Each episode follows Fukuzou Moguro, a traveling salesman, and his current customer. Moguro deals in things that give his customers their heart's desire, and once his deals are made and their unhealthy desires are satisfied, Moguro's customers are often left with terrible repercussions, especially if they break the rules of his deals...
I would like to say first and foremost - fuck this show. Don't watch it. Its mean spirited, morally empty and without a message.
You know anthology shows like The Twilight Zone or Alfred Hitchcock Presents usually give a scenario where you are waiting for a character to "get theirs" or to see where a single mistake can lead you. The setups and endings are different - you could be following a character you want to see succeed or one you want to see fail, and the supernatural aspects they sometimes encounter vary wildly and the shows make good use of plot twists to throw you
off the trail.
The issue with The Laughing Salesman is that it does none of that. Let me explain to you every single episode - every single story, of which there are two in each episode - of The Laughing Salesman.
All people in this world - young and old, male and female - are lonely at heart. My name is Moguro, they call me the Laughing Salesman but I'm no ordinary salesman I deal in peoples hearts, oh no I don't need a single yen the best thing is to see the face of a satisfied customer
Introducing our Japanese worker bee who will be ruined for no reason, ****-san
Something goes wrong
Moguro appears and does his shtick then gives them a device that solves the issue, warning them that if they misuse it or use it to much there will be consequences. Or sometimes he causes the issue himself?
Heres where you might see some variation! The customer either misuses it or is led into scenarios where they have to use it.
PUNISHMENT TIME DOOOOOOOOM
Uneven punishments that usually don't fit the scale of the crime or have an ironic Sisyphean nature to them
And thats it. The issue is that the show never bothers to stray from these tight confines. It is usually not a fulfilling show to watch either, as good people - some who Moguro purposefully creates a situation for them to be trapped into so he can punish them for misusing something he gave them to solve the problem he made - get punished through no fault of their own and for no moral reason. There are stories where the person is pretty shitty and gets whats coming, but I can't think of a single one where they would have ended up at that point without Moguro.
So is the issue that its far too depressing, bleak, pessimistic and fatalistic? Yeah a little bit. But I think the issue is more along the lines of the show just being not very good. Aside from the strong visual direction (aside from flashing to pictures of Hell all the time. Stop doing that its the opposite of clever.) I wouldn't classify this as a good show. It has plenty of things about it that seem interesting and I spent the majority of the season trying to decide if it had some deep commentary on Japanese society, fate or Bystander Syndrome locked in there but I really don't think so - its just a mean spirited show with no human soul. This is in no small part due to the series mascot - the ever smiling, fat and mysterious Laughing Salesman, Moguro. Moguro isn't a human, angel, demon or god. He's not anything. He's just a force, I guess. No story in this happens without his direct intervention, and he seems to have reality bending powers that require the viewer to just roll with it. Want a natural story about a fall from grace? Well fuck off because Moguro's only method of tricking people is to design most of the failure from the ground up. These people aren't bad, even the ones with bad tendencies or those who abuse the power because Moguro is always the one behind it all. Nothing happens without Moguro. Since he is essentially the narrator, I would say he is similar to the Cryptkeeper but with more direct impact on the story. But since none of these stories would happen without Moguro its like...whats the point here? Trying to make a statement about fatalism? Why have the direct hand of Moguro unnaturally steer people in the wrong direction then? Free will? None of these outcomes would have come together without Moguro setting them into a situation which causes the things to happen, and one of these people choose this. Moguro just leads them there, by force or foul play if necessary. If someone denies his requests he will just steal their purse or some shit and runaway until they listen and are connived into a scenario of shit. Its just...ugh. Have a message. The message is never "misuse of power is wrong" or "this is the morally wrong thing to do" its "Haha here is Salaryman Takamoto-san, drink this water that makes you feel better about your shitty life. But don't drink too much or else you'll be punished, probably in a way that doesn't reflect the theme of the episode at all BECAUSE WE HAVE NO THEME."
You know whats scarier then the Devil? The fact that there is no Devil, and humans don't need the help of any evil creature to be evil themselves.
TL;DR – An oddity even among the growing number of anime reboots, The Laughing Salesman offers a darkly comic, pessimistic &, unfortunately, a little bit dated journey through the underside of Japanese society & human nature.
The last few years have seen a growing trend for older series getting new adaptations. From action classics like JoJo's Bizarre Adventures to children's shorts like Bono Bono, an ever growing number of titles are being given new prequels, sequels, remakes, reboots or simply getting an adaptation years after the source material finished publication. This goes double for The Laughing Salesman, adapting a manga by Fujiko Fuko A that
ran from 1969-1971 & was previously adapted into anime from 1989-1992, another period when adapting older titles was in vogue.
At its simplest, The Laughing Salesman can be summed up as a series of morality tales that follow an almost identical structure. We're introduced to a character who, perhaps despite outward appearances, is missing something in their life & is open to ways of finding it. This leads them to encounter Fukuzou Moguro, a sinister looking figure who offers them a solution on condition that they promise not to ignore his instructions. Of course they inevitably do, so each story ends with an ironic punishment.
This structure has led to criticism that The Laughing Salesman is mean spirited. No matter how good or deserving the client seems, or understandable their reasons for breaking their end of the bargain; all of them do it & all are punished for doing so. This criticism I think is based at least partly on the false assumption that you're supposed to agree with what happens to them. The Laughing Salesman is no saint. Indeed, he's not unlike the Devil in Western folklore, seeking out those who might be susceptible to his charms & offering them a deal that seems fair but is designed to encourage his client to break it.
A simple reading would be that the moral of each story is be careful of what your wish for or be weary of offers that seem too good to be true, but it goes beyond that. Many characters start out sympathetic & clearly wronged, but reveal themselves to be hypocrites, liars or just as bad as those who wrong them. As Moguro says to one client toiling at a black company, “who knew you were rather black yourself?” Arguably not all characters really deserve their fate, but then you have to ask where the story is really laying the blame. For example, who's at fault: The old man who breaks his promise not to try to find the fake, online grandson Moguro provides him; or the society that allows the elderly to become so isolated that they would need such a service to begin with?
Ultimately, The Laughing Salesman simply presents his clients with a deal & punishes them for breaking it. The right & wrong of the situation is for the viewer to decide. Having said that, there is undoubtedly meant to be humour in the irony of how things turn out. So while it's debatable what the stance the series takes on events, it is a series that expects the audience to see the funny side in what happens, if perhaps in a "if you can't laugh, what can you do?" way.
That's not to say the execution is flawless. For one thing, there is an annoying reliance on fat &/or old hags being either the punishment or cause of a character taking Moguro's deal. While often used in the context of showing the shallowness of a client's professed love of something or someone, it does get tiresome seeing yet another man be tempted by a beautiful woman & punished with an ugly one. The stories with female clients are also arguably the weakest, with the final one ending with the the very unpleasant implication that her punishment is to be raped by a foreigner.
The Laughing Salesman also has a similar issue that a somewhat similar series (at least at first), Hell Girl, had. Because it follows the same formula for each episode, the result is that very different situations are treated with the same gravity despite clearly not being on the same level. It feels incongruent to see someone punished for wanting to cheat on their wife, only for the next story to be about a guy who just really wants to ride on a favourite train a second time.
The age & occupation of many characters also stands out. Most of Moguro's clients are middle aged salarymen or office workers, with the youngest being a 22 year old university student. While there has been an effort to modernise the setting, a number of characters feel the product of past decades, as well as raising the same questions about how, for instance, nobody would have heard of this very unique looking Salesman that dogged Parasyte's modernisation. There are some, such as the aforementioned old man & a chat room nerd, who feel like appropriately modern takes on the shows formula. But many of the stories use quite familiar stock characters & settings, which can leave The Laughing Salesman feeling its age.
But it doesn't look old. While retaining the artstyle of manga & anime from the 1960s-1970s, this production by Shin-Ei Animation (who also did the previous adaptation) still feels quite modern. While fairly limited overall, the animation for Moguro's “Boom!” sequences, the point where he punishes the client, are all well done & there is good use of switching from the simple art style to more detailed & full of action line stills to emphasise a character's reaction. It all contributes to maintaining a suitably ominous & darkly comic tone, with one notable exception being when a possessed girl is dancing in front of oncoming traffic - the sequence being funny for the wrong reasons.
Most notable is of course the Salesman himself, appearing like a besuited Laughing Buddha with a Cheshire Cat smile that often emerges menacingly from the shadows. His design alone gives him a commanding presence, though commendation goes to the director for often picking just the right angle to amplify the sense of menace he exudes. Credit also to the performance by Tessyo Genda (Violence Jack!) who gives Moguro an unnerving laugh & a voice that can make your skin crawl. But with all that said, it seems likely that some will be put off just by the apparent juxtaposition of an art style now mostly associated with old kids shows with the darker tone of the stories.
Beyond the content of the show itself, though, there is one nagging question: why was this made? What about 2017 made the producers think now is the time to bring The Laughing Salesman back? As mentioned before, the series feels old, not really fitting in even among all the reboots etc being released. It made sense for the manga to be written when it was, when gekiga comics were booming & many mangaka were looking to cater to an audiencve eager for darker, edgier stories. The previous anime adaptation fits in with the transition in anime from space opera optimism to cyberpunk & post apocalyptic pessimism that occurred during the very peak of the bubble economy & the crash that in some ways Japan still hasn't fully recovered from.
But there is no economic crash in 2017. No Japanese New Wave driving artists to challenge the post-war consensus on what is an appropriate subject for media. There is certainly a growing unease about inequality & the failing social contract in Japan, & as mentioned some of the characters do seem to address that. But too many feel like stock characters that could have existed at any time in post or even pre-WW2 media. Office women having to put up with their co-workers talking behind their backs & salarymen cheating on their wives, while still no doubt a feature of Japanese society, just don't feel particularly modern.
There really needed to be more done to make this adaptation stand out as more than just a well done rehash of old ideas; though when viewed purely in the context of today's anime, it still manages to seem different. Even so, fans of series like Paranoia Agent that explore the darker side of people's characters which they'd rather keep hidden should enjoy The Laughing Salesman. Those who expect good things to happen to good people, however, should stay away.
I would like to start out by saying that this show is not as bad as people make it out to be. Each episode there are two people visited by the Laughing Salesman and they end up receiving some sort of punishment for their greediness.
The episodes are not meant to be watched back to back. If you binge-watch the show, it will get real repetitive real quick. On a weekly basis, this anime works. I looked forward to each episode. While all the cases provided may not be relatable, they do show the greedy side of humans. (I especially loved episode 11).
Warau Salesman New is a relatively underrated anime that only gets marked down because of its episodic nature. Some continuity would have been nice but it is still good the way it is. I recommend watching the Warau Salesman New despite its current rating of 6.29. It's a really enjoyable watch.
Warau Salesman New began way back in 1968. It was written by Fujiko Fujio A. It's actually had multiple anime, visual novel games & a short-lived drama. The first anime ran for over a hundred episodes, but we're talking about the newer one today. Because that's the one I was asked to review. Both anime have the same studio, Shin-Ei Animation. Which is best known for the long running Doraemon franchise. So, how does this series hold up? Let's take a look at it and see.
There is no over-arcing narrative to this series. Rather, it's an episodic work where each episode contains two
stories. Each story sees our titular “laughing salesman” Moguro Fukuzou, visit someone who's in some state of desperation. He offers them something that will help them out of their situation, but there's a catch to it. A rule, if you will. Should they be overcome by greed and break that rule they will suffer consequences. Really, the series is built around the schadenfreude of watching the build up that leads to their Electronic Arts moment of delving too deeply and greedily and falling as a result.
Honestly, the biggest issue with the series is just that it's highly formulaic. You know right away who Moguro is going to approach. You know basically how he's going to interact with them and you know that they're going to screw themselves over as a result of their dealings with him. And this isn't a series for children or young teenagers where you can completely forgive that. The series might have benefited from having the occasional situation where they successfully resist temptation and he doesn't get his big “boom” moment as a consequence. It would've added some variety, at least. The series also repeats, basically verbatim, the same dialogue at the start of every single scenario. Because you might have forgotten what the lines are in the ten to twelve minutes it takes for one half of the episode to end and the other to begin.
That being said, the situations are interesting to watch, even though you know the basic way they're going to unfold. And the series does manage to build some tension over what exactly the trap is. It also gives some variety by having some people who really have a karmic kick in the bollocks coming to them while others you can feel kind of sorry for. For example, one of our subjects is a mum who's forcing her child into show business because it was her dream that she had to give up and it's satisfying seeing that total bint get her due. There's another subject who's just a lonely old man who's being ignored by his own family for unexplored reasons. I feel a bit sorry for him.
Each individual story in this series puts the focus on one character, explores what factors have put them in a fallen state and what causes them to fall into Moguro's trap and how the karmic retribution fits. Some characters are better explored than others, with some stories focusing more on the scenario than others, but, in general, you do get enough of the characters to keep the events surrounding them interesting. Although, you do have to question their judgement when they're being completely taken in by someone as sketchy looking as Moguro.
Seriously, the dude looks like he ate one of the Joker's laughing fish and he never stops showing his teeth. Yeah, the occasional character points out that he looks a bit shady but none of them seem to get really sceptical after he's offered them something too good to be true. Nor do you ever see someone just refuse it. I guess he targets people who are a bit desperate and also really gullible.
This series makes use of really old style shounen art with all the exaggerated features and shifting proportions that entails. It looks a bit like Osomatsu-san, actually. Honestly, the art style doesn't work as well here. Here's the thing. That series is completely comedic. It can justify the strange stylistic kinks a lot better than this series where it's somewhat dramatic. In this, it's a bit distracting when a character's size changes from one scene to the next.
This series did get some really talented people including Ishida Akira, Toyoguchi Megumi, & Koyasu Takehito. Then we have Genda Tessyo as our main protagonist. The performances are quite good. The music is pretty average. It's not particularly good nor is it bad. It simply is.
The series doesn't have any.
Honestly, I'm rather fond of this type of series. I like seeing karmic retribution and I find the execution here to be pretty entertaining. It may not be Petshop of Horrors, but I did quite enjoy it. If you're a fan of that type of thing and you can forgive the parts that are rather repetitive, I suggest giving it a go. My final rating is going to stand at a solid 7/10. Next week I'm looking at Rose of Versailles.