| What really made me have an aneurysm is trying to decipher your post Jesus Christ |
"Most anime makers are basically autistic" - Hideaki Anno |
| what the fuck are you even trying to say. can't you write normally. |
| Can somebody translate? Thanks... |
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Reply to Piromysl
Can somebody translate? Thanks...
| @Piromysl i feel like no even i could. and i can usually understand RobertBobert's posts xD |
| you've got a point but try and write more coherently next time |
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| I tried to read it, but had no idea what it meant. Gabriel Dropout is absolutely goated though. |
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| Why all the caps lock? Seems like you are yelling at someone... Anyways, I always found funny how Oshi no Ko is produced by Kadokawa despite the manga being published by Shueisha. And it's not every day you see a high quality production like that from them... |
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| Ah yeah yeah got it. That's cool I guess |
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| I just wish that instead of buying Dogo Kobo, Kadokawa would focus on what really matters: No Game No Life season 2. |
| My opinion of Kadokawa as a whole is already beneath the gutter level ever since they, without any evidence of just cause or a hint of hesitation or compunction, eviscerated the heart and soul of Kemono Friends and butchered that franchise and its prospects as an anime series into a mangled and distorted husk. All for what, from the outside at least, only looks like pure unbridled greed and a power trip. And the fact that they're sitting on Haruhi IP indefinitely, preventing its return as an anime and keeping it artificially in limbo. They have done some ugly, ugly things. But as always when discussing any company, any government, any other form of organization, or even any individual, the story is more complicated and nuanced. Especially as such a giant in the industry, I'm sure they have done good as well as bad things. |
| I don't expect noteworthy problems, Kadokawa is a good producer and Doga Kobo will hopefully continue to be a good studio with its new owner. |
3inPunisher said: Oh yeah, and before you pass away, they also own the studio that animated made in abyss, One quick google search will tell you how kinema citrus is shared between kadokawa AND bushiroad. In doga kobo's case, they are now a studio directly under kadokawa, who used to say they aim to make at least 40 anime A YEAR (this is a case no more but they are still a gigantic red flag). Engi studio being a complete shitshow of a studio doesn't help their case at all. Obviously no one can tell what will happen in the future but people have all the evidence they need to be concerned. |
| I don't know what's going on, but rest in peace, I guess. |
| "RIP the anime industry" is generally more apt. Good anime has been the exception for quite a while, and I'm fine with that because I couldn't handle 40 good anime a season. I'm not saying we're going to lose those exceptions, or that it's going to improve. Rather, the anime industry is already a conveyor belt that sucks talented people dry and casts them aside, and this on top of the fiduciary duty becoming part of the corporate religion in Japan means the anime industry is no longer what it once was. Just look at Yuru Camp. Replaced the entire staff that made it great, turning a 10/10 to a 7/10. There could be many reasons or this, but all of them if replicated suggest the anime medium is on the decline. |
| monopoly will always lead to decline in quality. looks like another capslock for capital money. rest in japenese smol capsules. |
| Ok. That was a little bit weird post. O_o |
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