid of alternative views (when POV wouldn't make sense) and actual POV (when it's important). The anime itself is pretty smart about moving from one to the other in a way that isn't distracting or unnatural.
The character designs are cute, and the scenarios are deliberately made to be heartwarming or emotionally engaging on some level. Dialogue is meant to be pseudo-interactive, in that you don't hear the MCs response (it's you) but the conversation obviously progresses in a way that completely ignores whatever you shout at the screen. Effectively creating two 'yous'. In this way it's possible to try to reverse engineer the conversation based on the reactions the girls have to 'your' answer. People need to realize that 'cringing' at this is their fault and that there are others out there who can separate reality from fiction. When watching this anime it's important to remember that worrying about not looking lonely on the internet is a fool's errand.
Judging One Room for what is, is very simple. It's a short, relaxing and comfy look at the progress of three relationships that take place inside one room. The prevailing theme is that with these relationships comes growth and stability, both emotional and situational. It's interesting to note that (you) help out the girls in two of the three stories. The odd story out involves some tough love from your imouto. I think it should be obvious as well, that the real point of this anime is to help foster those feelings in the real you. You know, the person sitting on the couch in the dark.
It shouldn't be a surprise to anyone that there is a demand for anime geared towards those who want some company or affection from 2D girls. The difference between the average 'escapist' show and this is that characters don't usually wait for (you) before they do something 'badass.'
We're all in this together people.
