Hellsoldier said:NicoZeta said:Hellsoldier said:
And last but not least: There are great directors and scriptwriters today. There are great animators today. Great soundtrack composers today. Great shows overall, and yes, the Magical Girl genre needed a shake-up. I just wish that more cyberpunk and more down-to-Earth Yuri (Aoi Hana or Sasameki Koto) was around.
Great Director and Script Writers are already Endangered Species.
Masaaki Yuasa is the savior of modern anime, but he`s so lazy to make his next anime tv series.
Shinichiro Watanabe lost it`s charm after Mitchiko to Hatchin.
Kunihiko Ikuhara lost it`s charm after Penguindrum.
Hayao Miyazaki already quit.
Yoshiyuki Tomino is too old and can`t make his new mecha anime anymore.
Satoshi Kon, Ishiguro Noboru, Osamu Dezaki is already dead.
Izubuchi Yutaka is a lazy slacker and he has no idea which anime he`ll direct next.
Anno Hideaki is a slow-ass lazy director and his last rebuild of evangelion movie is in the works in a very slow pace.
Great Animators are working in overrated studio such as Kyoani and Ufotable.
Director and Script Writer in both Kyoani and Ufotable are Hack.
The Magical Girl genre anime is no longer aimed at little girls anymore, it`s aimed at unemployed horny otakus.
Cyberpunk is almost extinct and many japanese people aren`t interested in Cyberpunk genre.
About Yuri, Aoi Hana sounds Enlightening Coming of Age lesbian story.
Sasameki Koto sounds a bland forgettable romcom but with girls.
No thank you, i think i`m gonna watch Aoi Hana much later.
P.S.
Gen Urobuchi is a Hack Writer and he ripped-off Tomino`s writing style by making the characters robotic and pretentious at the same time.
Yuasa, I hear, takes a lot of roles within anime production, so I guess that spends a lot of energy. I haven't watch any of his works yet. But I hear nothing but great things from them so... I will pick them up.
As for Watanabe, I was engaged byZankyou no Terror... Albeit I was blown away when I watched Cowboy Bebop and the Knocking on Heaven's Door movie.
Never watched a Miyazaki work, though I have heard of his works. I will pick them up, eventually.
Tomino... What the HELL was G-Reco supposed to be anyways? And I liked the old-inspired animation. Made me think I could try out the old Gundam titles.
Paranoia Agent was my only Kon work thus far. It was spetacular. Dezaki directed Oniisama e..., didn't he? Ichigura... I only know Megazone 23.
Izubuchi... I love Rahxephon.
I think Anno broke down... again.
I actually like and love a few works from KyoAni, at least. I'll beg to differ there. But I respect your opinion.
To be fair, Madoka is not to blame for the ''seinenization'' of the Magical Genre. Nanoha was. And yes, I love Madoka. Unapologetically so. But no, not gonna trash people who disagree.
Well yeah, Ghost in the Shel SAC and Arise and Psycho-Pass are essentially 3 cyberpunk shows in a sea of anime these last 15 years. Yeah, it's a dying art.
Aoi Hana is wonderful. As for Sasameki Koto, it's essentially reviewed as a bit more comic but still earth-grounded. Albeit many just prefer the manga, since it goes into the final year of school and involves two girls accepting their relationship worthy and continuing it into adulthood. I'll admit that of these, I only watched Aoi Hana. As for Sasameki Koto, I read the manga reviews.
I accept your opinion on Urobuchi, but I gotta ask: Where do you see it? It is true Urobuchi loved Zeta Gundam as a child. But I actually see personalities in the works I watched (Madoka Magica and Psycho-Pass). Maybe you see something I don't... Or the other way around. Who knows?
with in the home market name one watanbae show that has had lasting impact im sorry i cannot do that and hes passiable skilled
while tomino created two of the most impactfull anime there are both witch are well witten them being gundam and ideon hes better story teller tha watanabe is