The second major problem is the main character. He is too unemotional and boring. His life goal is to create planes, but did we ever see him get upset when one of his designes didnt work, or really happy when it does?
Sure Japan has a more emotionless culture but at home when he is not under people there should have been at least a few scenes where we can see his frustration or joy. Nothing is seen from this character. He succeeds in so many parts that he as a character seems unrealisticly anyways( he is a genius plane designer, speaks multiple languages, is physically strong, etc). All characters around him have more emotion and feel more realisitc than this guy.
The art of the movie was fine, it was the usual ghibli style but I find unusual that many scenes seemed kinda weird, either out of propotion or unrealisitic stuff happens (like the earthquake).
The sounddesign was not so fine, the soundtrack itself was fine and the voiceacting as well, but often backgroundnoises were cut to such a minimum that the whole scene seemed unrealisitc. Its such a weird design choice.
So now I go into a few minor things that bug me about this movie. First of all, at the start of the movie the main character defends a young kid, which kinda tells you he has some sense of justice, which then later was completely contradicted by the fact that he builds warplanes. Sure I can understand him for just building plane for the purpose of building planes, but activley helping a nation that kills millions of people in war (an he should know that, I mean he hangs around foreingers all the time) is at least worthy of discussion. In my opinion they should have given his sister this sense of justice and SHE should have confronted him with this dilemma... he then defends himself and we understand him as a character better. The way it is, the main character hardly ever talks about his point of view or his opinion about MANY things going on around him, which is weird since the movie is a biography about the dude.
Second point: In the japanese version his wife yells "Nicu catchu" in the scene where he catches the umbrella. A very weird thing to say and it more reminds me of Japanese spoken in modern times than back then. Sure she has been around foreigners, but then she would have a better accent. Its just something I saw in no other movie depicting Japan before WW2, which is btw a lot.
Third and last point: the ending is very unfulfilling and weird. The dialoge spoken in most of the dream sequences is utterly idiotic and shallow but the ending takes the cake. They always speak about Japan blowing up, the millions of life it will cost isnt even worth wrapping your head around, it seems. Then the Italien says something like: "Why would the pilots want to come back from war anyways?"... I dont know, maybe to live their lifes? It seems like the dreamsequences wanted to be profound and symbolic but it came around as more shallow and idiotic in my opinion.
So in gerneral: This movie was terrible. If it wasn’t for the sudden inclusion of slice of life romance half way through and the idiotic ending I could have accepted it as a decent shallow movie about an emotionless character building planes. The movie would have been pretty boring for everyone not interested into planes or technology in general but it would have been a nice watch for me. Now the only thing that makes this movie watchable was the artstyle and maybe the premise, but you sure notice that the premise tricks you into such a flat storyline.
