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Dec 13, 2010 4:23 AM
#1
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I think it is unnecessary to mentione their similarities.

IMO, SAO wins this, it managed to say everything Berserk is trying to say for over twenty years now.
Dec 13, 2010 4:42 AM
#2

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I can't seem to find any similarity, so maybe you should write a bit more specifically. What exactly do you mean?
I personally think SAO is full of manga/anime stereotypes and the story seems to be a bit plain. I felt no fascination while reading and did not see any type of major idea in it.
Dec 13, 2010 4:53 AM
#3

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1863
Good friend betrayal is in both of them.
Lonesome guy who goes around, then gets pally pals.

Personally I think SAO beats berserk by a mile. The only thing I've felt from berserk is the overwhelming revenge theme. It is a great manga, sure, but Muira has a rape fetish and is so misogynistic that it's unreal.
SAO on the other hand was just beautiful, ranging themes from redemption to betrayal. The characters were all a lot more likable too.
Dec 13, 2010 4:55 AM
#4

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Shin Angyo Onshi is one of the most annoying mangas I've ever read.

I had to make a thread about a character that was basically a culmination of everything that was wrong with the manga. It's just a cynical fan-pandering mess that could have been something interesting.

I may have lost the love for Berserk but it's still miles better than that other nonsense and I can't see many similarities other than typical story cliches.
"I'm starting to think mal is run by Xinil generating electricity on a bicycle." - idklol
Dec 13, 2010 5:06 AM
#5

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1863
You hated her because she didn't wear much clothing...
Personally I wasn't bothered by her lack of clothing, nor was I aroused, the shroud she wore covered her most of the time. She was the silent female guardian, badass, and one of the strongest most talented in the series, so it was nice to see that women weren't left weak and defenseless.

Though I did find it irritating that she'd leave Munsu if he became evil, but then left to be by the side of the antagonist of the series.
Dec 13, 2010 5:07 AM
#6

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I don't want to be the main villain in this thread, but SAO has this feminine air about it, too polished, I mean ever type of "fetish" is there. The badass smoking main character with broken heart, the 90% naked girl with badass powers. And most of it seems unnecessary. It was rushed and predictable, the villain never had this aura of being genius with deep philosophical ideology. The story is flat.
I don't know, to me SAO in comparison with Berserk, seems like a story that is targeted towards fragile minds =) I really don't mean to offend anyone.
Dec 13, 2010 5:11 AM
#7

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BakaKawaii said:
You hated her because she didn't wear much clothing...
Personally I wasn't bothered by her lack of clothing, nor was I aroused, the shroud she wore covered her most of the time. She was the silent female guardian, badass, and one of the strongest most talented in the series, so it was nice to see that women weren't left weak and defenseless.


I just think she told me all I needed to know about the authors' priorities. The story began in an interesting way but soon became boring. I love the Koreans' art style, but I really don't consider that manga 'seinen'.
"I'm starting to think mal is run by Xinil generating electricity on a bicycle." - idklol
Dec 13, 2010 5:12 AM
#8

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Yeah, Berserk could never be targeted towards fragile minds because every other chapter was filled with rape, beheading and disembowling, if you go in with a fragile mind you're pretty screwed.

Griffith had an aura of genuis and deep philosophical ideology, then? And what could be flatter than "kill, betrayal, rape, meh, kill rape, revenge! Kill, oooo fairies, rape"? I take that back, that's a roller coaster of emotions right there.

With SAO I felt there was an actual journey, actual relationships and deeper than a puddle of blood that is berserk.
Jan 4, 2011 5:11 AM
#9

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Jan 2011
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some people just can't see past the gore!
I droped SAO after 20 or so chapters, being totally unmoved and bored, so for me there is no comparing it :)
Jan 15, 2011 6:14 AM

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BakaKawaii said:
With SAO I felt there was an actual journey, actual relationships and deeper than a puddle of blood that is berserk.


No there wasn't....SAO felt like a shonen, high fantasy more than anything else....it felt cliched....and the main villain?....if I remember correctly.....where do you find a main villain that gives a hero something like a powerful pendant thing that could cause his downfall in the end....well obviously in SAO......

I'm not bashing the series or anything....but making this kind of thread is really pointless and stupid.....both series are good in their own respective way....making this thread only incites flame wars....

plus....Psadjak....stop making these kinds of threads....I was looking up on some of the threads and if I remember correctly....you made a thread entitled "Christ Berserk"....and yeah in that thread you were doing a lot of bashing on the series.....
so please stop.....
"In every age, in every place, the deeds of men remain the same."

Jan 18, 2011 3:46 PM

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There wasn't a journey? There weren't relationships? It may have been a long time since I've read it but I'm gonna have to disagree with you there. I'm really not sure how it could be aimed towards young boys, sure it wasn't on Berserk's level of gore / rape fetish, but it certainly did have a flair for blood.
Lots of villains leave the protagonists / give them a chance to win. Look at how often Guts has been spared.

There's always going to be certain cliches. Badass main character searching for vengeance, took on a curse, mysterious dark past, rag tag team of friends. Sounds pretty familiar to me.

It's all in the execution, in SAO I felt like it was actually moving somewhere, in Berserk I feel like it's not moved in forever, even as I marathon read it through.
Jan 19, 2011 2:58 AM

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Apr 2009
5790
I don't like how you focus on gore/rape/etc., only kids and immature brats read it for that.
The character interactions in Berserk are vastly superior, that's one of my main reasons for liking it.
Jojolion anime when?
Jan 19, 2011 3:18 AM

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1863
It's because it's a main point of the manga?
The whole point behind Berserk is vengeance, brutal, restless vengeance, further emphasised by his shiny new armour which unleashes his bestial bloodlust, only quelled by the innocence of an itty bitty witch. Berserk - Berserker - enraged, reckless, uncaring about their lives or others.

Hell, Muira does pull off the brutality brilliantly, but the last arc that I remember really being into was probably the heretic killing arc.
Jan 19, 2011 11:26 AM

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I know what it means, but it seems like you're just reducing the theme of revenge only to violence. And this is a grave mistake, after all one of the biggest points of the last arc was to show Gutts once again that revenge comes with the loss of important things. The overcoming of revenge was emphasized pretty heavily.

And if I just wanted some brutality, I would watch genocyber...
Jojolion anime when?
Jan 19, 2011 11:47 AM

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Berserk is vastly superior to SAO: in story, in character depth, and especially in the character of the antagonist. Griffith has a real personality with enormous philosophical depth surrounding him. Aji Tae had potential to be a complex character, but he was quickly reduced to a 1-dimensional crazy cartoon villain who is pure evil. There are a lot of superficial similarities between Griffith and Aji Tae, and Guts and Munsu, but that's all they are: superficial. Granted Aji Tae is what a lot of people think Griffith is, and I think that's very sad, because Griffith's character and the cosmic themes he represents offers SO much more.
Jan 31, 2011 12:50 PM

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Neiru2012 said:
Berserk is vastly superior to SAO: in story, in character depth, and especially in the character of the antagonist. Griffith has a real personality with enormous philosophical depth surrounding him. Aji Tae had potential to be a complex character, but he was quickly reduced to a 1-dimensional crazy cartoon villain who is pure evil. There are a lot of superficial similarities between Griffith and Aji Tae, and Guts and Munsu, but that's all they are: superficial. Granted Aji Tae is what a lot of people think Griffith is, and I think that's very sad, because Griffith's character and the cosmic themes he represents offers SO much more.


Totally agree with everything you said. Berserk has so much depth to the characters.. the most depth to be found anywhere basically, not just in manga, but it even outdoes or matches characters in long ass novels. SAO had potential, but yeah. The ending was ridiculously stupid and ruined such a good manga. It started off well, then degenerated into trash(story/plot wise). The art is also spectacular, but so it berserk. But it's not the art alone that makes Berserk a classic. It's the storytelling, the depth of characters, the philosophy, the violence, the setting/epic backdrop, etc etc.
Feb 15, 2011 4:26 AM

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May 2009
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@ bakakawaii

lol what?.....doesn't human relations, adventure/journey fall under the category of shonen?.....and well I don't really see anything in SAO that makes it feel like it can't be aimed at younger readers.....again I'm not reducing SAO to anything like what you are doing to berserk....that's just how it felt like to me while I was reading the series....a shonen, high fantasy.......but a good shonen high fantasy at that....with good characters, good story, and great art....but with a stupid ending sad to say.....

and just like the other users above me.....the way your reducing berserk's theme of revenge to purely violence is absurd.....there's more to that bro...
"In every age, in every place, the deeds of men remain the same."

Jul 5, 2011 7:48 AM

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Jun 2007
2253
I agree with everything S_MasochistS said. Lots of people in this thread are putting Berserk on some kind of pedestal out of affection for it. Undeniably, the characterisation easily tops most work seen elsewhere, but it doesn't go as deep as people are suggesting. One man has a dream, another wants his own dream, the two ultimately become rivals and - in order to punish the lead - the villain rapes his woman in front of him. It isn't hard to summerise and the triangular relationship of the three leads was extended through a combination of graphic violence and sex. The manga wouldn't be what it is without its brutal fighting and occasional raping.

SAO does, towards the end, become a mess, but I find it difficult to say Berserk is definitely the better of the two because of this. The way it's going, Berserk may never have an ending to complain about. Ever since the eclipse arc, the characterisation/plot has all but grinded to a halt. The conviction arc, though very good, wasn't needed--Griffith could have simply emerged into the world without needing a repeat of the eclipse to do so. Miura has fallen into the trap of all popular serialized works by attempting to continue the story without advancing anything ny inserting a legion of new allies and enemies.

Berserk's reverted back to its episodic arcing from the beginning, nowadays, and SAO's numerous arcs are the more interesting because they were adaptations of largely unknown Korean fact and fiction.
Jun 25, 2012 12:56 PM

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1071
AironicallyHuman said:
I agree with everything S_MasochistS said. Lots of people in this thread are putting Berserk on some kind of pedestal out of affection for it. Undeniably, the characterisation easily tops most work seen elsewhere, but it doesn't go as deep as people are suggesting. One man has a dream, another wants his own dream, the two ultimately become rivals and - in order to punish the lead - the villain rapes his woman in front of him. It isn't hard to summerise and the triangular relationship of the three leads was extended through a combination of graphic violence and sex. The manga wouldn't be what it is without its brutal fighting and occasional raping.

SAO does, towards the end, become a mess, but I find it difficult to say Berserk is definitely the better of the two because of this. The way it's going, Berserk may never have an ending to complain about. Ever since the eclipse arc, the characterisation/plot has all but grinded to a halt. The conviction arc, though very good, wasn't needed--Griffith could have simply emerged into the world without needing a repeat of the eclipse to do so. Miura has fallen into the trap of all popular serialized works by attempting to continue the story without advancing anything ny inserting a legion of new allies and enemies.

Berserk's reverted back to its episodic arcing from the beginning, nowadays, and SAO's numerous arcs are the more interesting because they were adaptations of largely unknown Korean fact and fiction.


Well said. Ultimately, i think the two series are too different to really compare.. different goals, audience, etc..
Jun 26, 2012 2:05 PM
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MajorAddiction said:
Well said. Ultimately, i think the two series are too different to really compare.. different goals, audience, etc..

Well said? The post shows a very basic understanding (and I use understanding extraordinarily lightly) of Berserk and its themes.

AironicallyHuman said:
One man has a dream, another wants his own dream, the two ultimately become rivals and - in order to punish the lead - the villain rapes his woman in front of him. It isn't hard to summerise and the triangular relationship of the three leads was extended through a combination of graphic violence and sex. The manga wouldn't be what it is without its brutal fighting and occasional raping.

Okay, the relationship between Guts and Griffith is far more complex than given credit here. Guts basically has no dream and never had any desire to have his own dream until he actually heard Griffith say he wouldn't consider anyone his friend unless they were his equal (which admittedly was also bull because he clearly cared for Guts). Even then, he's still in Griffith's shadow without even realising it. That was the point he was trying to make to himself when he left the Hawks behind, but again, Griffith had set him on that path, even if unintentionally. Guts idolised Griffith like everyone else, but he never realised the extent of Griffith's feelings towards him.
I mean, you could probably even make a solid case for Griffith being in love with Guts. As we've seen, the thing that is most important to Griffith is his dream. He's sacrificed a lot, even before the Eclipse, to reach that point, and yet Guts was the only thing that could make him forget his dream. Griffith confided in the guy, risked his life for him, and like every Hawk noticed, certainly treated Guts differently than he did anyone else. I mean, when Guts left, there's no reason that Griffith would even need him to stay. Sure he's a great fighter, but the war is over and Griffith's not exactly too shabby himself. His path to the throne is clear. There's no reason that Griffith wanted him around other than because they were friends.
You see, there never really was a rivalry between the two. They never tried to one-up the other, they never disliked each other, they just seemed like guys who would be rivals because they were near-exact opposites of each other and because it's a standard anime/manga cliche.

AironicallyHuman said:
Ever since the eclipse arc, the characterisation/plot has all but grinded to a halt.
Now this statement is so baffling to me that I can not even begin to wrap my mind around it.
Guts, Griffith and basically every single character are way different since the Eclipse or when they were first introduced. Every one of Guts' companions have gone through changes. Guts is way different from the end of the Eclipse arc. Even Zodd has changed. How can anyone say this?
The plot has gone way past the Eclipse. I mean, the Golden Age was a prologue. It was a flashback. Once we reached the end the story continued. We'd seen Guts go along his path of revenge without understanding why till he eventually seemed to break, and then we continued after that, when he stopped on his path, and went back to search for Caska.
And not just Guts. Look at all Griffith's accomplished since then. He's finally reached his dream. He's created a new world. The astral and physical realms have merged. He's basically the Messiah.

AironicallyHuman said:
The conviction arc, though very good, wasn't needed--Griffith could have simply emerged into the world without needing a repeat of the eclipse to do so.
Okay, scratch what I said before, this is baffling.
The Conviction arc was one of the most important arcs thus far.
Firstly, it gave us our look at the Berserk cosmology. We learnt about the human religion of Berserk, the desires of humanity in the Berserk world (which is pretty important considering that's why Griffith is the White Hawk), we learnt about the new type of Behelit, there was Eggman sacrificing himself to create the new perfect world, Griffith's rape of Caska turned into an act that he may have been compulsed to as it turned out he needed the kid to be reborn which he was merged with, there was a great deal of commentary on human nature, and not just that, there was more grounded stuff, Guts realised he'd messed up by running off to go have revenge for two years and how important Caska was to him, etc.
And yeah, Griffith could've re-emerged without it. That's why we saw the God Hand running around in the normal world all the time previously in the manga.

AironicallyHuman said:
Miura has fallen into the trap of all popular serialized works by attempting to continue the story without advancing anything ny inserting a legion of new allies and enemies.
Without advancing anything? Okay, now I just feel like I'm banging my head against a wall.

AironicallyHuman said:
Berserk's reverted back to its episodic arcing from the beginning, nowadays, and SAO's numerous arcs are the more interesting because they were adaptations of largely unknown Korean fact and fiction.
And what does being Korean have to do with making it interesting?

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