Dec 10, 2017
Christmas just doesn't seem to hold the same place in anime that it used to. We still get our fair share of Christmas episodes, but the significance of hooking up or being alone on Xmas eve just doesn't seem to have the same importance that it used to. Which is why it's nice to see an ONA dedicated entirely to the holiday, even if it isn't anything to write home about.
Akari Kido is the new intern at the NYPD, having transferred from Tokyo just in time for Christmas. No sooner has she started walking the beat when a mischievous magical girl appears, bringing the
...
toys to life so she can have a big party &/or wreak havoc. It's up to Akari, her partner Emma & somehow transformed into a hero teddy bear Apple to save Christmas & discover how everything links back to her kind hearted father, killed on the beat fifteen jolly holidays ago.
Which is one of the nice things about the story (that sounds more morbid than it's meant to). For various reasons, anime tends to focus on romance rather than family as the theme of Christmas, with Christmas Eve being one of Japan's many "couples" holidays where companies sell them tat & expensive restaurant menus. This time, however, family is the focus, with Akari "returning" to New York treated as part of her coming to terms with her father's death by following in his footsteps (& nobody eats KFC). This theme does get a little lost in the action, but it's nice that it's there.
It's pretty easy to be critical about Sorcery in the Big City. It's rushed, mawkish & predictable, with little beyond the holiday theme & New York setting to make it stand out. Liberty, the magical girl bringing toys to life, isn't much of an antagonist herself & is soon replaced – because her motivations for unleashing violent toys on the streets were just misunderstood, obviously – by an even more pointless & forgettable monster for them all to team up & fight. The characters are all simple stock types with no real development & there really isn't any point or moral to the story, beyond being an excuse for action scenes.
But really, does that matter? It's a 40 minute ONA & as such it being little more than an excuse for some festively themed fights is fine. It's a shame, then, that the climax – despite being incessantly foreshadowed like it's going to be a huge deal - is just Liberty, Apple & Akari teaming up to fight some throwaway monster that has little to do with anything. They could have at least made it a giant evil Santa, or something. Maybe one of the toys Liberty brought to life that goes out of control after she joins the good guys? Something to make the final fight feel connected to the rest of the story? Call me, Japan; I've got so many ideas!
Being set in New York also means we get a chance to see a bit of the old accidental racism that doesn't happen much any more – given how Japancentric modern anime tends to be. If this was set in Tokyo, I'm reasonably confident in saying that Emma would be a big titted Osakan who's gregarious personality contrasts with the more straight-laced & reserved Tokyan (because that dynamic will never get old...). But this is New York so, turning to American media for inspiration, the creators decided the American equivalent is a sassy, fat, black woman who eats doughnuts. Oh no they di'int!
Like everything else though, it's harmless. Sorcery in the Big City exists because mobile game company Xflag teamed up with CGI studio SANZIGEN to make a fluffy, forgettable, action focused Christmas ONA using some Xflag characters. On that note, if you liked the CGI in BBK/BBNK, the visuals here are much the same. It's not going to make anyone's required Christmas anime viewing lists, but if like me you're currently besieged by snow & don't want to watch The Disappearance of Haruhi Snoozemiya or that ToodleDoodle episode for the millionth time, it's not a bad watch.
It's no Mad Bull 34, though.
Reviewer’s Rating: 5
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