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Oct 28, 2022 10:50 AM

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Because a lot of love and passion goes into making Mob than OPM. It's also relatively easier to animate Mob. In addition to the show's great scheduling and great staff in Studio Bones. All in all, Mob has a lot of positives going for it. Cheers!

Oct 28, 2022 10:57 AM
sleeping sleuth

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Bones is in love with Mob Psycho/reigen lmao

but tbh i think OPM gets fine treatment as well (aside from taking long between seasons).




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Oct 28, 2022 11:18 AM
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mechian said:
I'm perplexed, 3 seasons of good animation with minimal delay between each.

But OPM struggles to get decent animation (after S1) and 4-5 years gap between each.

No question that OPM is the more well known and popular IP.

It also has an official manga by Murata while Mob still has the ugly drawings.

another amature guy underestimating mob psycho
Oct 28, 2022 11:52 AM

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todd2580 said:
Germs_N_Spices said:
OPM is *too* popular for its own good, which is why the producers rushed the second season out with JC Staff instead of booking with a more reliable studio for a later release.

It isn’t the case of a reliable anime studio the schedule given by the production committee was tight for J.C.Staff anyways so if it was any other anime studio it could have been worse.


I mean JC Staff was one of few studios pushing out a dozen shows a season. It's not entirely uncorrelated. Most other studios wouldn't even consider stressing their schedules.
Oct 28, 2022 12:22 PM
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Mob Psycho is a better story, with better characters and worldbuilding. One Punch Man isn't really all that special.
Oct 28, 2022 1:46 PM
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because its better than OPM of course
Oct 28, 2022 2:11 PM

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Because it is better

>end of thread
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Oct 28, 2022 2:50 PM
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Different studios.
Oct 28, 2022 6:02 PM
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Germs_N_Spices said:
todd2580 said:

It isn’t the case of a reliable anime studio the schedule given by the production committee was tight for J.C.Staff anyways so if it was any other anime studio it could have been worse.


I mean JC Staff was one of few studios pushing out a dozen shows a season. It's not entirely uncorrelated. Most other studios wouldn't even consider stressing their schedules.

You never knows since most anime studios nowadays doing more than they can handle so it isn’t about J.C Staff only.
Oct 28, 2022 6:22 PM

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why are most people being stupid in the replies?

madhouse fell off hard after OPM s1, and lost a lot of it's staff. the years after were the years when madhouse was at it's worse, which is why they didn't, no, couldn't take OPM s2. but the show was STUPID popular, which resulted in the producers trying to push it out as soon as a studio was willing to take. and that studio... was a pretty shit one. at least compared to other "big" studios.

S2 really tainted the ip of one punch man, and it was clear that fans didn't want another Jc staff season.

so it never got one... until recently. which I'm guessing is because of the manga, since despite not reading it, i know there is a universe wide fight going on between saitama and the other guy, what was his name, garu? something like that

so yeah, that's the gist of it
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Oct 28, 2022 9:22 PM

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Apolygon2 said:
why are most people being stupid in the replies?

madhouse fell off hard after OPM s1, and lost a lot of it's staff. the years after were the years when madhouse was at it's worse, which is why they didn't, no, couldn't take OPM s2. but the show was STUPID popular, which resulted in the producers trying to push it out as soon as a studio was willing to take. and that studio... was a pretty shit one. at least compared to other "big" studios.

S2 really tainted the ip of one punch man, and it was clear that fans didn't want another Jc staff season.

so it never got one... until recently. which I'm guessing is because of the manga, since despite not reading it, i know there is a universe wide fight going on between saitama and the other guy, what was his name, garu? something like that

so yeah, that's the gist of it


Looks like we meet again

Madhouse had various stages of fallout, none of them are related to One Punch Man.

The first time happened around 2010-2011 when Satsohi Kon died, around the same time Redline ended up being a financial failure, which resulted in them being bought by NTV, unable of having power of their projects, Masao Maruyama left to create Mappa.

The second time was when a lot of the staff realized that they cannot make the projects they wanted to make, somewhere around 2012, a lot of people left, notably Yuasa and Hosoda left to create Science Saru and Chizu respectively.

The third time was somewhere around 2014?-2016? when Hunter X Hunter producer left to create studio VOLN and Death Parade producer left to create studio NUT.

> madhouse fell off hard after OPM s1, and lost a lot of it's staff

A lot of them did work on Acca/Boogiepop/Sonny Boy, basically on all of Shingo Natsume's projects thanks to [https://anilist.co/staff/156867/Yuuichirou-Fukushi]
Oct 28, 2022 10:01 PM
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ryzxgum said:
DexterDrubo said:

Simple Answer: Mob deserves it anyway more than OPM.

And their studio is different too and made by same author and also Mob had a good gap after s2.

i like mob more than OPM but its still crazy to say one "deserves it more" than the other

both deserve the same level of treatment

All stories are not on the same level I genuinely believe that there are stories that deserve better treatment based on quality. Now deciding which is better is entirely subjective and personally I’d give Mob the win over OPM any day.
Oct 28, 2022 10:20 PM

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Etherius_ZS said:
Apolygon2 said:
why are most people being stupid in the replies?

madhouse fell off hard after OPM s1, and lost a lot of it's staff. the years after were the years when madhouse was at it's worse, which is why they didn't, no, couldn't take OPM s2. but the show was STUPID popular, which resulted in the producers trying to push it out as soon as a studio was willing to take. and that studio... was a pretty shit one. at least compared to other "big" studios.

S2 really tainted the ip of one punch man, and it was clear that fans didn't want another Jc staff season.

so it never got one... until recently. which I'm guessing is because of the manga, since despite not reading it, i know there is a universe wide fight going on between saitama and the other guy, what was his name, garu? something like that

so yeah, that's the gist of it


Looks like we meet again

Madhouse had various stages of fallout, none of them are related to One Punch Man.

The first time happened around 2010-2011 when Satsohi Kon died, around the same time Redline ended up being a financial failure, which resulted in them being bought by NTV, unable of having power of their projects, Masao Maruyama left to create Mappa.

The second time was when a lot of the staff realized that they cannot make the projects they wanted to make, somewhere around 2012, a lot of people left, notably Yuasa and Hosoda left to create Science Saru and Chizu respectively.

The third time was somewhere around 2014?-2016? when Hunter X Hunter producer left to create studio VOLN and Death Parade producer left to create studio NUT.

> madhouse fell off hard after OPM s1, and lost a lot of it's staff

A lot of them did work on Acca/Boogiepop/Sonny Boy, basically on all of Shingo Natsume's projects thanks to [https://anilist.co/staff/156867/Yuuichirou-Fukushi]


I meant show wise.

from 2016-2020 mad house had very little shows, and most of them weren't the best of the best when it came to production.

in 2015 despite their losses they still made opm and death parade, which look amazing.

but after that they didn't make a single show that good looking, untill last years' sonny boy.

my point was after opm s1, mad house wasn't in the place to make s2.

which is true.

your extra information was nice, but it was mostly unrelated and unecessary.
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Oct 28, 2022 10:51 PM

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Apolygon2 said:
Etherius_ZS said:


Looks like we meet again

Madhouse had various stages of fallout, none of them are related to One Punch Man.

The first time happened around 2010-2011 when Satsohi Kon died, around the same time Redline ended up being a financial failure, which resulted in them being bought by NTV, unable of having power of their projects, Masao Maruyama left to create Mappa.

The second time was when a lot of the staff realized that they cannot make the projects they wanted to make, somewhere around 2012, a lot of people left, notably Yuasa and Hosoda left to create Science Saru and Chizu respectively.

The third time was somewhere around 2014?-2016? when Hunter X Hunter producer left to create studio VOLN and Death Parade producer left to create studio NUT.

> madhouse fell off hard after OPM s1, and lost a lot of it's staff

A lot of them did work on Acca/Boogiepop/Sonny Boy, basically on all of Shingo Natsume's projects thanks to [https://anilist.co/staff/156867/Yuuichirou-Fukushi]


I meant show wise.

from 2016-2020 mad house had very little shows, and most of them weren't the best of the best when it came to production.

in 2015 despite their losses they still made opm and death parade, which look amazing.

but after that they didn't make a single show that good looking, untill last years' sonny boy.

my point was after opm s1, mad house wasn't in the place to make s2.

which is true.

your extra information was nice, but it was mostly unrelated and unecessary.


> from 2016-2020 mad house had very little shows, and most of them weren't the best of the best when it came to production.
> but after that they didn't make a single show that good looking, untill last years' sonny boy.

Acca 13, Chihayafuru S3, Cardcaptor Sakura sequel, Okko's Inn all look beautiful though. They might not move as much as OPM's action, but they still move and all have way better art direction than OPM. Most of the non-action scenes of OPM are just characters talking with their mouth moving with only 3 frames of animation, something like Acca 13 goes far beyond that with excellent character acting.
https://www.sakugabooru.com/post?tags=acca%3A_13_ku_kansatsu_ka+character_acting+

Boogiepop was unfortunate for having multiple production issues, first time related to the authors of the novel and then with Kadokawa but despite that multiple webgen animators did work on it. Obviously, it's not as good as the original PV
but it still looks competent.
https://www.sakugabooru.com/post?tags=boogiepop_wa_warawanai+

>in 2015 despite their losses they still made opm and death parade, which look amazing.
But none of those losses matter in the production of those shows. Most of the studios in the anime industry relies on freelancers and OPM was just another example, Death Parade is a completely different topic as it was a part of the Young Animators Training Project.

>my point was after opm s1, mad house wasn't in the place to make s2.
It's not that Madhouse wasn't in the position to make S2, the studio already had younger directors like Yousuke Hatta (Ousama Ranking), Daiki Hirashina (Monster Strike MV) and Keiichiro Saito (Bocchi the Rock), so they "could" have.

I'm just trying to argue with the first paragraph of your initial post, everything later in your initial post is obviously correct.
Etherius_ZSOct 29, 2022 12:21 AM
Oct 29, 2022 1:14 AM

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Etherius_ZS said:
Apolygon2 said:


I meant show wise.

from 2016-2020 mad house had very little shows, and most of them weren't the best of the best when it came to production.

in 2015 despite their losses they still made opm and death parade, which look amazing.

but after that they didn't make a single show that good looking, untill last years' sonny boy.

my point was after opm s1, mad house wasn't in the place to make s2.

which is true.

your extra information was nice, but it was mostly unrelated and unecessary.


> from 2016-2020 mad house had very little shows, and most of them weren't the best of the best when it came to production.
> but after that they didn't make a single show that good looking, untill last years' sonny boy.

Acca 13, Chihayafuru S3, Cardcaptor Sakura sequel, Okko's Inn all look beautiful though. They might not move as much as OPM's action, but they still move and all have way better art direction than OPM. Most of the non-action scenes of OPM are just characters talking with their mouth moving with only 3 frames of animation, something like Acca 13 goes far beyond that with excellent character acting.
https://www.sakugabooru.com/post?tags=acca%3A_13_ku_kansatsu_ka+character_acting+

Boogiepop was unfortunate for having multiple production issues, first time related to the authors of the novel and then with Kadokawa but despite that multiple webgen animators did work on it. Obviously, it's not as good as the original PV
but it still looks competent.
https://www.sakugabooru.com/post?tags=boogiepop_wa_warawanai+

>in 2015 despite their losses they still made opm and death parade, which look amazing.
But none of those losses matter in the production of those shows. Most of the studios in the anime industry relies on freelancers and OPM was just another example, Death Parade is a completely different topic as it was a part of the Young Animators Training Project.

>my point was after opm s1, mad house wasn't in the place to make s2.
It's not that Madhouse wasn't in the position to make S2, the studio already had younger directors like Yousuke Hatta (Ousama Ranking), Daiki Hirashina (Monster Strike MV) and Keiichiro Saito (Bocchi the Rock), so they "could" have.

I'm just trying to argue with the first paragraph of your initial post, everything later in your initial post is obviously correct.


I will admit that I forgot about chihayafuru, but acca 13 didn't have the best production as far as animation goes. I love that show and I think it is visually amazing, but that was because the show had little to know shots that needed a ton of animation, so the art style and directing where enough to make it look great.

they still had good staff, I just don't think they had enough people to animate something as action heavy as OPM.

If you think I'm wrong, then I really want to why you think they didn't take it?
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Oct 29, 2022 2:08 AM

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Apolygon2 said:
Etherius_ZS said:


> from 2016-2020 mad house had very little shows, and most of them weren't the best of the best when it came to production.
> but after that they didn't make a single show that good looking, untill last years' sonny boy.

Acca 13, Chihayafuru S3, Cardcaptor Sakura sequel, Okko's Inn all look beautiful though. They might not move as much as OPM's action, but they still move and all have way better art direction than OPM. Most of the non-action scenes of OPM are just characters talking with their mouth moving with only 3 frames of animation, something like Acca 13 goes far beyond that with excellent character acting.
https://www.sakugabooru.com/post?tags=acca%3A_13_ku_kansatsu_ka+character_acting+

Boogiepop was unfortunate for having multiple production issues, first time related to the authors of the novel and then with Kadokawa but despite that multiple webgen animators did work on it. Obviously, it's not as good as the original PV
but it still looks competent.
https://www.sakugabooru.com/post?tags=boogiepop_wa_warawanai+

>in 2015 despite their losses they still made opm and death parade, which look amazing.
But none of those losses matter in the production of those shows. Most of the studios in the anime industry relies on freelancers and OPM was just another example, Death Parade is a completely different topic as it was a part of the Young Animators Training Project.

>my point was after opm s1, mad house wasn't in the place to make s2.
It's not that Madhouse wasn't in the position to make S2, the studio already had younger directors like Yousuke Hatta (Ousama Ranking), Daiki Hirashina (Monster Strike MV) and Keiichiro Saito (Bocchi the Rock), so they "could" have.

I'm just trying to argue with the first paragraph of your initial post, everything later in your initial post is obviously correct.


I will admit that I forgot about chihayafuru, but acca 13 didn't have the best production as far as animation goes. I love that show and I think it is visually amazing, but that was because the show had little to know shots that needed a ton of animation, so the art style and directing where enough to make it look great.

they still had good staff, I just don't think they had enough people to animate something as action heavy as OPM.

If you think I'm wrong, then I really want to why you think they didn't take it?


> they still had good staff, I just don't think they had enough people to animate something as action heavy as OPM.

Most animators in the industry are more into action though, it's the character animators that are very rare. How many anime can you think of that has consistent character animation throughout their run? Majority of them are also concentrated around a few studios like KyoAni or Cloverworks. It's also the same reason you see most idol anime resort to CG during their idol performances, obviously there are exceptions like Idolmaster which is from the Yuichi Fukushima team that works at.... Cloverworks.

Regarding not having enough people to animate, that's why freelancers exist and it's also the same reason how S1 was able to be made, so it's upto the animation producer to bring freelancers to work on the anime. The problem here though, is that since they are freelancers, producers from others studios also have connections with them and would like them to work on their own shows, so it all depends upon their scheduling. This is another reason why Boogiepop's production was so unfortunate because Yuzuru Tachikawa (Death Parade dir.) brought a bunch of freelance animators to work on Mob Psycho 100 S2 and few others were scattered among AOT S3 (Arifumi Imai)/Carole & Tuesday (Bahi Jd)/My Hero Academia S4-Movie 2 (Yutaka Nakamura).

> If you think I'm wrong, then I really want to why you think they didn't take it?

As for why they didn't take it, you have already explained majority of it
but the show was STUPID popular, which resulted in the producers trying to push it out as soon as a studio was willing to take. and that studio... was a pretty shit one. at least compared to other "big" studios.


Natsume and Fukushi moved on to doing something new, which was Acca-13, so they didn't have the "time" to do something else at the same time. I have already said in my previous reply that I was arguing with you because of your
madhouse fell off hard after OPM s1, and lost a lot of it's staff. the years after were the years when madhouse was at it's worse, which is why they didn't, no, couldn't take OPM s2.
Oct 29, 2022 3:59 AM

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Etherius_ZS said:
Apolygon2 said:


I will admit that I forgot about chihayafuru, but acca 13 didn't have the best production as far as animation goes. I love that show and I think it is visually amazing, but that was because the show had little to know shots that needed a ton of animation, so the art style and directing where enough to make it look great.

they still had good staff, I just don't think they had enough people to animate something as action heavy as OPM.

If you think I'm wrong, then I really want to why you think they didn't take it?


> they still had good staff, I just don't think they had enough people to animate something as action heavy as OPM.

Most animators in the industry are more into action though, it's the character animators that are very rare. How many anime can you think of that has consistent character animation throughout their run? Majority of them are also concentrated around a few studios like KyoAni or Cloverworks. It's also the same reason you see most idol anime resort to CG during their idol performances, obviously there are exceptions like Idolmaster which is from the Yuichi Fukushima team that works at.... Cloverworks.

Regarding not having enough people to animate, that's why freelancers exist and it's also the same reason how S1 was able to be made, so it's upto the animation producer to bring freelancers to work on the anime. The problem here though, is that since they are freelancers, producers from others studios also have connections with them and would like them to work on their own shows, so it all depends upon their scheduling. This is another reason why Boogiepop's production was so unfortunate because Yuzuru Tachikawa (Death Parade dir.) brought a bunch of freelance animators to work on Mob Psycho 100 S2 and few others were scattered among AOT S3 (Arifumi Imai)/Carole & Tuesday (Bahi Jd)/My Hero Academia S4-Movie 2 (Yutaka Nakamura).

> If you think I'm wrong, then I really want to why you think they didn't take it?

As for why they didn't take it, you have already explained majority of it
but the show was STUPID popular, which resulted in the producers trying to push it out as soon as a studio was willing to take. and that studio... was a pretty shit one. at least compared to other "big" studios.


Natsume and Fukushi moved on to doing something new, which was Acca-13, so they didn't have the "time" to do something else at the same time. I have already said in my previous reply that I was arguing with you because of your
madhouse fell off hard after OPM s1, and lost a lot of it's staff. the years after were the years when madhouse was at it's worse, which is why they didn't, no, couldn't take OPM s2.


fair enough, that makes sense
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Oct 29, 2022 4:35 AM
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Apolygon2 said:
why are most people being stupid in the replies?

madhouse fell off hard after OPM s1, and lost a lot of it's staff. the years after were the years when madhouse was at it's worse, which is why they didn't, no, couldn't take OPM s2. but the show was STUPID popular, which resulted in the producers trying to push it out as soon as a studio was willing to take. and that studio... was a pretty shit one. at least compared to other "big" studios.

S2 really tainted the ip of one punch man, and it was clear that fans didn't want another Jc staff season.

so it never got one... until recently. which I'm guessing is because of the manga, since despite not reading it, i know there is a universe wide fight going on between saitama and the other guy, what was his name, garu? something like that

so yeah, that's the gist of it




yeah and we still remember how mad and angry OPM community hear JC staff pick up one punch man for S2. looking the result can't blame the community they were right from the start JC staff is really bad back then compare now after recuit new member.
Oct 29, 2022 9:41 PM
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mechian said:
I'm perplexed, 3 seasons of good animation with minimal delay between each.

But OPM struggles to get decent animation (after S1) and 4-5 years gap between each.

No question that OPM is the more well known and popular IP.

It also has an official manga by Murata while Mob still has the ugly drawings.

because its way better lmao
Oct 29, 2022 11:27 PM

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Adampk said:
Because anime reached manga with not enough chapter left for next season. When anime was at episode 12 manga was at chapter 57 (which basically season 2 adapted in 4 episode). There may be of lot of producer decision, studio or other technical reason behind the scene. In the end, one punch man is unlucky. That about it

Edit - Also one punch man is a more complex story with much more world building and diverse cast in comparison to mob psycho. Whether it has emotional weightage or gag is just genre or type of story imo. Even if one punch man is not good as mob psycho, it is still definitely more popular than mob psycho which is straight up fact. All the people who think mob psycho is better, so it got better adaptation is living in naive bubble fantasy world. As if every better adaptation are their favorite shows lol


you nailed it right there. mob psycho was just lucky that it was a passion project from studio bones from the start whereas one punch man isn't. another thing is one punch man season 2 was supposed to come out some time 2020 but the production committee pushed for a 2019 release thats why season 2 of opm was fucked. lets hope upcoming seasons of opm get better treatment by the production committee
Oct 30, 2022 10:05 AM
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did you even see the OPM mangá?
they are dying to animated that, just nonstop fights all the time in this arc
Oct 30, 2022 12:08 PM
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The anime of Mob Psycho is a lot easier to draw compared to OPM. I personally don't like the way Mob Psycho looks, I dislike that drawing style, it's not the worst thing I've seen but it's not that pretty either, it's just meh.

The webcomic on the other hand is ugly. ONE improved his drawing style but it still looks too ugly for my taste.
Oct 30, 2022 1:29 PM
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People think the animation of Mob Psycho is good just thanks to the simple art style and good schedule, but forget that the staff working on it is exceptional and incredibly talented.
Oct 30, 2022 9:05 PM
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Germs_N_Spices said:
OPM is *too* popular for its own good, which is why the producers rushed the second season out with JC Staff instead of booking with a more reliable studio for a later release.


It was rushed, correct. JC Staff isn't an awful studio though. The animation in opm s2 is great for six months in production, which is something a lot of people don't get.

To answer OP, it's not about the gap in releases. It's about how much time it gets in production. AOT S4 part 1 was also given a six month deadline, forcing MAPPA to resort to CGI. Anime production ain't as simple as people make it out to be...
Mash_Oct 30, 2022 9:20 PM
Oct 31, 2022 11:26 AM
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Ewdini said:
did you even see the OPM mangá?
they are dying to animated that, just nonstop fights all the time in this arc


that is what is the point turn something into anime you dumb dumb.

not making a stupid powerpoint
Oct 31, 2022 12:36 PM

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The premise of the question seems to suggest that there are other relevant connections between OPM and MP100 anime adaptations besides the fact that the author of the original material is the same for both.

When even the japanese publishers of the mangas are different, there are no reasons to compare the adaptatiom production of these series. Mob manga run ended in 2017. When the second season began production, the series was already over. So there was always new material do adapt, with time to produce it without crunches to the staff.

One Punch Man is another story, the manga is still being published, not even ONE's webcomic is finished. It's also much more popular than Mob, so there are much more interests involved. The arc that season three is set to adapt was only finished this year, to put it into perspective. The redrawns that Yusuke Murata do for the tankobon releases of the Jump remake also take a long time, and volumes are only now returning to a more regular schedule. I believe that this can also have an impact on the adaptation production, since having volumes of the current arc in the shelves are great to make more money with a series that is still a cash grab, despite the terrible production value of anime season 2.
Nov 2, 2022 4:45 PM
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mechian said:
I'm perplexed, 3 seasons of good animation with minimal delay between each.

But OPM struggles to get decent animation (after S1) and 4-5 years gap between each.

No question that OPM is the more well known and popular IP.

It also has an official manga by Murata while Mob still has the ugly drawings.
well luckily for you opm s3 is coming soon and it’s almost guaranteed to be a better studio then Jc staff. My guess is likely either OLM which would be good or maybe even bones but the reason s2 was so bad was simply because Madhouse fell off hard after season 1 and ended up having to give up the show
Nov 4, 2022 7:31 AM
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Etherius_ZS said:
Apolygon2 said:


I meant show wise.

from 2016-2020 mad house had very little shows, and most of them weren't the best of the best when it came to production.

in 2015 despite their losses they still made opm and death parade, which look amazing.

but after that they didn't make a single show that good looking, untill last years' sonny boy.

my point was after opm s1, mad house wasn't in the place to make s2.

which is true.

your extra information was nice, but it was mostly unrelated and unecessary.


> from 2016-2020 mad house had very little shows, and most of them weren't the best of the best when it came to production.
> but after that they didn't make a single show that good looking, untill last years' sonny boy.

Acca 13, Chihayafuru S3, Cardcaptor Sakura sequel, Okko's Inn all look beautiful though. They might not move as much as OPM's action, but they still move and all have way better art direction than OPM. Most of the non-action scenes of OPM are just characters talking with their mouth moving with only 3 frames of animation, something like Acca 13 goes far beyond that with excellent character acting.
https://www.sakugabooru.com/post?tags=acca%3A_13_ku_kansatsu_ka+character_acting+

Boogiepop was unfortunate for having multiple production issues, first time related to the authors of the novel and then with Kadokawa but despite that multiple webgen animators did work on it. Obviously, it's not as good as the original PV
but it still looks competent.
https://www.sakugabooru.com/post?tags=boogiepop_wa_warawanai+

>in 2015 despite their losses they still made opm and death parade, which look amazing.
But none of those losses matter in the production of those shows. Most of the studios in the anime industry relies on freelancers and OPM was just another example, Death Parade is a completely different topic as it was a part of the Young Animators Training Project.

>my point was after opm s1, mad house wasn't in the place to make s2.
It's not that Madhouse wasn't in the position to make S2, the studio already had younger directors like Yousuke Hatta (Ousama Ranking), Daiki Hirashina (Monster Strike MV) and Keiichiro Saito (Bocchi the Rock), so they "could" have.

I'm just trying to argue with the first paragraph of your initial post, everything later in your initial post is obviously correct.



don't forget afterlost too which had a tight production and was aired in the same season as OPM S2.
Nov 4, 2022 7:33 AM
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RedCobra75 said:
Apolygon2 said:
why are most people being stupid in the replies?

madhouse fell off hard after OPM s1, and lost a lot of it's staff. the years after were the years when madhouse was at it's worse, which is why they didn't, no, couldn't take OPM s2. but the show was STUPID popular, which resulted in the producers trying to push it out as soon as a studio was willing to take. and that studio... was a pretty shit one. at least compared to other "big" studios.

S2 really tainted the ip of one punch man, and it was clear that fans didn't want another Jc staff season.

so it never got one... until recently. which I'm guessing is because of the manga, since despite not reading it, i know there is a universe wide fight going on between saitama and the other guy, what was his name, garu? something like that

so yeah, that's the gist of it




yeah and we still remember how mad and angry OPM community hear JC staff pick up one punch man for S2. looking the result can't blame the community they were right from the start JC staff is really bad back then compare now after recuit new member.



nope you can blame them for setting higher expectations in the first place especially from the manga fans which are a bunch of elite people and doesn't appreciate the hard work that the staff of S2 had put in a very short time.

i'd even say some remarks from the community were so cocky that it's funny.
Nov 7, 2022 7:14 AM

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The story is more organized in Mob Psycho and it is focused on expanding one theme with espers and psychics which have significant presence in One Punch Man as well although they are part of a more complex story, the schedule of the Mob Psycho manga was more consistent and there was already material to adapt into the anime seasons, and also the studio that adapted it cared about it, on the other side One Punch Man's story arcs are all over the place with the manga and the almost abandoned webcomic and it makes adaptions harder as can be seen from the second season which ended inside an arc, the schedule of the manga release is very disorganized and does not have a consistent release like Mob Psycho, in fact it seems like the manga of One Punch Man is more of a side-hobby of the author that releases it whenever they feel like it, rather than belonging to publishing company with a dedicated schedule, just like the webcomic which has been left abandoned long ago, and finally there is not enough material to adapt because the anime is adapting from the manga which is too far behind due to its inconsistent release schedule and also changes a lot of things in comparison with the abandoned webcomic, and together with the studio changes it has created a kind of mess, while Mob Psycho had everything ready, the story, the characters and a good studio.
ElfezenNov 8, 2022 2:42 AM
Nov 9, 2022 9:22 AM

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I don't really know why OPM is treated like that but hope bones takes it after they finish MOB because the styles are similar and I would trust them with it than any other studio tbh.
Nov 9, 2022 9:53 AM
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I’ve noticed that when the animation staff don’t have much to work with art wise from the manga they get really excited and just go off and do whatever they want… I think they just enjoy showing what they can do

Idk about one punch man… it just go unlucky with the studio I guess
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