As diverse as "Cowboy Bebop" was, it has nothing on the sheer schizophrenia of "Samurai Champloo", Watanabe's most recent effort. On the surface, it's a mixture of comedy and samurai epic about Japan in the mid 1600s. However, that doesn't do the series any more justice than calling "Cowboy Bebop" a space western.
One episode is a Shaolin Soccer-esque comedy about a baseball game. Another is a zombie horror story which doubles as an allegory for World War 2. The series presents historically accurate facts about the spread of Christianity in Japan side-by-side with rocket launchers, talks about Edo-style painting and Vincent Van Gogh in the same episode as punks with switchblades and green mohawks.
There are young street gangs painting graffiti, near-invincible blind warriors modeled upon Zaotichi, honorable samurai warriors, arrogant fashion designers, mid 17th century Japanese beat boxing rappers, and eating competitions.
Hip-hop and rap music is as prominent as traditional Japanese and Aina-style music.
Most directors attempting such a crazy mix would be met with failure and ridicule. However, Shinichiro Watanabe manages to succeed, and he does so thanks to several different elements;
1. Comedy- Samurai Champloo might well be the funniest anime series I've ever seen. Whether it be over-the-top action scenes, great situational comedy, or the absurdity of so many different elements in the same time period and place, there are certain moments in the series that will have one gasping for air.
2. A hard, brutal, uncompromising story- The above works especially well because of how gritty, bloody, and tragic the majority of the story is. Most of the characters die. There is rarely a happy ending. Even in the instances when the good guys "win", it's not clear whether they're better off than they were originally.
3. Misdirection- In every series or movie, a director can leave lots of minor hints and clues about what's going to happen. Most of the time they are fulfilled. In this series, though, Watanabe does the exact opposite of what one is expecting.
A small example of this is when an old man is giving one of the samurai protagonists, Jin, a lecture about going with the current to catch a fish. The man is clearly wise, the music becomes serious, and like lightning, his hands dart through the pristine, blue river. His hands rise above his head, clenched hard, golden in the light of the sun.
Suddenly, the record scratches, the man opens his hand, and it turns out there's no fish.
"Well, sometimes they get away, anyhow!" the man exclaims with a laugh.
There are dozens of such examples throughout the series. The ending is probably the best case of misdirection, being the complete opposite of what I expected.
4. Memorable characters- While the former pirate and violent vagrant Mugen is probably the star of the show, and the source of most of the laughs, he does not completely outshine straightman, and traditional, honorable samurai Jin, who is every bit as interesting of a character, and provides plenty laughs of his own. Even Fuu, the girl guiding them, isn't the typical annoying Japanese anime heroine, and is a great set-up and comedic foil for the two mismatched warriors.
This series is an absolute classic, my favorite anime ever.
