Mouri Kogoro is called to a special case in the ancient capital of Kyoto. There, Conan meets Heiji and they team up once again to solve the case, recover the stolen Healing Buddha statue, and even discover the identity of Heiji's first love.
I'm a fan of Detective Conan and I have to say honestly Detective Conan is a love story rather than detective novel.But Crossroad in the Ancient Capital tells something more than love.Among all the Detective Conan movies,this piece should be one of the best.
This time the case happened in Kyoto--former capital of Japan before Tokyo,so this movie is full of Japanese culture:Kendo(剣道),Kabugi(歌舞伎).Also there are Japanese history and places of interest of Tokyo.In a word his movie opens a window to Japanese culture.If you are curious about or interested in the country of Japan,you must not miss it!
Besides culture stuffs,the theme song by Mai Kuraki is another highlight. read more
The cultural themes in this movie are nice and the collaboration between Conan and Heiji is a nice change from the usual solo investigations by Conan.
However, there are a few things that bothered me about this movie:
1) The plot involves a couple of moments that seem rather over the top or out of place for a Conan movie. This involves combat scenes that seem a bit unrealistic, given that our main characters (including casual martial arts practitioner Ran) are not professional fighters, but regular people. Hence, it feels weird that they are not overwhelmed by some moments in this movie, both in terms of skill and mental stress.
This seems different from the usual premise of "Conan" stories: Yes, there are pills that can shrink a person and, yes, there are a few special gadgets, but that's pretty much it then. The rest of the story usually operates within fairly realistic boundaries. In this movie, there were a few moments that made me think "Really?! Oh come on..."
2) The detective story seemed to take a backseat to the action sometimes. That is not a problem in itself, but I felt that it distracted from the main case sometimes.
3) In that regard, it seemed to me that the villains' background stories and motives where rather...forgettable. For some reason, even though the villains' motives were reiterated a couple of times, I had to remind myself of them regularly. This could be due to the fact that a lot of the puzzles in this plot were a bit jumbled & random. It could also be due to the fact that the villains' background stories & motives were simply not very interesting or gripping enough for me to care really.
Instead, it seemed to me as if the scriptwriters had mainly focussed on the idea: "Wouldn't it be exciting if Conan & Heiji were attacked by a samurai-like killer in a Kyoto setting and had to find out who it is?". As a result, one could watch this movie by focussing purely on the hunt for the killer, while forgetting completely about the bigger picture of why there was a killer in the first place. That's enough to make the movie sufficiently entertaining, but I do think it's a bit lame if it feels like the bigger picture of the plot is only(!) written to serve as a set-up for a killer chase.
I didn't regret watching this movie. It was fine. And people who are less bothered by some of the points above or who find the story subjectively more interesting might enjoy it more. Still, I think there are better stories among the many Conan movies.read more