Because of an oversight on my side, a new thread was made for this manga, while an existing one was already in place. Please find the old thread here.
For the sake of convenience, I'll re-post my earlier comment below.
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A manga starring an immortal originating in mediaeval Scotland. Anyone else expecting a bit of swordplay, shouts of 'There can be only one!' and a few outdated special effects?
I admit starting this manga expecting very little: The tags and description given it here on MAL would have one believe that this is one of those thirteen-a-dozen romance stories flirting with a few supernatural elements to spice things up. In effect, that is exactly what we get here: All the stories in the series are essentially simple stories of love and revenge, the gimmick being that most people populating the pages aren't exactly human, the graphics as usual mainly focusing on the characters taking on somewhat contrived poses while being somewhat removed from their backgrounds.
If, thematically, The Tarot Café isn't anything special, it manages to surprise and outdo the competition stylistically.
In contrast to most such series, the supernatural isn't so much blended with or imposed on the mundane world, but is shown as a world of its own. The legendary might be very real, but it hardly influences the world as a whole. This gives many of the tales a strikingly fairytale-like aspect, in turn allowing for the more outré elements to be perfectly acceptable within them. Moreover, most of the stories are kept very simple, with very little in the way of twisting and mulling, as is appropriate to fables.
What even more enhances the fairytale feel is the art, which flits through many different styles, giving the impression that some scenes must appear otherwordly to the characters themselves: Different historical art styles (mediaeval, Oriental, even Jugendstil) are used when appropriate and contrast sharply with the relatively standard shoujo-type drawings of the protagonists and the photorealistic images of many buildings and landscapes - which are often repeated a few times to mark space - and which all are kept remarkably empty of life.
Interesting, too, is the composition of the panels. Some of the grand appearances of characters, for instance, are presented in page-sized panels that employ a lot of horizontal symmetry, while such symmetry is also apparent over multiple panels at times. An interesting device used is to employ many small panels in a chessboard-pattern when drawing out discussions, each white-coloured one containing a drawing, each black-coloured one a text balloon. Through it all, though, in marked contrast to most shoujo books, the lay-out of the page remains remarkably clean and the order of the panels is always clear.
The Tarot Café is a very quick read - each book taking about 15 minutes to get through - which ensures that its failures aren't as grating as in most series. Certainly there are a few downsides: The overall story, as said, is in the end rather clichéd, the character designs are little better and the overall design style reeks at times too strongly of crowd-pleasing. A few remarks have been made in the comments on how it implicitly - and, rarely, explicitly - throws in a bit of boys' love, which is apparently done for no better reason than to reach a certain audience, at the same time probably turning off others.
Which is unfortunate, as here we have a manga that is quite original and an interesting experiment, if not so much in terms of content as in terms of style. It is easy to recommend it both to readers wanting a standard shoujo and to readers who are looking for a series that plays with its artistic styles.
All in all, to my own surprise, a 'Yes'. |