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Emotional Manipulation and Feeling Sad for Bad Characters.

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Apr 30, 2017 3:27 PM
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Sep 2011
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GamerUnglued said:
I've never really understood this idea. I feel literally nothing for a character if I am not attached to them, no matter how overdramatic the music, directing, and voice acting is. A shows goal is to manipulate our emotions regardless, but without emotional attachment to something a show can not possibly have control over how we feel. The more attached I am to a character the more I will feel for them. They must feel like multi-faceted, nuanced humans beyond just looking cute or sad, having a tropey personality, and being dramatic. That's why I felt literally nothing for the massively dramatic endings of Angel Beats, Grave of the Fireflies, and Tokyo Magnitude 8.0,.


^ This and also why I feel nothing for tragedy shows in general. If I either know the show's going to end tragically, or it seems inevitable (like the show beats it into your head that everything the characters do is pointless) then I can't get invested in it. It's like "Why bother if it's all doomed anyway?" And even if they pull some amazing mood whiplashing 180 to resolve everything in a way that's at least bittersweet, it feels hollow when the show spent most of its run dragging the viewer down and trying to make them feel for characters who exist only to suffer.
Apr 30, 2017 3:31 PM
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Dec 2015
600
15poundfish said:
Its because the music plays a huge part in making the viewer cry. Angel beats has a bad story but it has a great sound score that complements its tear jerker. You don't really need to know much about the character to cry for them. all it really takes is good music and good presentation. In the Movie Up, I definitely felt the feels in the montage scene at the start when I first watched the film.

This sequence is successful not because of the music though. It is incredibly well directed and shows us the entirety of those characters lives effectively. From the very first awkward meeting they have great chemistry, and the sequence of panning shots that show their unique family customs and lives outside of each other and the process of making a home do wonders to make them feel multifaceted. The characters react in ways that feel nuanced and human, like when they find they can't have a child. Not even mentioning that there is literally no dialogue here at all. The scene made those characters feel human and real just through a series of panning shots and nuanced character acting. That's why we feel things for them. It is not because the music is kind of sad and the characters act sad.
Apr 30, 2017 3:35 PM
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Dec 2015
600
RLinksoul said:
GamerUnglued said:
I've never really understood this idea. I feel literally nothing for a character if I am not attached to them, no matter how overdramatic the music, directing, and voice acting is. A shows goal is to manipulate our emotions regardless, but without emotional attachment to something a show can not possibly have control over how we feel. The more attached I am to a character the more I will feel for them. They must feel like multi-faceted, nuanced humans beyond just looking cute or sad, having a tropey personality, and being dramatic. That's why I felt literally nothing for the massively dramatic endings of Angel Beats, Grave of the Fireflies, and Tokyo Magnitude 8.0,.


^ This and also why I feel nothing for tragedy shows in general. If I either know the show's going to end tragically, or it seems inevitable (like the show beats it into your head that everything the characters do is pointless) then I can't get invested in it. It's like "Why bother if it's all doomed anyway?" And even if they pull some amazing mood whiplashing 180 to resolve everything in a way that's at least bittersweet, it feels hollow when the show spent most of its run dragging the viewer down and trying to make them feel for characters who exist only to suffer.
I actually feel that revealing tragedy beforehand can make a scene more emotionally effecting if done correctly. Sometimes the emotion comes from wanting to hold on to something that you know you can't have, but that's only effective if the show manages to get you attached to something to the level where you don't want to lose that thing. No amount of overwrought music and screaming alone will make me feel anything unless there is some level of attachment first.
Apr 30, 2017 3:43 PM

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Oct 2015
828
idk man, all i have to say is [gurren lagann spoilers] real men cry when kamina dies
"I came here to sniff Madoka panties and kick witch ass and I am all out 'doka panties" - Homora Akemi
May 1, 2017 2:03 AM

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May 2015
16468
15poundfish said:
TheBrainintheJar said:

You still some kind of character though. Part of what made this romance so affecting was the early scene, where we see they're two weirdos who find each other. In a way, this is a romance we all wish we could find.
The Up scene is a good example of presenting a tearjerker story in 4 minutes; many anime no matter how well written the characters and story accomplish the same effect using the same or other techniques. The point is you don't necessarily need context or a good story to make the viewer cry. Jun Maeda is good at making people cry but he sucks at writing good characters and stories which is why I gave angel beats an average score. The tear jerker moments in the anime are on point but the anime as a whole was boring, meaningless and unmemorable. That basically sums up my average experience with a KEY anime which is why I avoid them like a plague.


A lot of these tearjerker anime focus more on situation rather than characters. This little segment still develops characters, shows us their inner worlds.
WEAPONS - My blog, for reviews of music, anime, books, and other things
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